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Art

Imagery Of Ancient Gods Of Egypt At The Met

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New Landmark Exhibition at The Met to Explore Powerful Imagery of the Gods of Ancient Egypt

Over 200 stunning works on view together for the first time will reveal how ancient Egypt’s important gods were believed to manifest themselves through extraordinary imagery and depictions.
Exhibition Dates: Oct 12, 2025–Jan 19, 2026
Location: The Met Fifth Avenue, The Tisch Galleries, Gallery 899, 2nd floor

(New York, July, 2025)—Divine Egypt at The Metropolitan Museum of Art—the first major exhibition of Egyptian art at the Museum in over a decade—will explore how images of gods in ancient Egypt were experienced not merely as spiritual depictions in temples, shrines, and tombs but were the instruments that brought the gods to life for daily worship, offering ancient Egyptians a vital connection between the human and divine worlds. Opening on October 12, the exhibition will bring together over 200 spectacular works of art to examine the imagery associated with the most important deities in ancient Egypt’s complex and always-expanding constellation of gods.

Over more than 3,000 years, the Egyptian people’s belief system grew to include more than 1,500 gods with many overlapping forms and traits. Divine Egypt will feature impressive works of art, ranging from monumental statues to small elegant figurines in gleaming gold and silver and brilliant blue faience, that represent 25 of ancient Egypt’s principal deities, including the stately falcon-headed Horus, the potentially dangerous lion-headed Sakhmet, the great creator-god Re, and the serene mummiform Osiris. The exhibition will reveal the ways in which subtle visual cues, like what a figure wore, how they posed, or the symbols they carried, helped identify them and their roles.

The exhibition is made possible by The John A. Moran Charitable Trust.

Additional support is provided by the Kelekian Fund, Alaina and Stirling Larkin, and Norby Anderson.

“Divine Egypt will immerse visitors in the breathtaking imagery of the most formidable ancient deities and expansive universe of the Egyptian gods,” said Max Hollein, The Met’s Marina Kellen French Director and Chief Executive Officer. “The Museum’s galleries for Egyptian art are among the most beloved by our millions of yearly visitors, and this dazzling exhibition brings together some of our most exquisite works with loans from leading global institutions for an exceptional, once-in-a-lifetime exhibition of ancient Egyptian art.”

The exhibition will include magnificent works of ancient Egyptian art that have never been exhibited together before, many of them on loan from institutions such as the Museum of Fine Arts, Boston; the Musée du Louvre, Paris; and the Ny Carlsberg Glyptotek, Copenhagen. There will also be over 140 works from The Met’s own iconic Egyptian art collection. Highlights range from impressive sculpture to a striking pectoral in gold and lapis (the substances that the bodies of gods were believed to be made of) to detailed metal and wood sculptures. A solid gold statue of the god Amun will adorn a re-creation of a divine barque, a type of boat that held the principal deity of a temple and would be paraded through the streets during festivals so that people could commune directly with the god.  Each section of the exhibition will provide an immersive opportunity to examine the ways in which the kings and people of ancient Egypt recognized and interacted with their gods.

“The ways in which the ancient Egyptian gods were depicted are vastly different from the divine beings in contemporary religions and therefore are intriguing to modern audiences,” said Diana Craig Patch, Lila Acheson Wallace Curator in Charge of Egyptian Art. “The identity of an ancient Egyptian god may at first seem easy to recognize but looks can be deceiving, as one form can be shared by many deities. Across more than 3,000 years of history, gods, attributes, roles, and myths were rarely dropped from use, yet the Egyptians of the time had no difficulty understanding and accepting the resulting multiplicity. Through hundreds of spectacular objects, Divine Egypt will allow visitors to understand the complex nature of these deities and help translate the images that were needed to make the inhabitants of the celestial realm available to ancient Egyptians.”

By focusing on the imagery associated with many of the most important and powerful deities in ancient Egypt, the exhibition will reveal the multifaceted nature of ancient Egyptian religion as well as the ease with which ancient Egyptians connected with their complicated divine landscapes. Some deities deceptively employed the same imagery with the result that one form could be shared by many gods, while in other cases the roles of deities would expand or change over ancient Egypt’s long history, with one god taking on many forms. The evolution of this landscape over time created deities with numerous roles often having a different representation for each manifestation. Hathor, for example, can appear as a cow, a woman wearing a headdress of horns protecting a sun disk, or a human-headed snake, while some gods maintained consistent forms over thousands of years, like Ptah, who is almost always mummiform and wears a cap.

