All posts by The Silo

Overcome Travel Anxiety Ahead Of This Years Season

April 3, 2024 The Silo Leave a comment

A whopping 1.3 billion international tourist arrivals were recorded in 2023.

Undoubtedly, travel has become an integral part of many people’s lives. And while it can bring many joys, it can also cause stress.

With travel season fast approaching, the experts and our friends at HAYPP wanted to help those struggling with travel anxiety by providing helpful tips on how to best overcome it.

Five healthy ways to overcome travel anxiety

1. Understand your anxiety

To be able to best cope with your travel anxiety, you need to have a good understanding of the things that actually cause it. Pinpoint specifically what is making you feel anxious about your trip – is it that you’ll be on the road for hours, that there would be things out of your control, that you would have to be surrounded by a lot of people at an airport? Once you understand what triggers your anxiety, you can ensure to plan ahead for the best ways to handle those triggers.

2. Create a detailed plan for your trip

One of the reasons for experiencing anxiety when travelling is that you’re being taken out of your comfort zone and won’t have full control over everything. To help ease that anxious feeling, try to plan out your trip in as much detail as possible. Write down an itinerary, either on paper, or you can make use of a trip planner app like TripIt, Wanderlog, or Sygic Travel, for every day that you can follow, which will give you a sense of control, but it’s equally as important to think of alternative plans of action for anything that could potentially not go as planned, so that you’re prepared.

3. Learn to use relaxation techniques

Deep breathing by taking long breaths through the nose and then exhaling slowly through the mouth is a technique proven to help reduce any feelings of stress. Another useful way to calm your mind is by meditating, which can take many different forms from listening to music to focusing on your breath. To make sure you find the mindfulness technique that works best for you, try out a few different ones before your trip, so when the time for travelling comes you can use the most efficient one to set your mind at ease.

4. Ensure you have things that bring you joy

Having things with you that generally bring you joy can be extremely useful in distracting you from your negative feelings. These can include physical items like a journal in which to write your thoughts, a book to read, or a game to occupy your attention. Alternatively, you can create a playlist of songs you love or make sure you have your favourite TV show (or movie) with you, as these will keep your mind occupied, decreasing your feelings of anxiety.

5. Take care of your physical health

Being physically active is a great way to reduce feelings of anxiety and stress. Even if it’s just a long walk, make sure to incorporate physical activity in your days, especially the days leading up to your trip and if possible, during the trip as well. Spending some time outside and connecting with nature, be it only by visiting a park, can have a positive effect on your physical and mental being, which in turn will help reduce your anxious thoughts.

For the Silo, Caitlin Purvis.

Earth

Canada’s Changing Climate: What Key Cities Could Look Like With ‘Dune-Ification’

April 2, 2024 The Silo Leave a comment

How Climate Change Could Transform Cities into a Dune-Like Landscape

Dune’s cinematic and literary success reflects our fascination with desert landscapes. But the vast deserts of Arrakis, the movie’s fictional planet, hold a deeper meaning. They serve as a cautionary tale for our own planet threatened by desertification.

A new study by our friends at Top10Casinos.ca reveals how Canadian and other global cities threatened by climate change would look in the Dune Universe as TikTok searches around Dune: Part Two and climate change spike 7,700% in just 30 days.

Dune: Part Two, is already reaching massive box office milestones surpassing $150 million usd/ $204 million cad, and TikTok searches for the ‘new dune movie’ have soared 4,606% in just 30 days. In the past month, searches around the movie’s desert-like filming locations have increased 141%, while queries related to ‘climate crisis 2024’ have spiked 3,100% in the social media platform.

Known for its amazing cinematography and striking desert visuals, Dune’s landscape is something that makes it instantly recognisable. But the movie’s vast deserts are more than just a stunning backdrop. They serve as a stark warning of a potential future for our own world impacted by climate change.

Do Canada’s iconic outdoor skating rinks face a frosty future? While bundling up for harsh winters is a national pastime, a worrying trend is emerging. Since 1950, winter temperatures have soared by over 3°C, outpacing global warming by a factor of three.

Toronto, Ontario

Toronto, once known for its predictable seasons, is grappling with the impacts of climate change. The city is experiencing a rise in average temperatures, leading to more frequent and intense heat waves that strain infrastructure and threaten public health. Winters are becoming shorter and less severe, with unpredictable precipitation patterns bringing both heavier downpours that overwhelm storm drains and periods of drought that stress green spaces and water resources.

Vancouver. British Columbia

Like many coastal, seaport cities, Vancouver is feeling the brunt of climate change. Rising temperatures are a key concern, with projections for hotter, drier summers and wetter winters. Sea levels are also on the rise, threatening coastal areas with flooding. The City of Vancouver itself is planning for up to a 1.4 meter rise by 2100, which would inundate parts of the city during major storms.

Montreal, Quebec

Montreal’s climate is expected to experience significant changes due to climate change. Average temperatures are projected to rise by 1.5-2.3°C by mid-century, leading to more frequent and intense heat waves. This can strain infrastructure, harm public health, and disrupt outdoor activities. The city is also likely to see increased precipitation extremes, with heavier rainfall events and the potential for more flooding.

Niagara Falls, Ontario

Studies suggest Lakes Erie and Ontario, feeding the Niagara River, could see water levels drop a meter by 2050 due to increased evaporation and less snowfall. This decline could impact the Falls’ power and beauty. Additionally, more extreme weather events like flooding could damage surrounding areas. While milder winters might extend tourism, climate change poses significant ecological and aesthetic challenges.

Methodology

We researched cities most at risk of desertification using: https://www.tomorrow.city/cities-at-risk-from-desertification/.
We then input these cities into Bing’s Image Creator AI generation tool using a specific prompt to make the images look like a Dune landscape.
Search volumes and trends were gathered using https://keywordtool.io/.

Art

Far Reaching Effects Of Visual Culture In Our World Of Appearances

March 30, 2024 The Silo Leave a comment

Dusty book stall archeologist and writer Jonathan Guyer oversees the far reaching effects of visual culture in our modern ‘all about appearances’ world.

*Jonathan Guyer on CBC -Canada Broadcasting Corporation*

Through frequent excursions to the bookshops of downtown Cairo in Egypt, Guyer has unearthed a wealth of forgotten political narratives and overlooked illustrative histories. Book-ending his fascination with the alternative story lines of locally appropriated Western comics, Guyer’s faith in the ethical and ideological potential of cartoons and satirical imagery extends to the underground artistic movements of contemporary self-published zine-makers. In his eloquent interview, the prolific and level-headed writer remarks on welcome shifts in the Middle Eastern visual landscape, the necessary and terrifying obligations of artists, and the autonomy of art in an authoritative society.

*Bascha Mon Prince Street Rag oil on canvas*

Adaptive and indomitable painter Bascha Mon has traced each frame of light between the new and full moons. Bound to spontaneity and guided by intuition, Mon’s practice feels out a logic from the sanctuary and purgatory of a blank canvas. Impelled by the psychic pains of a laboring human family, Mon retrieves the fragments of her commiserating heart from the cold grasp of reality, like pulling her distorted reflection from the surface of the water. Expressed in her stirring and poignant interview, Mon’s necessary attachment to art conceals a deep solidarity with the misplaced souls of the Earth, who struggle to make sense of an existence where whimsy and intense meaning coexist. The sage observer and painter is never dissatisfied by an individual work, as no piece is anything less than perfect if it belongs to a whole.

*Shipping Container is a book on Literary Theory by Craig Martin*

Reading something interesting?

Tom Allen, is ensnared by the vehement poems of mid 19th century writer Jules Laforgue, the progenitor of free verse in the French tradition and treasure to the great modernist poets. Laforgue fashioned his fervent style of observation from the fiery idealism of the symbolists and the microcosmic subjectivity of impressionism. Another one of our users, Niels Van Tomme, is pleasantly amused by the playful and engaging Shipping Container, Craig Martin’s contribution to the Object Lessons series. Martin’s colorful prose enlivens the itinerant existence of this ubiquitous transport vessel, the unsung hero of our convenient and mobile world.

Urging the flow of time and water is the promise of change made by a fork in the stream.

For the Silo, Brainard Carey.

Art

Marshmello (@cryptocup) NFT Makes History With Lunaprise Launch on SpaceX

March 28, 2024 The Silo Leave a comment

Marshmello the artic pup, also known on instagram as @cryptopup, made history last week, as the first pet digital collectible art project selected for the lunar museum (“Lunaprise”) on the moon. The project was conceived by Dallas Santana, a well-known film director, web 3.0 innovator and Founder of Space Blue, the company that oversees curation of the Lunaprise Museum. Santana first introduced Marshmello the artic pup, to the world as an digital collectable art project in 2018.

Marshmello To The Moon. NFT by Space Blue

The super rare digital collectible art of Marshmello To the Moon, selling for $950K usd / $1.3M cad each, took off from from Cape Canaveral on a ride on SpaceX Falcon 9 and landed on the moon February 22^nd , becoming the first pet dog character to land on the moon since the legendary Snoopy, who traveled with Apollo 11 astronauts to the moon back in 1969. The artwork will be auctioned off with 100% of the proceeds donated towards impactful projects for humanity and animals.

Artwork of the popular adorable pet also made history as the first bitcoin art project to land on the moon and is inscribed as a very popular digital art form called bitcoin ordinals.

The Lunaprise Museum on the moon will house digital inscribed twin etched nickel and nanofiche system of the earth based digital collectibles, along with 222 other curated art projects which will last over 1 billion years on the moon. Marshmello the artic pup character has also already confirmed her official NASA boarding pass to be included in the NASA Mars missions, and other space programs coming up.

The twin images of Marshmello’s artwork will be engraved on metallic lunar plates and digital archives which will last over 1 billion years on the moon. Marshmello’s story and her mission set many space and art history records, including the first pet art project selected for this NASA-administered project, and became the first pet dog character to land on the moon since the legendary Snoopy, who traveled with Apollo 11 astronauts to the moon back in 1969. Conceived by a well-known film director and NFT Innovator (Dallas Santana), Marshmello was first introduced to the world as an NFT art project in 2018, long before the term NFT gained widespread recognition.

The Real-life Dog

Marshmello, the real-life dog, is known for many collaborations with top celebrities, movie stars, models from “America’s Top Models”, and “Deal or No Deal” models, all who babysat the adorable pet. Marshmello found fame without even trying, went viral “peeing” on an Oscar Event Red Carpet ( getting millions of views), got over 50 million views while dating Logan Paul’s Pomeranian “Kong”, and appeared in the NFT movie The 9th Raider and many music videos.

As this pioneering canine character prepares for its historic lunar landing, fans can soon explore the captivating Marshmello furry universe through an engaging book series, with an animation series also in development- also all sent to the moon for archiving as digital twin artwork preserved on the moon. This lovable pet dog character is on the brink of capturing hearts and minds across the globe as it embarks on its groundbreaking journey to the final frontier in art history. As mentioned above, Marshmello the character has also confirmed her official NASA boarding pass to be included in the NASA Mars missions, and other space programs coming up. For the Silo, Tiffannie Ramos.

Fashion

Amber Museum In Lithuania Explores Baltic Legacy

March 27, 2024 The Silo 2 Comments

Did you know that Lithuania has a museum of amber that showcases the legends surrounding this compound’s mystical healing properties, inquires into its scientific characteristics, and preserves the cultural heritage of the Baltic region?

The new Mizgiris Amber Museum is strategically located in the resort town Nida on the Curonian Spit that has been inscribed on the UNESCO World Heritage List for its distinct flora, unique fauna, and ethnographic legacy.

Characterized by immense drifting sand dunes, tourist-favorite beaches, and unique cultural heritage, the UNESCO-listed Curonian Spit of Lithuania is one of the most visited parts of the Baltics. That is why the new Mizgiris Amber Museum has been situated in Nida—a resort town located at the heart of Curonian Spit, where amber collecting has been considered as the traditional craft of the region.

The museum seeks to preserve the unique history of this Baltic legacy, commonly referred to as “Lithuanian Gold”, and introduce it in a new interactive way.

“Amber has played a significant role in Lithuanian culture. Baltic tribes used solid amber as early as 2000-1800 BC to craft jewelery and weaving tools, treat diseases and shield people from evil spirits. Meanwhile, amber incense was used to protect children, newlyweds, and soldiers going to war. We seek to showcase these amber traditions through the expositions of our museum,” said Virginija and Kazimieras Mizgiris, museum’s founders and locally-renowned cultural activists.

Ancient stone age amber- Juodkrantė’s Treasure

Continuing the deeply-rooted amber traditions, amber is widely used in Lithuania to this day, for instance, in the Lithuanian wellness industry.

Since these agents are known to strengthen the immune system, some SPAs utilize amber oil to perform massages and other procedures. Also, the material has been found to exude extra health-boosting compounds when heated, therefore, a few wellness centers utilize amber as tiling material for sauna interior. Educating the public about the material’s medicinal properties remains part of the mission of the people who are active in the amber industry today.

Before the museum opened in June 2021, The Palanga Amber Museum was a major tourist attraction in Lithuania.

However, it has a pronounced focus on the way this material was used in decorating Lithuanian palaces in the late 18th to early 20th centuries. Meanwhile, the main concept of the new museum in Nida is an amber river which showcases the path amber travels from nature to culture. The exhibition features rare amber and works of art, complemented by a virtual story on the formation of amber with its various forms, colors, fossilized inclusions, and more.

The largest amber stone from Baltic sea in Lithuania, 3820 g.

“What we seek to achieve with this exposition is presenting amber in a modern and interactive way. We hope to make the history of amber, as well as the Baltic legacy, more accessible to a broader audience—both young and old, foreign visitors and locals as it shines light on the part of Lithuanian heritage that has not reached the mainstream culture,” said Mr. Mizgiris.

Baltic Amber | Teething Necklaces For Babies | Amber Necklaces For Babies

This is not the first cultural initiative, sponsored by Mrs. and Mr. Mizgiris. The couple has been immersed in the amber business for about three decades and has founded several other amber galleries in Lithuania’s capital Vilnius and the Curonian Spit. They organize educational programs, art exhibitions, and have published several photo collections internationally. The passion for amber of Kazimieras Mizgiris is also reflected in his personal life as he has a collection of amber from all over the world.

The Mizgiris Amber Museum is located in Nida at Nagliu st. 27 and greets visitors all-year-round.

Visiting both the famous resort town and the newly-opened museum allows visitors to experience Lithuania as a real nation of amber. In fact, Lithuania’s most recent tourism campaign makes the visit even more convenient as it promotes the opportunity to stay longer in the country by compensating visitors’ third-night stay in over 200 accommodation providers.

Featured image: The priest E.Atkočiūnas showcases Museum amber with ancient mosquito inclusions.

