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At the beginning of November Brännland Cider, an international award winning cider producer in Umeå, Sweden, where I happen to work, started a Kickstarter campaign called “1000 apple trees at Röbäcksdalen”, to fund the creation of an orchard and the start new apple terroir in their Northern home county of Västerbotten, not very far from the Arctic Circle.
30 days later, after international attention and countless shares on social media, the campaign is now fully funded. The funds have streamed in from private backers, businesses and institutions in the region and foreign backers in the markets where Brännland Cider is present, in the form of adoptions of the trees planted in the orchard.
Funding is primarily earmarked for research into organic farming practices and all research results and knowledge derived from the orchard will be shared with anyone who wants to grow fruit in Northern Sweden. The ultimate long term goal is to create a new apple terroir for cider production.
We’re totally amazed by the support that’s been coming in from our local as well as the national and international communities. In the past four years we’ve striven to produce the best cider and ice cider possible using the best Swedish apples. It is fantastic to see that our work has inspired confidence enough in what we do, that people want to lend us this kind of support.

The next step for Brännland Cider is to create a dedicated web for the orchard where adopters can follow their specific tree through the seasons. In spring time, a limited edition cider will be produced and offered only to the backers of the Kickstarter campaign as a celebration of the funding of 1000 apple trees at Röbäcksdalen. For the Silo, Andreas Sundgren Graniti, CEO Brännland Cider AB.




Prizes and Awards: www.brannlandcider.se/index.php/awards
Brännland Cider producerar iscider och cider på 100% svenska äpplen för en nationell och internationell marknad. Bolagets första årgång Brännland Iscider, ett isvin producerat på äpplen med sitt historiska ursprung i Kanada, släpptes 2012.
Supplemental- Ottawa’s Trees need your help! Adopt-a-tree.
Dear Artist, Aristotle differentiated humans from their animal counterparts by dint of logos, the power of rational speech. Napoleon was attributed the quote, “four hostile newspapers are more to be feared than a thousand bayonets.” Human civilization was founded on the exercise of this divine faculty, and is destroyed by it in equal measure. Speech, in its complexity and weight, is the only world capable of rivaling nature.
This week, in view of two ponderous interviews, I ask you to summon to mind those rare and revelatory conversations that have left an indelible imprint on your life. What intimate discussion would you revisit and savor, if you were aware of the contents beforehand? What words of the past would be left unsaid or better spoken with the retrospective guidance of age?
Abstract acrylic painter Jeannie Motherwell refuses to grow cold in the artistic shadow of her father and stepmother, Robert Motherwell and Helen Frankenthaler. As a stable ecosystem quells its wrestling constituents, Motherwell’s refined intuition hushes the spontaneous boundaries of dilating paint on clay board and canvas. Over a soberly spoken interview, the New York artist now based in Boston, admits in her work the faint pursuit of a faded horizon: the shifting waters from the view of an old home, replaced, in time, by a windowless studio. The methodology of Motherwell’s art – to draw a structure from an uncertainty – eerily echoes a ritual from her upbringing: discerning, with the right words, to the joy of her guardians, the spiritual essences behind their cascades of paint.

Inexhaustible curator and researcher Ele Carpenter maintains that the lasting footprint of humanity will not be a monument or an idea, but a radioactive glare. Radioactive isotopes of a unique breed first entered the Earth’s atmosphere with the testing of the earliest nuclear bomb, signaling the beginning of a geological period known as the nuclear anthropocene. Dedicated to disseminating information about the irreversible changes to the environment caused by human hand, Carpenter organizes discourse and collaboration on a global scale, uniting scientists, activists, and visionaries in the depiction of a haunting reality that eludes the senses.

Additional interviews include: Barbara Wilks, Nate Page, Frans van Lent, and Katya Gardea Brown.
Looking for new additions to your reading list? Rachel Wolfe, one of our users, is deconstructing and rebuilding her fundamental conceptions of nature and mind. Sensitive Chaos, by Theodor Schwenk, vacillates between rigorous and metaphorical depictions of the underlying systems of movement that govern aeolian and liquid dynamics, from the furious dance of a hurricane to the soft aria of a developing child. Strange Tools, by Alva Noe, is a philosophical text that sees artmaking as a faculty for reflection, a primordial instinct that consciously and unconsciously takes stock of the external conditions that govern our identities and worldview.
Occupy Museums is seizing the means of cultural production with Debtfair, an exhibition dedicated to the overworked and underfunded. Creators, performers, and thinkers with financial weights on their shoulders have until December 9th to see their arduous narrative showcased in the 2017 Whitney Biennial. Debtfair serves to expose the aggressive business models that permeate leading art institutions, while encouraging solidarity amongst all encumbered populations of the economically segmented social landscape. Necessity may be the mother of invention, but no artist needs to bear the burden of Atlas.
The great American poet Wallace Stevens, envisioning life’s origins with a brain that thought without words, once instructed, “Begin, ephebe, by perceiving the idea / Of this invention, this invented world, / The inconceivable idea of the sun.”
As always, here are the links to interview archive and free resources page. For the Silo, Brainard Carey.
*Highlight image: Absolute by Jeannie Motherwell. Visit Jeannie’s Boston Studio by clicking here.

I began writing this post after an annual viewing pilgrimage of sorts. Each year on the eve of shopping’s busiest day, I crack open the well worn plastic jewel case and fire up the DVD player. It’s a fictional account but based in fact and is very entertaining and I can’t help but wonder what “might have been” after watching CBC’s 1996 mini-series “the Arrow” again. [You can watch this right here at the end of this post CP]
Over the decades fact and fiction have become tangled but the basic truths remain intact. In the late 1950’s a highly advanced jet interceptor designed to seek (and if necessary destroy) Russian nuclear bombers was conceived, designed, built and flown in Canada by a predominantly Canadian team. Here’s where things get fuzzy. The Arrow was developed when the federal Liberal party were in power but was finished and flown when the Conservatives were in power. It represented not only the technological capability of Canada’s aviation industry- but also the econo-political agenda of the mid-twentieth Century. So what happened at that time to help spell the doom of the Arrow?
-The ICBM- intercontinental ballistic missile was viewed as the future of warfare not the nuclear bomber. This meant that a jet interceptor was obsolete because it would be unable to intercept approaching missiles.
-Bad timing: on the day of the rollout of the very first completed Arrow, the Russians launched Sputnik, the world’s first artificial satellite. In the public eye jets seemed unimportant.
-The American Bomarc missile system was designed to intercept incoming nuclear bombers and ballistic nuclear missiles. The Bomarc had a small nuclear warhead which would detonate in the pathway of approaching missiles (or bombers) and create a nuclear ‘shield’. The Bomarc was highly controversial at the time because our Prime Minister did not want nuclear missiles on Canadian territory. However, our Defence Minister did not agree and eventually resigned over the matter. This defence ‘split’ exacerbated the Arrow program and any chance for an Arrow squadron legacy.
-The Canadian designed Iroquois engines were not readied in time and were not fitted into the Arrow. These engines were innovative and theoretically could have propelled the Arrow to speeds of Mach 2.5 or possibly Mach 3.0- far beyond every fighter of the time with the exception of secret black technology projects like the American Blackbird SR-71. Had the Canadian engines been readied and proven, there seems little doubt that international orders would have offset some of the Arrow’s mounting costs.
Black Friday…….almost 15,000 workers lose their job.
There is no official record of just who ordered the destruction of the remaining Arrows. Other than a few recovered test models, an incomplete cockpit and a few seconds of in flight film, nothing remains of this wonderful airplane . For the Silo, Jarrod Barker.

