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Art

The Metropolitan Museum To Present Jackson Pollock and Lee Krasner Exhibit

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Krasner and Pollock Past Continuous

Guardians of the Secret- Jackson Pollock

Major Exhibition Dedicated to the Careers of Lee Krasner and Jackson Pollock
 Featuring over 120 works from more than 80 U.S. and international lenders, this exhibition marks the first major New York presentation of either artist’s work in over two decades—and their first at The Met.
Exhibition Dates: October 4, 2026–January 31, 2027
Exhibition Location: The Met Fifth Avenue

(New York, July , 2026)—Krasner and Pollock: Past Continuous at The Metropolitan Museum of Art is a major exhibition that charts the full arc of the careers of Lee Krasner (1908–1984) and Jackson Pollock (1912–1956) in parallel, examining the distinct yet connected practices of these artistic peers and life partners. On view October 4, 2026, through January 31, 2027, it marks the first major New York presentation devoted to either artist in more than 20 years, introducing their work to a new generation while reassessing their enduring impacts on modern and contemporary art.

Krasner and Pollock were emerging artists in New York when they met on the occasion of being included in a 1942 exhibition organized by the artist John Graham. They married in 1945 and moved to Springs, Long Island, where they remained entwined personally, artistically, and professionally until Pollock’s death in 1956. Pollock’s life’s work had secured his legacy, while the nearly three decades that Krasner survived him marked some of the most transformative years of her career. Drawing its subtitle, Past Continuous, from a 1976 painting by Krasner, the exhibition traces parallel lives and practices, first forged by lived experience and then shadowed by memory. It foregrounds the range and art historical significance of Krasner’s work while offering a sustained examination of Pollock’s rich and complex practice.

The exhibition is made possible by Kenneth C. Griffin and Griffin Catalyst, Marina Kellen French, and the Barrie A. and Deedee Wigmore Foundation.

Additional support is provided by Trevor and Alexis Traina, the Aaron I. Fleischman and Lin Lougheed Fund, The Huo Family Foundation, Joyce Kwok, Janice Lee and Joseph Bae, Dina Axelrad Perry, Alice and Tom Tisch, and the Horace W. Goldsmith Foundation.

“With its distinctive premise and scope, Krasner and Pollock: Past Continuous exemplifies The Met’s commitment to reexamining modern art through rigorous scholarship and fresh perspectives,” said Max Hollein, Marina Kellen French Director and Chief Executive Officer of The Metropolitan Museum of Art. “By considering each artist on their own terms while also foregrounding their consequential relationship, the exhibition situates Krasner’s and Pollock’s work within a broader cultural and artistic context—an approach central to the mission of The Met’s Department of Modern and Contemporary Art and to the vision of the forthcoming Oscar L. Tang and H.M. Agnes Hsu-Tang Wing, opening in 2030. This project affirms Krasner and Pollock not only as defining figures of their moment, but as artists whose work continues to shape and inspire future generations.”

“Krasner and Pollock: Past Continuous begins with the fundamental premise that these artists are equals, partners in life, giants in the history of art, and revolutionaries who defined what abstraction could be,” said David Breslin, Leonard A. Lauder Curator in Charge, Department of Modern and Contemporary Art, The Met. “Each found a partner who would insist on the primacy of art over life; and they both aspired to an art that was forged out of historical connections but that also promised freedom and radical possibility in a world forever changed by war. The exhibition concerns entwined lives but is also about how different artistic directions come from shared terrain.”

“Krasner and Pollock: Past Continuous approaches these artists not as a single story, but as two practices unfolding in proximity over time,” said Brinda Kumar, Associate Curator, Department of Modern and Contemporary Art, The Met. “The exhibition examines how Krasner and Pollock shared a commitment to testing the possibilities of abstraction—through shifts in scale, material, and form—and how those investigations continued to evolve along distinct trajectories.”

Krasner and Pollock: Past Continuous follows each artist’s life and work. The exhibition highlights their differences as much as their interrelation, with some galleries that place the artists together and others where they are presented independently. Krasner and Pollock were shaped by their distinct upbringings and formative trainings. Krasner adopted and negotiated the tenets of the European avant-garde, particularly Pablo Picasso, Henri Matisse, and Piet Mondrian. Her training under Hans Hofmann was key to her development. Pollock’s network of broad influences included Thomas Hart Benton and American Regionalism, Mexican mural traditions, Surrealism, and even his own family of artists. Their early paths unfold as complementary divergences, tracing distinct strands of American modernism that would ultimately converge in the rupture known as Abstract Expressionism. For Pollock, his breakthrough was the “drip” technique, a radical mode of painting that flourished in a condensed but prolific period from 1946 to 1951. Krasner’s varied practice was typified by ceaseless explorations of abstraction, often cued by her abiding interest in the possibilities of nature and color. This manifested in bold collages, gestural canvases and vividly hued hard-edge painting. Historically, Pollock’s reputation has eclipsed Krasner’s. Life Magazine asked in 1949 if Pollock was “the greatest living painter in the United States.” His early death and posthumous media attention further amplified his fame and eclipsed critical appraisal of Krasner’s contributions. Today, both artists’ practices are rightly recognized as key to the innovations of art from the mid-20th century onwards. This exhibition continues and amplifies this reevaluation.

The exhibition draws on The Met collection and rarely loaned works from more than 80 U.S. and international lenders, bringing together over 120 paintings, works on paper, and ephemera to reconsider Krasner’s and Pollock’s careers—both on their own terms and in dynamic relation to each another and their shared artistic context. Major institutional lenders include Peggy Guggenheim Collection, MoMA, the Whitney Museum of American Art, Tate, National Gallery of Art, National Gallery of Victoria, Centre Pompidou, Buffalo AKG Art Museum, Dallas Museum of Art, The Art Institute of Chicago, and SFMoMA. The exhibition will also include several rarely seen works from important private collections.

Organized into 12 chapters that span each artist’s career and are punctuated by defining moments, Krasner and Pollock: Past Continuous unfolds from the 1930s through the postwar years to the end of their respective lives, moving between moments of convergence and difference.

The exhibition’s design, informed in part by historic spaces and installations, enhances moments of exchange—across time and practices—while allowing for discrete encounters with works by each artist, from Krasner’s Little Images and Pollock’s drip paintings of the late 1940s to his monumental canvases in the 1950s and Krasner’s Umber and Earth Green series. The exhibition charts ongoing dialogues—Pollock’s late return to earlier motifs in the mid-1950s and Krasner’s extended engagement through the 1960s and 1970s with artists such as Klee, Picasso, Mondrian, and Matisse. This presentation will reveal two artists in constant negotiation with each other, themselves, and the cultural, political, and aesthetic stakes of their time.

A constellation of landmark works anchor the exhibition’s exploration of both artists’ practices, including Lee Krasner’s Composition (1949), The Seasons (1957), The Eye is the First Circle (1960), and Combat (1965), along with Jackson Pollock’s Stenographic Figure (1942), Guardians of the Secret (1943), Lavender Mist: Number 1, 1950 (1950), and The Deep (1953). Two earlier exhibitions, Krasner/Pollock: A Working Relationship (co-organized by Guild Hall and Grey Art Gallery, 1981) and Lee Krasner-Jackson Pollock: Kunstlerpaare Kunstlerfreunde (Kunstmuseum Bern, 1989–90), concentrated on the approximately 15-year overlap in the artists lives, from 1941, when they met, until Pollock’s death in 1956. Krasner and Pollock: Past Continuous is the first exhibition to consider both artists’ practices, in their full chronological sweep, together.

The Met has long been significant for both Krasner and Pollock. Pollock first exhibited a painting at The Met in 1943 in an exhibition in support of World War II. By the end of the decade, he would be among the artists—The Irascibles—who mounted a notable critique of the Museum’s then-prevailing attitude to contemporary art. However, a short while after Pollock’s death, The Met acquired the landmark painting Autumn Rhythm: Number 30, 1950 (1950). The Met’s collection of works by Lee Krasner were complemented by important gifts to the Museum by the artist during her lifetime. The Met was also the venue for Krasner’s memorial service in 1984. Krasner and Pollock: Past Continuous builds on this history, marking the Museum’s first major exhibition devoted to either artist. A focused survey, the exhibition traces the arcs of their artistic developments, offering fresh perspectives on two of the most influential figures of 20th-century art.

The exhibition also reflects The Met’s commitment to showcasing artists whose work continues to shape how art is made and understood today. Krasner’s and Pollock’s contributions to modernism and their serious engagement with the possibilities of painting continues to be significant for the work of contemporary artists. In advance of the opening of the Tang Wing for Modern and Contemporary Art, opening in 2030, Krasner and Pollock: Past Continuous models a curatorial approach that reexamines canonical narratives and connects 20th-century innovations to the concerns of today’s artists and audiences.

Exhibition Catalogue
The exhibition’s accompanying catalogue, Krasner and Pollock: Past Continuous, expands the project’s central themes through newly commissioned texts. Featured essays by the exhibition’s curators as well as Johanna Fateman, Prudence Peiffer, and Matthew Holman consider a range of topics, including Krasner and Pollock’s intertwined creative lives as an artist couple, their strategies of abstraction in the 1950s, and the transatlantic reception of their work, while artist Amy Sillman offers a contemporary painter’s perspective on artistic breakthrough and legacy. The volume also includes an illustrated, interwoven chronology as well as reflections by leading contemporary artists, underscoring the enduring resonance of Krasner’s and Pollock’s work across generations.

The catalogue is made possible by the Pollock-Krasner Foundation.

Additional support is provided by Mattia de Luca, the Aaron I. Fleischman and Lin Lougheed Fund, The Robert David Lion Gardiner Foundation, Karen and Sam Seymour, the Wyeth Foundation for American Art, Suzanne Deal Booth, Ted Stebbins, and Kelly Williams and Andrew Forsyth.

Credits and Related Content
Krasner and Pollock: Past Continuous is curated by David Breslin, Leonard A. Lauder Curator in Charge, and Brinda Kumar, Associate Curator, with the assistance of CJ Salapare, Research Associate, all of the Department of Modern and Contemporary Art, The Met,

The Met will host a variety of exhibition-related programs, to be announced at a later date.

Featured image- “Lee Krasner (American, 1908–1984). Bald Eagle (detail), 1955. Oil, paper, and canvas collage on linen, 77 × 51 1/2 in. (195.6 × 130.8 cm). ASOM Collection © 2026 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York The Met Fifth Avenue”

Combat- Lee Krasner

Autumn Rhythm (Number 30)- Jackson Pollock

Finance

World Economic Forum Report Outlines Long Term “No Regrets”

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New Report Charts Key Strategies and Trade-Offs for Long-Term Growth
The World Economic Forum report outlines key “no-regret” strategies and unresolved dilemmas shaping economic growth in the long-term.

The new economy will be shaped by accelerating AI adoption, geostrategic competition, high public and private debt, and environmental and demographic challenges. Energy costs and political instability currently prevent accelerating growth, while the expansion of IT services, advanced manufacturing, health and leisure will drive output in the future. Read more about the Future of Growth Initiative.

Geneva, Switzerland, April 2026 – As the growth strategies that powered the global economy over the past three decades lose relevance, a new World Economic Forum report calls for a renewed blueprint to navigate a rapidly evolving landscape shaped by AI, geostrategic competition, rising debt and inequality, and mounting environmental and demographic pressures. The report draws on two years of dialogue with nearly 200 global business leaders, policy-makers and experts, and a survey of more than 11,000 executives worldwide.

Four Areas Of Economic Policy


Across four major areas of economic policy, Growth in the New Economy: Towards a Blueprint identifies key “no-regret” strategies and open dilemmas for governments and businesses that will define economic policy in the coming decade:

Technology, productivity and human capital: Sustained growth in the new economy will depend on strengthening productivity and human capital as technology and knowledge become central to value creation. Governments and businesses must navigate between different approaches to translating innovation into new sources of growth and ensuring its benefits are widely shared, pursuing coordinated or competition-led approaches to harness technology and prioritize redistribution or mobility-based strategies for economic inclusion.

Global cooperation and domestic capacity: Leveraging comparative advantage and diversification remain “no-regret” strategies that may enable expansion of economic opportunity and resilience. Yet, governments and businesses will need to balance global engagement with stronger domestic capacity, navigating between self-reliance and global integration strategies.

Business environment and the role of government: In the new economy, reinforcing the fundamentals of economic policy – including credible institutions, high-quality infrastructure and macroeconomic stability – and strengthening multistakeholder alignment continue to be winning strategies. The role of government in economic transformation can range from minimal to more expansive, while policy-makers face hard choices to manage debt levels, shifting between greater fiscal prudence and forms of financial repression.

Sustainability and economic policy: Focusing on the economic and societal benefits of green transition strategies is essential to unlocking long-term prosperity and resilience. Critical dilemmas around how to manage the costs and trade-offs of greener growth persist, with decision-makers navigating a range of investment-led and cost-led strategies.”

The current context demands bold choices and trade-offs from government and businesses. Investing in productivity, talent and reinforcing the fundamentals of economic policy are clear winning strategies that hold across every country and income level,” said Attilio Di Battista, Head of Economic Growth and Transformation, World Economic Forum. “Yet, leaders will need to navigate complex dilemmas while managing record levels of debt and inequalities, rising geostrategic competition, a persisting climate crisis and the fastest technological shift in a generation.”



Shifting engines of global growth


Amid disruptions brought by the current conflict in the Middle East, the report points to long-term shifts in the composition and drivers of economic growth. Middle-income economies are expected to account for nearly two-thirds of global GDP growth through 2030. Regionally, Asia will continue to be the main driver of growth, accounting for more than 50% of global growth. Despite registering the fastest growth rates, low-income economies are projected to contribute just 1% of global growth over the same period.
 