Culture

Digital Strain: Protecting Young Athletes’ Mental Health

March 26, 2024 The Silo 1 Comment

Social media is a big part of every young athletes’ lives. However, we are still figuring out how it fully affects their mental health and well being. This study examined 591 athletes aged 12 to 19 from 42 different sports. Here is what we found:

Spending too much time on social media can simply make athletes feel bad and give them unhealthy thoughts about food.
They feel this way because they compare themselves to others. They also have trouble sleeping due to too much screen time.
Being accomplished at sports made athletes compare themselves. However, it did not change how they slept, felt, or ate.
Athletes who play professionally or compete at a high level often felt the effects of too much social media on their sleep. This was truer for them than for those who only played sports for fun.

So, it is vital to consider how social media can harm the mental health of young and developing athletes. In the future, we can help them by focusing on the pressure of comparison and ensuring they get enough sleep. This way, they can perform their best in sports and remain healthy in mind, body and spirit. For those interested in exploring more about maintaining a balance between digital engagement and health, resources like this one from our friends at Hellspin casino review might offer extra insights into managing digital consumption.

Definition of Mental Health

You can feel happy and fulfilled in some parts of your life while also dealing with mental health issues. This idea tells us that taking care of our mental health is not about fixing or avoiding problems. It is also about improving our lives and the places that are so good inside. This means we should look at everything. We should look at where we live, the people around us, and how we care for ourselves. This will help everyone feel their best. So, it is not about getting rid of the bad stuff but also adding more good things to our lives. This way, we care for our mental health thoroughly and helpfully.

Social Media Stress & Recovery in Young Athletes

Young athletes have a lot on their plate. They have the usual stuff like school, friends, dating and hobbies outside of their sport. They also have to put lots of time and energy into their athletic development. At a minimum, this means training, competing, and taking off enough time to recover. Plus, they feel a high level of pressure to do well in their sport. This means they are dealing with stress from two significant areas of their life at the same time. They need to find ways to relax and recover. Getting the balance right is critical. They must work hard but rest. It keeps their mind and body healthy.

Media Influence Dynamics: The Differential Susceptibility Model

Few studies have examined how using social media and other digital media affects the mental health of young athletes. One study found that online spending might be linked to unhealthy eating habits. Since young athletes are both kids/teens/young adults and sports players, we looked at research on both groups to learn more. We have found a significant need to understand more about how being online a lot can affect young athletes. It can affect their minds and bodies. By combining what we know about kids and athletes, we find new ways to help them use digital media more healthily.

Decoding Media Usage: Methods and Measures

When measuring digital and social media usage, several dimensions might matter. This is according to Keles et al. (2020). A standard measurement is time spent using digital media (Verbeij et al., 2021). This is an economic measure. It has been shown to match media usage in diary studies (Valkenburg & Peter, 2013). However, recent studies have criticized self-reported digital media time. They say it is not accurate (Parry et al., 2021). Verbeij et al. (2021) report that in adolescents self-reported

Design and Procedure

Before the survey, we made sure everyone knew what the study was about. They knew joining was their choice, and their answers would be kept private. If the athletes were under 18, they and their parents had to sign a permission slip. Once we had their OK, we gave them a unique link to the survey that they could fill out when they had time. We wanted to hear from athletes in many sports and at all levels. This includes beginners and pros. We wanted to look at how digital media affects their mental health. We told them how important their thoughts were for our study and encouraged lots of them to take part. After they finished the survey, we gave them a chance to win something cool as a thank-you for helping us out.

Results

We found a medium link. It connects how well athletes sleep to how much they compare themselves to others. It also connects to their mood and lousy eating habits. We needed to show how these things are connected to make our study’s findings reliable, so we included steps in our research. They compare themselves to others regarding sleep quality and feeling down when eating.

Discussion

This study aimed to explore how adolescent athletes’ digital media usage is related to their mental health, focusing on outcomes verified by the author in previous research. Athletes can struggle with eating disorders and stress. This has led us to look into their body image and eating habits. We also discussed how comparing ourselves to others and lacking good sleep might play a role. Our study checked out how spending much time online and seeing perfect images can make young athletes think negatively about themselves and how tough they are mentally. We also explored how too much screen time before bed can disrupt their sleep. Sleep is crucial for feeling good.

Conclusion

Our study was one of the first to look into how using social media affects the mental health of young athletes. We talked to 591 athletes from all over Germany. They play 42 different sports, so we got a good look at what is happening with young sports stars in the country. We discovered something interesting: Being hooked on digital media is detrimental. It can impact how these young athletes feel. They spend much time on social media. For the Silo, Rina Wagner.

Culture

How Canada Ranks In World For Thrill Seekers

March 25, 2024 The Silo Leave a comment

With over 40% of travellers looking for heart-pounding thrills in 2024, the global adventure tourism market is predicted to grow to a staggering 2,824 billion usd dollars/ 3,840 billion cad dollars at time of publishing by 2030, as more seek adrenaline-fuelled experiences.

So if you are a relentless adventure junkie, which countries should be on your radar this year?

Our friends at BestCasinoSites.net evaluated factors including the number of roller coasters, casinos, rock climbing opportunities, mountain bike routes, hiking trails, and off-road trails in 61 countries, to compile a global index ranking the best countries to visit for thrill-seekers.

Canada among top 15 countries for adventure lovers

From biking the Gulf Islands to ziplining over Niagara Falls, Canada ranks 12th best country to get that adrenaline fix, earning a notable final score of 6.87/10. With 60,300 hiking trails and 5,980 mountain biking routes, Canada boasts a geographically diverse landscape and is home to North America’s second-highest peak, Mount Logan, topping out at 5,959 meters.

Mount Logan is a whopping 6KM in elevation and ranks sixth in the world for most prominent peak.

Adrenaline checklist in Canada: Experience Niagara Falls on a zipline, Rock or ice climb in the Rocky Mountains, Jump over the Cheakamus River with Whistler Bungee.

Whistler Bungee: offering a 160 foot jump over the glacially fed River below.

France reigns as the adventure capital of the world

According to the study, France is the world’s adventure capital, boasting an overall adrenaline score of 8.86/10. Prized for its stunning mountain ranges from the Pyrenees, Alps to Chamonix, the country offers over 720,000 hiking trails. Test your limits by conquering Europe’s highest peak, the Mont Blanc ranges, towering at 4,810 metres, or by jumping on one of France’s 227 thrilling roller coaster rides!

Adrenaline checklist in France: Cliff Jumping from the Calanques, Rock climbing overhanging limestone in Provence, Cycling on a glacier.

Trailing behind in second is Mexico, achieving a final score of 8.56/10. Your journey to this Latin American gem can be incredibly action-packed as you scale Mexico’s iconic snow-capped cone, Pico de Orizaba, with a peak of 5,636 metres above sea level; tackle one of the world’s biggest sport climbing areas at El Potrero Chico; or indulge in the thrill of games at any of the 364 casinos* Mexico boasts.

Adrenaline checklist in Mexico: Extreme urban downhill biking in Taxco; Bungee jumping at Los Cabos, Zip-lining in the Jungles of Yucatan.

The land of paella and sangria ranks as the third must-visit destination for adventurous souls, scoring 8.41/10. Spain offers an enticing array of outdoorsy pursuits, boasting the highest number of thrill-seeking trails – from rock climbing (10,600), mountain biking (6,430,000), to hiking (10,300,000) – among all cities studied. Spain’s pristine landscape appears tailor-made for adventure enthusiasts.

BestCasinoSites-Data-Best-countries-for-thrill-seekers-revealed.xlsx-NEW-Final Download

Adrenaline checklist in Spain: Rock climbing In Picos De Europa; Canyoning at Junta de los Rios; Andalucía, Walking the El Caminito del Rey.

Argentina takes fourth place, earning an impressive final score of 8.34/10. Home to the third highest peak (6,960 metres) in the study, The Aconcagua attracts over 3,000 mountaineers annually, despite being nicknamed the ‘Mountain of Death’. With a whopping 172 casinos*, including South America’s largest casino complex, the Trilenium, Argentina offers ample opportunities for both seasoned risk-takers and casual players alike.

Adrenaline checklist in Argentina: Mountain biking in Bariloche; Ice trek on top of Perito Moreno Glacier, Paragliding with Condors in Córdoba.

From kayaking down the Grand Canyon to cliff camping in Colorado, the United States rounds off the top five adrenaline hotspots, earning an impressive final score of 8.16/10. With the highest density of casinos in the study totalling 2,937 across the country, and over 900 roller coasters – including the world’s second-fastest roller coaster, Kingda Ka – America is a must-visit if you crave the rush of adrenaline.

Adrenaline checklist in the US: Rafting in the Grand Canyon, Mountain biking the Grand Staircase in Utah, Rock Climbing in Yosemite National Park.

For the Silo, Alasdair Lindsay.

Methodology

The experts at BestCasinoSites.net compiled a global index ranking the best countries for thrill-seekers by considering seven factors, including: (i) Number of casinos (ii) Number of roller coasters (iii) Number of rock climbing trails (iv) Number of mountain bike trails (v) Number of hiking trails (vi) Number of off road trails and (vii) Highest peak height in each country.

Note: Countries with more than two missing values were omitted, resulting in 61 countries in the final dataset.

The experts collected the data from the below sources:

(i) Number of casinos: https://www.casinocity.com/casinos/

Note: In countries where gambling is illegal, the average number of casinos of all countries was taken (excluding US because of being a huge outlier) to ensure fairness and avoid penalising any specific country.

(ii) Number of roller coasters: https://rcdb.com/location.htm

(iii) Number of rock climbing trails: https://www.wikiloc.com/trails

(iv) Number of mountain bike trails: https://www.wikiloc.com/trails

(v) Number of hiking trails: https://www.wikiloc.com/trails

(vi) Number of off road trails: https://www.wikiloc.com/trails

(vii) Highest peak height in each country: https://flagpedia.net/lists/highest-point

Note: The number of rock climbing, mountain bike, hiking and off road trails were sourced from user-posted data

After collecting the numbers, the experts logarithmically normalised the figures in order to reduce skewness between countries with different sizes.
A final adrenaline score out of 10 was calculated for each country to reveal the top 15 adrenaline hotspots across the globe.
All data was collected on 5th February 2024 and is correct as of then.

*It’s crucial to thoroughly review the rules and regulations governing gambling in various countries before engaging in any gambling activities.

Fashion

Why Costume Designers Always First To Encounter Actors

March 22, 2024 The Silo 6 Comments

During the 12-year span of The Naked Truth, many of the world’s most alluring and enchanting actresses passed through the costume fitting room doors of costume designer Jean-Pierre Dorléac atelier.

Among them were Maude Adams, Jonelle Allen, Eve Arden, Belinda Bauer, Marisa Berenson, Joan Blondell, Ahna Capri, Kim Cattrall, Rosemary Clooney, Arielle Dombasle, Barbara Eden, Britt Eklund, Anne Francis, Eva Gabor, Erin Grey, Pamela Hensley, Olivia Hussey, Anne Jeffries, Maren Jensen, Carole Lawrence, Kay Lenz, Sondra Locke, June Lockhart, Sarah Miles, Anita Morris, Patricia Neal, Sheree North, Andrea Marcovicci, Yvette Mimieux, Donna Pescow, Eleanor Parker, Daphne Maxwell-Reid, Barbara Rush, Cybill Shepherd, Brooke Shields, Jill St. John, Jean Simmons, Laurette Spang, Camila Sparv, Stella Stevens, Ann Southern, Gloria Swanson, Liz Torres, Sela Ward, Lesley Ann Warren, Nancy Walker, Alfre Woodard and “Mae West.”

Forget about a painted façade, towering elaborate hairdo, ostentatious and chunky borrowed jewelry, an overly pushed up décolletage and a see-through spangled gown—the true magnificence of a movie star is in her demeanor and sincerity, not in the all-too-plastic manifestation. As has been stated many times, “beauty is only skin deep.” With all the cosmetic surgery and filler injections available now, that is hardly true any longer.

Deep beneath the surface of what everyone sees is where the true splendor of a person lies. It’s not in the eyeliner or false eyelashes, bright lip gloss, rouged cheeks, stiletto pumps or wearing something someone else has borrowed from a designer you never heard of … although in the ongoing Hollywood parade where everyone tries to out “glam” one another, it appears to be de rigueur.

Few of the true beauties ever subscribe to such theories. What made each of them unique and magnificent were their skills, goodness, kindness and attitude, above all.

Many of the greats never wore anything but casual clothes when they went about their daily lives, sans make-up and glitz. Few were pretentious and none thought of themselves as better than anyone else. The ones that professed to be “the best” usually had the shortest careers in the long run.

Since costume designers are always the first to encounter an actor or actress, usually hired unseen through casting, their experiences are the bar by which those who have yet to work with these performers is measured. Depending on the first encounter, many artists are never hired again because of their lack of professionalism and ability.

In The Naked Truth, award-winning costume designer Jean-Pierre Dorléac’s entertaining chronicle of 12 years, readers will revel in the highly explosive stories that are filled with entertaining confrontations of every nature and, heretofore, untold tales of the glitter and tinsel capital’s drastic change that began in the early ’70s.

This often funny and quite fortuitous success story is filled with splashy tales and entertaining confrontations involving glamour, politics, graft, sex, scandal, and candid accounts of the glitter and tinsel capital’s assets being sold off by the new capitalist.

About the Author
Jean-Pierre Dorléac is no stranger to the film industry. His award-winning costume designs can be seen in Somewhere in Time, The Blue Lagoon, Heart and Souls, Battlestar Galactica, Quantum Leap, Knightrider, Airwolf, The Lot and numerous other award winning productions.

The Naked Truth
by Jean-Pierre Dorléac
Publisher: Monad Books
ISBN: 0974551111
Book and e-book available nationwide at independent and major book stores, Amazon.com or contact [email protected]

Travel

Astrocartography Means Travel Destinations Based On Astrological Sign And Time Of Year

March 21, 2024 The Silo Leave a comment

With spring on the horizon, you may be scratching your head about where to vacation this year. Luckily, according to astrology, your star sign could be the key to whether you are destined for sun or slopes.

With this in mind, our friends at BonusFinder Canada sought to discover the ideal holiday destination for each zodiac sign based on their astrocartography lines (a form of locational astrology which allows people to decipher which physical locations are best suited to them based on their birth chart) with the help of celebrity psychic and astrologer Inbaal Honigman. Do you agree or disagree with these suggestions? Leave us your thoughts at the bottom of the post.

Psychic and Wiccan Priestess Inbaal Honigman.

Your star sign’s dream destination according to astrocartography lines:

Aries (March 21-April 19): Alaska

Active and unusual Aries would be best adventuring through the idyllic landscapes of Alaska. Home to some of the world’s most beautiful views and the largest national park, Aries will always have somewhere to explore here.

Taurus (April 20-May 20): Los Angeles

Great food and extensive views are a true joy to a Taurus, and it doesn’t get bigger and bolder than Los Angeles; with over 30,000 restaurants and stunning wide-open beaches, Taurus will love everything about LA.

Gemini (May 21-June 20): New York

Always awake and ready to party, Geminis will fall in love with the city that never sleeps, New York! From visiting the Metropolitan Museum of Art to watching an extravagant Broadway show, Geminis will never be bored day or night.