Supplemental-
University of Saskatchewan The Nuclear Question in Canada http://www.usask.ca/diefenbaker/galleries/virtual_exhibit/nuclear_question_in_canada/
Post Featured Image- http://plunkettgw.deviantart.com/art/AVRO-ARROW-17-139364086
Boeing’s Bomarc Missile http://www.boeing.com/boeing/history/boeing/bomarc.page

2015’s historic JFK 50th assassination Special was a riveting and powerful demonstration of media technology. We co-hosted the CBS feature which “rebroadcast” their original assassination television coverage in real-time, fully and completely. Every detail was reproduced exactly as it was shown on that fateful day- even the interruption of a certain soap opera with the first “bulletin” announcement. Live internet coverage began at 1:38 EDT exactly 50 years to the minute of the initial CBS news broadcasts.
If you have any #JFK thoughts (perhaps you even remember that fateful day)- or if you watch the archived live stream please share your feelings by commenting below at the end of this post. We will respect all requests for anonymity.
In the meantime, you may want to view Newsmax TV documentary: “I killed JFK” claiming to showcase a newly revealed “confessed killer”. In 1978 a US Congressional Investigation into Kennedy’s death determined that there were likely more than one shooter/killer.
JFK visits Ottawa 1961:

Supplemental- The United States National Archives Report of the Select Committee on Assassinations of the U.S. House of Representatives
References: I. Findings in the Assassination of President John F. Kennedy
(New York, NY)- President-elect Donald J. Trump today announced that Trump for President CEO Stephen K. Bannon will serve as Chief Strategist and Senior Counselor to the President, and Republican National Committee Chairman Reince Priebus will serve as White House Chief of Staff. Bannon and Priebus will continue the effective leadership team they formed during the campaign, working as equal partners to transform the federal government, making it much more efficient, effective and productive. Bannon and Priebus will also work together with Vice President-elect Mike Pence to help lead the transition process in the run-up to Inauguration Day.
“I am thrilled to have my very successful team continue with me in leading our country,” said President-elect Trump. “Steve and Reince are highly qualified leaders who worked well together on our campaign and led us to a historic victory. Now I will have them both with me in the White House as we work to make America great again.”

“I want to thank President-elect Trump for the opportunity to work with Reince in driving the agenda of the Trump Administration,” noted Bannon. “We had a very successful partnership on the campaign, one that led to victory. We will have that same partnership in working to help President-elect Trump achieve his agenda.”
“It is truly an honor to join President-elect Trump in the White House as his Chief of Staff,” added Priebus. “I am very grateful to the President-elect for this opportunity to serve him and this nation as we work to create an economy that works for everyone, secure our borders, repeal and replace Obamacare and destroy radical Islamic terrorism. He will be a great President for all Americans.” For the Silo, Trump For America, Inc.
LOS ANGELES – Bucky O’Hare – the original comic book series turned into a classic cartoon – made its debut in the digital domain with an 8-page exclusive Swipe Studio e-comic book written and illustrated by brand creators Larry Hama and Michael Golden together with Neal Adams and his Continuity Productions. Bucky O’Hare and the Toad Menace made its premiere appearance Day One of Stan Lee’s Los Angeles Comic Con recently held October 28-30 at the Los Angeles Convention Center.
Designed utilizing the tools available on the all-new Swipe Studio design app, the latest offering in the Bucky O’Hare legacy follows Bucky and his crew as they do battle with the Toad Armada. The special Los Angeles Comic Con presentation featured legendary artist Neal Adams together with Swipe Studio’s famed creator Satoshi Nakajima.
The 8-pager provided fans with a glimpse into the creative for the planned Bucky O’Hare theatrical motion picture now in the works with Neal Adams producing and directing.
The brainchild of software genius Satoshi Nakajima – the engineering architect responsible for Windows 95 and Windows 98 along with Internet Explorer versions 3 and 4 – Swipe empowers everyone from consumers to creators to easily animate everything from emails to digital comics with media-rich digital elements and make use of animation, video, vector graphics as well as full audio for voice, music and sound effects on tablets and smartphones. Created to take full advantage of today’s touch-enabled smartphone and tablet technology, Swipe eliminates the need for complex programming typically required to build animation or other forms of design content. As a result, creators, designers, animators and artists have the tools to create media-rich animated digital content for consumption via touch-enabled devices including smartphones, tablets and touch-enabled set-top-boxes, such as iPhone and Apple TV.
In addition to the Swipe Bucky O’Hare comic book, artist Neal Adams also worked with the Swipe team to load into the platform an impressive portfolio of Bucky art elements and animation that can be adapted by anyone for any digital purpose, including e-mails or presentations of any kind, including all main characters and several backgrounds.