Divine Egypt will also look at how two categories of society interacted differently with the gods: the Pharaoh and high priests had access to the gods in daily temple rituals, while non-royal Egyptians were not permitted to enter the inner sanctuaries of the great temples where the deities came to Earth and inhabited their images. Through objects of private devotion, including donations to offering tables and shrines in temples and images of deities found in homes and villages, the people of Egypt could find support from their gods daily.

The exhibition will conclude with artifacts relating to the transition to the next life—a reality shared by Egyptians of all rank—with depictions of the gods who together oversaw each person’s passage from this world to the next: chief god of the underworld, Osiris, supported by his sisters, Isis and Nephthys, and Anubis, the canid-headed god who supervises the embalming process.

Credits and Related Content

Divine Egypt is curated by Diana Craig Patch, Lila Acheson Wallace Curator in Charge of Egyptian Art at The Met, with Brendon Hainline, Research Associate, Department of Egyptian Art.

A fully illustrated catalogue will accompany the exhibition and be available for purchase from The Met Store.

The catalogue is made possible by the Kelekian Fund.

Additional support is provided by Patricia A. Cotti.

The Met will host a variety of exhibition-related educational and public programs, including “Sunday at The Met” on Sunday, October 19; Met Expert Talks; an afternoon of scholarly presentations on Thursday, December 4; a film screening; and art-making workshops at both the Museum and offsite with community partners. More details will be announced at a later date.

Education programs are made possible in part by the CORA Foundation.

The exhibition is featured on The Met website, as well as on social media.

Featured Image: Triad of Osiris, Horus, and Isis. From Egypt, probably Thebes, Karnak Temple. Third Intermediate Period, Dynasty 22, reign of Osorkon II (about 872–837 BCE). Gold inlaid with lapis lazuli. Acquired in 1872. Paris, Louvre Museum, Department of Egyptian Antiquities (E 6204). © 2025 GrandPalaisRmn (Louvre Museum). Photo: Mathieu Rabea.
Culture

Canada Next? Rise Of Driveway Tiny Houses In America

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Accidental Landlords: ADU Owners Disrupt Rental Markets From Driveways

Here in Canada we have been pre-programmed to some extent about the possibility and perhaps inevitability of living in a tiny home- and one that we won’t even own. In some cases, these homes seem to be little more than utility sheds fitted with utilities and small appliances but there are exceptions like this exceptionally designed ADU.

In America, many ADU (Accessory Dwelling Unit) owners didn’t set out to be landlords, but new laws and economic pressures there are turning suburban homeowners into accidental real estate moguls. With situations the same here in Canada and with migrant levels increasing month after month, can we expect to see more and more cities following Ottawa’s lead in tiny home renting? It sure seems like a strong possibility.

Let’s Look At The USA

As state and city-level ADU laws continue to loosen across the U.S., a growing wave of suburban homeowners are becoming first-time landlords, many without ever intending to enter the real estate game. These decentralized landlords are renting out backyard cottages, granny flats and in-law suites, garage conversions and prefab units—quietly changing the economics of their neighborhoods and offering a hyperlocal solution to the housing shortage.


Accidental Landlord Essentials: What to Know Before Renting Out Your ADU

Right after housing family, passive rental income is one of the top reasons people want to build an ADU on their property, and we can definitely see why. Becoming a landlord is a great way to supplement your income and create a healthy nest egg for retirement or savings. But, it’s important to remember that being landlord is still considered a job with responsibilities. There are certain expectations that should be adhered to in order to ensure your tenant(s) are comfortable in your ADU, ensuring prolonged success.

So, what makes the difference between an “okay” landlord and a fantastic landlord with happy tenants? Here are some key things to know before you start renting out your new unit.

What do I need before I rent out my ADU?

Before renting out your ADU, you will need two crucial things: a Certificate of Occupancy and landlord insurance.

Certificate of Occupancy

In the USA, there is an important document called a Certificate of Occupancy, issued by the local building department, confirming that the accessory dwelling unit (ADU) complies with all relevant building codes and regulations and is safe for occupancy. To obtain a Certificate of Occupancy, you will need to schedule an inspection of your ADU to ensure it meets all required standards for habitability, fire safety, and structural integrity.

Once you have obtained the necessary Certificate of Occupancy and ensured compliance with local regulations, you can proceed with renting out your ADU.