Cancer (June 21-July 22): Iceland

For a dreamy and easygoing Cancer, Iceland is the destination of choice. Between magical views of the northern lights and geothermal lagoons, Cancer will never tire of relaxing in one with nature.

Leo (July 23-August 22): Bordeaux

The luxury fiend Leo must visit Bordeaux, the historic capital of Aquitaine, famous for its excellent wine culture. Between scenic beaches and exclusive vineyard tours, Leos will be able to find their true self.

Virgo (August 23-September 22): Rome

The ideal destination for the neat and traditional Virgo is Rome, where they will undoubtedly relish an enlightening guided tour of the city’s ancient architecture and feel at home in the chic modern shopping areas.

Libra (September 23-October 22): UAE

Classy and elegant Libras would adore the high rises in the desert of the United Arab Emirates; between luxury hotels and a mass of incredible culture, Libras will love discovering what this country has to offer.

Scorpio (October 23-November 21): Sri Lanka

Mysterious and original Scorpios can enjoy going off-grid in the temples of Sri Lanka. While exploring the rich heritage of the Gangaramaya Temple or coming up close to wildlife, Scorpios may find a little serendipity.

Sagittarius (November 22-December 21): Tokyo

The adventurous and well-traveled Sagittarius will love the unique streets and incomparable cuisine of Tokyo. Between climbing the Tokyo tower and sightseeing Mt. Fuji, Sagittariuses will always have things to explore.

Capricorn (December 22-January 19): Melbourne

Mature and hardworking, a Capricorn likes diversity and friendliness, and the best place for this is Melbourne. Named the friendliest city in the world* and home to the exotic Royal Botanical gardens, a Capricorn will feel right at home here.

Aquarius (Jan 20-Feb 18): New Zealand

January is the month of Aquarians – unique and free-thinking, they will want to get truly lost in nature in New Zealand. With luscious open spaces and an abundance of beautiful scenery, Aquarians can do just that.

Pisces (Feb 19-March 20): Hawaii

Romantic and shy Pisces‘ ideal travel destination is Hawaii, surrounded by water and an expanse of warm beaches. With volcanic national parks and surfing clear waters, Pisces will love getting back in touch with their aquatic roots.

Inbaal Honigman, celebrity psychic and astrologer, explains:

“Applying astrology to well-being, romance or shopping is increasingly popular, but astrocartography isn’t often consulted… yet.

“Astrocartography is an extension of each individual’s star chart so that you can find the best locations for yourself worldwide. For example, the ‘Sun Line’ would be where you feel most yourself. Your ‘Venus Line’ is the best place to build your home, and Jupiter is the best place for holidays.”

For the Silo, Eve Loffman.

Philanthropy

UN Specialized Fund & Program Combats Hunger In World’s Fragile Contexts

March 20, 2024 The Silo Leave a comment

For the Silo, Julie Marshall.

Transportation

Electric Vehicles – All You Need To Know

March 18, 2024 The Silo 1 Comment

The world needs to cut carbon emissions and fight climate change. This need has caused a huge change in the car industry. Electric vehicles (EVs) are at the forefront. This shift toward electrification is a technological and economic revolution that is changing the way we think about transportation in addition to being an environmental need.

The head-turning Solo EV single seat electric vehicle. Fun and fast.

History of Electric Vehicles

Contrary to popular belief, the idea of electric automobiles is not very new. The origins of electric vehicles (EVs) may be traced to the early 1800s when European and American inventors started experimenting with battery-powered cars. The 1890s saw the introduction of the first useful electric vehicles.

1909 Babcock Electrics – Model 10 Coupé; Price, $ 2,200. – Babcock Electric Carriage Company, Buffalo, New York.

They were competitive with gasoline-powered cars up until the 1920s because of their silent operation and lack of harmful exhaust fumes. But, electric cars started to lose to gasoline cars. This was due to the mass production of gasoline cars, a movement ignited by Henry Ford’s Model T and the discovery of big oil deposits. Meanwhile, the conversation around modern advancements and regulatory changes in various sectors, including automotive and sports, continues to evolve.

A pertinent example of such evolution is the shift in the sports betting landscape, as detailed in insightful sources like this legal sports betting blog.

Henry Ford in 1921 with his Model T.

The Rise of Modern Electric Vehicles

Concerns over pollution, climate change, and the depletion of fossil fuels drove the late 20th and early 21st century interest in electric automobiles. Battery technology today has greatly improved. This is especially true for lithium-ion batteries. They have greatly increased the range of electric vehicles (EVs). It has also reduced the time required to charge them. This has positioned EVs as a viable alternative to traditional internal combustion engine (ICE) cars.

Benefits of Electric Vehicles

Environmental Impact

Reducing greenhouse gas emissions is the primary advantage of electric cars (EVs). Air pollution is significantly decreased by EVs because they produce no exhaust emissions, in contrast to ICE cars. Furthermore, when renewable energy sources are incorporated into the electrical grid, the overall environmental impact of electric vehicles will decrease, making the system greener overall.

Economic Advantages

Individuals and the overall economy can both profit financially from electric vehicles. For a given distance, the cost of charging an electric vehicle is typically less than that of gasoline. Additionally, EVs require less maintenance because they have fewer moving components than ICE cars. In macroeconomics, switching to electric cars can improve energy security. It does so by reducing reliance on imported oil.

Technological Innovation

With cutting-edge technologies like regenerative braking, which recovers energy lost during braking, electric vehicles are frequently at the forefront of automotive technology. The cars have sophisticated entertainment systems. They connect with smart gadgets. They are more connected than regular cars.

Challenges Facing Electric Vehicles

Charging Infrastructure

Infrastructure for charging EVs is convenient and readily available, which is one of the biggest obstacles to their adoption. Although there has been a lot of development, each location has a very different density of charging stations. Cities are better connected than rural areas. This can cause “range anxiety” in people considering electric vehicles.

Battery Technology and Range

Even with the tremendous advancements in battery technology, many consumers are still concerned about range. The best electric cars can go as far as gas cars. But, the average user may not afford the expensive long-range versions. Also, a vehicle’s range and resale value may drop. This may happen because the battery’s performance worsens over time.

Initial Cost

Even though EVs have reduced running expenses, they may cost more to buy initially than equivalent ICE cars. Although prices have been continuously declining, the high cost of batteries is the main cause of this pricing disparity.

The Integration of Electric Vehicles into Smart Grids

With the increasing number of electric vehicles on the road, integrating them into smart grids offers a revolutionary way to improve energy efficiency and lower transportation’s carbon footprint. Smart grids provide a dynamic framework for the integration of EVs into the larger energy ecosystem by using digital technology to monitor and control the transportation of power from all sources of generation to satisfy the various electrical demands of end-users.

Vehicle-to-Grid (V2G) Technology

V2G technology lets electric vehicles talk to the power grid. They use it to absorb and return electricity. V2G is crucial to this integration. This feature allows EV owners to sell extra energy from their car’s battery to the grid during peak hours. They can also charge their vehicles during off-peak hours. Power demand is lower then and rates are lower. This two-way energy exchange can help stabilize the grid. It is especially useful as the use of renewable energy grows. Renewable energy sources are often intermittent.

Enhanced Energy Storage

For grid operators, electric vehicles can serve as a useful resource by effectively serving as mobile energy storage units. Utilities can boost the use of renewable energy sources, decrease the need for peaking power plants, and better manage supply and demand by utilizing the combined storage capacity of thousands of electric vehicles. This increases the electrical grid’s efficiency and makes EVs more sustainable by tying their operation more tightly to renewable energy sources.

Smart Charging

The capacity to regulate how long an electric car takes to charge depends on a number of variables, including the owner’s needs, the condition of the grid at the time, and the availability of renewable energy sources. This process is known as smart charging. Smart charging can help by ensuring that vehicles charge at the best times for the grid and the consumer. It can reduce the impact of rising EV demand on the grid.

The Future of Electric Vehicles

There are a lot of exciting developments in store for electric cars shortly. Battery technology is advancing. This progress should make EVs cheaper and available to more people. In addition, electric vehicles will be more practical for daily usage. This is due to the growth of the charging infrastructure. It is being driven by both public and private investment.

Around the world, governments are putting in place policies to help the shift to electric vehicles. These policies include investments in infrastructure for charging, incentives for EV purchases, and tighter pollution standards for internal combustion engine (ICE) vehicles. The EV industry will grow fast. It will be fueled by these rules and by growing consumer knowledge and concern for the environment.

Also, nearly every big automaker has announced plans to increase the number of electric vehicles in their lineup. This shows how much the industry is embracing electrification. Customers will gain from this competition’s increased innovation and cost-cutting measures.

In summary, electric cars promise a cleaner, more sustainable transportation future, marking a significant turning point in the history of the automobile industry. Even though there are still obstacles, the future is clear. Electric vehicles (EVs) will be crucial. They are key to the global effort to fight climate change and reduce our reliance on fossil fuels. Electric vehicles will play an even bigger role in our lives as technology develops and the globe shifts more toward renewable energy sources, changing not only the way we drive but also the way we live.

Featured image: Electrameccanica Solo EV

Art

Rice University Art Exhibition Focuses On Human Body & Land Connections

March 15, 2024 The Silo Leave a comment

Resonant Earth: Contemporary Perspectives on Land and Body features works from Kelly Akashi, Lisa Alvarado, Eddie Rodolfo Aparicio, Andrea Chung, Sky Hopinka, and Anna Mayer On view through August 17, 2024.

Kelly Akashi, Life Forms, 2022. Collection of Barbara and Michael Gamson. Courtesy of the artist. Photo by Paul Salveson.

March, 2024 [Houston, TX]— The Moody Center for the Arts at Rice University announces the exhibition Resonant Earth: Contemporary Perspectives on Land and Body opening May 31 and on view through August 17, 2024. Bringing together new and recent work by six contemporary artists based in the United States, the exhibition explores vital connections between the human body and the land. This focused presentation emphasizes how art and artists can build awareness toward integrated ecosystems in the face of intergenerational trauma, continued exploitation of the Earth’s resources, and climate change.

Featured artists include Kelly Akashi, Lisa Alvarado, Eddie Rodolfo Aparicio, Andrea Chung, Sky Hopinka, and Anna Mayer. Spanning a variety of media, including sculpture, painting, ceramics, collage, photography, video, and sound, the presentation also features two site-specific interventions commissioned by the Moody. Lisa Alvarado will create a monumental wall mural and Anna Mayer will mount an installation with locally sourced clay consisting of more than fifty new objects. The diverse practices presented in Resonant Earth demonstrate a critical engagement with histories of the land, primarily in the Western and Southern United States. Collectively, the exhibition addresses the local environment while considering the forced migration and displacement of people and plants across geographies.

Executive Director Alison Weaver notes, “This project foregrounds artworks that speak to our lived experience in the United States, highlighting how personal and social histories shape our natural surroundings and our individual bodies. This summer we look forward to welcoming visitors who bring their own experiences to the galleries.”

Sky Hopinka, Mnemonics of Shape and Reason,2022. Still. Courtesy of the artist.

About the Exhibition Resonant Earth: Contemporary Perspectives on Land and Body seeks to illuminate the intertwined social and material histories of specific ecologies, ranging from farms along the US-Mexico border, to former Japanese American internment camps in Arizona, to the extraction of land in and around Houston. With geographical references that privilege biological memory and somatically inherited knowledge over a dominant linear history, these artists highlight the intergenerational pain of displacement and the healing power of reconnection to our place on the planet.
The artworks on view echo our fraught engagement with the environment, while implying webs of interdependence in which the natural and the cultural are inseparable. The six selected artists draw on Indigenous and diasporic forms of knowledge, culture, and materials to envision modes of transformation and regeneration in relation to ongoing struggles for environmental and social justice.
A selection of new and recent work by Kelly Akashi underscores the artist’s interest in temporality and memory as contained in the land and the body. Her sculptural work incorporates a range of material processes and is installed spatially as a constellation of objects that reference her personal and family history as well as the passage of time, the ephemerality of the human body, and the impermanence of the natural world. For example, in Conjoined Tumbleweeds, Akashi cast entangled plants growing at the site of a Japanese American incarceration camp in Poston, AZ. The bronze sculpture refers to her father’s imprisonment there during World War II.
A cast of the artist’s own body, fragmented, appears as a blue crystal hand in Inheritance. Adorned with Akashi’s grandmother’s ring, the fingers wrap around a stone from Poston, invoking the biological memory of the body as well as geological time. Through double-sided hanging paintings, and a major site-specific wall mural accompanied by a sound installation, artist and musician

Lisa Alvarado explores social histories of the land, including the Chicana/o Movement and her own family’s experience along the US-Mexico border. Her free-hanging abstract paintings allude to generations of migrant farmers in the region, while referencing textile traditions and muralism of the Americas.

Compositionally anchored at the corner of the gallery space and expanding outward along horizontal and vertical planes, Alvarado’s site-specific mural suggests “being in-between,” both spatially and conceptually. In the monumental painting that encompasses the viewer, Alvarado also considers meridians—both celestial, in relation to one’s position on Earth and the sky, and those used in traditional non-Western medicine to trace the pathways within one’s own body. Cast from the trunks of non-native trees in Los Angeles, large-scale sculptural works from Eddie Rodolfo Aparicio’s Caucho (Rubber) series reference intertwined histories of plants and people. The artist, whose family is from El Salvador, considers experiences of migration, solidarity, and civil war that resonate with some Central American communities in Los Angeles.
Deeply invested in the social histories of materials, Aparicio’s artistic media suggests layers of meaning and the inseparability of the natural and the cultural. For instance, his use of rubber, which is made from the bloodlike sap of trees, recalls its importance as an Indigenous Mesoamerican technology and subsequent exploitation by colonialist extraction and trade. An immersive planetarium installation together with collages by Andrea Chung reflect the interconnected histories of materials, processes, and places of the island nations in the Caribbean Sea and Indian Ocean. In her research-based practice, Chung often subverts tools of European colonialism while considering the multiplicity of the relationships that enslaved people had with the Earth. Inspired by star charts, and seeking to invert colonial maps, The Westerlies: Prevailing the Winds is a dome structure shrouded in cyanotype canvas that invites the viewer to be surrounded by the night sky and ocean as both expanse and enclosure.
In collages featuring late-nineteenth-century ethnographic photographs of African women, Chung adorns the images with intricate beadwork, gold ink, and reproductions of delicate flora atop traditional birthing cloth, exploring the relationship between the people depicted and the land. Videos by filmmaker, photographer, and poet Sky Hopinka portray landscapes traversed by the artist, interweaving personal and collective memory. A member of the Ho-Chunk Nation of Wisconsin and the Pechanga Band of Luiseño Indians, Hopinka explores Indigenous homeland and language through rhythmic and poetic accounts. In the selected videos, the artist layers visual and audio recordings, music, and text, to consider intergenerational connections to a place as well as the ongoing effects of colonialism while prompting the viewer to consider one’s own relationship to landscape and memory.
Twenty-five pairs of newly created wall-mounted ceramic vessels and sculptures will be part of a site-specific installation by Houston-based artist Anna Mayer, who engages with the land locally. Known for her social and sculptural practice, Mayer’s process involves analog firing techniques while critically engaging pre- and post-petroculture. In her hand-built ceramics, the artist incorporates what she calls “gleaned clay” (available as a by-product of other processes such as flooding, drought, or construction), sourced from the Houston area.
Described as “implements” by the artist, the shapes of the wall-mounted objects reference drill bits and hammers as well as body parts and geological sediment. The series will be installed over photographic wallpaper depicting damp cement, suggesting water seeping up from the ground into the gallery. Additionally, Mayer is making new large-scale ceramic vessels that will be positioned among existing furniture at the Moody, underscoring their corporeal presence and connection.
This new body of work examines how tools function as an extension of the body, commonly used to excavate earth, while reflecting a polyvalent approach to the land. Resonant Earth is curated by Molly Everett, Assistant Curator, Moody Center for the Arts. The exhibition is made possible by the City of Houston through Houston Arts Alliance, the Brad and Leslie Bucher Artist Endowment, the Tamara de Kuffner Fund, the Kilgore Endowment Fund, and the Sewall Endowment.