Creators and artists can now experience the free Swipe app instantly by downloading Swipe Studio to their iPhone/iPad/iPod touch and begin to create media-rich animated digital content. To download the Swipe Studio, go to App Store https://appsto.re/us/hlcDeb.i Note- Swipe Studio is available only for iPhone/iPad/iPod touch users with version iOS9 or later.
Swipe Studio users are welcome to join Facebook group; Swipe Studio Users https://www.facebook.com/groups/1076516299084537/
“We are thrilled to unveil the newest Bucky O’Hare creative from the team responsible for this celebrated and enduring property at Stan Lee’s Los Angeles Comic con,” said Nakajima. “I [had] tremendous enthusiasm towards sharing a panel with the great Neal Adams whose brilliant use of the Swipe Studio design tools helps us usher in a new era in digital design.”
“It has been a lot of fun to work with Swipe Studio and I encourage artists to check it out for their own design projects. In fact, Swipie – which is Swipe’s platform for consumers – continues to offer a wealth of art and animation applications to enhance everything from emails to digital presentations. Mr. Nakajima has built an extraordinary platform and I am proud to contribute Bucky O’Hare as a way of underscoring its power as a design platform,” said Neal Adams.
About Swipe, Inc.
Headquartered in Tokyo, Swipe, Inc. is the parent company for Swipe™, an open source platform embedding the full range of visual and audio media into digital documents for smartphones, tablets and other touch-screen devices. Swipe, Inc. Founder-Chief Technology Officer Satoshi Nakajima is recognized industry-wide as the lead engineer and architect of Windows 95 and Windows 98 which he created during his tenure with Microsoft. Visit Swipe, Inc. online at http://www.Swipe.net/.
Nobody likes to live in a home that is cluttered, messy and full of stuff – but as you and your family accumulate more belongings, it can become easy to end up in this situation and then difficult to get back out of it. However, one of the simplest tricks to living without clutter is to make sure that it’s super easy for you and your family to clean up in the house quickly. We’ve put together a list of great tips that you can follow to ensure that your home can go from chaotic and cluttered to calm and clean in no time at all.
Closed Storage
Having closed storage is a great way to minimize clutter and also ensure that your home is tidy with minimal effort. Everybody likes the look of open shelving when everything on there is lined up perfectly, however the sad truth is that it’s not always very practical or possible to keep everything perfectly tidy and in order. Closed storage, when well thought out, can look just as good if not even better. If you’ve got a lot of stuff, stay away from open shelving wherever possible and use drawers and doors to conceal everything.
Under Bed Storage
Bedrooms, especially kid’s rooms, can quickly become cluttered if they have a lot of things and need constant reminding to tidy up after themselves. However, using beds with built-in drawers underneath makes a great storage space for bedroom clutter, and are easy and accessible enough for kids to clean up after themselves without even putting in that much effort. In an adult bedroom, under the bed storage makes an excellent space for storing shoes or other items of clothing that aren’t worn frequently.
Storage Containers
If you have boxes and boxes full of things that you don’t want to get rid of but barely use, they can take up a lot of room in your home and cause it to be quite cluttered. Investing in a storage container could be a great idea, especially if you don’t have free room at home such as in your shed or garage to store any extra stuff that’s just sitting around taking up room. Solutions for public storage Montreal offer a range of different sized storage containers which you could rent to put your stuff for the amount of time that you need.
Have a Clear Out
Although this might take a day or two to complete, having a full clear out of your home will really pay off. If, like most families, you have a lot of things lying around, sorting through the things and deciding what you do and don’t need is likely to free up a lot more room in your home. Clothing items could be sold on to make more money or given to charity, and any electrical things you don’t need can be listed for sale online, meaning that your clear out could result in a cleaner home and more money in the bank. For the Silo, Dimitry Karloff.
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LOS ANGELES – Toei Animation Inc. will debut an English subtitle simulcast of Dragon Ball Super on multiple digital platforms on October 22nd. For the first time, fans in North and Latin America, South Africa, Australia and New Zealand will be able to view Dragon Ball Super simulcast. Since its debut in Japan in July 2015, the hit follow-up to one of the greatest anime series of all time has been eagerly awaited by followers around the world. Through non-exclusive streaming partnerships with Crunchyroll, Daisuki.net and Anime Lab, Dragon Ball Super will finally be available.

Kicking off on Saturday October 22 at 9:00pm EST, viewers of Crunchyroll, Daisuki and Anime Lab can log in for a non-exclusive English-subtitled simulcast of episode 63, “Don’t Define Saiyan Cells! The Curtain Rises on Vegeta’s Intense Battle!!” which leads into the thrilling conclusion of the “Future Trunks Arc.” Audiences will get to join Japan live during the broadcast, and then tune in weekly for future new episodes.
Crunchyroll: USA, Canada, Australia/New Zealand for subscription viewing on demand (SVOD) and advertising video on demand (AVOD). Latin America and South Africa can only be viewed on SVOD.
Daisuki.net: USA, Canada, Australia/New Zealand for SVOD & AVOD
Anime Lab: Australia and New Zealand for SVOD & AVOD
Dragon Ball Super’s fourth arc features the return of Future Trunks. Hunted by a mysterious being bent on destruction, Future Trunks is brought into a fight spanning time and space. Episode 63 follows Future Trunks’ epic battle against Goku Black, and Goku’s acquisition of the powerful “Evil Containment Wave” technique.
To prepare for episode 63’s debut, viewers will also be able to stream the entire Future Trunks arc (the arc begins at episode 47). Then, starting on October 30, the complete series will roll-out, with 10 episodes released a week at a time.
“Patience always pays off, and we’re delighted to finally share Dragon Ball Super with our fans around the world. And believe me when I say there’s more to come. Stay tuned for additional exciting news before the end of the year!” said Masayuki Endo, President of Toei Animation Inc.
About Toei Animation Inc.
Based in Los Angeles, Toei Animation Inc. manages the film distribution of Toei’s top properties, including Dragon Ball all series, Sailor Moon, One Piece, Saint Seiya, and many others to North America, Latin America, South Africa, Australia and New Zealand. Toei Animation Los Angeles office further handles all categories of consumer product licensing based on its film and television brands within these territories. For more information, please visit http:www.toei-animation-usa.com or contact [email protected].
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Toei Animation Co., Ltd
Toei Animation Co., Ltd. (Jasdaq:4816) ranks amongst the world’s most prolific animation production studios. The company’s operations include animation development and production, and worldwide marketing and program licensing with sales offices in Paris, Hong Kong and representative office in Shanghai. Since its founding in 1956, Toei Animation Co., Ltd. has produced more than 11,000 episodes of TV series (more than 200 titles) and more than 215 long feature films. For more information, please visit http://www.toei-anim.co.jp.
Supplemental- Have questions? http://ask.fm/DragonBall_Nation
At about 17:30 CEST on 16 October, the data link with the ExoMars/TGO orbiter had still not been fully re-established following separation. Subsequently, at around 18:40 CEST, ESA (the European Space Agency) re-established a full data link with the spacecraft, and the mission control team could confirm that separation had taken place as planned, at 16:42 CEST. Both the Schiaparelli module and the TGO orbiter are in good shape and en route – separately – to arrive at the Red Planet on 19 October. We will be hosting the live video feed from ESA and wish them all the best of success in landing on Mars.
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A new charity called the “Believe in Yourself Project” is helping to replace the poor body image that afflicts many girls and women. This image is heightened by what the traditional fashion industry deems as beautiful: Women are expected to appear a certain way and live up to a manufactured and unrealistic notion of what beauty is. At the same time, strained finances can prevent many girls from keeping up with what’s trending or cool, making them feel isolated among their friends for not being able to afford clothing that is deemed as “in” socially.
In an attempt to promote a positive body image, online fashion site www.ustrendy.com has created the ” Believe in Yourself Project.” The aim is to help women feel better about themselves and their physical attributes and to promote healthy self esteem among young girls at an early age, empowering these young women to take on active social roles within their school communities.