Information technology services, advanced manufacturing, health and healthcare, and accommodation and leisure sectors are expected to drive growth over the next five years, with Asia, Europe and North America as key hotspots. Latin America and the Caribbean will see opportunities in the agriculture, mining and metals sectors.  
 
Opportunities and challenges

Based on the results of the recent survey of 11,000 business leaders, the report highlights high energy costs and policy instability as the two barriers that are constraining an acceleration of economic growth across various geographies and income levels.
 
Other barriers vary by country income level. In high-income economies, skill shortages and rigid regulations are seen as the top barriers, while in low-income economies, limited access to finance and inadequate infrastructure were top concerns.
 
In the long-term, frontier technologies and the green and energy transition are identified as trends that will drive growth and investment, while high debt, societal polarization and climate change are seen as potential headwinds across regions and income levels.
 
Demographic shifts and geoeconomic fragmentation are expected to create divergent growth trajectories, with ageing populations slowing growth in Eastern Asia and Europe, and younger populations supporting growth in the Middle East and North Africa, and Sub-Saharan Africa. Geoeconomic fragmentation is seen as a drag on growth in most countries, though executives expect South-East Asia to benefit from shifting supply chains and trade patterns.
 
In addition, domestic corporate investment and foreign demand are seen as the main drivers of growth over the next five years. Domestic investment is especially important in low- and middle-income economies, while advanced economies look to foreign markets. Domestic consumption and public spending are expected to play a smaller role due to high public debt and stagnant real incomes.

About Growth in the New Economy: Towards a Blueprint
The report draws on two years of dialogues held as part of the World Economic Forum’s Future of Growth Initiative, with policy-makers, business leaders and economists convening in Davos-Klosters, Dubai, New York, Riyadh, Tianjin and Washington DC between 2024 and 2026, and integrates inputs from the Global Future Councils on the Future of Growth and the Business of Economic Growth. It also consolidates insights from more than 11,000 business leaders in 118 countries participating in the World Economic Forum Executive Opinion Survey 2025. Read the full report here.
 
Throughout 2026, the Future of Growth Dialogue Series will continue exploring the emerging frontiers of the new economy, as well as new sources and pathways to growth, productivity and innovation. The Future of Growth Initiative is complemented by the World Economic Forum’s Scenarios for the Global Economy Dialogue Series, leveraging foresight to explore scenarios for the future of growth and their implications for strategy, investment decisions and resilience across industries.

For the Silo, Jarrod Barker.

Art

A Review Of Joan Lyons At Stephen Bulger Gallery Toronto

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When I first walked into Stephen Bulger Gallery to see Joan Lyons’s retrospective exhibition, I exclaimed without much thought: These are so contemporary!

A truly inane statement on my part, for many reasons. First, Joan Lyons is a contemporary artist who continues to make work into her 80s. Secondly, the work I was referring to was made in 1973, not the 1700s. And lastly, why would something being “contemporary” necessarily be a compliment?

Untitled (from the Artifacts Portfolio), 1973 © Joan Lyons / courtesy Stephen Bulger Gallery

I guess what I meant is that there’s an enduring quality to the work.

Photography, at its best, can capture something fundamental about the human condition. This is exactly what Lyons does. I look at her photographs, and I see myself, despite the half-century of time between us. Whether a frustrating conversation with a male doctor, a jacket that I could see myself wearing, or the faces of a woman staring unwaveringly at the camera—there I am.

In “Xerox Transfer Drawings: Women’s Portrait Series,” which spanned from 1972-1980, Lyons set out to capture historical representations of women, by women. Through multiple transfers of the Xerox machine—I recall creating similar portraits as a young girl visiting my mom at work—a single image is constructed. “They are not naturalistic, but awkward in gesture, immobile and flattened—women frozen in their representations,” writes Lyons in the accompanying description of the work. “They countermand the idea of a photographic portrait as the record of a fleeting moment. In the 1970s, I was seeking to find myself as a woman within my culture and to locate my art practice within the history of artmaking.”

“Untitled (from Womens’ Portrait Series)” 1974. © Joan Lyons / courtesy Stephen Bulger Gallery

In these photographs, the image plane is skewed at an unnatural angle.

It’s like gravity doesn’t exist. The portraits feel close, as if the bodies are pressed up against the other side of the glass. The lack of any telling historical or geographic information in these images creates an artifact that exists outside of time.

Lyons writes that she was interested in “constructing,” rather than “taking,” a photograph. This construction of a photographic image is central to most, if not all, of Lyons’s work. Her exhibition at Stephen Bulger Gallery through February 28 feels like a journey through the history of photography.

Lyons wasn’t precious about what camera she used or pledged a relentless allegiance to one brand.

Instead, she used various techniques and equipment—including Xerography, screen-printing, Diazo paper, large-format Polaroids, digital cameras and pinhole photography—as a way to communicate. Through the quirks and features of each, Lyons leans into the medium’s uses and misuses, wielding the camera to best capture not only the reality of life but also its undercurrents of emotion.

Polaroids

About her series of large-scale Polaroids from 1980, Lyons writes: “ ‘Presences’ is an investigation of photographic portraiture. The images have a lot to do with multiple selves and with faces as masks. In these long exposures, bodies move, and backgrounds are stationary.” The images are jarring at times; my mind can’t compute how they were achieved. A face is slightly disfigured with motion or seemingly collaged together. In another, a woman in the foreground is oversaturated and blurry, whereas the background is crisply in focus and well saturated. The blend of abstraction and realism compresses time. These photographs are not snapshots meant to capture a single moment. By shunning this style of capture, they capture something more viscerally close to the unusual reality of life.

Me, reflected

I couldn’t help but photograph myself within the negative space of one of the Polaroid photographs, layering my face on top of the subjects. A mask on a mask. A photograph of a photograph. Another layer of history. For the Silo, Tatum Dooley/artforecast.

Featured image- Untitled, from the “Presences” portfolio, 1980 © Joan Lyons / courtesy Stephen Bulger Gallery

Vintage

Art and Science of Hunting Rare Corvettes

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Another boss article via friends at Hagerty. Vintage Corvettes have been bought and sold as collector vehicles for decades, and so you could be forgiven for thinking that all the hot ones have been accounted for, and that the current body of research has documented all that’s known about them.

That’s not the case, and to seasoned Corvette hunters like Kevin Mackay, that’s actually good news. Mackay started his business, Corvette Repair, 30 years ago in Valley Stream, N.Y. His timing could not have been better. Chevy had just launched the exciting C4 model, and the Corvette collector hobby was shifting into hyper drive. That trend brought a renewed interest in the Corvette’s heritage, including racing.

Canada Corvette Connection?

There were already expert collectors well versed in Corvette history, but history has a way of changing. As deeper dives would reveal gaps in Corvette knowledge, those who applied the resourcefulness and tenacity of TV police detective Columbo were able to find and authenticate super-rare Corvettes.

1968 Sunray DX L88

You won’t find Mackay wearing a rumpled raincoat around his shop, but his detective work continues to uncover cars thought to have been lost. Some of those are race cars that have come through his shop, including the 1960 Briggs Cunningham Le Mans car, 1962 Yenko Gulf Oil, 1966 Penske L88, 1968 Sunray DX L88 (found in a barn) and 1969 Rebel L88. All were Le Mans, Daytona or Sebring class winners. Corvette aficionados will see a pattern: Among lost Vettes that Mackay hunts are ones campaigned in those races.

The Rebel was one of the most successful C3 Corvette race cars ever, winning the GT class at Daytona and Sebring in 1972, where it also took fourth overall behind two prototype-class Ferraris and a prototype Alfa Romeo. Mackay tracked the car to a southern scrapyard 24 years ago and restored it; the car sold at Barrett-Jackson’s Scottsdale sale in January 2014 for $2.86 million usd/ $3.95 million cad.

“I know where every Corvette that raced Le Mans is,” Mackay said. Knowing, of course, is only the start of a long road to acquiring a car. Aspiring Corvette hunters might take note of other cars that grab Mackay’s interest.

Listen to What The Man Says

It could go without saying that any Corvette collector would want to stumble upon an L88 hiding in a barn. It’s a comparatively small group of cars, but it’s bigger than originally thought.

“We located 13 factory L-88 cars not previously known,” said Mackay, adding that three of the 20 1967 L88s are still missing. So, when an elderly man approached him with a claim that he still owned a 1967 L-88 that he bought new, Mackay listened, if with a skeptic’s ear.

“That happens a lot,” he said. “Guys claim they have a car that nobody has ever seen.”

A doubter may dismiss such claims, but Mackay says his experience has shown that sometimes, they lead to Corvette treasure. For example, he knows of a 1967 L-89 car, one of 16 made, that hasn’t been seen in decades; it was driven just 11 miles / 17.7KM from new and put away.

Not every lead pans out, but patience can lead to gold, Mackay advises.

“I waited 11 years to buy one particular car,” he said. “I’d call the owner every year. It was all about building trust.”

And so comes another lesson in hunting and buying classic Corvettes: It’s not always about the money. Mackay said that some owners are too emotionally attached to their cars to let go. And some never do, leaving valuable cars to be auctioned by heirs. In such cases, years of patience and building trust can seem wasted. But Mackay loves the challenge of the hunt.

For another car, he waited 19 years. And he’s got a list of others.

“There are two cars I’ve been waiting nine years to buy,” he said. “I always tell the owner that he’s just holding them for me for free storage.”

Follow the Clues

Many car enthusiasts enjoy reading old magazine articles. Mackay reads them for clues. “I look for names of people associated with cars, such as race mechanics, and then I look for those people,” he said.

Knowing where a Corvette was sold can be a help for an experienced hunter. If you have a Corvette’s VIN, you can get its original shipping data – including the selling dealer – from the National Corvette Restorers Society (NCRS) for $40. Even if the dealer is no longer in business, the information could lead to other clues.

Sometimes, answering an ad for parts leads to whole cars. While hunting down a lead on parts for a 1969 Baldwin-Motion Phase III Corvette, Mackay stumbled across a super-rare Phase III GT that turned out to be a car a customer owned when new and had regretted selling many years before. Mackay has also found engines and then later located the cars they belong to.

Serial Boxes

Some collectors like to own “firsts” and “lasts” and therefore hunt low and high serial number cars. The top prize in that category would of course be the very first Corvette built, but the first two were test cars thought to have been destroyed. Yet, as Lt. Columbo might ask, “Where’s the body?”

Mackay can claim something close. He found the original chassis to 1953 serial No. 3 for a customer. He explained: “The first three made were test cars. Before GM sold No. 3, they swapped the chassis, because the first one had been used in Belgian block testing, and there were concerns about possible stress cracks.”

Somehow, the first chassis got out of GM’s grasp and was discovered underpinning a 1955 body in the 1970s. Another chassis swap ensued, and 1953 No. 3 just needed to be reunited with its original body. Mackay said the owner of that car, however, was not interested.

So, instead, Mackay is building a unique cutaway 1953 Corvette around the chassis. It’s something he said could be shown and enjoyed by the whole Corvette hobby.

Other aspects can catch a collector’s fancy. It should be no surprise that original color can affect value, but the effect might be bigger than you thought.

“Black is the most sought-after color for Vettes,” said Mackay. “A black 427/435 car could be worth double a green version.”

And then there are production oddities, the kinds of things that likely would never happen on today’s computerized assembly lines with their just-in-time parts inventory control systems. The fabulous center knockoff wheel offered as an option for the 1964-1966 Corvette actually made an earlier appearance. Mackay said 12 cars got the wheels in 1963. One is claimed to be a Z06 “big-tank” car.

Have a clue to a “lost” Corvette? Mackay would love to hear about it: [email protected] For the Silo, Jim Koscs/Hagerty.

Sci-Tech

Buckminster Fuller’s Fascinating Unbuilt Buildings

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Buckminster was a genius and his geodesic dome buildings were not only revolutionary in their construction but were also incredibly unique and memorable. Perhaps your grandparents attended Expo67 in Montreal (you guessed it, waaay back in 1967) and visited the United States Pavilion- read this snippet for a time capsule account:

“The United States exhibit, entitled Creative America, is designed to illustrate technological and esthetic inventiveness in the U.S.A.A huge transparent geodesic “bubble” contains a multi-level system of exhibit platforms interconnected by escalators, and walkways. The platforms support a variety of exhibit components specially selected or designed for the new environment created by the structure. Situated on Ile Sainte-Hélène close to the Métro station from which there is Minirail connection with the Expo-Express, the bubble is 20 stories high and has a spherical diameter of 250 feet .By day, the bubble glistens as the sun highlights the structure and, by night, the bubble “glows” from interior lighting. The interior exhibits reflect different aspects of the United States and include folk art, cinema and fine arts displays, as well as a space exhibit which is reached by a 125 foot escalator and a simulated lunar landscape supporting full scale lunar vehicles. A 300-seat theatre features a 3-screen color film showing the games children play.”

Photo- National Archives of Canada

If you think that was pretty amazing check out some of Buckminster’s buildings that unfortunately didn’t make it past the planning stage.