Eddie Rodolfo Aparicio, Ruta de las flores, 2022. Courtesy of the artist and Commonwealth and Council, Los Angeles

About the Artists Kelly Akashi’s (b. 1983, Los Angeles, CA) major solo exhibition, Kelly Akashi: Formations, originated at the San José Museum of Art (2022–23), and traveled to the Frye Art Museum in Seattle (2023), and the Museum of Contemporary Art San Diego (2023–24). Her work is currently the subject of a solo presentation at the Henry Art Gallery, University of Washington, Seattle, WA (2023–24) and has been included in several group exhibitions internationally. Akashi is based in Los Angeles, CA.

Lisa Alvarado (b. 1982, San Antonio, TX) has exhibited and performed widely, with recent solo exhibitions at the Wadsworth Atheneum Museum of Art, Hartford, CT (2023) and at REDCAT, Los Angeles, CA (2023). Originally from San Antonio, TX, Alvarado now lives and works in Chicago, IL.

Eddie Rodolfo Aparicio’s (b. 1990, Los Angeles, CA) work is the subject of a solo exhibition at The Museum of Contemporary Art, Los Angeles, CA, on view until June 16, 2024. His work is featured in the 2024 Whitney Biennial in New York, NY, and Prospect.6 in New Orleans, LA. The artist lives and works in Los Angeles.

Andrea Chung (b. 1978, Newark, NJ) has received solo presentations at the John Michael Kohler Arts Center, Sheboygan, WI (2023), the Art Gallery of Ontario, Toronto (2022), and the Museum of Contemporary Art San Diego, CA (2017). Her work has been exhibited at the J. Paul Getty Center, Los Angeles, CA (2021), the Pérez Art Museum, Miami, FL (2019), and in Prospect.4, New Orleans, LA (2017). Chung grew up in Sugar Land, TX, and is now based in San Diego, CA.

Sky Hopinka’s (b. 1984, Ferndale, WA) work has been the subject of several solo exhibitions, including at the Museu de Arte de São Paulo, Brazil (2023), LUMA Arles, France (2022), Speed Art Museum, Louisville, KY (2022), and the Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY (2020). He is a 2022 MacArthur Fellow. Hopinka recently joined the faculty at Harvard University as an Assistant Professor in the Department of Art, Film, and Visual Studies, and is currently based in Cambridge, MA.

Anna Mayer’s (b. 1974, Macomb, IL) practice spans Los Angeles and Houston. Her recent solo presentation at the Houston Center for Contemporary Craft (2021) was preceded by exhibitions at Ballroom Marfa, Marfa, TX (2016–17), and the Hammer Museum, Los Angeles, CA (2012). She lives in Houston, TX, and is an Associate Professor of sculpture at the University of Houston.

Lisa Alvarado, Spinning Echo, 2023. Courtesy the artist and Bridget Donahue, New York.

Special EventsFriday, May 31, 6–8 p.m. Opening Reception for Resonant Earth: Contemporary Perspectives on Land and Body Celebrate the start of the exhibition with the artists.Saturday, June 1, 4–6 p.m. Dimensions Variable: National Information Society Together with her band National Information Society, featured artist Lisa Alvarado will activate the gallery space with a special musical performance.Fridays, June 7, 14, 21, and 28 at 12 p.m.

The Moody Wellness Series Join us on Fridays in June for meditation and yoga in the galleries, offered through a collaboration with the Barbara and David Gibbs Recreation and Wellness Center. Saturdays, June 8, 15, 22, 29, 2–4 p.m.

Moody ArtLab Guests of all ages are invited to create a hands-on craft inspired by artwork featured in the summer exhibition at our self-guided activity station on Saturdays in June. Materials and instructions provided. Saturday, July 20, 12–5 p.m.

Summer Jam Community Day Celebrate summer at this all-day, family-friendly event featuring an indoor farmer’s market, art activities, and local food vendors.

Featured image: Mnemonics. Sky Hopinka

About the Moody Center for the Arts Inaugurated in February 2017, the Moody Center for the Arts at Rice University is a state-of-the-art, non-collecting institution dedicated to transdisciplinary collaboration among the arts, sciences, and humanities. The 50,000-square-foot facility, designed by acclaimed Los Angeles-based architect Michael Maltzan, serves as an experimental platform for creating and presenting works in all disciplines, a flexible teaching space to encourage new modes of making, and a forum for creative partnerships with visiting national and international artists. The Moody is free and open to the public year-round.

Website: moody.rice.edu

Social Media: @theMoodyArtsPhone: +1 713.348.ARTSAddress: Moody Center for the Arts at Rice University6100 Main Street, MS-480, Houston, TX 77005(University Entrance 8, at University Boulevard and Stockton Street)

Hours & Admission Exhibition spaces are open to the public and free of charge Tuesday through Saturday from 10 a.m. to 5 p.m. and closed on Sundays, Mondays, and holidays. Events and programs are open to the public. For schedule, tickets, and prices as applicable, visit moody.rice.edu.

Directions & Parking The Moody Center for the Arts is located on the campus of Rice University and is best reached by using Campus Entrance 8 at the intersection of University Boulevard and Stockton Street. As you enter campus, the building is on the right, just past the Media Center. There is a dedicated parking lot adjacent to the building. Payment for the Moody Lot is by credit card only.
For campus maps, visit www.rice.edu/maps.

About Rice University Located on a 300-acre forested campus in Houston, Rice University is consistently ranked among the nation’s top 20 universities by U.S. News & World Report. Rice has highly respected schools of Architecture, Business, Continuing Studies, Engineering, Humanities, Music, Natural Sciences and Social Sciences and is home to the Baker Institute for Public Policy. With 3,879 undergraduates and 2,861 graduate students, Rice’s undergraduate student-to-faculty ratio is 6-to-1. Its residential college system builds close-knit communities and lifelong friendships, just one reason why Rice is ranked No. 1 for quality of life and for lots of race/class interaction and No. 2 for happiest students by the Princeton Review. Rice is also rated as the best value among private universities by Kiplinger’s Personal Finance.

Politics

Former Canada Finance Minister’s Thank-You Letter to WEF Suggests More Collaboration Than Disclosed

March 14, 2024 The Silo Leave a comment

Former Finance Minister’s Thank-You Letter to WEF Suggests More Collaboration Than Disclosed — A press photographer works next to the logo of the World Economic Forum (WEF) at the opening of their annual meeting in Davos on Jan. 15, 2024. (Fabrice Coffrini/AFP via Getty Images)

By our friends at Epoch Times/ Noé Chartier

Close interactions between Canadian cabinet ministers and the World Economic Forum are well-documented, but a newly revealed letter suggests forum staff may have been doing more work with the federal government than previously disclosed.

In an undated letter to a WEF official, former Finance Minister Bill Morneau praised the organization and its collaboration to achieve “common” objectives.

“I would also like to take this opportunity to express my sincere appreciation to the WEF staff, for the support provided to the Government of Canada,” wrote Mr. Morneau in the letter obtained through the access-to-information regime.

Neither the WEF nor the Canadian government typically advertise what support the forum provides. The finance department has not replied to a request for information about the date of the letter and details of how WEF staff helped the government.

The letter was addressed to Philipp Rösler, a former German politician who served as a WEF manager and head of its Centre for Regional Strategies.

The federal government is known to have been involved in at least two WEF policy initiatives: the Known Traveller Digital Identification (KTDI) project and the Agile Nations network.

Poilievre Reaffirms Ban on WEF Ties in Conservative Party, Calls Davos Crowd ‘Hypocrites’

John Robson: The Feds’ Green Dreams Touted at WEF Are Detached From Reality

KTDI was a pilot project between Canada, the Netherlands, and private sector interests to develop a system of digital credentials for airplane travel between countries. Agile Nations is a group of countries working to streamline regulations to usher in the WEF-promoted “Fourth Industrial Revolution” that includes gene editing and artificial intelligence.

KTDI began in 2018, and Canada signed onto Agile Nations in November 2020, a few months after Mr. Morneau resigned during the WeCharity scandal. Both projects were worked on while Mr. Morneau was finance minister from 2015 to 2020.

Since both these projects fell outside of Mr. Morneau’s portfolio as finance minister, it seems to suggest that his letter of appreciation to the WEF was referring to other joint collaborations.

Canada's then-minister of Finance Bill Morneau speaks to the Canadian Club of Canada in Toronto, on March 6, 2020. (Cole Burston/The Canadian Press) — Canada’s then-minister of Finance Bill Morneau speaks to the Canadian Club of Canada in Toronto, on March 6, 2020. (Cole Burston/The Canadian Press)

The WEF’s mission statement says it is dedicated to “improving the state of the world.” It gathers leaders in the fields of politics, business, and activism to promote progressive policies on issues like climate change and making capitalism more “inclusive.” As is routine with the organization, it did not respond to requests for comment.

Critics of the WEF, which gathers world elites to shape global policies, often disagree with its progressive agenda and warn about its influence on countries.

“No staff, no ministers, no MPs in my caucus will be involved whatsoever in that organization,” Conservative Party Leader Pierre Poilievre said in January.

He added that officials who attend the forum’s annual meeting in Davos are “high flying, high tax, high carbon hypocrites” who travel in private jets while telling average citizens not to “heat their homes or drive their pickup trucks.”

Alberta Premier Danielle Smith has also criticized the WEF, saying in 2022 she finds it “distasteful when billionaires brag about how much control they have over political leaders, as the head of that organization has.”

Ms. Smith was likely referring to comments made by WEF founder and chairman Klaus Schwab in 2017, when he said said he was “very proud” to “penetrate the cabinets” of world governments, including that of Prime Minister Justin Trudeau.

“I know that half of his cabinet or even more than half of his cabinet are actually Young Global Leaders of the World Economic Forum,” Mr. Schwab told an audience at Harvard University.

WEF founder Klaus Schwab delivers a speech during the "Crystal Award" ceremony at the World Economic Forum annual meeting in Davos, on Jan. 16, 2023. (Fabrice Coffrini/AFP via Getty Images) — WEF founder Klaus Schwab delivers a speech during the “Crystal Award” ceremony at the World Economic Forum annual meeting in Davos, on Jan. 16, 2023. (Fabrice Coffrini/AFP via Getty Images)

Davos Links

Mr. Morneau’s letter to the WEF comes from internal Finance Department records and is the only document in the release package that pertains to Mr. Morneau. It consists mostly of praise for the organization.

“As a Steward of Economic Growth and Social Inclusion, I have had the privilege of observing first-hand and benefiting from the WEF’s important contributions to foster public and private collaboration towards developing concrete solutions for strong, broad-based economic growth,” he wrote, adding that WEF analysis of different topics such as “structural reform priorities” was “helpful to develop substantive policy measures.”

He wrote that “as we enter another ambitious year for the WEF, I look forward to a continued fruitful collaboration to pursue our common objective of achieving stronger, sustainable and more inclusive growth.”

Other department records relate to current Finance Minister Chrystia Freeland and her involvement with the WEF. She is a board member of the forum and also an alumnus of the Young Global Leaders program that Mr. Schwab referenced.

Mr. Morneau, who resigned as minister in 2020, is listed on the WEF website as an “agenda contributor“ and a ”digital member.” He was a regular participant at the group’s annual meetings in Davos, Switzerland, while he was in office.

During those years, the Finance Department’s media relations office wasn’t shy about advertising ministerial trips to Davos.

“Canada’s strong presence at the Forum underscores the importance of this meeting for shaping the international agenda and advancing economic opportunities for Canadians,” read a January 2020 press release from the department announcing Mr. Morneau’s trip.

The Finance Department has not returned inquiries in recent years pertaining to Ms. Freeland’s involvement with the WEF, nor has it issued press releases referencing her involvement.

Some have questioned whether Ms. Freeland’s role as deputy prime minister and finance minister as well as a forum board member constitutes a conflict of interest. The Office of the Conflict of Interest and Ethics Commissioner said in its 2022 annual report it received more than 1,000 requests in a two-month period from members of the public to investigate the participation of MPs and ministers in the WEF.

The office said the requests “did not provide sufficient information to warrant an investigation.” Ms. Freeland’s leadership position with the WEF has been declared to the office and has therefore been cleared.

Featured image: Original paintings by R. Delaney.

Reviews

How to Avoid a PhD (Penalty for Hardworking Dummies): Debunking the Meritocracy Myth

March 12, 2024 The Silo Leave a comment

To All Who Will Say, “It Has Nothing to Do with Me”

This book is a profound research work that exposes corruption, censorship, and corporate tyranny in the purported democratic system of the US. Hammond reveals the subversive role of the mainstream media in deceiving the public and manufacturing consent for perpetual wars, individual responsibility for institutional failures, and social injustice presented as a meritocracy. At the same time, argues Hammond, the incessant propaganda conditions the public to accept the denial of basic human rights such as healthcare, living wages, and higher education as undeserved luxuries.

According to the author, through sophisticated mechanisms, the People Relations industry constantly disseminates the illusion of freedom and democracy and inculcates the myth. Hammond offers a brief history of media corruption through consolidation of ownership, currently reduced to five giant corporations. The author opens the first chapter with a short analysis of the classic 5 filters of mass media detailed in Herman and Chomsky’s 1988 Manufacturing Consent. Although Chomsky’s revelation is widely popular as every dissident’s bible, less known is that the authors dedicated the book to an Australian writer, Alex Carey, whom they consider a pioneer in the field of propaganda.

According to Carey, people in the US have been subjected to an unparalleled, extensive, three-quarters century-long propaganda effort, designed to expand corporate rights by undermining democracy. Hammond traces the roots of propaganda back to the 1920s, when the founder of the People Relations field, Edward Bernays, initiated his mass psychological campaigns to win public opinion. Bernay’s successes include influencing women to smoke and promoting foreign intervention in Latin American countries at the behest of corporations, later known as Banana Republics.