Over the past year, UsTrendy has given formal dresses to underprivileged high school girls and college students across the USA (with talks about expanding into Canada), for them to wear at their school dances. Donations began last winter, and UsTrendy reports that many of the girls in the program have had the self confidence to attend their first school dance.
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The Believe in Yourself Project is part of a broader initiative. UsTrendy is currently in talks with various influential women who at one time or currently have struggled with body image, encouraging them to serve as speakers and mentors to the various girls within the program.
“We hope to dispel the notion that you need to be a size 0 in order to be beautiful,” says UsTrendy Founder Sam Sisakhti.
Ultimately, the Believe in Yourself Project seeks to make people feel comfortable in their own skin and not let physical or financial insecurities or limitations affect their confidence.
For the Silo, Sam Sisakhti.
COSTA MESA, Calif. — ZOWIE, BenQ’s eSports brand, wa
s the official tournament eSports monitor of The Brooklyn Beatdown, recently held at the Barclays Center in Brooklyn, N.Y. Held alongside the ESL One New York Counter-Strike: Global Offensive (CS:GO) tournament, the Street Fighter V event featured the RL Series console monitors as 256 competitors battled for a $75,000USD prize pool. The ZOWIE RL Series armed competitors with experience-enhancing features such as head-to-combat, lag-free technology, instant response and adjustable stand.
“The Brooklyn Beatdown was an intense weekend full of epic battles between the world’s best SFV players,” said Ronald Kim, eSports marketing at BenQ America Corp. “We’ve been looking forward to watching the pros compete head-to-head on our RL2460 monitor.”
The Brooklyn Beatdown streamed matches utilized the RL2460 monitor’s exclusive head-to-head feature, which allows multiple monitors to connect to the console system without any additional lag and eliminating split screen sharing.

About BenQ Corporation
Founded on the corporate vision of “Bringing Enjoyment and Quality to Life,” BenQ Corporation is a world-leading human technology and solutions provider aiming to elevate and enrich every aspect of consumers’ lives. To realize this vision, the company focuses on the aspects that matter most to people today — lifestyle, business, healthcare and education — with the hope of providing people with the means to live better, increase efficiency, feel healthier and enhance learning. Such means include a delightful broad portfolio of people-driven products and embedded technologies spanning digital projectors, monitors, interactive large-format displays, audio products, cloud consumer products, mobile communications and lifestyle lighting. Because it matters.
Last year’s indie best-selling graphic novel set to release the next installment in the breakthrough series. The second novel features an augmented reality app and introduces the character of actor Chad L. Coleman.
When TREADWATER Vol. 1 was released in comic book stores in July 2015, it was just another self-published indie title among many others. At the end of the month, this was no longer the case.
When the sales figures came in a month after its debut, TREADWATER found itself on equal footing with the likes of The Walking Dead when they first started out. According to Diamond Comic Distributors TREADWATER managed to achieve 90% of Walking Dead’s sales, while outperforming other popular franchises like Dark Matter in their respective opening months.
Explore the TREADWATER Interactive PDF…click here.
TREADWATER is best described as a dark and mature sci-fi action drama. It is a pre-apocalyptic story that takes place in a plausible dystopian future, where a global economic crisis splinters political alliances and plunges the world’s nations into crime and disorder. As the dual forces of anarchy and totalitarianism sweep over the world, six antiheroes are recruited into a privately funded special operative program in an attempt to keep the world from tearing itself apart.
Part of the ugly charm of TREADWATER lies within its ability to predict current events. The isolationist politics of the world’s leading nations, as exemplified by the rise of Trump in the US and BREXIT in the UK; the attempted coup in Turkey, along with its backlash in the form of a dictatorial powergrab; the increasing civil unrest in the US and the terrorist attacks in Europe – all these developments find their parallels in the world of TREADWATER.
Yet Morgan Rosenblum and Nat Prinzi, the creative minds behind the TREADWATER franchise, take no pride in the accuracy of their grim predictions. Their primary goal is to create an engaging and believable superhero story, which avoids the pitfalls of the genre, while staying true to its roots. This is why the story of Treadwater is driven by its larger-than-life, yet deeply imperfect characters, rather than merely a clever premise or unlikely plot twists.
The new installment of the graphic novel, TREADWATER Vol. 2, will be released in late 2016. Along with the novel, the TREADWATER team will debut its own augmented reality app for smartphones. When pointed at the comic book, the app will immerse the readers into the world of TREADWATER by bringing its characters to life in front of their eyes.
The AR app is not the first step that Rosenblum and Prinzi have taken in the direction of interactive storytelling. The TREADWATER franchise already consists of a motion comic, a video game and an interactive website, which lets its users “hack” into Treadwater’s secret database, allowing them to explore their coveted network.
The ability of the creative duo to inspire and impress their audience has led to the inclusion of TREADWATER Vol. 1 into the curriculum of West Aurora High School in IL. It is now being taught in their creative writing class alongside of Orson Welles.
The appeal of the TREADWATER franchise goes beyond high school students, as actor Chad L. Coleman has become a character and a partner in the TREADWATER franchise. Best known for his roles as Tyreese in The Walking Dead, Dennis “Cutty” Wise in The Wire and now Tobias Church in Arrow, Mr. Coleman’s character will see significant development in the second volume of the graphic novel. The new installment will also introduce the character of Holly Wolf, a celebrity cosplayer and 2015 Geek Fantasy Woman of the Year, who also joined the TREADWATER franchise as a supporting character.
Key Dates in 2016:
October 6-9: Come visit us at New York Comic Con. You’ll find us at booth 2314, where you’ll be able to interview the creators of TREADWATER, actor Chad L. Coleman and cosplayer Holly Wolf among others. You’ll also be able to experience the entirety of the TREADWATER franchise, including the Beta Version of our very own PS4 video game.
October 1-21: Special pre-order promo period for TREADWATER Vol 2. Each pre-order will come with a digital copy of the bestselling graphic novel TREADWATER Vol 1 to help the new readers get caught up to speed with the story. Additionally our readers will get a limited edition single issue, signed by its writers, creators and artist. Thirdly, they will also receive a digital collector’s edition of the “Treadwater Dossiers” Character Art Book.
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October is National Disability Employment Awareness Month in Canada, and Amanda Orichefsky wants to celebrate the contributions of workers with disabilities and educate the able bodied about the value of a diverse workforce inclusive of their skills and talents.
Amanda Orichefsky of Toronto, now 27, was born with arthrogryposis, a condition that robbed her of the use of her arms. Despite her disability, Amanda has pursued her passion for art, attending George Brown College where she graduated in 2010 with a diploma in Fine Arts & Animation.
Today, Amanda earns a stipend to further her painting studies as a member of Mouth and Foot Painting Artists, an international association of 800 disabled artists around the world. She also sells reproductions of her work to support herself. A younger Amanda was also asked to give a demonstration of her mouth painting skills to Wayne Gretzky, which was filmed as part of the commercial for Ronald McDonald House Charities seen above.
Amanda is also a member of the MFPA which has been operating in Canada since 1961 and is a member of the International Association of Mouth and Foot Painting Artists. There are currently 13 disabled artists working in Canada and over 750 others around the world. For the Silo, Ginny Grimsley.
For more information about the MFPA, to purchase product, or to view a full list of products available, visit www.mfpacanada.com or email [email protected]
Imagine looking in your glasses to see updates from your friends on social media. The future is coming sooner than you think and yes, you will be wearing your next computer- check out this future ready infographic from our friends at Frames Direct.