Fascinating Unbuilt Buildings

Art

Museum Celebrates Banksy- An Artist Who Hates Museums

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(NEW YORK) – The presence of The Banksy Museum in New York City has been confirmed. SoHo is now the home to the world’s largest collection of Banksy’s life-sized murals and artwork. Located at 227 Canal Street (at Broadway), NYC The Banksy Museum is now open, in preview, to the public. The official press opening is Wednesday, May 15. Tickets are now available online at MuseumBanksy.com and on site at the museum. Advance reservations are strongly encouraged.
Displaying over 160 works by the world’s most famous-yet-anonymous street artist, The Banksy Museum recreates the revolutionary and often ephemeral art that Banksy has painted on surfaces in London, Bristol, Paris, Venice, Bethlehem, New York, Los Angeles, and beyond. Visitors to the museum will immerse themselves in an environmental experience, giving viewers access to Banksy creations, much of which has long since been whitewashed or dismantled. Beyond the iconic street art, the exhibition also features some of the artist’s studio work, as well as animated visual and video elements.
The New York Banksy Museum experience, an American premiere, follows successful exhibitions in Paris, Barcelona, Kraków and Brussels. The new exhibition, a New York premiere, is expanded to over 160 recreations, making it the largest display of Banksy work ever seen in a single setting.
Is it even possible to create a museum that celebrates the work of an artist who once said “the only thing worth looking at in most museums of art is all the schoolgirls on day trips with the art departments”?  Banksy Museum founder Hazis Vardar initially had his doubts. “Street art belongs in the raw setting of the streets,” said Vardar. “But if people can’t see it, is it even art? Little of Banksy’s works are visible to the public at large. Most have been stolen for resale, inadvertently destroyed, or erased by overzealous city cleaning teams. Most of this transient art could only be viewed on tiny smartphone screens, which is no way to experience the scale or emotion of Banksy’s work. So we knew that we needed to create an exhibition that would bring Banksy’s art back before the public.”
Creators of The Banksy Museum faced the challenge of mounting an exhibition that was as unconventional and transgressive as the art within. “If we only trapped Banksy’s work in guilt frames on a wall, this would antithesize all that Banksy’s art represents,” says Vardar. “So we set out recreate the artworks in a life-size, re-imagined space that reflects the street experience. We employed a team of anonymous street artists, like Banksy, to recreate the work. The outcome was, truly, a magnificent reflection of Banksy’s energy, defiance, and raw talent.”   
Banksy is undoubtedly, the world’s most celebrated and elusive guerrilla street artist. Armed with little more than spray paint and stencils, the man behind the pseudonym Banksy has fostered an alluring identity that doesn’t embrace tradition, but shreds it. There’s still much we don’t know about the mysterious artist since he first made his mark in the ’90s, but what we do know is that Banksy’s striking, satirical work always delves into political and socio-critical discourse. Banksy’s artwork is characterized by striking images, often combined with slogans.  His work often engages political themes, satirically critiquing war, capitalism, hypocrisy, and greed. Common subjects include rats, apes, policemen, members of the royal family, and children. In addition to his two-dimensional work, Banksy is known for his installation artwork. A hero to some, a vandal to others, Banksy’s artwork has been known to sell for record-breaking sums, with landowners rushing to profit from – or whitewash – buildings chosen as his latest canvas.  Banksy maintains an oxymoronic relationship with the art world, demonstrating hostility to capitalism while being one of the most sought-after and collected contemporary artists. Celebrities who’ve collected Banksy art include Brad Pitt, Angelina Jolie, Christina Aguilera, and Lance Armstrong to name a few. 
Banksy was nominated for an Academy Award for his 2010 documentary feature Exit Through the Gift Shop, an examination of the relationship between commercial and street art. 
In Wall and Piece, one of his four books containing photographs of his work complemented with his own thoughts, Banksy says “copyright is for losers” and encourages non-commercial use of his work for activism and the public’s personal enjoyment.
Banksy’s art has been further amplified by worldwide media coverage of his rebellious pranks. Between 2003 – 2005, Banksy made headlines by covertly placing his artwork beside masterpieces at The Tate and The British Museums in London; The Louvre in París; and The Museum of Modern Art (MoMA), The Metropolitan Museum of Art, The Brooklyn Museum and The American Museum of Natural History in New York. In 2018, Banksy shook the art establishment when he orchestrated the self-destruction of his canvas, “Girl with Balloon,“ having it drop through a shredder built into the bottom of its gilt frame just moments after it sold for $1.4 million usd / $1.92 million cad at Sotheby’s. The first artwork in history to have been created live during an auction, the work was renamed “Love Is In The Bin” and resold for $25.4 million usd/ $34.9 million cad just three years later.
The art world has coined the phrase “the Banksy effect” to illustrate the increased interest in other street artists, largely due to Banksy’s overwhelming international success.
 
Where / When: The Banksy Museum, 277 Canal Street, NYC 10013 (at Broadway) is open daily, 10AM – 8PM.
How to get there by subway: N, R, Q, W, A, C, E and 6 trains to Canal Street.
Family friendly: All ages are welcome to The Banksy Museum. This is an experience that all family members can enjoy.
About the venue: The Banksy Museum is an indoor, air-conditioned venue. The museum is located on the 2nd & 3rd floors.
Accessibility: Located on the second floor, the venue is accessible, with an elevator. Guests requiring assistance throughout this experience are entitled to apply for one free pass for their personal assistant/support worker.
How long does the experience last?: Visitors are welcome to enjoy the exhibition at their own pace. The exhibition, on average, takes an hour to experience.Parking: There is no parking at this venue, but parking is available in the neighborhood.

For the Silo, Brett Oberman.

Art

The Met Roof Garden Commission-Petrit Halilaj

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Abetare Petrit Halilaj (born Kosovo, 1986) is known for immersive installations that express a desire to alter the course of personal and collective histories, creating complex artistic worlds that claim space for freedom, intimacy, and identity. Halilaj was inspired by children’s doodles, drawings, and scribblings found on desks at the school he attended in Runik, Kosovo.

For The Met commission, he expanded his research to other schools in Albania and countries from the former Yugoslavia, which are now undergoing significant cultural and sociopolitical change. Furtive drawings from kids’ desks have been enlarged into three-dimensional metal sculptures, each retaining the trace of the original. Together, they bring to public view the collective memory and imaginative power of generations of students whose lives were marked by traumatic conflicts and territorial divisions.

Kosovo experienced the last of a series of wars in the Balkan region in the 1990s, during which many children were denied access to education on ideological grounds. Abetare borrows its title from the book the artist and his peers used to learn the alphabet at school, each letter linked to a lesson in pictures and text. In Abetare, culturally specific references to different political ideologies, religions, and local heroes coexist with more universal symbols and playful nods to pop culture, art history, and sports.

Spread around The Iris and B. Gerald Cantor Roof Garden, the “drawings in space” merge with the surrounding architecture and landscape to create a multi vocal scenography with an open-ended narrative. A celebration of the shared impulse for personal expression and mark making, Abetare is an opportunity for discovery and an invitation to expand our capacity to imagine transformative futures. For the Silo, Alexandra Kozlakowski.

#CantorRoof #MetPetritHalilaj Exhibition Dates: running now until–October 27,2024 Exhibition Location: The Met Fifth Avenue The Iris and B. Gerald Cantor Roof Garden, Gallery 926

Art

MODERNISM ADORED: 20th Century Art A New Online Exhibition Now Open

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“Art cannot be modern. Art is primordially eternal.” Egon Schiele 

New York City, New York, April 2024. Our friends at Helicline Fine Art proudly announces the opening of its new online exhibition, Modernism Adored: 20th Century Art, a celebration of the revolutionary artistic movements that defined the 20th century. The exhibition runs through June 30 and features a curated selection of paintings, drawings and sculptures from important to rediscovered artists, Modernism Adored explores essential movements that shaped the artistic landscape during the 20th century from ashcan, cubism, art deco, Vorticism, WPA, abstraction, abstract expressionism, caricature and outsider art. It brings together a diverse range of artwork that reflects the spirit of innovation and creativity that defined these pivotal periods in art history. As we are a NYC based gallery, the history of New York inspires us to include art that glorifies our great city.

“We are thrilled to present Modernism Adored: 20th Century Art. This is stuff in our hearts and we are honored to share it with collectors and curators throughout America and worldwide,” said Helicline proprietors Keith Sherman and Roy Goldberg. They continued, “This exhibition is our “eye,” it exemplifies the enduring impact of modernism in art and provides a unique opportunity to witness the evolution of artistic expression over the course of the 20th century.” 

Highlights of Modernism Adored: 20th Century Art include three early Stuart Davis drawings, Vorticist linocuts by Sybil Andrews and Lill Tschudi, Maurice Guiraud-Riviere’s breathtaking “La Comete” silvered bronze, several works by Al Hirschfeld, abstracts by Florence Henri and O. Louis Guglielmi, a Charles Demuth drawing of bathers, an early Daniel Celentano oil, a precisionist industrial scene by Simon Wachtel, and much more. 

Artists in the exhibition include: Sybil Andrews, Maurice Becker, A. Aubrey Bodine, Jo Cain, Staats Cotsworth, Daniel Celentano, Robert Cronbach, James Daugherty, Stuart Davis, Charles Demuth, Donald Deskey, George Pearse Ennis, William Gropper, O. Louis Guglielmi, Harold Haydon, Florence Henri, Al Hirschfeld, Mervyn Jules, Max Kalish, William Kienbusch, Georgina Klitgaard, Henry Koerner, Leon Kroll, Vladimir Lebedev, Carlos Lopez, James McCracken, Alfred Mira, Irene Rice Periera, Antonio Petruccelli, Arthur Rosenman Ross, Hilla Rebay, Maurice Guiraud-Riviere, Joseph Solman, Lill Tschudi, Gerrit Van Sinclair, Samuel Wachtel, Katherine Wiggins, John Winters and Purvis Young. 
Florence Henri (1893 – 1982)Composition18 ½ x 12 ½ inchesGouache on paper Monogrammed F.H. and dated 1926 lower rightGeorge Pearse Ennis (1884 – 1936)Forging a Gun Tube #146 x 37 inches, 1918 Signed lower right
There is great debate about what modern art is.
Numerous descriptions abound. It is a series of genres from the mid-19th century to the present that challenged the Western standards of fine art and embraced new forms of expression. It is often seen as beginning with realism, which rejected the traditional subjects of art and focused on common people. 

Others say modernism was a movement in the arts in the first half of the 20th Century that rejected traditional values and techniques and emphasized the importance of individual experience. A broader perspective, which we at Helicline embrace, modernism was a break with the past and the concurrent search for new forms of expression. It is in fact, constant reinvention, and it’s significant because it fundamentally asks us to change our perspectives as time passes.  

“The strangeness will wear off and I think we will discover the deeper meaning in modern art.”  Jackson Pollock
Daniel Ralph Celantano (1902-1980)Long Beach8 x 10 inchesOil on artist boardSigned lower leftTitled in pencil, versoHarold Haydon (1909 – 1994)History of the US Postal Service21 x 25 inchesoil on canvas, c. 1938

Why Modern Art Continues To Influence Contemporary Artists

The 20th century distinguished itself from the previous century with a new form of industrial revolution- one tied much more intimately to an advancing technology that propelled society into a state of speed and frenzy. Not just the streamlining of railway trains and automobiles or the advancements in transcontinental travel brought on by first lighter than airships, then seaplanes and jet airliners- the motion of advancement and relocation had a seminal effect on culture and thought. The skyscraper and new vertical constructions created its own influence and metamorphosis: hundreds of families could now be housed in a singular structure adding a homogeneity and imposing bold linear designs and influences. Two world wars and a multitude of others pushed existentialism into the minds of many academics and thus filtered into other areas of discipline such as literature, music and design. The development of the transistor created miniaturization and gadgetry that became an essential component to living spaces and personal effects. Television became a manifestation of any imaginable visual image and transfixed society into another state of readiness- a state ready for instant and dense media served quickly and directly. All of these things (and more) gave rise to new forms of art- most often recognized by the general public in modern abstract paintings. The ‘sense’ of all the above was captured by artists using new ways of communicating through their work: immediacy (action painting) and abstraction were more aligned with the zeitgeist then earlier classical forms of artwork.

Untitled abstract 11 Jarrod Barker 2024

The 21st century has seen many parallel and analogous developments. Though we are ‘only 24 years’ into this latest age, the concept of quick advancement and speed is in full effect. From the maturation of the digital age (the internet) and digital communication (email) to rapidly advancing personal communication (smartphones) and powerful and inexpensive computers to today’s exhilarating advancements in AI (artificial intelligence) and robotics. These ‘re-mapped’ and repeated driving forces from the last century continue and their effects most readily recognized are still key components of contemporary ‘neo-modern’ artwork.

MORE ABOUT HELICLINE FINE ART:
Helicline Fine Art, founded in 2008 by Roy Goldberg and Keith Sherman, specializes in American and European modernism. The gallery’s core offerings are works from the WPA period. Additionally, Helicline offers American scene, social realism, mural studies, industrial landscapes, regionalism, abstracts, and other artwork. Located in a private space in midtown Manhattan, Helicline is open by appointment. The artworks on the site represent a sampling of available works. Helicline’s offerings are also available on artsy.net and 1stDibs.com.
Caption for image at the top of this article: Simon Wachtel (1900 – 1965)Factory Yards N. 336 x 24 inchesOil on canvas, c.1930s Signed lower right
Travel

This is Where Canadians Want to Travel to This Summer

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The trending destinations Canadians want to go on vacation this summer based on Google searches.

Where do Canadians want to go on their summer vacation in 2024?

With soaring inflation prices and the cost of essential shopping skyrocketing, millions of Canadians will plan to cut back on vacation spending. According to data from Ipsos*42% of Canadians say they plan to minimize their spending on vacations in 2024 as a way of dealing with the increased cost of living. Now, as the season changes into spring, more people are wondering what this summer has in store for them from a vacation perspective.

Are Canadians really looking to cut costs when it comes to their annual trip? Or has the economy got us looking outside of our usual go-to destinations?