During that time, leading intellectuals such as Bernays and Walter Lippmann freely used the term “propaganda” as an indoctrination tool and promulgated the idea of manipulating the public.

Bernay’s 1928 book titled Propaganda, was a literal manual for the ruling intelligentsia. According to Bernays, the masses should be unaware of the source of their influencers, while the audience is overwhelmed with carefully selected images and rhetoric by unknown agents. Another source used by Hammond is George Orwell’s unpublished preface titled “The Freedom of the Press” to his 1945 Animal Farm. A curious little-known fact is that Orwell had a hard time publishing the book in democratic Britain, and took him five years to find a publisher. Moreover, the preface, in which he explains the phenomenon of self-censorship and how in Western democracies it is done in a very subtle way in contrast with dictatorships where the censoring is open. Perhaps because of this analogy, the preface is still not published within the book, although could be found separately on the Internet.

Tamara Hammond’s book extensively analyzes the current media status with emphasis on alternative media in the context of the rising censorship practiced by the owners of social media networks. According to the author, from Google to Facebook to X (nee Twitter) tne giant networks are obedient purveyors of the ruling oligarchy that transcends national borders. Hammond warns that we are being conditioned to accept a neo-feudal technocratic dictatorship based on fearmongering and deception. Much of the book is dedicated to educating the audience about the real dissidents in media and academia who fight against wars and corruption, and to liberate imprisoned journalists like Julian Assange.

The epilogue features an allegorical tale about the slippery slope of corruption and the mechanisms of power that overwhelm even the most noble minds. Available for order on Amazon.

Culture

Mycotoxin Free Bulletproof Coffee For Bio-Hacking

March 12, 2024 The Silo Leave a comment

Bulletproof Founder Dave Asprey was a sickly person who had Lyme Disease and numerous food allergies. Tired of spending each day feeling ill, he went in search of a way to cure his body and live a better, healthier life. He calls this quest “biohacking” and through it he succeeded beyond his wildest imagination. Using what he learned, he created the Bulletproof brand to help others do the same.

Using his plan, he lost 100 pounds with little exercise, upgraded his IQ by more than 20 points, exponentially increased his health and energy, and enjoys a highly effective life with just five hours of sleep a night. The secret is simply being smarter about what you eat.

The plan calls for eating more organic food, including select fruits and vegetables; increasing daily intake of healthy fats by eating grass fed butter, 100% MCT [medium chain triglycerides- see below CP] oil, brain and octane meats; cutting sugar and processed foods, and drinking mycotoxin-free coffee such as Bulletproof coffee with upgraded coffee beans.

Dave Asprey- super smart guy. CEO of Bulletproof, Author of The Better Baby Book (Wiley, 2011)

Today, Dave along with hundreds of thousands of others, are tougher, stronger professionals who are sleeping better, performing better (mentally and physically), and have improved their ability to handle stress better or eliminated it completely.

Here are his top five ways to ‘Biohack’ your life and body:

1- Get sick less by eating more foods with vitamin D3 and magnesium

2- Upgrade your fuel – Eat the Bulletproof Diet (high healthy fat, moderate healthy proteins, and lots of vegetables).

3- Upgrade your hardware – Practice HIIT [High intensity, interval training CP] not endless cardio

4- Drink Bulletproof Coffee for the boost in brain function and energy while ending of food cravings.

5- Upgrade your software – use technology to train your nervous system to behave the way you want. The Bulletproof FoodSense app measures food sensitivities as an example.

By incorporating these five things, people tie in to a better life overall. They sleep better, perform better (mentally and physically), and improve their ability to handle stress, even to gradually eliminate stresses altogether.

All of Dave’s findings, advice, diet details, and research is available on his website free of in hopes of building a healthier, happier world. For more information on Bulletproof, please visit www.BulletproofExec.com

Supplemental- HIIT vs Cardio http://marcmegna.com/2013/06/20/high-intensity-interval-training-vs-steady-state-cardio/

What are mycotoxin-free coffees? http://www.naturalnews.com/034063_mycotoxins_coffee.html

What are MCT’s? http://tinyurl.com/7ypy6hh

Transportation

Twenty-One Vehicles With Elite Silhouettes

March 11, 2024 The Silo Leave a comment

There’s nothing quite like the sleek side profile of a vehicle with a long hood, a fast roof, and a smooth decklid. But there is more to our shared love of cars, because, we should also consider the smooth, singular sideline of a minivan. While that isn’t an answer one would expect when asking about the most appealing vehicle silhouettes, a minivan is indeed one of the many candidates our friends at Hagerty received here in their latest installment of our According to You series.

So what other vehicles deserve a mention here? Have a look below and tell us what you think in the comments!

Porsche 928 GT

The original series 928 was clean and wonderfully well balanced and was striking from every angle but take a look at this silhouette and marvel that this design is almost fifty years old.

Shelby Daytona Coupe

@DUB6: Hard to beat an early 911 in my book, but really, I’m voting for the Shelby Daytona Coupe. It has some of the muscle of the Cobras built in, with the sloped down nose for aero, the long, sleek roofline, and then that striking rear spoiler and chopped-off tail.

It may not be the most beautiful, but to me, it’s the most striking silhouette out there.

Chevrolet Corvette

@Bernard: The first few years of the C3 Corvette. I wasn’t around to see them new, but the C3 has always stood out in the school of cool, IMO, especially the silhouette. I think the crash bumpers and other stuff of the later years softened them up too much, but the silhouettes of the early ones could’ve been used as scalpels.

@Tony: I’d say any modern Corvette. They’re all designed in the wind tunnel these days so they’re all aero-efficient, but the later C4s with the rounded ends I think look great.

@Dave Massie: C3 Corvettes—especially the ’80–82 models.

@C: I agree. I am partial to my 1973 Corvette coupe. It’s a one-year-only design and looks great in silhouette.

@Paul: 1984–90 C4 Corvette. The concave rear bumper is just cool. On the other hand, the convex 1990 ZR-1 bumper and its use on the 1991–96 models are strong candidates. In my C4-centric world, the Corvettes nailed the Silhouette Sweepstakes.

Jaguar XKE

@Ken_L: I am partial to my C3 Corvette, but I must say the Jaguar XKE coupe has been my favorite since I was very young.

@Howard: And its “top-down” sibling, the XKE droptop roadster … great road car.

@Doug: Hands down, Jaguar E -ype coupe (XKE)

@Jeff: Had a ’68 XKE roadster. I was about to cast my vote for it, but you astutely beat me to it!

@Lew: The first Jag E-Types with the worthless bumpers and glassed headlights.

Jaguar XK-120

@Gayle: In ’56, my uncle bought a ’53 Jaguar XK-120 FHC and I have been enamored with that gorgeous profile ever since, especially with the disc wheels and the spats (skirts)!

1963 Riviera

@Snailish: ’63 Riviera … Not sure what got us there, but for decades after, so many vehicles owed it a debt. It would likely still be a cutting-edge design if evolved to today’s construction methods/rules. But it’s also amazing from several directions, not just the side.

Lamborghini Countach

@Shiven: Lamborghini Countach! It absolutely accentuates the ’70s and ’80s realm of excess!

Toyota Previa

@ap41563: Toyota Previa! Turn the lights off and illuminate it from behind and the egg shape still looks fresh today, even at 30 years old.

Hyundai Genesis Coupe

@Colton: For the more modern, cheaper cars, I’d say the first generation of the Hyundai Genesis Coupe. The car itself was a mixed bag (I owned one for eight years), but the side profile, especially in low light, just highlighted how well that body was sculpted.

MG TF

@T.J.: Without a doubt, my 1954 MG TF is a constant head turner with classic vehicle lines (running boards, smooth curvature in fenders, spoked wheel on the exterior of the gas tank, etc.). A timeless beauty.

1961–63 Ford Thunderbird

@Jon: I have always liked the 1961–63 “bullet” Thunderbirds. There was just something perfect about their profiles.

Third-Generation Pontiac Firebird

@Espo70: Third-gen Firebird/Formula/Trans Am. One of the best designs to come out of GM. Still looks exotic today.

Aston Martin Project Vantage

@George: I might be biased, but the Aston Martin Project Vantage Concept—which became the Vanquish—is the most cohesive and accomplished shape of all time.

1958 Chevrolet Impala

@Don: How about the 1958 Chevy Impala 2-door hardtop? My wife’s uncle thought it looked like a water buffalo!

GMC Motorhome

Hemmings

@Chuck: For oversize vehicles, the 1973–78 GMC Motorhome. Ahead of its time when new, smooth and sleek (compared to other coaches), and has aged gracefully.

@Kent: Still a very sought-after vehicle after all these decades. Would love to have one!

Ferrari 250 GTO

Amalgam Models 250 GTO 4 — Amalgam Models

@David: One of the most recognizable, and possibly the most desirable profiles of them all: The 1962 Ferrari 250 GTO by Scaglietti.

Fiat 500

@Alex: 2012–19 FIAT 500: Totally unique and unmistakable. You would never confuse it for any other car from any other marker.

1966 Oldsmobile Toronado

@John: Without question for me it is the 1966 (and only the 1966) Oldsmobile Toronado.

Bugatti Type 57SC Atlantic

@Tom: So many Ferraris—the Dino, 250 GTO, 275 GTB, La Ferrari, etc., as well as the GT40, Miura, E-Type, and numerous British Roadsters of the ’50s and ’60s. But the granddaddy of all side silhouettes has to be the Bugatti Type 57SC Atlantic.

2003–08 Mazda Mazda6

@Mike: From a basic sedan point of view I’ve always loved the 2007 Mazda 6 profile with the spoiler.

1956–57 Continental Mark II

@Jeff: The 1956 Continental Mark II is still the most elegant and beautiful production American car.

1984–86 Pontiac Fiero

@Jack: 1984–86 Pontiac Fiero notchback. Best-looking shape of the 1970s and ’80s wedge cars.

Flintstones Car

@Greg: The log car that Barney Rubble drove on The Flintstones … feet and all!

Featured image: 1984 Chevrolet Corvette.

Culture

Canada’s Ex-Minister of Defence Hellyer Claimed ‘We Shot Down UFOs’

March 9, 2024 The Silo 3 Comments

The honorable Paul Hellyer (dec. August 2021), Canada’s former Minister of Defense, Aeronautical Engineer and Pilot appeared on Russian TV about a decade ago with Sophie Shevardnadze to discuss extraterrestrials and UFOs.

“We have a long history of UFOs and of course there has been a lot more activity in the last few decades since we invented the atomic bomb.” he said.

They are very concerned about that and that we might use it again, because the whole cosmos as a unity, and it affects not just us but other people in the cosmos, they are very much afraid that we might be stupid enough to start using atomic weapons again.

Hellyer has stated that “UFOs are as real as the airplanes that fly over your head.”

One-time Minister of Defence for Canada (!)- has Paul Hellyer become a publicity seeking 'kook' or an engaged humanitarian with secret information about the presence of 'aliens'? — Former Minister of Defence for Canada Paul Hellyer

Shevardnadze asks Hellyer, “Why do you say that UFOs are as real as airplanes flying over our heads?” Hellyer responds, “Because I know that they are. As a matter of fact, they’ve been visiting our planet for thousands of years.”

Hellyer claims that UFOs have been downed by military action, and alien technology has been harnessed by Earthlings.

He stated that, as far as technology is concerned, they are light years ahead of us, and we have learned a lot of things from them. A lot of the things we use today we got from them, you know – led lights and microchips and Kevlar vests and all sorts things that we got from their technology and we could get a lot more too, especially in the fields of medicine and agriculture if we would go about it peacefully.

But, I think, maybe some of our people are more interested in getting the military technology, and I think that’s wrong-headed, and that’s one of the things that we are going to have to change, because we’re going to have to work together, all of us, everywhere on the planet.

Shevardnadze asks Hellyer if shooting down these UFOs is risking an interstellar war, and, if so, “should we be creating a Star Wars force (President Trump created the United States Space Force while in office) to defend ourselves from possible invasion or something like that?” Hellyer responds, “I think it’s a possibility, but it’s a possibility especially if we shoot down every UFO that comes into our airspace without asking who they are and what they want. Right from the beginning we started scrambling planes, trying to shoot them down, but their technology was superior enough that we weren’t able to get away with it, certainly not for a long while.

During that period of time they could have taken us over without any trouble if they wanted to, so I think, rather than developing our own Star Wars to protect ourselves against them, we should work with the benign species that are of a vast majority and work together, and rely largely on them, of course, and cooperate, so that we would be contributing something at the same time; I don’t think there’s any point in us developing a galactic force that would tempt us to ride on our own and get into mischief.”

Mr. Hellyer being interviewed on Russian Television.

“We spend too much money on military expenditures and not enough on feeding the poor and looking after the homeless and sick,’ he said.

‘They would like to work with us and teach us better ways but only, I think, with our consent. They don’t think we are good stewards of our planet.

‘We are clear-cutting forests and polluting our rivers and our lakes. We are dumping sewage in the oceans. We are doing all sorts of things which are not what good stewards should be doing and they don’t like that.’

‘Our future as a species, and here I mean all of the species in the world, is potentially at risk if we don’t figure what’s going on and work together to try and make life more amenable for all of us, and to work with our neighbors from other planets as well.’

Aliens are also responsible for some of our modern technology including the microchip, LED light and Kevlar vest, he said.

Hellyer said there has been a lot more activity with aliens in the last few decades since we invented the atomic bomb.

One of the technological advances that humans have aliens to thank for are Kevlar vests. Hellyer described one group as ‘Short Greys’ who have very slim arms and legs and are about five feet high with large heads.

While Hellyer said he has never met an alien, but has seen a UFO near his cabin on Ontario’s Lake Muskoka.

Hellyer described several types of aliens including ‘Tall Whites’ who are working with the U.S. air force in Nevada. ‘They’re able to get away with that; they had a couple of their ladies dressed as nuns go into Las Vegas to shop and they weren’t detected,’ he claimed.

Another group of aliens are called ‘Short Greys’ who have very slim arms and legs and are about five feet high with large heads. A third group are called ‘Nordic Blondes’ and Hellyer said that if you meet one you’d probably say, ‘I wonder if she’s from Denmark or somewhere.’ For the Silo, George Filer.

Reviews

Audio-Technica Intros NARUKAMI Ultra-High-End Tube Headphone Amplifier & Headphones

March 8, 2024 The Silo Leave a comment

STOW, OHIO,USA, March, 2024 — For more than 60 years, Audio-Technica has sought to expand the limits of audio technology. With the introduction of its NARUKAMI ultra-high-end audio products, Audio-Technica has taken the pursuit of analog sound reproduction to a remarkable new level of excellence.

Making their U.S. premiere at CanJam NYC 2024 (March 9 – 10 at the Marriott Marquis, New York), the NARUKAMI HPA-KG NARU Tube Headphone Amplifier and ATH-AWKG Closed-Back Dynamic Wooden Headphones are stunning, ultimate-quality works of audio art.