Supplemental- Building the World of Tomorrow, 1939 New York World’s Fair
The first published concept of Virtual Reality: Pygmalion’s Spectales (short story) by Stanley G. Weinbaum ‘You drink,’ said the elfin, bearded face, ‘to make real a dream. Is it not so? Either to dream that what you seek is yours, or else to dream that what you hate is conquered. You drink to escape reality, and the irony is that even reality is a dream.’ Published June 1935 ~ Wonder Stories





There’s no shortage of fantastic archival aviation photography from World War II. But photos from the period fall short in three major categories: the vast majority are black and white, most were composed under duress, and very few capture moments that have since entered the written record of aerial conflict.
Award-winning artist Jim Laurier rectifies the situation in this stunning, large-format, hardcover book celebrating World War II’s top fighter aircraft.

Supplemental- Clint Eastwood’s under-rated movie “Firefox”
A gala premiere screening party for King of the Dancehall was well attended on Sunday, September 11th at the Toronto Film Festival.
Star watchers noticed Film star and director Nick Cannon in attendance as well as additional talent from the film including Busta Rhymes, Kreesha Turner and Kimberly Patterson. Adding to the excitement, Kardinal Offishall, Extra’s A.J. Calloway, professional boxers Lennox Lewis and Adonis Stevenson, Drew Dazzle, Louis Gossett Jr. and more, also stopped by EFS for CIROC cocktails and to congratulate the cast.




*Main Photo credit: Matt Winkelmeyer / Wireimage

The first two Chantilly Arts & Elegance Richard Mille, which enjoyed ever-increasing success, placed the event among the benchmark international Concours d’Elégance, and the third show consolidated the same trend. It was organized on Sunday 4th September and confirmed its status as the elegant rendezvous of the early autumn attracting some 13,500 visitors to the Chantilly domain, a stable figure compared to 2015. The number would certainly have been higher if the weather – cloudy skies and light rain in the morning – had been as clement as in previous years.
There were eight concept cars in the running for the Concours d’Elégance entered by Aston Martin, BMW, Bugatti, DS Automobiles, Lexus, McLaren, Mercedes-Benz and Rolls-Royce, an increase in the number of car manufacturers associated this year with six Fashion Houses: Balmain, Eymeric François, Giorgio Armani, Jean-Paul Gaultier, Jorgen Simonsen and Timothy Everest. Four prizes were awarded for the Concours d’Elégance. The Best of Show award went to DS E-TENSE combined with a creation by Eymeric François. The ‘Prix Public’ crowned the Mercedes-Maybach 6 Vision associated with a dress created by Jean-Paul Gaultier. The prize for the motor car and fashion combination for the most beautiful ensemble went to the 570GT by McLaren Special Operations with a model also dressed by Jean-Paul Gaultier. And a special prize was awarded to the new ‘atelier’ motorbike by Zagato, the work of the master coachbuilder from Milan for the Italian manufacturer MV Augusta, which was given its world premier at Chantilly.
The Concours d’Etat attracted around one hundred exceptional cars from all over the world divided into 21 classes. The jury awarded the Best of Show to the 1938 Alfa Romeo 8C 2900B Lungo Berlinetta with coachwork by Touring belonging to American collector, John Shirley, entered in the class Pre-war beginnings of aerodynamics – Closed road-going cars.

Jean Todt, the president of the FIA (Fédération Interationale de l’Automobile) also awarded several prizes including the one for the class devoted to him in homage to Fifty years of an exceptional career. In it were several cars which he had guided to victory as a co-driver as well as competitions manager at Peugeot and then Ferrari. So he was delighted to award the prize to the Peugeot 504 Rally Group 4 and to Jean Guichet, his driver at the time: they won the 1979 Argentinean rally in this car.
Forty clubs made the trip to Chantilly bringing 800 cars that were on show in the domain. They were an integral part of the event and made a large contribution to the success of the big garden party to which the public was invited.
Overall, the fans of motor cars, all generations combined, as well as families were attracted by the programing of the third staging of Chantilly Arts & Elegance Richard Mille, which celebrated the art de vivre and know-how à la française with several workshops and activities in the Chantilly domain.