Our friends at Top10casinos.ca, have used Google search data looking at terms around ‘summer vacations’ to find out which destinations around the world are most in-demand by Canadians looking to book their summer vacation in 2024. So, whether you need some inspiration for your next big trip, or just love a good list, here are the trending destinations Canadians want to go on vacation this summer based on Google searches.canada's favorite summer vacation

Revealed: Canada’s Top 10 Most in Demand Summer Vacation Hotspots in 2024

Research Reveals New York Will Be Canada’s Favorite Summer Vacation in 2024 – Getting 1.9 Million Searches Every Month

With 1.9 million monthly searches and a 6% increase in searches in the last 30 days, the metropolis of New York is officially Canada’s most desired destination for a summer vacation this year. Analyzing individual attractions that Canadians are most interested in visiting, searches for ‘new york broadway shows 2024’ are up 9,900% and people searching for ‘new york yankees schedule 2024’ are up 5,800%. For Canadians looking for an early Spring vacation, searches for ‘new york weather in April’ are up 750% in the last 30 days.

City Break Destinations Incredibly Popular for Canadian Summer Vacations in 2024

Half of the top 10 most-searched for summer vacation spots by Canadians are city break destinations with San Francisco, Las Vegas and Honolulu topping the list. The data shows that Vancouver residents are getting heart eyes for San Francisco. In the last month, there were 16,550 searches for summer vacations in the Golden Gate City and searches for ‘Vancouver San Francisco cruises’ are up 29% since the same time last year.

  • The Cold European Country of IcelandThe Cold European Country of Iceland Has the MOST Search Increases – Ranking Above Beach Favorite, Mexico Beaches, relaxing by the pool and all you can drink cocktails are usually synonymous with summer, but according to our study, Canadians want to escape the heat in favor of colder climes. With an average of over 689,980 monthly searches and a huge 122% increase in 30 days, Iceland surprisingly ranks in front of Mexico as a go-to vacation destination this summer. Looking at why Canadians might be interested in visiting the land of ice and fire, searches for ‘northern lights’ are up 10,900% and people looking at ‘portugal v iceland’ have increased 1,043% on Google. According to the regional data, Niagara Falls residents in particular are looking for a totally unique experience this summer, with searches for ‘Iceland summer vacation’ up 200% since the same time last year.
  • Cuba Revealed as Canada's Most Desired Beach DestinationCuba Revealed as Canada’s Most Desired Beach Destination This Summer – Ranking Above Mexico and Costa RicaWith more than 712,000 monthly searches and an increase of 36% in 30 days, Cuba is revealed as Canada’s most desired beach vacation destination for summer 2024. According to the data, Canadians are researching long distance swimming in the country, with searches for ‘swim from cuba to florida’ up 3,500% and ‘vacations to cuba’ up 333%.
  • The Dominican Republic Ranks in Top 10The Dominican Republic Ranks in Top 10 With over 97,000 monthly searches for ‘The Dominican Republic summer vacation’ and a 35% increase in the past month – it’s evident the Caribbean Island will be one of the most coveted destinations by Canadians this summer, which is why it features in the top 10. When analyzing search trends on a city level, Montréal has seen a 25% increase in residents’ searching for the beautiful beach spot, and Ottawa shows a 20% surge.

trending destinations canadians want to go on vacation

Mapped: Most Desired Vacation Destinations Across Canada, Revealed

  • Las VegasLas Vegas Named the Most Desired Destination The gambling capital of the world is the most searched for city across the 10 cities of Alberta with searches spiking by nearly half (48%) since the same time last year. With 1.7 million monthly searches and a 12% increase in Canadian’s searching for the desert oasis summer vacation, Las Vegas has seen a 6% increase in search increases than topspot New York, the city also ranks above favorites Cuba and Mexico.
  • GreeceGreece Ranks Second as Research Reveals European Summer Vacations Most Popular with Ontario ResidentsThe data shows there’s a rapid number of Canadians looking to experience a European summer vacation this year, with both Greece and Italy coming up top in Ontario. Looking at the most searched for destinations, searches for Greece’s picturesque Santorini have increased by 67% since the same period last year across Canada, and Italy’s Rome have spiked 25%.
  • Costa RicaCosta Rica is the Most Desired Destination by Two ProvincesFilled with rugged rainforests, pristine lagoons and beautiful beaches, it’s little wonder the Central American country of Costa Rica is the most desired by two parts of Canada. Provinces of Quebec and Manitoba both had Costa Rica as their favorite destination, with searches for the tropical country up by an average of 81% across 10 cities in Quebec since the same time last year. Looking at locations on a city level, searches for ‘all inclusive Costa Rica vacations’ are up 300% in Quebec City, highlighting a need to escape busy metropolitan life.
  • Toronto's 3 Favorite Summer Vacation SpotsToronto’s 3 Favorite Summer Vacation Spots are all City DestinationsResidents hailing from Ontario’s capital, Toronto, are interested in keeping the summer city spirit alive, with 3 favorite destinations also being city spots. According to the data, Toronto’s favorite destination is Dubai with a 49% increase in searches since the same time last year. Closely followed by Rome (22%), and Miami (20%).

Methodology

  1. Using articles around the topic of “bucket list travel destinations”, “best vacations in 2024” we were able to collect a list of approx 100 dream global travel destinations. To allow for us to make sure we’re focusing on those who want to holiday in these locations we assigned the prefixes “summer vacations in” to all locations. These terms were then entered into keywordtool.io to collect the average monthly search volume and search trends (over the last 12 months) per state.
  2. Search volumes and trends were gathered using https://keywordtool.io/
  3. All data correct and accurate as of 11th April 2024

Sources

https://www.ipsos.com/en-ca/canadians-cut-back-2023-and-plan-continue-cuts-2024

For the Silo, Amanda Evans

Reviews

Audio-Technica Intros NARUKAMI Ultra-High-End Tube Headphone Amplifier & Headphones

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STOW, OHIO,USA, March, 2024 — For more than 60 years, Audio-Technica has sought to expand the limits of audio technology. With the introduction of its NARUKAMI ultra-high-end audio products, Audio-Technica has taken the pursuit of analog sound reproduction to a remarkable new level of excellence.

Making their U.S. premiere at CanJam NYC 2024 (March 9 – 10 at the Marriott Marquis, New York), the NARUKAMI HPA-KG NARU Tube Headphone Amplifier and ATH-AWKG Closed-Back Dynamic Wooden Headphones are stunning, ultimate-quality works of audio art.

Narukami- the Japanese thunder god.

Taking their name from the Japanese god of thunder, NARUKAMI products are designed to ignite elemental passions, while embodying the meticulous Japanese craftsmanship that is an Audio-Technica hallmark.

Audio-Technica NARUKAMI HPA-KG NARU Tube Headphone Amplifier

The front and side panels of the HPA-KG NARU tube amplifier/preamplifier (SRP: US$108,000 / CAD$145,400) are crafted from precious kurogaki wood, Japanese black persimmon wood with striking wavy black figuring that can be found nowhere else. The metal mesh covering that protects the vacuum tubes is evocative of the pattern of the flat needles of the Ayasugi tree. The top of the HPA-KG NARU tube amplifier/preamplifier is styled to reflect the appearance of a KARESANSUI or dry landscape garden, representing water flows.

The HPA-KG NARU is as technologically refined as it is beautiful. The headphone amplifier/preamplifier employs four Takatsuki 300B power tubes, considered by connoisseurs to be among the finest of their type ever produced, and with ECC83S gold pin small-signal tubes. The HPA-KG NARU utilizes a dual-mono configuration and has a fully-balanced drive design, for richly detailed sound with remarkable depth and presence. It offers both balanced 4.4 mm and standard 1/4-inch headphone jacks.

The amplifier provides an impedance selector switch to perfectly match with the widest range of headphones. No effort was spared in the quality of the internal components, which include amorphous-core silver-wire Lundahl input and output transformers to deliver the highest level of sonic clarity. In addition to its unsurpassed capabilities as a headphone amplifier, the HPA-KG NARU serves as a preamplifier, and offers balanced and single-ended inputs and outputs. Companion AW-KG NARU headphones are included with the HPA-KG NARU amplifier.

“We spent 10 years creating the HPA-KG NARU amplifier in an arduous process, working our way through 11 prototypes before settling on a design that met our high expectations,” said R&D engineer Koichi Irii. “The lifelike sound of the HPA-KG NARU is a testament to the power of our human approach.”

The ATH-AWKG headphones (SRP: US$4,200 / CAD$5,650) are equally exceptional. Like the HPA-KG NARU, the headphones are handcrafted in Tokyo, Japan, from rare kurogaki wood. In addition to its distinctive appearance, the acoustic properties of the kurogaki housings contribute to the headphones’ extraordinary sound quality. The hand-applied lacquer finish brings out the wood’s natural beauty.

Audio-Technica NARUKAMI ATH-AWKG Closed-Back Dynamic Wooden Headphones

The ATH-AWKG features purpose-designed 53-mm drivers with Permendur magnetic circuitry. Each driver is equipped with a titanium flange and a 6N-OFC high-purity oxygen-free voice coil to ensure precise movement and optimum signal transfer. Audio-Technica’s exclusive D.A.D.S. Double Air Damping System provides smooth, accurate bass response.

The ATH-AWKG is designed for maximum long-wearing comfort, and is supplied with an additional set of ZMF Universe Hybrid earpads for a unique alternate listening experience. The headphones are equipped with Audio-Technica’s A2DC jacks and two 9.8-foot (3.0 mm) detachable cables with 4-pin balanced and standard 1/4-inch jacks. Adding to its elegance, the ATH-AWKG comes in a presentation box with kurogaki wood accents.

Audio-Technica was founded in 1962 with the mission of producing high-quality audio for everyone.

Though these latest releases are aimed at those with deep pockets and the means to buy the ultimate in design and offering, we have grown in other areas and just as importantly to design critically acclaimed headphones, turntables and microphones at all price points. We have retained the belief that great audio should not be enjoyed only by the select few, but accessible to all. Building upon our analog heritage, we work to expand the limits of audio technology, pursuing an ever-changing purity of sound that creates connections and enriches lives.

Art

Nanni Balestrini Political Art Retrospective Exhibition Includes Early Computer Works

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CENTER FOR ITALIAN ART ANNOUNCES NEW EXHIBITION: 
NANNI BALESTRINI: ART AS POLITICAL ACTION ONE THOUSAND AND ONE VOICES ON VIEW NOW UNTIL- JUNE 22, 2024
Nanni Balestrini, Cavallo, 1963. Collage on paper. Private collection, courtesy Frittelli arte contemporanea, Florence
(New York, February/March, 2024) – The Center for Italian Modern Art (CIMA) has launched its new exhibition, NANNI BALESTRINI: ART AS POLITICAL ACTION. ONE THOUSAND AND ONE VOICES, curated by Marco Scotini. This is the first retrospective exhibition in the United States of Nanni Balestrini (1935-2019), an Italian experimental visual artist, poet, and novelist known for his revolutionary artistic practice and passionate involvement in the social-political movements of the 1960s and 1970s. 
Born in Milan in 1935, Balestrini was a key protagonist of post-WW2 Italian literary and social avant-garde movements: he approached experimental poetry with a visual sensibility stemming from the artistic use of collage, and with a compositional practice that gave importance to the editing and recombining of existing texts (especially newspapers, magazines, and political slogans) in search for the expression of a collective enunciation.

Nanni Balestrini born July 1935 died May 2019

Nanni Balestrini, 65000 Ètudiants, 1972. Mixed media on panel. Collezione Emilio Mazzoli, Modena
Nanni Balestrini, Cronogramma, 1960s. Collage on paper. Private collection.
He worked side by side with contemporary composers interested in the creative potential of stochastic music and the relationship between computer technology and art. Much of his radical artistic and literary research also developed in dialogue with his participation in the student and workerist movements of the late 1960s and 1970s, and their explosive political charge. Much emphasis has been placed on the exclusively typographical character of writing in Balestrini’s artistic works. This exhibition will instead draw attention to the double acoustic and visual level of Balestrini’s word or, better yet, to what Paolo Fabbri described as its “phonic-optic indiscernibility.”

NANNI BALESTRINI: ART AS POLITICAL ACTION. ONE THOUSAND AND ONE VOICES, curated by Marco Scotini, focuses on two crucial decades in the career of Balestrini, the 1960s and the 1970s. It includes over 70 works by the artist, along with a range of documentary material. The works from the 1960s illustrate a creative phase when Balestrini shared research interests with Luigi Nono, one of the most important 20th-century experimental composers, and when the neo-avant garde literary movement Gruppo 63 was also founded. The creative relationship between Balestrini and Nono lasted an entire decade, and the exhibition sheds light on the search for the disalienation of the word pursued by both, as well as on their use of technology as a way to seize and subvert the means of industrial production and explore their artistic potential.

The final works in the exhibition date back to the late 1970s; some of them were conceived in connection with a poem dedicated to the New York City electricity blackout of 1977. Planned as an “action for voice” to be performed by Greek-Italian lyricist and vocal experimenter Demetrio Stratos in May 1979, the work was never performed due to the premature death of Stratos and Balestrini’s indictment surrounding the political movement Autonomia Operaia.

The exhibition also includes a reconstruction of Balestrini’s Tape Mark I (1961), one of the earliest examples of computer-generated art. A combinatory poem produced by an algorithm written in the Unix programming language on a massive IBM mainframe computer, Tape Mark I anticipates many of the contemporary questions surrounding Artificial Intelligence, and was featured in the 1962 edition of the Bompiani Literary Almanac, which was dedicated to “the application of computers to ethics and literature”, a theme of utmost relevance today. 

To provide context to Balestrini’s work, the show features a selection of early words-in-freedom works by Futurist artist Carlo Carrà, a form of avantgarde visual poetry that liberated words and letters from the conventions of grammar and syntax, making them part of visual and performative compositions. This technique was co-opted by the Italian Neoavanguardia in the 1960s, due to the revolutionary potential of the early Futurist movement.
NANNI BALESTRINI: ART AS POLITICAL ACTION. ONE THOUSAND AND ONE VOICES is on view at CIMA (421 Broome Street, 4th Floor, New York, NY 10013) from February 22nd – June 22nd, 2024. See visiting hours below. 