Landlord Insurance

It’s also a good idea to consider obtaining landlord insurance to protect your property and assets as a rental property owner. Landlord insurance, also known as rental property insurance, is a type of insurance policy specifically designed to protect property owners who rent out their properties to tenants. Here are some key aspects of landlord insurance:

  1. Property Coverage: This aspect of landlord insurance typically covers the physical structure of the rental property, including the dwelling itself and any structures on the property, such as garages or sheds. It can protect against damage caused by covered perils like fire, vandalism, or natural disasters.
  2. Liability Coverage: Landlord insurance often includes liability coverage, which protects you financially if a tenant or visitor is injured on your rental property and holds you liable. This coverage can help pay for legal fees, medical expenses, and damages if you’re found responsible for an accident or injury.
  3. Loss of Rental Income: If your rental property becomes uninhabitable due to a covered loss, such as fire or storm damage, landlord insurance can provide compensation for the lost rental income during the time it takes to repair or rebuild the property. This coverage can help mitigate the financial impact of a temporary loss of rental income.
  4. Additional Coverages: Depending on the policy and insurer, landlord insurance may offer additional coverages or optional endorsements to address specific risks or circumstances. These could include coverage for landlord liability arising from wrongful eviction or discrimination claims, coverage for theft or vandalism by tenants, or coverage for legal expenses related to evictions.

It’s important to note that in America, landlord insurance is distinct from homeowners insurance, which is intended for owner-occupied properties. Landlord insurance policies are tailored to the unique risks and responsibilities of rental property ownership, providing coverage for situations that may not be addressed by standard homeowners insurance.

Once you have these two things in place, you can move on to establishing the lease terms of your ADU.

What should rental lease terms be for an ADU?

The great thing about owning your own ADU is that you can set any rules you want. All of this should be laid out in a lease so that all parties can have the rules in writing and you can avoid any conflict in the future. Here are just a few things you should think about including in your lease:

  • When is rent due?
  • Is this a long-term lease (1+ years) or month-to-month
  • Do you allow pets? Size, type, and quantity restrictions? Is a deposit and pet rent required?
  • Is smoking allowed?
  • Are utilities included?
  • Is parking included?
  • Will the tenant have access to yard space or other outdoor areas?
  • When do quiet hours begin?

This is just a sample of things you should be thinking about when drafting your lease.

While you do have free reign in placing any rules for your ADU (as long as you don’t violate any laws) you should also think about what will be on people’s checklists in your area. Living close to a college campus for example, will likely attract students looking for short-term housing. Living close to a high population area where parking can be tough, you’ll have tons of rental applications if you offer free parking.

There are plenty of lease agreement templates that you can find online, but make sure you read them carefully and edit as needed to make sure they cover everything you require.

If you’d rather go the easier route, you can always hire a property management company who can draft the lease and collect the signatures for you. We’ll go more into property managers later.

How do you figure out the charge for rent?

There’s no one-size fits all answer to this question. The rent you can charge for your ADU will depend on city, neighborhood, ADU size, amenities, number of bedrooms and more. But, by doing some quick research you can arrive to a baseline number that makes sense for your ADU.

To start, check out similar listings in your area to get a general range of how much rent you can charge for your ADU. Sites like Zillow, Apartments.com, Craigslist, and Trulia are great places to look first. Especially look at going rates in your specific neighborhood. Rental rates can fluctuate heavily from neighborhood to neighborhood within the same city, so you want to make sure you’re not pricing your ADU too high or low for your immediate area.

Next, take your amenities into consideration. A washer and dryer in the unit is a hot commodity that people will be willing to shell out a few extra dollars for.

If you want to add these types of amenities to your unit, make sure you discuss it with your designer so that they can make the space for them in the designs. 

Also, look back at your lease and what you’re offering. Qualities like included utilities, pet friendly, and a month-to-month lease mean you can charge a little bit extra.

Take a look at where your property is located. Units closer to popular locations like a trendy shopping strip or a university call for slightly higher rent whereas ADUs in more suburban or rural areas will benefit from having lower rent.

Once you’ve settled on a final price, consider knocking back a few dollars. Doing this, you’ll attract a larger pool of tenants. The tenant ultimately get approved will feel like they’re getting a great deal and will be more likely to hold on to that rental for longer. It’s a win situation for you too since you won’t have to worry about losing money replacing tenant after tenant that’s searching for a more affordable home.