The Chantilly Arts & Elegance Richard Mille, awarded the prize for the Motoring Event of the Year by British magazine Octane in 2014 and 2015 and sponsored by the Ministry of Culture and Communications in 2014 and 2015, has definitely found its place among the worldwide exceptional rendezvous devoted to the motor car, especially as it has revived con brio the great tradition of the Concours d’Elégance of the 1920s of which France was the cradle.
Patrick Peter (Organizer): “We brought to the third event all the experience we acquired in the two previous ones, as well as some innovations starting with the Supercar Rally on Saturday morning organized in the Chantilly region in which some twenty cars, hardly ever seen on the road, attracted a large crowd of spectators along the route. It’s an important link that we want to establish and develop with manufacturers of exceptional cars, which I hope to see more of at our event in 2017. Thanks to the awards given to the first two, our concours is now acknowledged as one of the best and most beautiful in the world. This is an important factor in the eyes of the manufacturers. We also have to attract a bigger crowd to reach a figure of 20 000 or 25 000 spectators in the next few years. It took several Le Mans Classics to achieve this number. Thus, I feel confident about the future of Chantilly Arts & Elegance Richard Mille.”
Supplemental- John Malkovich takes part in the celebrations.
Frank Lloyd Wright designed over 1,000 structures (532 were completed) in his 70-years-plus career – mostly homes but also hotels, schools, churches, the Johnson Wax Headquarters and the Guggenheim Museum. This iconic American architect’s final design was the Norman Lykes House in Phoenix in the same year of his death in 1959. It is now for sale priced at USD$3.6 million and profiled at toptenrealestatedeals.com.
The Guggenheim cameo in Men In Black (1min 25secs)
Wright had been working with his apprentice, John Rattenbury, on the Lykes House sketches and had already chosen the building site for the home when he died. Having come full circle from his start in Prairie style, to textile block, to organic and, towards the end, the functional Usonian for the masses, his last designs showed a new interest in circles and curves as he created buildings in the round such as the Guggenheim and the house he built for his son, the David and Gladys Wright home also in Phoenix.
With a site on top of Palm Canyon with views of the valley, Wright began the Lykes design by replicating the curves of the mountainsides, making the home an integral part of its environment and providing big views for its owners and visitors. Though Wright passed away before finishing the working plans, the Lykes hired his apprentice, Rattenbury, to complete the plans according to the details set forth by Wright. The couple loved the completed plans, though it was another seven years before they started construction. When they did, Rattenbury oversaw the build and the home was completed in 1967. In addition to the structure itself, Wright also designed the furniture and built-ins for the home.
In 1994, new owners wanted some updating, so they called back Rattenbury to do the redesign by expanding the master bedroom, converting a workshop into a media room and combining two other bedrooms into a guest room – all without disrupting the overall design. Rather futuristic for its time, the circular and curvilinear design has become a timeless piece of architecture that continues to be copied by today’s designers and builders.
Now for sale and registered with the Frank Lloyd Wright Building Conservancy, the 2,849-square-foot home on one acre of desert plateau has three bedrooms, three bathrooms, the signature large living room fireplace intended to bring families and friends together, a lower-level media room, two home offices with built-ins of desk, cabinet storage and walls of shelving, a distinctive curved kitchen with Wright-designed island and unique under-cabinet windows and timeless stainless-steel counters, contemporary tiled large baths, and a privacy walled crescent pool patio viewed from inside through glass walls. There is also a separate large office in the round with all built-in furnishings encircled by half-moon windows. Views of valley and mountains can be seen from almost every room.
Classic last Wright design before his death, contemporary for today including lots of storage space with furniture and built-ins designed by the famous architect, the Lykes House is now for sale and priced at USD$3.6 million. For the Silo, Terry Walsh.
Supplemental- Architecture nerds will love this videogame inspired by Frank Lloyd Wright
This is an entertaining article 😉 The United States spends millions of dollars every year covering up something they say doesn’t exist – Extraterrestrials. In fact, the U.S. military not only recognizes three alien species but for nearly 70 years has been working with the Greys, the Reptilians and the Tall Whites under signed treaties. America also has diplomatic relations with the Anunnaki.
But the cover-up goes even deeper.
The U.S. military has the capability of time travel using interstellar spacecraft capable of flying faster than the speed of light.

Based at Area 51, John Titor II began travelling through time on missions for a highly-secretive arm of the U.S. Air Force in 1979 and served as commander of the 177th Time Travel Division from the years 2030 to 2036.
His life story is told for the first time in “Disclosed:Chronicles of John Titor II” – a new book co-written by Canadian authors Bob Mitchell and Jason Quitt.
“In return for allowing the Greys, the Reptilians and the Tall Whites to have hidden bases on Earth with unlimited access to resources – and the U.S. never revealing to the public they exist – the ETs have provided black technology to the military beyond anybody’s wildest imagination,” Titor II said.
Titor II reveals the hidden truths behind humanity’s biggest cover-ups.
These include;
Mitchell, Quitt and John Titor II will discuss their mind blowing book for the first time on Coast to Coast with George Noory on Sept. 1, the same day it goes on sale on Amazon. .

“Once you read this book you will never look at the world the same way again,” author Bob Mitchell said. “Parts of it scared the hell out of me, especially when John revealed what our future will be like.”
“Disclosed has the potential to shake up the entire conspiracy/UFO world,” author Jason Quitt said. “People all over the world are demanding disclosure. This bookwill push the boundaries.
Disclosed:Chronicles of John Titor II is a perfect follow the international sensation “Forbidden Knowledge–Revelations of a multi-dimensional time traveler,” which was co-written by Mitchell and Quitt and released in March 2016.
“It’s important to understand that John Titor II isn’t the John Titor, who suddenly popped up on the Internet in 2000 claiming to be a time traveler with so many outlandish predictions,” Mitchell said. “In our new book, John Titor II doesn’t make predictions. He has experienced what has and is about to happen.”.

“John Titor II is the real deal,” Quitt said..
Although no longer time traveling, John Titor II continues to consult with the Department of Defense. He lives in a heavily-secured compound with 24-hour security in southern California. For the Silo, Sigmund George Smith.


How many of us have had to deal with messy, twisted and often times dangerous wires and power cords in our homes? It’s amazing how quickly an outlet can fill up and then what to do? Bryan Nooner is the owner of an Illinois home construction company and the CEO/founder of Twist and Seal. He developed the idea when he and his family could not keep their outdoor light cords dry during the holidays. It was time to develop a solution and find a way to organize all of the cords.
After trying everything he could think of to makeshift some waterproof protection, Twist and Seal was born.
Twist and Seal’s patented designs enclose connectors in a water-tight cocoon, safeguarding homes and protecting against outages and electrical shocks.