Narukami- the Japanese thunder god.

Taking their name from the Japanese god of thunder, NARUKAMI products are designed to ignite elemental passions, while embodying the meticulous Japanese craftsmanship that is an Audio-Technica hallmark.

Audio-Technica NARUKAMI HPA-KG NARU Tube Headphone Amplifier

The front and side panels of the HPA-KG NARU tube amplifier/preamplifier (SRP: US$108,000 / CAD$145,400) are crafted from precious kurogaki wood, Japanese black persimmon wood with striking wavy black figuring that can be found nowhere else. The metal mesh covering that protects the vacuum tubes is evocative of the pattern of the flat needles of the Ayasugi tree. The top of the HPA-KG NARU tube amplifier/preamplifier is styled to reflect the appearance of a KARESANSUI or dry landscape garden, representing water flows.

The HPA-KG NARU is as technologically refined as it is beautiful. The headphone amplifier/preamplifier employs four Takatsuki 300B power tubes, considered by connoisseurs to be among the finest of their type ever produced, and with ECC83S gold pin small-signal tubes. The HPA-KG NARU utilizes a dual-mono configuration and has a fully-balanced drive design, for richly detailed sound with remarkable depth and presence. It offers both balanced 4.4 mm and standard 1/4-inch headphone jacks.

The amplifier provides an impedance selector switch to perfectly match with the widest range of headphones. No effort was spared in the quality of the internal components, which include amorphous-core silver-wire Lundahl input and output transformers to deliver the highest level of sonic clarity. In addition to its unsurpassed capabilities as a headphone amplifier, the HPA-KG NARU serves as a preamplifier, and offers balanced and single-ended inputs and outputs. Companion AW-KG NARU headphones are included with the HPA-KG NARU amplifier.

“We spent 10 years creating the HPA-KG NARU amplifier in an arduous process, working our way through 11 prototypes before settling on a design that met our high expectations,” said R&D engineer Koichi Irii. “The lifelike sound of the HPA-KG NARU is a testament to the power of our human approach.”

The ATH-AWKG headphones (SRP: US$4,200 / CAD$5,650) are equally exceptional. Like the HPA-KG NARU, the headphones are handcrafted in Tokyo, Japan, from rare kurogaki wood. In addition to its distinctive appearance, the acoustic properties of the kurogaki housings contribute to the headphones’ extraordinary sound quality. The hand-applied lacquer finish brings out the wood’s natural beauty.

Audio-Technica NARUKAMI ATH-AWKG Closed-Back Dynamic Wooden Headphones

The ATH-AWKG features purpose-designed 53-mm drivers with Permendur magnetic circuitry. Each driver is equipped with a titanium flange and a 6N-OFC high-purity oxygen-free voice coil to ensure precise movement and optimum signal transfer. Audio-Technica’s exclusive D.A.D.S. Double Air Damping System provides smooth, accurate bass response.

The ATH-AWKG is designed for maximum long-wearing comfort, and is supplied with an additional set of ZMF Universe Hybrid earpads for a unique alternate listening experience. The headphones are equipped with Audio-Technica’s A2DC jacks and two 9.8-foot (3.0 mm) detachable cables with 4-pin balanced and standard 1/4-inch jacks. Adding to its elegance, the ATH-AWKG comes in a presentation box with kurogaki wood accents.

Audio-Technica was founded in 1962 with the mission of producing high-quality audio for everyone.

Though these latest releases are aimed at those with deep pockets and the means to buy the ultimate in design and offering, we have grown in other areas and just as importantly to design critically acclaimed headphones, turntables and microphones at all price points. We have retained the belief that great audio should not be enjoyed only by the select few, but accessible to all. Building upon our analog heritage, we work to expand the limits of audio technology, pursuing an ever-changing purity of sound that creates connections and enriches lives.

Vintage

Freddie Mercury’s London Home Offered For Sale

March 7, 2024 The Silo Leave a comment

One of the greatest rock frontmen of all time, Queen’s Freddie Mercury was famous for his theatrical style and four octave vocal range.

Born Farrokh Bulsara in Zanzibar, he fled to England with his family in the wake of the Zanzibar Revolution, in which many Arabs and South Asians were massacred. Settling near London, he studied graphic art and design (which he would later use to design Queen’s logo) and sold second-hand clothes with future Queen drummer Roger Taylor at the Kensington Market.

Garden Lodge- Trees in bloom

He fronted a series of bands, but his career really took off in 1973, when he joined with Taylor, guitarist Brian May, and bassist John Deacon to produce Queen’s first self-titled album. He would perform over 700 shows with the band, thrilling sold-out stadiums with his unique style and strong connection to his audience. He died of AIDS in 1991, but his music lives on, with Queen’s Greatest Hits the best-selling album of all time in the UK, and two of his songs “We Are The Champions” and “Bohemian Rhapsody” voted best songs of all time in major polls, and his induction into the Grammy Hall of Fame.

Mercury left his Kensington home to his former partner and longtime friend Mary Austin.

Garden Lodge- Dining Room.

Though he would pursue romantic relationships with men, he considered Mary the love of his life and common-law wife. Garden Lodge is a stunning Neo-Georgian mansion which served as Mercury’s “country house in London”, a sanctuary from his high-intensity life on tour. Meticulously preserved for thirty years by Austin, this time capsule of music history is offered for sale for the first time since Mercury’s purchase in 1980, accepting offers in excess of £30m ($38m usd/ $51.7m cad).

Freddie’s grand piano which once lived at Garden Lodge sold via Sotheby’s Auction for $2.2m USD/ $2.96m CAD.

Garden Lodge’s centerpiece is a two-story drawing room, which once housed the grand piano on which Mercury composed his signature hit, “Bohemian Rhapsody.” French doors lead from the Japanese sitting room to the beautiful gardens. Every room of the house is infused with Mercury’s vibrant personality, with design choices made personally by the artist, including citrus-toned yellow walls in the intimate dining room, and floor-to-ceiling mirrors in the lavish dressing room that once housed his extensive collection of stage costumes. Surrounded by stone walls, the chance to own this unique cultural landmark is a once-in-a-lifetime opportunity.

Garden Lodge- A view from the hall looking towards the famous ‘Green Door’.

According to Austin, “This house has been the most glorious memory box, because it has such love and warmth in every room. Ever since Freddie and I stepped through the fabled green door, it has been a place of peace, a true artist’s house, and now is the time to entrust that sense of peace to the next person.”

Freddie- at home in Garden Lodge and in bed eating a meal that needed a peppermill close by.

Kensington is an upscale London neighborhood known for its stately Victorian homes. Nearby options for entertainment include the Natural History Museum, the Design Museum, Kensington Palace, and Kensington Gardens. The chic boutiques on Kensington High Street and star-studded concerts at Royal Albert Hall are both within walking distance. Popular with celebrities, the neighborhood’s notable residents include Eric Clapton, Stella McCartney, Rowan Atkinson, and Dido. For the Silo, Bob Walsh/toptenrealestatedeals

The listing is held by Knight Frank. Photos of Garden Lodge courtesy Knight Frank.

Art

Inuk Artist, Shuvinai Ashoona Wins Governor General’s Award in the Arts

March 6, 2024 The Silo Leave a comment

Inuk artist becomes the second person from the West Baffin Cooperative to receive prestigious award.

Kinngait (Cape Dorset), Nunavut – Inuk artist Shuvinai Ashoona has been named a recipient of the Governor General’s Awards in the Arts for her dedication to the expression and practice of Inuit art and her contribution to Canada’s larger contemporary art community.

ᓱᕕᓇᐃ ᐊᓱᓇ
SHUVINAI ASHOONA

For more than two decades, Ashoona has been changing the face of Inuit art. Working from her home base in Kinngait, Nunavut, Ashoona’s ever-evolving drawing practice has resulted in a still growing body of work that stands as a unique contribution to the artistic expression of her time. Ashoona’s innovative drawings, many of which are ambitiously scaled, freely mix elements drawn from historic Inuit culture with contemporary references to more recent history and popular culture.

Untitled. 2010.

Her subjects include fantastical and otherworldly beings
as well as self-reflexive images that comment directly on the process and practice of representation. Never content to follow rules and expectations, Ashoona’s unconventional artistic vision has successfully challenged and revolutionized how the public perceives Inuit art and contemporary Indigenous art more generally, helping
to create a new space for expression and artistic freedom.

A longtime artist member of West Baffin Cooperative, Ashoona works frequently at the organization’s Kinngait Studios and has become a mentor to many next generation Inuit creators.
“I don’t even think about getting awards for making my art,” said Shuvinai Ashoona. ‘I’m just happy when people can see my drawings in galleries and museums and books. I think this award means that many, many people are getting to see my artworks.”

Throughout her career, Ashoona has maintained a busy practice supported by an expansive program of exhibitions.

Her work has been featured in several important exhibitions at the National Gallery of Canada, including Sakahàn: International Indigenous Art, that institution’s landmark 2013 showcase of contemporary Indigenous expression from around the world.
“Shuvinai Ashoona is one of Canada’s most influential visual artists and has fast become an internationally important creator,” said West Baffin Cooperative President Pauloosie Kowmageak. “Ashoona has achieved remarkable success and recognition for her art practice and for the community of Kinngait; I can’t imagine a more deserving recipient of this prestigious award.”

Handstand. 2010. Stonecut and stencil.

Ashoona has been active within the commercial gallery sphere as well. Her work has been featured in several solo and group commercial exhibitions, many of which have been presented by Vancouver’s Marion Scott Gallery, which nominated her for this award, and Toronto’s Feheley Fine Arts. Ashoona’s drawings have also been collected by many of Canada’s major art institutions, including the Art Gallery of Ontario, the National Gallery of Canada, the Winnipeg Art Gallery, Musée des beaux arts de Montréal and the Vancouver Art Gallery.

Ashoona has also collaborated with artists from beyond her Baffin Island community, including Shary Boyle (2015) and John Noesthedan (2008).

“Shuvinai Ashoona’s startling expression makes connections and bridges cultures,” said Robert Kardosh, third generation owner of Vancouver’s Marion Scott Gallery. “Her images tell us something important about ourselves and the world we all share. This award acknowledges and celebrates that deep resonance. It’s also a testament to her tenacious dedication to her vision and community.”

In 2022, she produced her first immersive installation, entitled Help Us. Commissioned by the Marion Scott Gallery, Ashoona’s floating constellation of drawn geometric forms was featured that same year at Art Toronto, where it earned critical and popular acclaim.

The last five years have been especially important ones for the artist, not just for her continuing creative growth but also in terms of her growing national and, increasingly, international profile. In 2019, The Power Plant Contemporary Art Gallery in Toronto presented Shuvinai Ashoona: Mapping Worlds, an exhibition that brought together a decade’s worth of Ashoona’s most ambitious works. Curated by Nancy Campbell, the high-profile exhibition toured to several venues across Canada, exposing the general public to Ashoona’s singular vision while confirming her status as one of Canada’s most exciting and talked about contemporary artists.

The exhibition’s catalogue is itself a monument to Ashoona’s practice and place in contemporary Canadian art. At the beginning of 2019, just as the Power Plant’s exhibition was being launched, it was announced that Ashoona had won the 2018 Gershon Iskowitz Prize at the AGO, making her the first Inuk in history to win this prestigious award. In 2021, as part of the terms of the prize, the artist’s work was profiled at the Art Gallery of Ontario in a major exhibition that was entitled Shuvinai Ashoona: Beyond the Visible, making her work even more visible to a wider audience.

Alongside these major breakthroughs within Canada’s borders has been a recent series of announcements, exhibitions and awards that reflect Ashoona’s steadily growing reputation abroad. In 2021, Ashoona’s work was featured in a solo exhibition at the Institute of Contemporary Art Miami, entitled Shuvinai Ashoona: Drawings. The exhibition in Miami wasn’t only Ashoona’s first show in a US museum, but it also marked the first time that a US contemporary art institution has presented a solo exhibition by a Canadian Inuk artist.

In 2022, Ashoona’s work was included in The Milk of Dreams, the 59th International Art Exhibition, also known as the Venice Biennale.

Ashoona’s inclusion in this major international showcase brought her distinctive expression to the attention of a global audience for the first time. The official jury’s decision to award Ashoona one of two special mentions brought even more attention to her installation, further attesting to her work’s unique power and appeal. Those same drawings are currently being featured at London’s The Perimeter, in a presentation entitled Shuvinai Ashoona: When I Draw, the artist’s second solo exhibition in the UK. For more biographical information about Shuvinai Ashoona click here. For the Silo, Paul Clarke.

Featured image: SHUVINAI+ASHOONA-2009 untitled graphite coloured pencil and pentel pen.

Fashion

The Fall Of The Hair Salon And What To Do About It

March 5, 2024 The Silo Leave a comment

Mississauga, Ontario March 2024. Mario Verrilli announces the release of his new book, “The Fall of the Hair Salon and What To Do About It,” offering an insightful analysis of the prevalent scarcity mindset and the urgent need for reform within the hairstylist apprentice program.

This book confronts the challenges faced by the industry, advocating for transformative changes to rejuvenate the profession.

The hair salon industry has long grappled with a cutthroat scarcity mindset that impedes growth and innovation. “The Fall of the Hair Salon and What To Do About It” delves into the root causes of this issue, exploring how this mindset affects professionals and salon owners alike, hindering their potential for success.

One of the critical issues highlighted in the book is the outdated structure of the hairstylist apprentice program.

Verrilli passionately argues for a much-needed overhaul of this program, emphasizing the necessity for comprehensive updates and reforms that align with the current industry landscape. The book presents a compelling case for governing bodies to intervene and revamp the apprentice system to foster a more supportive and conducive learning environment for aspiring hairstylists.

Through meticulous research and compelling insights, Mario Verrilli proposes actionable solutions for industry professionals, salon owners, and governing bodies to adopt. By addressing these fundamental challenges head-on, the book aims to empower individuals within the hair salon industry to break free from limiting mindsets and embrace a more collaborative and innovative approach to their craft. For the Silo, Katherine Fleischman.

“The Fall of the Hair Salon and What To Do About It” is available for purchase on www.amazon.com, .

About Mario Verrilli:

Mario Verrilli is an award winning hairstylist with a deep commitment to transforming the hair salon industry. With 29 years of expertise as a professional hairstylist and salon owner, he has created stunning looks for the pages of national fashion and beauty magazines including FLARE, Glow and Chatelaine. Verrilli’s client list has included supermodel Daria Werbowy and many of Canada’s top working models. He was inspired by medical and financial professionals that do not compete but work together to make their industry stronger, protect and uphold their value. Mario advocates for progressive changes and offers valuable insights through their writing. Mario Verrilli is the owner of Mississauga’s Onaré Collective, www.onaresalon.com.