Python reconstruction of 1961 electronic poem “TAPE MARK 1”

Nanni Balestrini, Giornale di bordo (La partita a carte), 1964. Collage on paper. Private collection, Mirano (Venezia)
CIMA OPEN HOURS: • Friday and Saturday: 11am to 6pm with guided tours at 11am and 2pm (last entry at 5pm)• Members-only hours: Monday-Thursday by appointment• General admission: $15usd for guided tours; $10usd for open hours• Members & students: free
ABOUT CIMA:Founded in 2013, CIMA is a public non-profit dedicated to presenting modern and contemporary Italian art to international audiences. Through critically acclaimed exhibitions—many of them bringing work to U.S. audiences for the first time—along with a wide variety of public programs and substantial support for new scholarship awarded through its international fellowship program, CIMA situates Italian modern art in an expansive historic and cultural context, illuminating its continuing relevance to contemporary culture and serving as an incubator of curatorial ideas for larger cultural institutions. CIMA works to add new voices to scholarship on modern Italian art with annual fellowships that open fresh perspectives and new avenues of research. A visit begins with a complimentary espresso, followed by an informal exhibition tour with one of the resident fellows. Visitors are welcome to linger for additional viewing and conversation.

ABOUT CURATOR MARCO SCOTINI: Marco Scotini is an art critic and curator. He currently is artistic director of FM Centro per l’Arte Contemporanea in Milan, a center specializing in the preservation and enhancement of private collections, artists’ archives and the promotion of contemporary art. Since 2004, he has been director of the Department of Visual Arts at Nuova Accademia di Belle Arti of Milan and Rome. He is scientific director of the Gianni Colombo Archive, the Bert Theis Archive, the Clemen Parrocchetti Archive and the Nanni Balestrini Archive. Since 2014, he has been responsible for the exhibition program of PAV- Parco Arte Vivente in Turin. He was artistic director of the 2nd Yinchuan Biennale in 2018 and was a member of the Italian Council from 2019 to 2021. He has curated exhibitions for leading national and international art institutions, including the Albanian pavilion at the Venice Biennale (2015), three editions of the Prague Biennale (2003, 2005, 2007), Anren Biennale (2017), 2nd Yinchuan Biennale (2018) and was advisor for Bangkok Biennale (2020 and 2022). He took part in the 17th Istanbul Biennale (2022) and the BETA Timișoara Biennale (2022). He has been part of the project TV Politics at documenta 14 (2017). Scotini’s project Disobedience Archive is part of the 60th Mostra Internazionale d’Arte della Biennale di Venezia (2024), curated by Adriano Pedrosa.
Fashion

This Fall -Rebecca Myers Nature Inspired Handcrafted Jewelry

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JOIN ME FOR THESE UPCOMING FALL SHOWS
Fall is almost here and I’ve got a ton of great events coming up, including this weekend’s much-anticipated Long’s Park Amphitheater Art Festival in Lancaster, PA. These shows are more than just shopping experiences; they’re opportunities to connect with passionate artisans and discover one-of-a-kind pieces.  They’re also a great way to start your holiday shopping early (or grab some special pieces for yourself). Can’t make it to the shows? Swing by the Baltimore showroom in Cross Keys or shop all of my new pieces online at rebeccamyersdesign.com. See the full list of events on my events page… https://www.rebeccamyersdesign.com/events
Looking forward to seeing everyone! xo, Rebecca


SAINT LOUIS ART FAIR
September 8 – 10 | Downtown Clayton | St. Louis, MO This year we will celebrate our 30-year history of the art fair — still attracting high-quality artists and celebrating the diversity of the community through a celebration of the Arts. The Saint Louis Art Fair (SLAF) produced by Cultural Festivals has been working diligently to Reconnect Through Art with the health and safety of artists, volunteers, and the public as its top priority. TICKETS & INFO
CRAFT NEW YORK September 30 – October 1 | Damrosch Park at Lincoln Center | NYCNYC’s most unique curated shopping event! Find wearable art like clothing, jewelry and handbags; home decor such as functional and sculptural works in ceramics, glass, metal, wood and mixed media; as well as fine art painting, printmaking and photography; and more. All handmade and all unique! Also, make sure to visit the expanded gourmet foods and specialties boutique including distillery and winery tastings. TICKETS & INFO
THE WALTERS ART GALA: AN EVENING AT THE WALTERS October 21 | 6pm | The Walters Art Gallery | Baltimore, MD My favorite party is coming up! The BEST night out in Baltimore is also a great way to support one of our most wonderful institutions. Get your tickets for the Walters Gala! Don’t miss it! PURCHASE YOUR TICKETS
Fashion

Globetrotting CEO Develops Ready To Wear Line For Female Business Execs

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Introducing Lindsay Nicholas New York, an empowering female RTW line, created out of necessity for power women, by none other than a power woman.

Nicholas, the designer, found a gap in the market for stylish pieces that were instantly put together and effortless to wear. Female executives and powerhouses’ closets craved comfort, while their lifestyles demanded convenience. Their careers dictate professionalism, but personalities insisted on creativity. Lindsay developed a priceless solution that could fit any career, any season and any woman who wants to wear confidence while she takes on the world, simultaneously paying attention to detail, cut and quality of fabric.

While having a career in marketing, Lindsay Nicholas traveled extensively and craved clothing that would take her from work-to-play, day-to-night, between coasts and hemispheres, all while offering effortless-cool style. Lindsay knew she wasn’t alone in requiring modern basics that live outside of the seasons to suit this global lifestyle. It was this, coupled with an obsession for fashion, which inspired her to begin Lindsay Nicholas New York.

Nicholas states, “I needed clothes that would take me from summer to winter by simply changing out a strappy sandal for a knee boot and adding a jacket to a sleeveless shell. I might also have work meetings all day, but also a weekend where I needed to stay over for the next week of work. I wanted clothes that were simple and created a palette for me to create super stylish outfits. I wanted to be that woman I would see in the airport lounge that just had it all going on. Incredible style that could go from the boardroom to being comfortable enough to travel in.

I created Lindsay Nicholas New York to address the wardrobe needs of the creative professional who, like me, insists on defining her own dress code.

We want to reinvigorate the definition of modern dress. Our pieces are meant to be loved and not thrown away at the end of the season. These are pieces that stay in your wardrobe year after year, and while the way you style them may change, the pieces themselves are timeless.”

Interestingly enough, Lindsay is also an image consultant, and purposely built the collection to be flattering and solve problems. Nicholas also has a team of mostly women at the company. Two of the signature pieces are The Perfect Dress, which comes in two lengths, so you can wear it right away. The other signature piece is the M.I.N.Y. Pants ™ shorts (MINY stands for Made in New York). They come in a Boxer Fit and a Trouser Fit (including a Skinny MINY, which is great for women with svelte thighs).

More about Lindsay Nicholas:

Lindsay Nicholas

Lindsay holds certificate degrees from Parsons School of Design in Fashion Design and the Fashion Institute of Technology in Image Consulting. Every piece she designs incorporates her understanding of quality fabrics, fit and construction. Lindsay is a former board member of the Association of Image Consultants International and also was the Executive Director of Marketing for The Shoppes at Marina Bay Sands in Singapore, one of the top luxury malls in the world. Lindsay’s appreciation for luxury craftsmanship is evident in her designs.

Her clothes aren’t fast-fashion; they are timeless pieces you’ll covet for years to come.

Now living between NYC and Melbourne, with regular stops in Singapore, Boston and Sydney, Lindsay still embodies the global lifestyle and her perspective certainly impacts not just logistics, but also her eye for design and ability to anticipate what women may be missing in their closets. She has a team of mostly women who are experts in their field and an all-female production team in NYC who bring her designs to life, with insightful input from a seasoned fit model.

Fashion

Lingerie From Colombia Combats Industry Control

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Building a business is one of the hardest things to do, especially when one is trying to build a business bigger than Victoria’s Secret, who owns 50 percent of the lingerie industry.

But, Catalina Girald, founder of Naja Lingerie is setting out to do just that.

Going for Soul Not Sex - changing the lingerie industry one pair at a time : Inside Naja Lingerie by Catalina Girald
Going for Soul Not Sex – changing the lingerie industry one pair at a time : Inside Naja Lingerie by Catalina Girald

Headquartered in Medellin, Colombia, with offices in San Francisco and New York, Catalina found a niche in the already dominated lingerie industry. Having worn Victoria’s Secret for most of her life it was when she became a professional that she started to see that the highly popular brand overly sexualized women. As a business woman, Catalina no longer felt comfortable wearing such lingerie and decided to design her own. “My aim is beyond making high-quality bras and panties. I want to create a lifestyle brand. I see it as the Athleta of what happens in your bedroom and bath.”

Her mission to create an alternative lingerie brand for women has a long journey ahead, but Catalina remains focused.

Seeing beyond the needs of women and staying in tune with the digital force of today’s society, Ms. Girald’s small yet powerful brand, Naja Lingerie is changing the game in more ways than one. With quotes printed inside each of the panties, designed to empower women and the brand going completely e commerce, Naja lingerie is for women who want to be radically different. Never forgetting the core of her mission, the company’s Underwear for Hope program donates a percentage of purchases to the Golondrinas Foundation in Medellin, where Girald was born. The foundation teaches impoverished women, skills such as sewing which allows them to support their families. They sew the wash-bags that come with each Naja purchase.

Each collection is inspired by the founder’s travels around the world.

From living with nomads in Mongolia to learning about the weaving process in Indonesia and living among the Hmong people in Vietnam, Catalina’s 18 month spiritual journey throughout Asia brought ideas and life to Naja lingerie. It wasn’t always that way for Catalina who was once at the top of her career as an attorney over at Skadden Arps, one of the most prestigious law firms in the country. Looking to create something greater, Catalina Girald started attending the acclaimed New York’s Fashion Institute of Technology–literally sneaking off to classes in between meetings at Skadden.  Ultimately, she left Skadden to pursue her MBA at Stanford University where the Colombian born entrepreneur founded one of the first venture-funded fashion sites (MOXSIE) for independent designers which was later acquired.

Catalina Lingerie

Introducing Naja, the inventive online lingerie brand that speaks volumes

Naja, a digitally driven, forward-thinking innovator in the lingerie industry, has officially launched to rave reviews. Naja, billed as the “radically different, thoughtful lingerie brand for smart, courageous and sexy women”, was pioneered by Colombian-born CEO, Catalina Girald. No stranger to the fashion and technology industries, Catalina founded MOXSIE, one of the first venture-funded fashion sites for independent designers which was later sold to Fab.com. Naja is a breath of fresh air in an industry that hasn’t changed appreciably in decades. When asked about the direction of the new firm, Founder Catalina Girald answered, “We celebrate strong women. We’ve done away with fans blowing fake wind into our models’ hair, and old, dated lingerie designs. Our fresh designs, pricing and mission to empower women are challenging the industry, and we’re building the first billion-dollar online lingerie brand for the next generation woman.”

Today, women looking for fashionable bras under $80USD [$103CAD]  have limited choices, including Victoria’s Secret.

However, a growing number of shoppers have expressed dissatisfaction with the mass retailer, citing a lack of innovative designs, low construction quality, and environmental impact amongst their concerns. Naja changes all of that.   The company offers exclusive designs paired with the highest quality of fabrics, placing significant focus on structural changes and better product design. Features reserved almost exclusively for luxury lingerie, such as breathable memory foam cups and ultrasonic sealed straps, are now being brought to consumers at fair prices.

Naja uses Peruvian sourced Pima cotton for the softest feel and intelligent fabrics with odor and sweat wicking properties for real women with performance needs, all while remaining health and eco-conscious by using no phthalate materials and water based dyes.

The capsule collection, inspired by Tattoos and Japanese Shunga, consists of a basic line and three groups including “The Secret Lives of Sparrows”, “One Night in Cashmere”, and “Miyoko Loves a Dragon”. The collection is characterized by innovative and surprising prints on the interior of all the bra cups, so that every woman can carry her own little secret. All of the fabrics are exclusively designed for Naja by a local San Francisco Tattoo artist and are individually hand printed making each piece slightly unique. In keeping with Catalina’s vision of making great design accessible, the collection is fairly priced with bras ranging from $45USD to $70USD [$56CAD to $90CAD] and panties ranging from $12USD to $22USD [$15CAD to $28CAD].

Perhaps the most interesting thing about Naja is the company’s dedication to changing women’s lives.

Through Naja’s Underwear for Hope program, the company donates a percentage of profits to training women in the poorest and most violent areas of the world to sew. Naja then employs them so that they can help themselves and their children. With each purchase of Naja, consumers can feel good knowing that they are contributing to changing a woman’s life.   To learn more about the company’s lingerie, social mission or what sets Naja apart from others in the industry, visit http://www.Naja.co .

Art

Why Artists Require Space Not Only To Work But To Imagine

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Casting Seeds

Eiko Otake performing at Bartram’s Garden on the Schuylkill River.

“The purpose of art is washing the dust of daily life off our souls.” – Pablo Picasso

Art is an imperative. Without it we can never truly examine our own circumstances or those of the people with whom we inhabit our small planet. Left unviewed, art languishes. Left without art to view, so does humankind. There are many who recognize the gift to the world that every artist has to offer. There are many who endeavor to do whatever they can to ensure those gifts are received by a grateful public. To stifle the artist’s voice is to silently say I care little about the fate of the minds of the masses. Art is essential. It is what fills the space between the rest of the din, making sense of a chaotic universe.

Bill Arnold splits his time between New York and Western Massachusetts. Since 1974 he has had a studio in Western MA and an apartment in NY. Arnold prefers to keep a foot in both worlds. Florence, MA is a small town near Northampton where there is plenty of space and the space is affordable. New York on the other hand is extremely restrictive in that a very small amount of space is prohibitively expensive. Artists require space not only to work, Arnold says, but space for their imaginations, “space to conjure.”