Since its inception in 2012, the company’s family of patented products has grown to include several options in a range of sizes, including the Mini, Cord Dome, and the brand new Cord Protect, as well as the company currently taking pre-orders on the contractor-grade Maxx. Twist and Seal was awarded the “Most Innovative Product of the Year” Award three years in a row at the National Hardware Show in the U.S.
Twist and Seal is certified by the National Electrical Manufacturers Association (NEMA) and the Consumer Product Safety Commission and is made in the USA. For the Silo, Lauren Knight.
Pricing: Mini: usd $9.98 for a 2-pack Cord Protect: usd $8.95 each Cord Dome: usd $29.95 each To learn more contact:[email protected]

Dear Reader, it is difficult to deny that a side of art making is fatally concerned with the poetic grace of the gesture – it is expected that a work should exude a cosmic and ineffable air.
Regardless of your medium, I hope this glance into the minds of two established poets from very different walks of life can help dissipate the intimidating mist between process and product, as well as remind you that the transcendent and the familiar are often one in the same.
Global spectator Meena Alexander recognizes that even in the grand art of poetry is a desire to express what cannot be said through its own means. After eight books of poems and a lifetime of travel, Alexander continues to defend her craft as the most ordinary of entities, no more inexplicable than a child’s obvious and impossible sense of language or rhythm.
New York-based Eileen Myles approaches poetry from a reserved and humble perspective, with the intent of striking a tasteful balance between metaphysical grandeur and the habitual rhythm of the everyday.
Myles, a breathing artistic currency, treats poetry as an extension of the self with the potency of a movement and the collective memory of a civilization. Myles proves that common experience and abstract phenomena are synonymous when we step back to look.
If the weight of the world seems so immense that the few strands of creativity cannot unravel, the Mayer Foundation offers emergency funding for New York artists facing economic, residential or medical turbulence. Proposals may be submitted at any time, with over two thousand dollars granted to those with concrete objectives and a levelheaded art plan.
It is easy to forget that behind the polished mirror of history is a messy and cumulative reality. There is little difference between the intelligentsia of years past and the friends sitting at your dining room table. For the Silo, Brainard Carey.
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There is general disagreement on whether Indian music can be performed on the harmonium and public interest in the debate is accordingly intense, as the controversially written articles and discussions prove to this day.
The matter has evaded scientific scrutiny until now…….click the following link to learn more about the harmonium in North Indian music: Full Text PDF- The Harmonium in North Indian Music by Birgit Abels.
https://uni-goettingen.academia.edu/birgitabels
Published by NEW AGE BOOKS
A-44 Naraina Industrial Area, Phase I
New Delhi 110028 (India)
Email: [email protected] *Please mention this article when contacting.
Website: www.newagebooksindia.com
Printed in India at Shri Jainendra Press
A-45 Naraina, Phase I, New Delhi 110028
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Starting last month Habits Studio and QUANTUM formalized a new partnership that signaled an exciting collaboration between the Italian design studio and the Japanese innovation studio/accelerator.

With shared aspirations and values, the two companies plan to work closely to develop Internet of Things (IoT) products that breathe new life into everyday experiences. The first product created by the partnership was unveiled at the Digital Habits booth at the Salone del Mobile Milano 2016, held in Milan, Italy in April. Inspired by moon-watching, the teams introduced a unique interior lighting display, ‘Another Moon’, that showcases the delicate beauty of waxing and waning of the moon in real time.
Being enhanced through their collaboration, both companies are committed to developing future products and services that have appeal for the wider global marketplace. The partnership opens up new opportunities for both companies to incorporate global design perspectives into the earliest stages of product development.

In addition to this, QUANTUM and Habits Studio plan to leverage their partnership across a wide range of projects undertaken in conjunction with QUANTUM’s numerous partner companies.
HABITS Studio provides seamless experiences for users looking to adopt innovations and new technologies. The team includes product designers, mechanical and electronic engineers, visual and interaction designers, who together, bring their visions to life by making interactive prototypes as proof of concepts. Habits Studio has also an internal innovation platform, called ‘Digital Habits’.
QUANTUM was launched in 2014 as a division within TBWA\HAKUHODO to help foster innovative growth and exploration. It went on to establish its own brand called QM in 2015. The collaboration with Habits Studio started between QM and Digital Habits.
“We have a special link with Japan. We started working in the country in 2000 when we were still students. Now we feel somehow integrated with the habits and creativity of the Japanese people. Our design approach appears to be especially effective for Japanese advanced industries. The partnership with QUANTUM ideally fits this opportunity and the capabilities of both companies express together a whole creative heritage.” Innocenzo Rifino, Founder, Habits Studio
“Our work style at Ku-Mu (QM) is always to collaborate with partners flexibly depending on the products and services we produce. Through the project with Habits Studio, we realized that partnering with global design firms would make us enrich the products we develop with a broader perspective, especially at a time when both businesses and markets are becoming more global. Habits has lots of experiences working with global companies, including some in Japan, and we are very excited to continue our collaboration on more projects based on this partnership.” Futaba Maehara, General Manager, QUANTUM Makers, QUANTUM

I learned about the Hamilton Audio Visual Node (HAVN) a few years ago by doing the rounds during Art Crawl. Since then it’s become obvious they’re hosting some of the most innovative music and visual art in Hamilton. I sat down with Connor Bennett and Chris Ferguson at the beginning of July to learn more about the collective and discover yet another reason to move to Hamilton. Connor and Chris made it pretty clear you don’t need an invitation to join the party. Featured Title Image, The HAVN Storefront on Barton Street Credit: Ariel Bader-Shamai
Timothy: How did HAVN get started?
Connor: Um, a few of us started a band, and we were practising in the basement of a student house and when it came time to leave that house, we wanted a space where we could continue to play, and show art, and we just lucked out, our collaborator and co-founder Amy McIntosh was living above a storefront and…
Chris: …had a good relationship with the landlord and managed to get the downstairs space at a price we could afford.
Connor: That was May, 2012, we opened up just as most of us were graduating from McMaster University.
Timothy: What does it mean to be a node for the arts? Is the storefront a critical component?
Connor: It’s probably not critical, although it’s nice, it’s really nice. I wouldn’t say it’s critical because we don’t do regular gallery hours, where people can just pop in. It is nice to have the storefront space for things like art crawl. We’re off of James Street but it’s still easier to get people out as compared to a studio space.