Onaré Collective, 2100 Hurontario St., Mississauga, ON, L5B 1M8, www.onaresalon.com

Reviews

Raketa Releases Watch With Counterclockwise Movement

March 4, 2024 The Silo Leave a comment

Raketa “Russian Code”
In the beat of the Universe

The “Russian Code”, one of Raketa’s most recognizable models with a counterclockwise movement, is finally launched as part of Raketa’s main collection.
The watch is crafted in an all-new case: a combination of sharp facets and rounded curves are enhanced by a mix of satin-brushed finishing with polished edges, while the sapphire glass has a more complex domed shape. A synthetic ruby is yet another update of the case: it glows behind Raketa factory’s logo carved on the side of the crown.

The centre of the dial displays the constellations over St. Petersburg on the morning of April 12, 1961, when Yuri Gagarin made history by becoming the first man to fly into space.
Textured polished indexes with two types of coatings (light rhodium on even and dark on odd numerals) convey an extra 3-dimensional aspect to the already multilayered dial.

Behind the elegant design lies the revolutionary concept that time should move in harmony with the natural counterclockwise movement of the planets in our Solar System. Therefore,
just like the planets around the Sun, the hands of the Raketa “Russian Code” rotate in a counterclockwise direction around the dial.
The case back reveals a beautifully decorated automatic movement entirely manufactured and assembled at the Raketa Watch Factory in Saint-Petersburg.
Are you ready to move on to the new generation of watches that tick to the beat of the Universe?

A watch that invites you to be different

To wear this watch, you will have to break free from the most fundamental rule of time-reading — the clockwise movement of time that was taught to us from ancestral times.
Indeed, early people read the time with sundials by observing the clockwise movement of the sun in the sky (from left to right) and of the corresponding shade on the dial (from right to left). When our ancestors finally invented the concept of hands (instead of shade) moving around a dial, they naturally decided to keep this clockwise movement that they observed in nature

However, there is a serious flaw in this decision: the Sun doesn’t move clockwise in the sky.
It’s an illusion — it actually doesn’t move at all. It is the Earth that moves in a counterclockwise direction around the Sun!

The sun follows a clockwise movement in the sky when it is seen from the Earth’s northern hemisphere: in the southern
hemisphere, it goes in the opposite direction. The reason why early watchmakers decided to replicate on dials the clockwise
movement as seen in the northern hemisphere is simply because this is where they always lived (and as a matter of fact where
90% of the world population has always lived).

The Raketa Watch Factory corrected this mistake by designing a watch where the movement of time follows the natural movement in the Universe.
This watch is certainly not for the faint-hearted but rather for people who are willing to stand out from the crowd and be different!

A watch that is true to Raketa’s DNA

By following the movement in the Solar System, this watch underlines the link between Raketa and the Cosmos: the brand Raketa (which means “Space Rocket” in Russian) was
created in 1961 in honour of the first manned space flight by the Soviet cosmonaut Yuri Gagarin. Since then, Raketa’s designers and engineers were always inspired by space and regularly made watches for cosmonauts and watches celebrating the Solar System.

A watch with a very special movement

The counterclockwise movement of the hands is powered by a very special Raketa automatic movement (2615R). The engineers of the Raketa Watch Factory inverted the movement of the hands by changing the construction of the 2 most important parts of the
mechanical movement: the mainspring barrel and the anchor module! This engineering feat could only be accomplished because Raketa produces in-house 100% of these parts.

Price

The watch costs 1950 Euros (VAT included)/ $2,865 cad. All Raketa watches are delivered worldwide by DHL free of charge.

Specifications
Factory: Raketa Watch Factory (Saint-Petersburg)
Movement:

Calibre: 2615 CR
Functions: Automatic with reverse direction of hands
Number of jewels: 24
Testing positions: 4
Average rate (s/d): -10+20
Average running time (h): 40
Frequency/hour: 18.000 / 2.5Hz
Bi-directional automatic winding: Yes
Stopper of self-winding unit
activated during manual winding: Yes
Decoration: Nanocoating
Neva waves Print

Case:

Material: Stainless steel
Diameter: 39,5 mm
Front glass: Sapphire
Back glass: Mineral
Crown: Synthetic ruby stone inside the crown
Water resistance: 5 ATM
Hands: Superluminova

Strap/bracelet:

Material: Genuine leather
Width: 22 mm
Sex: Unisex

Culture

Will You Marry Me? In Space?

March 1, 2024 The Silo Leave a comment

Art

Nanni Balestrini Political Art Retrospective Exhibition Includes Early Computer Works

February 29, 2024 The Silo Leave a comment

CENTER FOR ITALIAN ART ANNOUNCES NEW EXHIBITION:
NANNI BALESTRINI: ART AS POLITICAL ACTION ONE THOUSAND AND ONE VOICES ON VIEW NOW UNTIL- JUNE 22, 2024

Nanni Balestrini, Cavallo, 1963. Collage on paper. Private collection, courtesy Frittelli arte contemporanea, Florence

(New York, February/March, 2024) – The Center for Italian Modern Art (CIMA) has launched its new exhibition, NANNI BALESTRINI: ART AS POLITICAL ACTION. ONE THOUSAND AND ONE VOICES, curated by Marco Scotini. This is the first retrospective exhibition in the United States of Nanni Balestrini (1935-2019), an Italian experimental visual artist, poet, and novelist known for his revolutionary artistic practice and passionate involvement in the social-political movements of the 1960s and 1970s.
Born in Milan in 1935, Balestrini was a key protagonist of post-WW2 Italian literary and social avant-garde movements: he approached experimental poetry with a visual sensibility stemming from the artistic use of collage, and with a compositional practice that gave importance to the editing and recombining of existing texts (especially newspapers, magazines, and political slogans) in search for the expression of a collective enunciation.

Nanni Balestrini born July 1935 died May 2019

Nanni Balestrini, 65000 Ètudiants, 1972. Mixed media on panel. Collezione Emilio Mazzoli, Modena

Python reconstruction of 1961 electronic poem “TAPE MARK 1”

Nanni Balestrini, Giornale di bordo (La partita a carte), 1964. Collage on paper. Private collection, Mirano (Venezia)

CIMA OPEN HOURS: • Friday and Saturday: 11am to 6pm with guided tours at 11am and 2pm (last entry at 5pm)• Members-only hours: Monday-Thursday by appointment• General admission: $15usd for guided tours; $10usd for open hours• Members & students: free
ABOUT CIMA:Founded in 2013, CIMA is a public non-profit dedicated to presenting modern and contemporary Italian art to international audiences. Through critically acclaimed exhibitions—many of them bringing work to U.S. audiences for the first time—along with a wide variety of public programs and substantial support for new scholarship awarded through its international fellowship program, CIMA situates Italian modern art in an expansive historic and cultural context, illuminating its continuing relevance to contemporary culture and serving as an incubator of curatorial ideas for larger cultural institutions. CIMA works to add new voices to scholarship on modern Italian art with annual fellowships that open fresh perspectives and new avenues of research. A visit begins with a complimentary espresso, followed by an informal exhibition tour with one of the resident fellows. Visitors are welcome to linger for additional viewing and conversation.

ABOUT CURATOR MARCO SCOTINI: Marco Scotini is an art critic and curator. He currently is artistic director of FM Centro per l’Arte Contemporanea in Milan, a center specializing in the preservation and enhancement of private collections, artists’ archives and the promotion of contemporary art. Since 2004, he has been director of the Department of Visual Arts at Nuova Accademia di Belle Arti of Milan and Rome. He is scientific director of the Gianni Colombo Archive, the Bert Theis Archive, the Clemen Parrocchetti Archive and the Nanni Balestrini Archive. Since 2014, he has been responsible for the exhibition program of PAV- Parco Arte Vivente in Turin. He was artistic director of the 2nd Yinchuan Biennale in 2018 and was a member of the Italian Council from 2019 to 2021. He has curated exhibitions for leading national and international art institutions, including the Albanian pavilion at the Venice Biennale (2015), three editions of the Prague Biennale (2003, 2005, 2007), Anren Biennale (2017), 2nd Yinchuan Biennale (2018) and was advisor for Bangkok Biennale (2020 and 2022). He took part in the 17th Istanbul Biennale (2022) and the BETA Timișoara Biennale (2022). He has been part of the project TV Politics at documenta 14 (2017). Scotini’s project Disobedience Archive is part of the 60th Mostra Internazionale d’Arte della Biennale di Venezia (2024), curated by Adriano Pedrosa.

Sci-Tech

How AI Is Transforming Wine Selection and Curation

February 28, 2024 The Silo Leave a comment

The meeting and event planning industry is experiencing a significant transformation amid an era where the vintage charm of wine meets the cutting-edge sharpness of Artificial Intelligence (AI). This renaissance, characterized by a blend of tradition with technology, is reshaping the essence of event-driven wine selection, moving away from the notion that tech seeks to replace tradition. Instead, it introduces a paradigm of harmonious enhancement, where data-driven precision and the sommelier’s artistry converge, creating a personalized wine journey for every guest’s palate as detailed in the narrative below.

To discuss AI’s impact on the meeting and events industry, I would love to connect you with Angel or Arsalan Vossough, CEO and CTO of BetterAI, develooper of the “VinoVoss” AI Sommelier — a wine search engine and recommendation system revolutionizing the $39B usd/ $53B cad wine sector.

Tech Meets Tannins:
A.I. Transforming Preference-Based Wine Curation for Event Clientele

The days when the sommelier’s intuition, refined through years of experience and sensory development, solely guided wine selection are evolving. AI, with its vast collection of data and analytical capabilities, steps into the domain as a digital sommelier, marking a critical shift from purely tradition-led approaches. This integration signifies a future where wine recommendations are enhanced by data analytics, achieving a level of personalization and precision once thought impossible.

This shift from traditional expertise to technological innovation in wine selection is reflective of a broader transformation within event planning. AI’s role extends beyond wine selection, revolutionizing aspects from operational logistics to enhancing guest experiences. By leveraging predictive analytics, AI provides planners with deep insights into guest preferences, optimizes inventory management, and significantly cuts waste. This ability to personalize wine lists to the individual tastes of attendees, a feature once reserved for high-end, exclusive gatherings, is now accessible on a larger scale. This transition not only ensures that each wine selection deeply resonates with attendees’ unique preferences but also illustrates the industry’s wider adoption of innovation, prioritizing customization and quality in every aspect of event planning.

The AI-Driven Transformation in Wine Selection

Crafting Personalized Wine Journeys

At the heart of Artificial Intelligence (AI)’s transformative influence within the event planning sphere is its unparalleled ability in providing wine recommendations to align perfectly with individual preferences. This capability is not just about selection but about creating a narrative for each event that is as unique as the guests themselves. By meticulously analyzing vast datasets that include a wide range of variables—from individual guest tastes profile and detailed consumption patterns to the dynamic ups and downs of emerging wine trends—AI crafts wine selections that resonate deeply with the event’s demographic profile. Each recommendation is more than a suggestion; it’s a reflection of the event’s ethos, designed to enhance the dining experience profoundly.

Predictive Analytics: Looking into the Wine Future

Positioned at the forefront of wine selection, AI leverages the power of predictive analytics to cast a visionary gaze into the future of guest expectations and wine trends. This innovative approach advances traditional selection methods by empowering event planners with the ability to not just respond to current tastes but to anticipate and shape them. By using sophisticated algorithms, AI scans through historical data and current market analyses to predict which wines will captivate and delight attendees, opening the way for the introduction of emerging varietals and regions. This strategic approach allows for a level of exploration and discovery that enhances the event experience, inviting guests on a wine journey that is both educational and experiential.

Furthermore, the scope of predictive analytics in wine selection extends beyond individual choices to provide a broader understanding of global shifts in the wine industry. From climate change impacts on vineyard yields to innovations in winemaking techniques, AI’s predictive capabilities offer event planners a curated window into the wine world’s future. This comprehensive approach ensures that wine lists are not just reflective of contemporary tastes but are also forward-thinking, positioning events at the cutting edge of culinary innovation and offering guests a taste of the future, today. In doing so, AI doesn’t simply predict preferences; it helps define them, crafting personalized wine journeys that are as visionary as they are satisfying.

Operational Efficiency Through AI

Streamlining Inventory, Embracing Sustainability

In the world of event planning, the development of Artificial Intelligence (AI) has catalyzed a revolution in operational efficiency, particularly in the domain of inventory management. By utilizing AI’s advanced predictive capabilities, event planners can now make sure that wine orders are carefully aligned with the anticipated demand of each unique event. This precision in forecasting addresses one of the industry’s major challenges—excess inventory and waste—head-on. AI’s ability to analyze past event data, current consumption trends, and even guests’ preferences means that every bottle ordered has a purpose, significantly reducing the likelihood of surplus stock that contributes to waste.

This strategic reduction in waste not only demonstrates a commitment to environmental sustainability but also translates directly into notable cost savings for event organizers. By purchasing only what is needed, events can operate more leanly and efficiently, passing on the benefits of reduced costs to clients while also contributing positively to the planet. This dual advantage spotlights the pivotal role AI plays in driving forward an event planning paradigm that is both economically viable and ecologically responsible.

Moreover, AI’s analytical insights extend beyond just numbers, offering event planners guidance on selecting wines from vineyards and producers committed to sustainable practices. This approach enables events to not only offer of a curated wine selection that is exceptional and environmentally friendly but also aligns with the growing societal demand for responsible consumption. By aligning wine selections with sustainable practices, AI allows event planners to contribute to a larger narrative of environmental responsibility, setting a new standard for the industry.

Synergy Between AI and Human Expertise

Elevating the Sommelier’s Craft

The integration of Artificial Intelligence (AI) into the process of wine selection marks not the end but a significant transformation in the role of the sommelier. This evolution is characterized by the seamless merging of AI’s analytical strengths with the sommelier’s deep understanding of wine, culture, and personal guest interactions. AI’s entry into this domain provides sommeliers with a suite of tools that enrich their ability to tailor wine selections to the precise preferences and tastes of attendees. By accessing AI-generated insights into guest preferences, historical consumption data, and predictive trends, sommeliers are empowered to provide wine experiences that are deeply personalized, enhancing the dining experience in a way that was previously unimaginable.

This synergy between AI and human expertise allows sommeliers to transcend traditional boundaries, enabling them to craft compelling narratives around each bottle. These stories, woven from the rich history of the wine’s heritage, its journey from grape to glass, and its unique flavor profile, transform each tasting into a memorable experience. The collaboration between AI and sommeliers ensures that the human element of wine selection—the personal touch that elevates a meal into an experience—remains intact, blending the precision of technology with the irreplaceable warmth and authenticity of human interaction.

Balancing the Algorithmic with the Authentic

In the delicate dance between leveraging AI and maintaining the authenticity of wine service, the art of sommeliership shines brighter than ever. While AI provides a powerful platform for enhancing operational efficiency and delivering exceptional personalization in wine selection, it is the sommelier who infuses these recommendations with life. The sommelier’s role shifts from mere selection to that of a storyteller, an educator, and a bridge between the guest and the intricate world of wines. This balance between the algorithmic accuracy of AI and the authentic, personal touch of the sommelier ensures that wine selection remains an art form—a deeply human endeavor that connects, enchants, and leaves a lasting impression on guests.