And so he maintains his Western MA studio.

The work he has done in that studio over the years has been varied and prolific. Arnold has endeavored, and often succeeded in getting his work into public venues including museums. He finds it thrilling to see his work in commercial venues. The first time he experienced this was in the 1970’s when he put roughly 1,000 photographs in 25 Boston city buses. There was no indication on the outside of each bus whether there were photographs on board so passengers didn’t know which buses were galleries inside. Because of the nature of the venue, more people saw that project than visited the Met, according to Arnold. In order to fund the project, he approached multiple museums getting them to agree to fund the cost of materials for the show provided he put on exhibitions in each city where the museums were located.

Arnold was both an exhibiting artist and a curator for this project. The project was well received, with weary commuters sometimes voicing their appreciation. From there, Arnold went on to do other bus shows. The format went viral long before viral was a thing. For another show, Arnold gave images to members of the audience who then organically began sharing the images with each other. Throughout his career, Arnold has turned traditional notions of exhibition on their heads. With the advent of digital advertising, the cost of printing has plummeted. Arnold uses this to his advantage. In 2018 he printed 10,000 newspaper inserts for the Daily Hampshire Gazette. As a student photographer, Arnold was encouraged to have a camera with him at all times. To this day he follows this practice. Arnold has photographed the same spot on his travels from NYC to MA for many years.

He intends to exhibit many photographs of the same place at the Bergen Street Station. Photography is accessible to everyone, Arnold says. Because anyone can make a photograph, anyone can also view a photograph and take something away. A series of photographs depicting old cars elicited stories from viewers of all kinds about cars they remembered and loved. To hear more about Bill Arnold’s thoughts on work and life, listen to the whole interview here.

Harry Philbrick left his position as director of the museum at the Pennsylvania Academy of the Fine Arts about two years ago. He then launched his own project called Philadelphia Contemporary. The nonprofit does pop-up exhibitions and performances throughout the city. The goal is to ultimately build a permanent space where the nonprofit can become a non-collecting, collaborative space. Prior to his position at Pennslyvania Academy of the fine Arts, Philbrick was director of the Aldrich. It was there that the idea for Philadelphia Contemporary began to percolate. He began exploring the notion of partnerships. Specifically long-term, sustainable partnerships that would allow the museum a broader reach. Upon relocating to Philadelphia, Philbrick realized there was a gap in the cultural ecosystem in that there was no large scale independent contemporary art museum. Philadelphia also seemed primed for Philbrick’s model in that the cultural environment is “unusually collegial.”

The first project was a partnership with Headlong Dance.

The project was titled The Quiet Circus in which the dancers took part in a year long residency on a pier. Each week dance pieces encouraged members of the public to join in. From there Philbrick and his small team created River Charrettes, a series of four pieces also set among the changing landscape of river banks. River Charrettes was an appropriate opening for Philadelphia Contemporary. The project embodied the idea of many people from different places coming together. Since then there have been readings and other events. At the moment there are many large scale projects in the works. An expanded staff has allowed for grander visions. The process of growth has been very deliberate, carefully adhering to the founding vision of the project.

Funding for Philadelphia Contemporary comes from many places. In order to run the organization, pay staff, and plan for the future, Philbrick has had to map out a plan from all he has learned over his years in the art world. Seed capital came from individual funders who believed strongly in the mission. More recently, Philadelphia-based foundations have come on board. For Philbrick, the key to his project is pushing forward the model for a nonprofit contemporary art space. Moving forward the same model applies, starting with individual funders and moving from there to foundational support. To hear more about Philadelphia Contemporary and arts organization funding, listen to the whole interview here.

A Few Words to Keep in your Pocket: Speak your art loudly. Do not settle for its slow demise. Bring it into the light, find allies, give your gifts to the world.  For the Silo, Brainard Carey.
Featured image- Francis Bacon’s London studio- in its relocated home in Dublin, Ireland.

Fashion

KIL N.Y.C. Launches New Teras Jewelry Collection, Inspired by Mythology & Monsters

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Konstantinos Leoussis debuts mythological creatures in custom jewelry, with the Teras Collection.

Teras Collection’s Medusa, Minos, and Harpy rings.

New York, NY. Mythology has influenced art for centuries, especially in Ancient Greece and Rome. Animals and symbols have been used to create powerful messages in fine art and sculpture, as well as within wearable works, such as jewelry. Konstantinos I. Leoussis reintroduces ancient creatures into modern forms. With designs displaying a passion for history and tradition, the new Teras Collection plays on a love for mythology and monsters. 

Konstantinos I.  Leoussis, Founder and Designer of KIL N.Y.C., says, “I created Teras to bring imaginary creatures into our world. Each scale is lovingly hand carved, and precious stones are meticulously selected to bring the Minotaur, The Chimera, and The Argus from the pages of old times and into the world of modern jewelry. Our pieces are designed for world-explorers, history lovers, and those who would like to add a bit of eccentricity to their jewelry box.” 

Stories of ancient Greek gods and monsters were designed not only to entertain, but to educate.

Dating back thousands of years, mythology helps the modern reader reflect on past civilizations through stories, and oftentimes parallels to modern society continue to be drawn. The Minotaur, part man and part bull, has been hand carved into a Minos ring and pendant, which feature the head of a bull, with horns to embody the strength and dominance of both the Minotaur and its wearer. The Argus, God of Surveillance, was a giant known for having eyes all over his body, to watch and protect those around him. Vibrant and mystical, the KIL N.Y.C. Argus medallion, cuff, and studs display those same eyes, resembling a guardian and protector. 

Visiting the darker side, both the Chimera and Medusa were considered monsters in mythology.

A fire-breathing female creature, The Chimera has the head of a lion, body of a goat, and tail of a serpent. KIL N.Y.C. designed the Chimera hoops earrings, cuff, and ring to embody the spirit of the dauntless creature, with its intricate design and flashy serpent tail. Additionally, the ring and cuff have matte and mirror finishes available upon request to enhance the look. In addition, Medusa, traditionally a monster from Greek mythology, has become a symbol of modern feminism—a femme fatale who rages against the stigmatization of female sexuality. Medusa has the face of a women, and poisonous snakes for hair, a signature look inspiring both the Medusa ring and pendant. Each displays her infamous head into art jewelry, the perfect gift for a modern feminist.

KIL N.Y.C. Launches the New Teras Jewelry Collection, Inspired by Mythology and Monsters - Artwire Press Release from ArtfixDaily.com
Harpy and Chimera Cuff by KIL N.Y.C.
Photography by Little Wolf Creative.

KIL N.Y.C.’s beautiful Harpy pendant, cuff, and ring capture the half human, half bird features of the mystical creature from classical mythology. Her wings are displayed to assert strength and the ability to fly, symbolizing the spirit of the wind.

Lernian Pendant, by KIL N.Y.C.
Photography by Little Wolf Creative.

The Lernian Pendant depicts the ferocious and immortal serpentine water creature. Displaying its monstrous multiple heads, the pendant imbues unwavering strength and power for the wearer. KIL N.Y.C.’s Arrows of Hercules pendant promotes healing; the arrows were gifts from Apollo, used in many feats. Lastly, the Teras Collection’s Scaly Serpent Hook is a gorgeous depiction of a serpent, formed into a shaped hook— the snake as a symbol of a guardian spirit.

Each KIL N.Y.C. piece is made to order, allowing customers to choose their desired metal and options for gemstone accents. 

Available reclaimed and recycled precious metal options include sterling silver, 14K and 18K gold. From design to fabrication, each piece is made in NYC, with all polishing and shipping done locally. To reduce waste, KIL NYC uses recycled paper materials for shipping, and is carbon negative. 

The Arrows of Hercules pendant from KIL NYC's Teras Collection, which is inspired by Greek mythology
Arrows of Hercules pendant.

To contact KIL N.Y.C, email Sales and Operations Director, India Mankes-Falcon, at [email protected], or call/text 718-909-6429. For the Silo, Olga Gonzalez.

Featured image- Harpy, Medusa and Minos Rings, by KIL N.Y.C. Image courtesy of KIL N.Y.C. Photography by Little Wolf Creative.

About KIL N.Y.C.

Inspired by a life of travel and antiquities, jeweler, Konstantinos Leoussis created KIL N.Y.C. in 2018, to showcase his love of old-world techniques and motifs. KIL N.Y.C. puts an edgy and modern spin on sentimental jewelry, creating styles that are both easily wearable and instant heirlooms. 

Art

Worlds Leading Architects Include Sir Norman Foster

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Who is Sir Norman Foster?  A British born architect world renowned for his ground-breaking interpretations of neo futuristic and post-modern design, that’s who.

Perhaps most famously known for designing and constructing “The Gherkin” tower in London, England at a cost of 138 million pounds. This office building is sure to turn the heads of tourists and Londoners alike.

Fashion

New York’s Behno Label Celebs Spring with purist forms

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Proving sustainability is anything but basic!


Spring has sprung! These eye-popping colors from Behno are exactly what your outfit needs this season. Their unique silhouettes and vibrant colorways are sure to leave a lasting impression. 
VIEW LOOKBOOK HERE
New York–based clothing and handbag label behno was born from a desire to improve the way the fashion industry approaches manufacturing. Shivam Punjya, its founder and creative director, established the company to champion both top-tier craftsmanship and India’s garment workers—the majority of whom are women and can make less than a dollar a day.

To that end, the brand laid out its philosophy in “The behno Standard,” a set of six operating tenets dedicated to advancing the livelihood of its artisans.

At its factories, each female colleague is addressed by the surname behn (“sister” in Hindi), symbolizing the sisterhood of empowered employees the brand strives to create. behno’s aesthetic is one of pared-down elegance: Strong silhouettes, elegant lines, and purist forms highlight each carefully made object. From slick handbags to standout separates, each piece is at once beautiful and timeless.
Travel

Best Countries For Post Covid Study Abroad Programs

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As more students are heading towards graduation each year, the struggle to get a graduate job is becoming more difficult, and students have to ensure strong CVs in order to stand out from the crowd.  The Covid pandemic has put a halt to students having options in countries other than their own. However, with a bit of luck, the pandemic will continue to end and travel restrictions will be eased. When that happens, international students will finally be allowed to return to studying abroad, learning new skills and experiencing new cultures.

Although this may be seen as one long holiday to those not in the know, those that study abroad will, in fact, have a higher starting salary, earning an extra 5% more than those who don’t. On average, this could amount to an extra £75,000 ($126,709 CDN at time of this article)  over a career.

Study Abroad Graduates

Not only will they earn more, they are also almost ¼ less likely to be unemployed after graduation. So although all study abroad programs come with a cost, with readily available bursaries, this opportunity is accessible to any student who is hoping to boost their employ-ability and is an opportunity that should be taken.

• Business and Finance Students – China: As the second largest economy in the world, China offers endless business opportunities, whilst encouraging students to learn the most widely spoken language in the world, Mandarin.

Business and Finance Studies in China

• Medical Students – South Africa: Of the 234 million surgical procedures made every year, just 4% of these happen in the poorest third of the global population. When medical students choose to volunteer in South Africa, they will gain experience in a different medical setting, and all whilst giving back.

Medical Student study in South Africa

• Education Students – Australia: As an English-speaking country, Australia is the perfect study abroad opportunity for future teachers. With the average UK class size standing at 30 pupils, the Australian’s average size of 16 will be a lot easier to manage. Plus for those who decide to stay in Australia long-term, new teachers can expect to earn £40,000+ ($67,572 CDN) compared to the £22,000 ($37,164 CDN) starting salary in the UK.

Education studies in Australia

• Conservation – Madagascar: Conservation is a growing industry as concern grows for animals and the environment. As the fourth largest island in the world, and as home to species not found anywhere else, Madagascar is the perfect opportunity for a once in a lifetime opportunity for conservation enthusiasts.

Conservation Studies in Madagascar

• Art & Design Students – Italy: From ancient and classic sculpture to modern day art, Italy is the perfect place to learn and gain an even greater passion for art history.

Art and Design Studies in Italy

• Humanities Students – USA: With three of the top five humanities universities based in the USA, America offers a vast array of historical and literary studying options. This time abroad will open up options for students who are wanting to work in academia, journalism or teaching.

Humanities Studies in the United States
For the Silo, Bekki Ramsay/storageworld.

Fashion

Celebrity Homes: Andy Warhol Home Sold For $50 Million USD

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Warhol Home InteriorsMontauk, New York was celebrating its biggest estate sale ever after the closing on the 5.7-acre beachfront estate at $50 million USD that pop artist Andy Warhol bought in 1972 for $225,000 USD.

The most recent owner of the compound was CEO of J. Crew, Mickey Drexler, who bought it in 2007 for $27 million USD. He listed it in 2015 for $85 millionUSD that included a 24-acre horse farm and equine center, which the buyer, Adam Lindemann, opted out of the purchase. Lindemann is the founder of the Venus Over Manhattan Gallery and a major collector of Warhol’s works making the property’s history especially significant for him.

Warhol’s first gig out of art school was as a fashion illustrator for several of the top women’s magazines. With the money acquired from his illustrations, he purchased a large loft on New York’s West Side and opened the Factory, where he turned toward creating industrial art. It wasn’t long before the Factory and Andy were attracting like-minded modernists from hippies to wannabe journalists and actors to drag queens and drug addicts. It was the start of New York’s avant-garde scene where Warhol held court. In addition to his painting, he branched out into music, film and journalism where he met Paul Morrissey who became the director of some of Warhol’s early films.

Warhol Interior Large1

In 1972 when Warhol’s popularity and success were peaking, he and Morrissey decided to invest in property in the Hamptons and purchased the family fishing camp of the Church family of Arm & Hammer Baking Soda fame. The estate includes a 3,800-square-foot main house and five cottages completely hidden from public view with wide beaches and ocean views. Totaling almost 15,000 square feet with nine bedrooms and twelve baths, Drexler had it all meticulously restored by architect Thierry Despont.