Chris: Back to your question, as to what it means to be a node. Nodes are intersection points, which denotes the collaborative nature, the interdisciplinary nature of what we’re trying to do. And it was chosen for the sake of the acronym [Laughter].
Timothy: So what are your activities?
Chris: You could put it into four categories. We do art shows every art crawl, and occasionally outside of art crawl. We do music shows two to five times a month. And then there’s HAVN Records, our cassette tape little label. There’s also some miscellaneous things that are harder to categorize. We’ve done craft nights where people come out. Or if people in the collective supply an idea and make it happen. For a little while we had a darkroom in the backroom where people could develop photos.
Timothy: What are some of the highlights from the past couple of years?
Chris: It wasn’t something that I was involved with personally but I thought the darkroom was a really cool idea. It’s not something that’s widely available and it was a DIY thing where they obtained all the equipment and brought it all together. Some of it was donated by a like-minded friend from Guelph.
Connor: One of the best concerts I’ve seen recently was hosted by Cem Zafir and his partner Donna Akrey at HAVN, and they had a percussionist by the name of Tatsuya Nakatani come in and everyone in the room was transported to a different world, it was a magical moment. Those happen a lot. We’ve been really lucky with a lot of good music.

Chris: What was the name of the show, I think Ariel and Petra did it, with the yarn, it was kind of, performance stuff; would you consider it a successor to the Quanta_1 show, where you and Kearon…
Connor: Yeah, yeah, it’s kind of like that…
Chris: An extension of that idea. Petra and Ariel did it, how would you describe it?
Connor: It was kind of a poetic yarn installation, with figures…
Chris: …and quotations.
Connor: It was great.
Chris: Really well executed. Not something you see a lot of.
Connor: Yeah, there’s lots of highlights.
Chris: We could keep going.
Connor: Once you start thinking about it.
Chris: I really liked our show for Supercrawl last year, which ended up being themed around Cootes Paradise, the Cootes to Escarpment EcoPark System, which is a conservation effort beginning with Cootes Paradise all the way into Burlington to connect some critical natural lands. The show really nailed the peaceful nature of it. Supercrawl is very busy, there’s tonnes of people and then you come to HAVN and it’s peaceful, relaxed.
Connor: Serene.
Chris: Yeah, Judy Major-Girardin, a professor at McMaster that taught a lot of the HAVN crew, was very generous with her time and she’s a big supporter of that initiative, so she put up a gorgeous installation with sound recordings from Georgian Bay. Frogs. Printed cheesecloth. It was stunning.

Timothy: What are your objectives? What is the need or desire that you are addressing?
Connor: I’d say from the music side of things, it’s a space for outsider music, for music that doesn’t really fit in a club or a bar. It’s a small space, really intimate, so even if ten people come out it feels like a nice crowd.
Chris: Yeah, It could just be a touring band who might have trouble booking a show at a bigger venue, because they wouldn’t attract a bigger crowd.
Connor: We know a lot of people who are booking shows in Hamilton and we’re filling a bit of a void since they’re not booking these types of shows. Like free jazz, for example, there’s no venues that are booking free jazz but we will gladly and enthusiastically book a free-jazz show.

Timothy: How did you determine the scope of your practice?
Connor: Time determined that. When I started out with HAVN I was working a lot more with Kearon on the visual arts and installation projects and with time my interests and time investments moved more towards the music. It’s a natural evolution within the group, that we’ve settled into our roles based on our interests.
Timothy: Were those interests present from the beginning, or have they been nurtured over time?
Connor: One of the reasons why this has worked out for so long is that everyone has been really passionate about creativity, and art in general, and open to all art forms. That’s been the crux of why we’ve been around for so long, and putting on shows that are successful.
Timothy: What is your current relationship with institutional structures like the university and the gallery?
Connor: Well, quite a few professors from McMaster have shown art in our space. Judy and Dr. McQueen had a show recently. Other galleries? We have good relationships with other galleries, in particular, the Factory Media Centre, because we’ve done a lot of media art, not only that, we’ve shown a lot of art there, and both Amy McIntosh and Aaron Hutchinson have been on the board there. Amy’s been involved since the beginning.
Timothy: You position yourself as an alternative, though.
Chris: It’s not an adversarial relationship, like ‘that stuff is no good.’
Connor: We just don’t want to replicate things that are being done elsewhere. I’m sure we do it all the time. But the intention is to fill a void, take a risk.
Timothy: What are the benefits and limitations associated with your present configuration?
Connor: We’ve had trouble finding grants that apply to us. That’s one challenge because we operate with no inflow of money, so it’s just tough to make it work sometimes. That’s one of the limitations.
Chris: Sometimes I wonder if we put more time into the grants whether we would begin to take a different path. Like, having gallery hours wouldn’t be a bad thing, but it would be different than what we do now, and it would mean that we would be travelling down a more traditional path.
Timothy: Can you speak of the benefits and effects of HAVN, for yourselves and the broader community?
Connor: It’s such a useful space for us as artists and musicians, that’s kind of priceless.
Chris: It’s great to have a spot that you’re part of.

Connor: Ideally we’re providing a space that’s inclusive, and open, where people feel comfortable. But if I was new to Hamilton and I went to HAVN I could understand feeling intimidated because there’s all these people who know each other already.
Chris: I think it’s always hard, because you establish your audience, and your friends, and you want people to have a stake in the space, that they’re part of it, that they’re not just attending shows, but that they’re part of the community too. But you have to balance that with being open and having new people feel that they can be part of it.
Timothy: So do you have any words of advice to people who might want to start a collective?
Chris: If I had any advice it would be pretty cheesy.
Connor: I don’t know. [Laughter]
Chris: The real trick is having the right group of people.
Connor: Get lucky.
Chris: Yeah, we couldn’t have made this happen in a bigger city where the rents are more expensive.
For the Silo, Timothy deVries.
Supplemental- Video Credit: Mubarik Gyenne-Bayere
Video Credit: Footage by Ariel Bader-Shamai, live visuals by Andrew O’Connor https://www.instagram.com/p/BDE-Nhwk0BT/
Video Credit: Footage by Ariel Bader-Shamai, live visuals by Andrew O’Connor https://www.instagram.com/p/BCCFlOBE0FF/
Video Credit: Olga K.
Print All Over Me is a creative community of people turning virtual ideas into real world objects. Every three months, we release a series of silhouettes like t-shirts, backpacks, jockstraps, etc. As a designer, you can upload your own artwork to each silhouette and then offer your design for sale. Even “captcha” designs like in our collab below with EXONEMO.
Every piece on PAOM is custom made. We print the fabric first and then cut and sew. We believe that by taking fashion slowly we can: a. offer high quality items; b. produce in an environmentally sustainable way; c. (and most importantly) offer our studio employees a living wage and health benefits.
Our office and collab studio is based in New York at New Inc. – the New Museum’s incubator. Our main production studio is outside Shanghai and we have a satellite studio in Georgia, outside Savannah.

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Was Cheap Trick guitarist Rick Nielsen an early captcha-clothing pioneer?
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