The collaborative relationship between AI and sommeliers doesn’t dilute the human aspect of wine service but rather enhances it, ensuring that each recommendation carries with it a story worth telling. This unique partnership introduces a new chapter in wine selection, one where technology and tradition combine to create experiences that are not only personalized but deeply resonant. The future of wine service, thus, lies in this harmonious blend, where AI opens the door to possibilities that were previously unexplored, and sommeliers guide guests through a journey that is as enriching as it is delightful, marking each event with the signature of unforgettable excellence.

Navigating the Challenges

The Ethical Aspects of Data Use

In the quest to utilize Artificial Intelligence (AI) for enhancing wine selection processes, the ethical handling of data stands as a crucial concern. As AI systems delve deep into personal preferences and consumption patterns to deliver personalized wine recommendations, the need to protect guest privacy increases. This requires not only the implementation of robust data protection measures but also the development of ethical frameworks that govern the use of such data. The goal is to develop a trust-based relationship with guests, reassuring them that their personal information is handled with the highest care and respect. This foundational commitment to privacy and ethical data usage is vital in maintaining the integrity of the digital transformation in wine selection. It’s about ensuring that the technological advancement enhances the guest experience without damaging the trust that is essential to the hospitality industry.

Overcoming Technological and Cultural Barriers

The integration of AI into the traditional art of wine selection introduces a complex set of technological and cultural hurdles. Technological challenges such as system compatibility, data integration, and the seamless operation of AI within existing event planning infrastructures present tangible obstacles. Concurrently, cultural challenges emerge, rooted in skepticism towards the role of technology in an area traditionally dominated by human expertise. Overcoming these barriers necessitates a multifaceted approach:

Education is key in demystifying AI and showcasing its value as a tool for enhancing rather than replacing the sommelier’s role.
Transparent communication plays a crucial role in addressing concerns and setting realistic expectations about what AI can and cannot do.
A focus on AI as an enhancer of human expertise rather than a competitor is essential in shifting perceptions and creating a culture of acceptance.

Together, these strategies form the foundation of a successful transition to AI-enhanced wine curation, bridging the gap between technological innovation and the timeless tradition of personalized wine selection. By addressing these challenges head-on, the event planning industry can fully embrace the benefits of AI, ensuring a future where technology and tradition coexist in harmony to create enriched, personalized wine experiences.

Envisioning the Future

The Next Frontier in Wine Recommendation

As machine learning algorithms become increasingly sophisticated, the future of wine recommendation looks promising. AI’s ability to analyze complex patterns and preferences suggests a horizon where every wine selection is not just personalized but also, anticipating guests’ desires before they even articulate them. This is not just about enhancing the event experience but about reimagining the possibilities of personalization.

The implications of AI in wine curation hint at a broader transformation in event planning. From menu customization to entertainment selection, AI’s potential to personalize every aspect of the event experience is vast. This future, where every detail is personalized to the guest’s tastes, brings a new era of event planning, characterized by a high level of customization and engagement.

The fusion of technology and tradition in wine selection represents more than a shift in methodology; it signifies a fundamental change in how we approach the planning of and execute event planning. As AI continues to weave its narrative through the tapestry of event planning, its promise extends beyond operational efficiency or personalized recommendations. It offers a glimpse into a future where every event is a reflection of the guests’ deepest preferences, a celebration not just of the occasion but of the individuality of each attendee. In this future, tech meets tannins, not as adversaries but as allies, crafting experiences that connect on a personal level, setting a new standard for what events can aspire to be. For the Silo, Arsalan Vossough.

Arsalan Vossough, CTO and Co-Founder of BetterAI, specializes in advanced AI technologies, including Machine Learning and NLP. Solutions include “VinoVoss” (www.VinoVoss.com ), a semantic search and recommendation system creating a virtual wine sommelier. The Silicon Valley-headquartered BetterAI excels in developing cutting-edge AI solutions, and is aptly leveraging leading edge technologies like AI, Machine Learning, Generative AI, Natural Language Processing, and Computer Vision to hone transformative solutions. It’s VinoVoss platform empowers users to make highly-informed decisions about their wine selections, explore new varietals, find new favorites and even rediscover old gems quicker and easier than ever before. With a background in quantitative finance and teaching, Arsalan has a Bachelor’s in Computer Engineering, an MBA from Corvinus University, and a Data Science Master’s from UC Berkeley, graduating with honors. Connect with Arsalan at www.BetterAI.io.

Culture

Quality Over Quantity: How Canada’s Immigration System Can Catch Up

February 26, 2024 The Silo Leave a comment

Canada’s immigration point system is designed to select skilled immigrants who have the potential to contribute to the country’s economic growth and meet its evolving skills needs. However, Canada faces challenges in fully leveraging increased immigration levels to enhance the well-being of Canadians due to weaknesses in capital investment and a quantity/quality trade-off in selecting economic immigrants. Furthermore, recent reforms may work at cross purposes to this goal. They include category-based selection that targets low-paying occupations, which can discourage capital investment, and a recent surge in the number of temporary residents in low-wage jobs that also may have adverse effects on the quality of potential candidates for permanent residency.

This study compares skilled immigration selection policy in Canada, Australia, New Zealand, and the UK, with the objective of identifying key areas for improvement in Canadian policy. The skilled immigration point systems in Canada and Australia share some similarities, with both prioritizing a two-step immigration process, placing an emphasis on English proficiency and workforce age, and requiring pre-migration credential and English proficiency assessments. However, the two countries differ mainly in their strictness of criteria and their emphasis on occupational and language skills. Furthermore, Australia has shown more agility and creativity in its skilled migration reforms. Reforms in the UK and New Zealand have also put them ahead in the competition for talent.

Based on this international comparison, the author makes recommendations for improvement. They include: 1) Setting a Minimum Points Threshold for Eligibility. As it is, Canada imposes no minimum points threshold for eligibility in its Express Entry points-based system. 2) Considering a Pre-admission Earnings Factor. Studies show the importance of pre-immigration earnings in predicting immigrants’ outcomes after arrival. The UK, New Zealand and Australia include this factor. 3) Boosting Standards under the Language Requirement. Official language skills are as important in predicting the initial earnings of principal applicants admitted under Canada’s Express Entry system as pre-immigration Canadian work experience, and even more important than educational level and age at the time of immigration. 4) Raising Business Immigration Numbers. Canada faces the challenge of weak business investment but is failing to select business immigrants with entrepreneurial skills, putting it at a disadvantage compared to competitors like Australia and the UK.

The author thanks Tingting Zhang, Charles DeLand, Rosalie Wyonch, Charles Beach, Jodi Kasten, Mikal Skuterud and anonymous reviewers for comments on an earlier draft. The author retains responsibility for any errors and the views expressed.

Read the full report here.

For the Silo, Parisa Mahboubi/C.D. Howe Institute.

Parisa Mahboubi

Parisa Mahboubi is a Senior Policy Analyst and leads the C.D. Howe Institute’s human capital policy program. Her research interest focuses on social policy with a concentration on demographic, skills, education, and labour market concerns. In addition to authoring research studies, she regularly writes a column for the Globe and Mail’s business section.

Art

Moon Landing Included Lunaprise Museum First Beyond Earth

February 23, 2024 The Silo Leave a comment

New York City – February, 2024 – In a historic moment that marks a significant milestone in the intersection of art, music, and space exploration, the Lunaprise Museum proudly announced the successful lunar landing of artworks as part of SpaceBlue’s’ curated and managed archive on the recent Lunar Lander as part of the historic space mission. Though not the first art project to involve the Moon (reported here by us July 2019), it is the first art project to remain on the Moon.

Among the historic pioneers is a pioneering trio: designer/artist Kelly Max, artist Samy Halim, and music producer/artist Brayden Pierce. This momentous event sees these creative visionaries become among the first artists in history to archive their works in the form of digital twins on the moon for over a billion years in a nano fiche disk, establishing a lasting legacy that transcends the boundaries of Earth.

A New Horizon for Art and Music

With the successful landing of the Lunar Lander on February 22, 2024 at 6:23PM EST the Lunar Landing has achieved a groundbreaking feat by hosting the first museum on the moon called Lunaprise. Among its prized collections are the collaborative efforts of Kelly Max and Samy Halim on the Modernist Art project, and Brayden Pierce’s musical compositions that have resonated with themes of space exploration and innovation.

The Modernist Art collection, highlighted by the “MoonRider” piece carrying 180 names pivotal to the artists’ journey, alongside a comprehensive collection of 420 Modernist Originals and 9,724 generative Modernist Genesis Artworks, represents a significant contribution to this lunar museum. Selected by Curator SpaceBlue and launched on February 15, 2024, these artworks not only celebrate the creative spirit but also symbolize human achievement and aspiration.

This nickel disc containing compressed files of the artwork is now curated on the Moon.

Kelly Max’s contributions to the Lunaprise Museum mission extend far beyond his collaboration with Samy Halim on the Modernist Art project. Together, Kelly and Samy designed the Lunaprise Mission Patch, a symbol of human creativity and resilience in the face of the vast unknown. Kelly’s visionary approach didn’t stop there; his role expanded as he became the lead designer for all key brand communications for the mission, showcasing his leadership and creative expertise in shaping the mission’s identity.

Brayden Pierce: Echoing Through Space

Introduced to the Lunaprise Museum mission by Kelly, Brayden Pierce’s artistic contributions have carved a unique niche in the halls of space history. As the first-ever EDM artist to have his music on the moon, Brayden Pierce’s “Capture The Moon” is immortalized on the moon in two versions: The Modernist Edition and the MOOON.PARTY Mix. This collaboration with Kelly underscores a synergy between the two creatives which exploded into the founding of MOOON.PARTY: a visionary venture that aims to blend art, music, space, and space content recording into a pioneering festival brand. This initiative, co-founded by Kelly and Brayden, is set to redefine immersive entertainment experiences, leveraging the backdrop of space to inspire and captivate audiences worldwide.

“Bringing art and music to the lunar surface goes beyond exploration; it signifies embedding humanity’s creative essence into the fabric of the cosmos. This endeavor isn’t merely a step forward for us as individual artists but represents a monumental leap for global art and culture. Collaborating with Samy, Brayden, and the Lunaprise Museum on this mission has unfolded as a profound journey of discovery, unity, and limitless creativity. Together, we’ve ignited a beacon of human expression on the moon, casting light across the cosmos to inspire future generations to dream beyond the confines of our known world. This project mirrors the moon’s impartial gaze upon Earth, reminding us that in its light, we are all seen equally. Our ultimate aim is to embody this universal perspective, fostering a tangible sense of unity on Earth, now enriched by the presence of art and music in the lunar realm.” adds Kelly Max.

Legacy Beyond the Stars

The Lunaprise Museum landing not only signifies the establishment of the first museum beyond Earth but also serves as a beacon of human creativity and ingenuity. Lunaprise is leading a historic disruption in space tech, leveraging patented technologies to archive and authenticate digital assets using blockchain, heralding the convergence of space exploration and digital technology. Collectors of music and art will delight in rare, verified assets that are one-of-a-kind, linked to identical twin digital files stored in the Lunaprise museum on the moon. The artworks of Kelly Max, Samy Halim and Brayden Pierce, now permanently archived on the lunar surface, stand as a testament to the boundless potential of artistic expression. Their achievements herald a new era where art and music extend their reach into the cosmos, inspiring future generations to dream big and reach beyond the known limits.

For The Silo, Gabriela Gutiérrez.

Philanthropy

Speedrunning (Beating Videogames Fast As Possible) Champs Playing For Make A Wish

February 21, 2024 The Silo 2 Comments

For the first time this year, the European Speedrunner Assembly (ESA) is set to host their recurring speedrunning event, where gamers aim to conquer video games at record speeds and showcase mind-blowing talents.

For the first time ever, ESA is teaming up with Make-A-Wish International — an organization dedicated to fulfilling the wishes of children facing critical illnesses. Last year, ESA Winter and Summer collectively raised an impressive $200,000 for Alzheimer’s research. ESA Winter is taking place right now in Malmö until February 24th.

Set in Malmö, Sweden, the event will revolve around gaming, entertainment, and interactive fundraising. An onsite global audience of several hundred attendees are already interacting, accompanied by a substantial online viewership exceeding two million. Both the onsite and online audience have the opportunity to actively support the charity, for example, by donating $25 to influence the course of the games or to support various shows and performances, such as a Ikea furniture building duel or rhythmic displays.

Last year, Make-A-Wish International granted more than 19,500 wishes to children living with critical illnesses around the world, including more than 5000 gaming and entertainment wishes. They are the second most popular type of wish granted by the charity, after travel wishes.

Ida Lidholt, one of the ESA organizers says: “We are delighted to announce our new partnership with Make-A-Wish International. ESA Winter is a festival where gamers and the community unite. Through video games and speed, we level up to raise funds for children living with critical illnesses. It is heart-wrenching to witness the struggles of these kids. If we can alleviate their burden even a little by helping them fulfil their wishes, it holds profound significance for us.”

Luciano Manzo, President & CEO, Make-A-Wish International says: “Children undergoing treatment for critical illness can experience anxiety, loss of hope, and isolation from friends and loved ones. For many of these children, gaming offers them a sense of escape, helps them connect with friends and distracts them from their long and often difficult treatment journeys. That’s why gaming and entertainment wishes are so popular among wish children. The funds raised from ESA Winter 2024 will help continue to grant these types of wishes and many others. We are so grateful to ESA and the gaming community for helping make wishes come true with this event.”

ESA is globally livestreamed on Twitch.tv/esamarathon. Viewers are urged to contribute during the broadcast, with opportunities to, for instance, name game characters, present challenges to players, or vie for fantastic prizes. By backing ESA and Make-A-Wish, everyone can play a role in fulfilling the wishes of children living with critical illnesses. Support the talented speedrunners and participate in the fundraising—tune in to ESA and make a donation!

Follow the event at www.twitch.tv/esamarathon

About ESA

European Speedrunner Assembly (ESA) is a biannual charity marathon dedicated to video game speedrunning, held in Sweden. Since its inception in 2012, these events have collectively raised over one million dollars for various charitable causes.

The two main flagship events, ESA Winter and ESA Summer, occur annually in February and July, respectively, each spanning seven days. Beyond these, ESA also organizes smaller speedrunning gatherings such as ESA Legends, a five-day in-person event uniting top RPG speedrunners, and Break the Record: Live, a three-day competition aimed at breaking world records in specified games and categories.

About Make-A-Wish International

Make-A-Wish creates life-changing wishes for children with critical illnesses. Founded in 1980, Make-A-Wish is the world’s leading children’s wish-granting organization, having granted more than 585,000 wishes in 50 countries worldwide. Together with generous donors, supporters, staff and more than 27,000 volunteers around the globe, Make-A-Wish delivers hope and joy to children and their families when they need it most. Make-A-Wish aims to bring the power of wishing to every child living with a critical illness because wish experiences can help improve emotional and physical health. For more information about Make-A-Wish International, visit worldwish.org