Warhol’s stream of celebrity guests and renters put Montauk on the international map. Frequent guests included Liza Minnelli, Liz Taylor, John Lennon, Mick Jagger, Jackie Kennedy and Lee Radziwill. The parties were legendary and stories of happy days idled away on the Hamptons’ beach are recounted in many celebrity biographies.

Warhol Interior Large2

Even though the Warhol home sale set a record at $50 million USD, his most famous paintings such as “Eight Elvises” and “Silver Car Crash” have sold for $100 million USD and higher. The listing agent was Paul Brennan of Douglas Elliman Real Estate in Montauk, New York. Visit here for more information.

Supplemental– David Bowie as Andy Warhol in Basquiat

Culture

Wildlife Supply Chains for Human Consumption High In Coronaviruses

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HA NOI (June, 2020) – A new study found that animals sampled in the wildlife-trade supply chain bound for human consumption had high proportions of coronaviruses, and that the proportion of positives significantly increases as animals travel from traders, to large markets, to restaurants.

The study, which appears in the pre-print journal bioRxiv, is by a team of scientists from WCS, the Department of Animal Health of the Viet Nam Ministry of Agriculture and Rural Development, Viet Nam National University of Agriculture, EcoHealth Alliance, and One Health Institute of the University of California, Davis.

Wildlife in the trade supply chain are often under stress and confined at high densities with other animals from multiple sources which likely results in increased shedding of coronaviruses. The authors forewarn of the potential risk of viral spillover into people through the wildlife trade.

The authors indicate that stress and poor nutrition likely contribute to decreasing animal immune functions resulting in increased shedding and amplification of coronaviruses along the supply chain. The findings in rodents illuminate the potential for coronavirus shedding in other wildlife supply chains (e.g. civets, pangolins) where similarly large numbers of animals are collected, transported, and confined.

The purpose of the study was to gain a better understanding of coronavirus presence and diversity in wildlife at three wildlife-human interfaces including live wildlife trade chains, wildlife farming, and bat-human interfaces. This work represents an important demonstration of capacity and a significant contribution from Viet Nam to the field, laboratory, and scientific approaches critical to understanding and addressing zoonotic disease threats. The consensus PCR approach for viral detection is a cost-effective tool for detecting both known and novel viruses and co-infections in a variety of taxa, sample types, and interfaces.

Researchers collected samples at 70 sites in Viet Nam, and detected six distinct taxonomic units of known coronaviruses. There is no current evidence to suggest these particular viruses were a human-health threat, but the laboratory techniques used in the study can be utilized to detect important emerging or unknown viruses in humans, wildlife, and livestock in the future.

The team found high proportions of positive samples among field rats destined for human consumption. The proportion of positives significantly increased along the supply chain from traders (21 percent), to large markets (32 percent) to restaurants (56 percent). Coronaviruses were detected on two-thirds of the surveyed wildlife farms, and six percent of rodents raised on the farms were positive. A bat and a bird coronavirus were found in rodent fecal samples collected from wildlife farms suggesting either environmental mixing or viral sharing among species. Coronavirus detection rates in rodent populations sampled in their ‘natural’ habitat are closer to 0-2 percent.

Said Amanda Fine, WCS Health Program Associate Director, Asia, and a co-author of the study: “Wildlife supply chains, and the conditions the animals experience while in the supply chain, appear to greatly amplify the prevalence of coronaviruses. In addition, we documented exposure of rodents on wildlife farms to both bat and bird coronaviruses. These high prevalence rates and diversity of coronaviruses, added to the species mixing we see in the wildlife trade, creates more opportunities for coronavirus recombination events as well as spillover.”

The authors warn that the trade in wildlife facilitates close contact between people and multiple species of wildlife taxa shedding coronaviruses. This provides opportunities for intra- and inter-species transmission and potential recombination of coronaviruses.

The wildlife supply chain from the field to the restaurant provides multiple opportunities for such spillover events to occur. To minimize the public health risks of viral disease emergence from wildlife and to safeguard livestock-based production systems, the authors recommend precautionary measures that restrict the killing, commercial breeding, transport, buying, selling, storage, processing, and consuming of wild animals.

The emergence of SARS-CoV, MERS-CoV, and now SARS-CoV-2 highlight the importance of the coronavirus viral family to affect global public health. The world must increase vigilance through building and improving detection capacity; actively conducting surveillance to detect and characterize coronaviruses in humans, wildlife, and livestock; and to inform human behaviors in order to reduce zoonotic viral transmission to humans. 


Hoang Bich Thuy, WCS Viet Nam Country Program Director and co-author explains: “Since the outbreak of COVID-19, the Government of Viet Nam has been taking strong actions to enforce wildlife trade laws and is considering the prohibition of wildlife trade and consumption as directed by the Prime Minister in his Official Letter No. 1744/VPCP-KGVX dated 6 March 2020 of the Government Office. This research provides important baseline information and suggests areas for targeted studies to provide more evidence for the development of new policies and/or revision of the legal framework in Viet Nam to prevent future pandemics by mitigating risks of transmitting pathogens from animals to humans at key nodes along the wildlife supply chain. Successful interventions will be those that support a significant reduction in the volume and diversity of species traded, and the number of people involved in the trade of wildlife.”

This study was made possible USAID’s Emerging Pandemic Threats PREDICT project with cooperation from the government of Viet Nam.

WCS (Wildlife Conservation Society)

MISSION: WCS saves wildlife and wild places worldwide through science, conservation action, education, and inspiring people to value nature. To achieve our mission, WCS, based at the Bronx Zoo, harnesses the power of its Global Conservation Program in nearly 60 nations and in all the world’s oceans and its five wildlife parks in New York City, visited by 4 million people annually. WCS combines its expertise in the field, zoos, and aquarium to achieve its conservation mission. For the Silo, Stephen Sautner, Wildlife Conservation Society, Bronx Zoo, New York.

Featured image- Civet in a farm in Dong Thap, Viet Nam.  CREDIT: ©WCS Vietnam

Reviews

What We Learn From The Death Of A Spouse And How To Find Love Again

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He had no idea his life would change so significantly……For 31 years, Dennis and Hope Freed had a fulfilling marriage. They raised a family, built a home, and shared their dreams with one another and their two sons.

Overcoming Spiritual Midlife CrisisThen Hope got cancer, and their lives changed drastically overnight. She fought a long brave battle, and went through over 250 chemotherapy treatments, but on April 7, 2012, on an evening that heralded Passover in the United States and Easter in Israel, she died.

Dennis Freed’s beloved wife and best-trusted friend had gone, leaving him alone to figure out a future he’d never imagined. For the first year, he sorted through what society expected of a long-term caregiver and widower. Eventually, Dennis emerged from mourning, his heart ready for life’s next chapter. Is there love after marriage?

In Love, Loss and Awakening, Dennis Freed tells the story of how he began to go out with women again. He shares the reality of dating at age 50-plus—how he endured the awkward and hilarious encounters and embarrassments a man experiences when he hasn’t been on a date with a new woman for decades. Dennis’s book chronicles how one finds love after the death of a spouse. He describes his courageous and uplifting journey through sorrow, his search for new love, and his rediscovery of love and happiness.

Drawing upon the wisdom and personal experiences he acquired dating middle-aged women in all the wrong places, Freed takes the mystery out of the many lessons he learned. Dennis found out that as a widow or widower you can find love again, but it’s a difficult road. Love isn’t unique to the person you loved first. That love never fades, but your heart has room for more. You can get love back in your life. Your new love becomes a special love in its own right.

Here are just a few of the valuable insights:

Hole Heart/ Whole Heart

When you lose your best, most trusted friend, the hardships just begin. You are now alone. Your whole heart collapses to half its size. It transforms into a Hole Heart. The process of resurrecting it to wholeness is like Lego construction, built one little brick at a time. At first, bricks of varying shapes and sizes are sorted through and meticulously placed. Slowly they assume the weight and shape of your newly imagined Whole Heart.

Learn How to Be Physical, Affectionate, and Intimate

You spent thirty-plus years kissing no one but your spouse. If you spend your time worrying about the “what if” instead of enjoying the right now, it will rob you of your joy today. Sometimes you just have to learn something new, like all the kissing pleasures one never experienced. It’s not such a bad idea. Understand that it takes time and practice, and that each person you meet is unique. You’ll make hurtful intimacy mistakes just like a teenager. You’ll make stupid and inconsiderate mistakes. It’s a fact. Practice and learn so that when the right person comes along, you’ll be ready.

A Hundred Bottles of Beer on the Wall

You are going to date a lot of people. It is okay to be sad, mad, depressed, empty, lost after a date that isn’t perfect. Embrace the journey! Feel! Live it! Then get on to the next one so your failures don’t consume you. Have fun searching. Let your dating escapades become the target of jokes for your friends. Entertain them with style!

LoveLossAndAwakeningDennisPFreedBookCoverLove, Loss and Awakening

Dennis P. Freed

 List $ 12.95US

88 pages, trade softcover, also available in ebook version

ISBN 978-0-9971916-1-5

Tolawaken Press

 The death of a loved one is devastating, and can leave us questioning our new path. Will I ever want to find love again, and if so, how do I find it? What’s appropriate behavior for a widowed fifty-four-year-old? Should I explore dating sites? Meet women in bars? Rely on introductions from friends? The questions far outnumber the answers. In Love, Loss and Awakening, Dennis Freed shares his experiences and his journey to new love and the rediscovery of happiness.

For more information, visit www.LoveLossandAwakening.com

 

About the Author

Dennis P. Freed is a native of Brooklyn, New York, and, from age three, grew up in Oceanside, Long Island, where he later raised his family. He earned a BS in Civil Engineering at the University of Rhode Island. After a stint as a structural engineer, he entered the Construction Management and Development profession in New York City, where he has led teams to construct and develop more than sixty-five buildings. Also an associate professor at Pratt University in New York, he teaches Construction Management to architecture students.

Sunset

What People Are Saying

“Love, Loss, and Awakening is an engaging story of how one man bounces back after losing the love of his life. It is an ode to the power of being in relationship, especially when faced with incredibly difficult and heartbreaking loss. And it is with much humor that Dennis Freed takes the reader on a journey to find what we are all looking for to be joyous and fulfilled in relationship.”

—Harville Hendrix, Ph.D., and Helen LaKelly Hunt, Ph.D., Creators of Imago Therapy and authors of Getting the Love You Want

“This is a story of digging deep after loss, finding that being with another is worth the risk, and staying open to lessons both human and Divine. At times an excruciating memoir of living with cancer, at others, a combination of ‘How To’ and, more useful, ‘How NOT To’ of middle-aged dating. Those who have loved deeply will be reminded of what they have or have lost; for others, it’s the promise of how good a relationship can be. The book has a happy ending, yet acknowledges that seeking love must always include a willingness to lose again.”

—Cynthia Wall, LCSW, author of The Courage to Trust: A Guide to Building Deep and Lasting Relationships

“Get ready to cry, laugh, cringe, and howl with wonder and delight as you go through Dennis Freed’s amazing experiences after the loss of his wife. He offers heartfelt real-life insights on how to cope with the despair and overcome the pain so you can face the world and find love and happiness anew.”

—Paul J. Krupin, author of Words People Love to Hear Simple Verbal Recipes for Making the People Around You Feel Good

Earth

Climate Peril Book Highlights Predicted Ecological Catastrophe

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How do we know? "Orbital climate satellites will measure changes in energy that is entering and exiting the atmosphere as well as the effect that manmade greenhouse gases (GHG) or aerosols, are having on the atmosphere." http://green.blorge.com/2011/01/the-glory-climate-satellite-will-join-the-a-train/
Orbital climate satellites measure changes in energy that is entering and exiting the atmosphere as well as the effect that manmade greenhouse gases (GHG) or aerosols, are having on the atmosphere. image: green.blorge.com

A new, authoritative climate book puts all major aspects of the climate crisis into a broad national and international perspective, revealing that the gravity, imminence, and permanence of the crisis are widely misunderstood.

Climate Peril
Climate Peril: The Intelligent Reader’s Guide to Understanding the Climate Crisis (Northbrae Books) by energy and climate expert Dr. John J. Berger  has an introduction by Dr. Paul and Anne Ehrlich of Stanford University and a foreword by Dr. Ben Santer, an internationally respected climate scientist with Lawrence Livermore National Laboratory and the Intergovernmental Panel on Climate Change.

The book underscores the unprecedented urgency of the climate crisis, providing detailed revelations about the grave harm climate change is now doing to human health, national and international security, our economy, natural resources, including the oceans, and biodiversity. Climate Peril demonstrates, for example, that holding global heating to 2° C is no guarantee of climate safety, contrary to the assumptions of many policymakers, and that the world is very likely to exceed this limit anyway.

2degrees threshold

Readers have found that Climate Peril makes important findings of climate science easily accessible and helps them better understand the breadth of the climate threat to our economy and society. The book begins by explaining how the climate system naturally operates and then illustrates how human activity has disturbed it.

Climate Peril goes on to document the broad consequences of rapid climate change, drawing attention to its impacts on nature, the economy, human health, and national security. In the process, Climate Peril highlights our proximity to irreversible climate tipping points and to ecological catastrophe.

Supplemental- Why a two degrees C increase in global average temperature IS a big deal by Elizabeth May  https://www.greenparty.ca/blogs/7/2013-01-21/why-two-degree-celsius-increase-global-average-temperature-big-deal

Fashion

Fashion And Technology Connect At New York Fashion Week

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What would it be like to listen in on a discussion on new materials/textiles by a director at NASA, an entrepreneur focusing on branding for dogs and an international superstar in fashion? It may sound odd at first thought, however, in the fashion industry today everyone is linked through technology – which nowadays is every brand’s biggest competitor.

Marcelo & Jordana Guimaraes (husband and wife) are the founders of FASHINNOVATION – an event bringing the thought leaders in the fashion and technology industries in front of an audience to discuss topics including production/manufacturing, sustainability, textiles/technology, branding/design, e-commerce, celebrities in fashion and “fashion-tech on the rise”(startups). These conversations will take place in moderated panels sharing a common goal: to spark the entrepreneurial mindset through inspiration and knowledge.

FASHINNOVATION New York Flyer

FASHINNOVATION will take place during New York Fashion Week on September 12th, 2018.
“I’ve been involved in the entrepreneurial eco-system throughout my life – always with a focus on technology. The challenge with the fashion and technology industries, is having them always inter connected to have a finger on the pulse of the latest innovations – making things exciting and thought provoking. With the merge of ideas, the outcome is unimaginable” says Founder, Marcelo Guimaraes.

A look back at an earlier NYC Fashion week show-

Confirmed to participate are: Vice President of Shopify/Co-Founder of Shopify Plus – Loren Padelford, Co-Founder of Ministry of Supply – Gihan Amarasiriwardena, Global Fashion Industry Leader & Partner at IBM – Karl Haller, Best-Selling Author & Host of TV Show: Elevator Pitch – David Meltzer, Designer/Founder at Kris Harring – Kris Harrington, Co-Founder of Bolt Threads – David Breslauer, Fashion Designer (Project Runway season 11 & All Stars) – Layana Aguilar, Art Creative for MAC make-up & Fenti by Rihanna – Jason Naylor, Founders of HICKIES (collaboration w/ DVF) – Mariquel Waingarten & Gaston Frydlewski, Co-Founder of M.Gemi – Ben Fischman, Executive Director at FIT’s Infor Design and Tech Lab – Michael Ferraro, Co-Founder of Universal Standard – Alexandra Waldman, Founders of Haerfest – Tim & Dan Joo, Founder of ByBorre (NIKE & Louis Vuitton collabs)– Borre Akkersdijk, Founder of Zee Dog – Thadeu Diz, Co-Founder of WindowsWear – Jon Harari, Program Executive at NASA – Jenn Gustetic and Founder of Fashion Tech Consortium – Michael Reidbord. Institutions in participation include Singularity University (NYC Chapter) and Endeavor. Part of all proceeds will be donated to NFTE.

“It’s exciting to see the positive feedback on FASHINNOVATION from leaders in the fashion and tech industries. We have additional confirmations on the way ranging from fashion personalities to platinum record superstars – the eclectic mix of people and companies participating, will ensure that everyone who attends walks away with knowledge that is unmatched” says Co-Founder & PR Director Jordana Guimaraes.

The event will resume with a cocktail networking reception, with live performances by: “violin superstar” who’s performed w/ Beyonce, etc. – Ezinma and singer/songwriter Heather LaRose – recently hitting 1 million streams online & best known for her song “New Moon” featured on MTV’s “Teen Wolf”.

Fashion

Q And A With Self Made Millionaire And Luxury Sommelier Noel Shu

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For the high end market, there are often many different brands of similar products and services vying for attention. What are some effective ways luxury consumers can stay abreast of the newest, highest quality products and services?

This can actually be the done the good ol’ fashioned way and that’s simply to read a lot. Everything that you can possibly be looking for, think you might be looking for or not even know you’re looking for is on the Internet. Every day when I wake up, I spend a good 30 minutes and go through literally everything while I’m drinking my coffee—from international news to gossip to anything I can find that’s different from what I read before. People are out there doing everything they can to appease the people.

You are a member of a network called, “The Billionaires Club.”  What are some of the luxury brands you and your inner circle are paying attention to and what draws these brands apart?

I would say these days quite a few people have moved away from just so called “big purchases.” Everything is now more about personal touches. For instance, many people own a Rolex, Audemars Piguet or Hublot. More often than not, some of these are one out of however many but how many people really have something that’s one of kind? Not too many. The other point is that the watch may suit you but it doesn’t reflect your own personality, likes and dislikes. So what’s actually becoming quite popular is engraving one’s watches. I’ve seen some crazy designs that really add some character to a person’s wrist such as koi fish, skull heads and zodiac signs.

So back to the main question and one particular brand that has stood out is Golden Concept. Again, it’s all about personal touches these days and being unique. Golden Concept specializes in luxury cases for your phone. They have gold, snakeskin and gator cases just to name a few. All done to the highest of quality and many are customizable. So if you’re looking to stand out, make sure to check them out.

Another brand which has seen quite a bit of press and accolades is JetSmarter, one of the more successful private aviation companies. For many entrepreneurs, meetings take place in different cities, different continents and in different time zones. JetSmarter offers these services in an easy-to-maneuver application that makes flying private relatively affordable and easy.

World’s most expensive ‘whatever’: click me

What are the top three luxury items or brands that have captivated your own attention right now?

Right now there are three top brands that are top-of-mind for me right now. These are Emperada Cigar Humidor by Imperiali Geneve; Astonomia Tourbillion by Jacob & Co; and Bentley EXP 10 Speed 6 Concept car.

Not everyone can afford luxury brands. What would you suggest for those who have the desire to appear high end but not necessarily the means?

There’s actually been a lot of hype surrounding brands that cater specifically to people who enjoy the “finer things” but are limited by what’s in their wallet. Many bloggers, for instance, are always writing about the newest gadget, accessory or clothing. I would recommend finding a few that fit your style and follow them on Instagram to see what it is that they’re rocking on a day to day basis. Many people have to understand that your average blogger is there to inform the public on some of the newest fashion do’s and don’ts, and these are all done with new brands or affordable pre-existing brands.

Second, which I have seen quite a bit, is on Kickstarter or similar sites that are always offering “perks” for those who invest early in their brands. Without naming names, a few brands offered a discounted handmade Italian leather, skeleton movement watches for a fraction of the cost to the first “so many” number of investors.

Just keep in mind for everything high-end there is always a cheaper counterpart. Don’t worry just about name brand or high end. All that matters is that it looks good and makes you feel great.

For those who focus on products that are affordable luxury, who are some of the brands doing the best and what are the keys to success?

One of the biggest and most successful brands that I have seen that caters more towards the everyday luxury is Tory Burch. Although TB is for women, I have on many occasions bought it for family, friends and clients so I can safely say I have quite a bit of exposure to this brand and can thus speak with some confidence. Obviously, price point for TB is well within the means of many. Besides that, what is it that has led TB to such success? I would say three main factors: relate-ability, professionalism and seamlessness. Relate-ability in that walking through the concrete jungle that is New York, TB products have always caught my eye in their simplicity but also how stylish it is, whether on a working woman running into Starbucks or that beautiful lady going to brunch. Second, professionalism – although many brands always stress the attentiveness of the staff, it pales in comparison to TB. People have to understand that often times upper tier luxury items are for a certain group and employees are naturally prejudiced to people who they perceive not to be at that level. There have been times where I would walk into a Rolex store unattended for 15 minutes and the instant my AP peaks out from under my shirt, someone is there to help. This just doesn’t happen at TB and for that I am quite appreciative. Seamlessness in TB’s product, in that it offers just the right amount “je ne sais quoi.” Most of their products can be matched with a variety of other brands. This has all led to the tremendous success that TB has experienced over these past few years.

What are the top three factors that truly set an ultra-premium wine, champagne or spirit brand apart from less costly luxury beverage counterparts, wine and otherwise?

Marketing wine for the luxury market is a really tough job to do. Quite frankly it’s because you’re trying to appease a group of people who have seen it all. People always say when you do something for long enough, whether you want to or not you will become a bit of a connoisseur. That’s especially true for those in the wine industry. Most are well educated, well informed and have a true passion towards exploring the finer points of what’s in a wine bottle. If we were to say that all wines in the luxury market were of the same caliber, there would still be so many factors in play, the first being accessibility and quantity. Many luxury wines are such because there is a limited supply. You can’t expect a brand to sell at the same price point when there are only 10,000 bottles as compared to 100,000 bottles. However, although there are still 10,000 bottles that were produced, that doesn’t mean your everyday Joe would be able to get his hands on them even if he’s willing to dish out the necessary cash. Thus, there’s another added premium to an already sky high price.

Another example is time and care. For those who are only there to turn a quick profit, the longer time they spend on making a wine, the more money that needs to be invested. That in itself increases cost and decreases profit. This is why sometimes you have wineries that will actually keep the wine in their cellars for years after bottling to ensure that the wine has at least matured to a passable level. By care, I mean winemakers are very passionate about their craft and thus hate having their name associated with sub-par wine. Thus, you have some years where there is little to no wine produced by a certain grower because only a small amount of the grapes harvested passed the standard or none at all.

Never one to rest on his laurels and even amid a diversity of endeavors, Shu continues to raise the bar for himself professionally and personally. Whether it be as an active investor looking for the latest innovation in the luxury and tech space or, despite his jam-packed schedule, his current pursuit of an Ivy League Master’s degree at Columbia University. Clearly this good life connoisseur turned luxe market mogul will continue making an impact on the numerous high-end industries for many years to come. For the Silo, Merilee Kern. Merilee is an influential media voice and lauded communications strategist.

 

Politics

Regular Updates- President-Elect Donald J. Trump Announces Senior White House Leadership Team

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(New York, NY)- President-elect Donald J. Trump today announced that Trump for President CEO Stephen K. Bannon will serve as Chief Strategist and Senior Counselor to the President, and Republican National Committee Chairman Reince Priebus will serve as White House Chief of Staff.   Bannon and Priebus will continue the effective leadership team they formed during the campaign, working as equal partners to transform the federal government, making it much more efficient, effective and productive. Bannon and Priebus will also work together with Vice President-elect Mike Pence to help lead the transition process in the run-up to Inauguration Day.

“I am thrilled to have my very successful team continue with me in leading our country,” said President-elect Trump. “Steve and Reince are highly qualified leaders who worked well together on our campaign and led us to a historic victory. Now I will have them both with me in the White House as we work to make America great again.”

Photo: Reuters News. Did you know? Reuters computer predicted large Republican win for presidency? Click image for more info.
Photo: Reuters News. Did you know? Reuters computer predicted large Republican win for presidency? Click image for more info.

“I want to thank President-elect Trump for the opportunity to work with Reince in driving the agenda of the Trump Administration,” noted Bannon. “We had a very successful partnership on the campaign, one that led to victory. We will have that same partnership in working to help President-elect Trump achieve his agenda.”

“It is truly an honor to join President-elect Trump in the White House as his Chief of Staff,” added Priebus. “I am very grateful to the President-elect for this opportunity to serve him and this nation as we work to create an economy that works for everyone, secure our borders, repeal and replace Obamacare and destroy radical Islamic terrorism. He will be a great President for all Americans.” For the Silo, Trump For America, Inc.

Gaming

World’s Best Street Fighter V Players Battled Head-to-Head at ESL One New York

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COSTA MESA, Calif. — ZOWIE, BenQ’s eSports brand, was the official tournament eSports monitor of The Brooklyn Beatdown, recently held at the Barclays Center in Brooklyn, N.Y. Held alongside the ESL One New York Counter-Strike: Global Offensive (CS:GO) tournament, the Street Fighter V event featured the RL Series console monitors as 256 competitors battled for a $75,000USD prize pool. The ZOWIE RL Series armed competitors with experience-enhancing features such as head-to-combat, lag-free technology, instant response and adjustable stand.

“The Brooklyn Beatdown was an intense weekend full of epic battles between the world’s best SFV players,” said Ronald Kim, eSports marketing at BenQ America Corp. “We’ve been looking forward to watching the pros compete head-to-head on our RL2460 monitor.”

The Brooklyn Beatdown streamed matches utilized the RL2460 monitor’s exclusive head-to-head feature, which allows multiple monitors to connect to the console system without any additional lag and eliminating split screen sharing.

brooklyn beatdown poster

About BenQ Corporation
Founded on the corporate vision of “Bringing Enjoyment and Quality to Life,” BenQ Corporation is a world-leading human technology and solutions provider aiming to elevate and enrich every aspect of consumers’ lives. To realize this vision, the company focuses on the aspects that matter most to people today — lifestyle, business, healthcare and education — with the hope of providing people with the means to live better, increase efficiency, feel healthier and enhance learning. Such means include a delightful broad portfolio of people-driven products and embedded technologies spanning digital projectors, monitors, interactive large-format displays, audio products, cloud consumer products, mobile communications and lifestyle lighting. Because it matters.

PR Link: www.ingearpr.com/BenQ/160928BenQ-ZOWIE.docx

Fashion

Funny Paradox Of Digital Life Is Design Parameter For New “Captcha” Clothing

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Print All Over Me is a creative community of people turning virtual ideas into real world objects. Every three months, we release a series of silhouettes like t-shirts, backpacks, jockstraps, etc. As a designer, you can upload your own artwork to each silhouette and then offer your design for sale. Even “captcha” designs like in our collab below with EXONEMO.

Every piece on PAOM is custom made. We print the fabric first and then cut and sew. We believe that by taking fashion slowly we can: a. offer high quality items; b. produce in an environmentally sustainable way; c. (and most importantly) offer our studio employees a living wage and health benefits.

Our office and collab studio is based in New York at New Inc. – the New Museum’s incubator. Our main production studio is outside Shanghai and we have a satellite studio in Georgia, outside Savannah.

Print All Over Me Captcha Designs by ExoNemo
Click me to design your own captcha – antibot wear.

Supplemental-

Neilsen's signature look- a la 1970's 1980's
Neilsen’s signature look- a la 1970’s 1980’s

Was Cheap Trick guitarist Rick Nielsen an early captcha-clothing pioneer?

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