With your rental rate and lease terms ironed out, you can start advertising your ADU, but it’s critical you adhere to anti-discrimination laws like the Fair Housing Law.

What is the Fair Housing Law?

“The Fair Housing Act protects people from discrimination when they are renting or buying a home, getting a mortgage, seeking housing assistance, or engaging in other housing related activities.” -Hud.gov

This law in America protects individuals from housing discrimination based on the following:

  • Race or ancestry
  • Religion
  • Disability, mental or physical
  • Sex, gender
  • Sexual orientation
  • Gender identity
  • Marital/familial status
  • Source of income (e.g., alimony, child support, Section 8, vouchers, etc)

When Americans are listing their ADU, they should also avoid using terminology like “ideal for a student” or “looking for a couple” as these can be considered discriminatory. Keep listings simple and stick to just mentioning the great features of your ADU.

What’s expected from me as a landlord?

Being a landlord isn’t just kicking back and collecting rent checks. Keep in mind that as a landlord you have a few responsibilities.

You should be the first point of contact for repairs, complaints, upkeep, etc. Accidents are bound to happen. Having a list of reliable professionals that you can contact to fix things around the unit is a smart idea. Here’s just a quick list of professionals you should consider having on your list:

  • Plumber
  • Electrician
  • Gardener
  • Roofer
  • General handyperson
  • Exterminator

If you want to save an extra dollar, you can also teach yourself to do easy beginner level repairs like unclogging drains.

Being easy to reach and quick to act when your tenant needs something fixed is an excellent way to keep your tenant happy and ensure they’ll stick around for the long run.

But, what if you own multiple properties or work full time and can’t be on-call 24/7? That leads us to our next topic.

Do I need to hire a property management company?

If you’re mostly home or have a lot of free time, you can probably handle all of the responsibilities on your own. Otherwise, you’ll want to hire a property manager.

They’ll be in charge of preparing leases and getting them signed, repairs, advertising and finding tenants, collecting and depositing checks, and pretty much everything else.

Property management companies will typically charge 5-10% of your rental revenue for their services, so think carefully before you decide to hire them on. As we mentioned before, if you’re capable of handling the responsibilities on your own, then you’ll probably be able to skip on it.

Can any American rent out their ADU on Airbnb or other short-term rental platforms?

It depends on your local laws. Many cities in America have placed restrictions on short-term rentals (typically stays under 30 days), especially when it comes to ADUs. Some jurisdictions allow it only if the homeowner lives on the property, while others ban it altogether or require a permit. These rules are often different from those that apply to your main home, so it’s important to research carefully. Violating local ordinances could lead to hefty fines.

The main purpose some states have made ADUs so accessible is because the government wants to encourage the development of more long-term housing. So, renting your ADU as a vacation rental defeats the purpose and is often not encouraged.

Defining your goals and what you want to get out of your rental is the first step towards becoming a successful landlord. For the Silo, Paul Dashevsky.

With several decades of experience in the construction and renovation business, Paul Dashevsky is Co-CEO of MaxableSpace.com—the industry-leading ADU property design / build / construction resource website for granny flats, in-law suites, guest houses, casitas and other types of Accessory Dwelling Units. Paul is also Co-CEO of GreatBuildz—a freeservice that matches homeowners with reliable, pre-screened general contractors. He may be reached at www.greatbuildz.com.

Vintage

These Classic Cars Gaining Value In A Slowing Market

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We’ve passed the mid-way point in the year, and driving season is in full swing. In the classic car market, the first half has been a roller coaster with an optimistic start in January, then a steady softening as we made it through spring. Moving into the second half of the year, and with this week’s newest release of the Hagerty Price Guide, it seems that trend is primed to continue.

That’s not the case with everything, though.

Our friends at Hagerty did watch some vehicles buck the trend and post some meaningful gains in value. Here are just a few of the more newsworthy winners this past quarter (measured by average value increase across all four condition ratings).

Got questions about how they arrived at these changes? You can read more about the methodology behind the Hagerty Price Guide here.

1970-76 Plymouth Duster

Plymouth-Duster-rear-three-quarter-crop
Plymouth

Average increase: +32%

Based on the A-Body along with the Valiant and Dodge Dart, Plymouth’s Duster offered the Mopar faithful a sporty, compact car on a budget. Much like its market competitors (Chevy Nova, Ford Maverick, AMC Hornet), Dusters could be had with everything from a fuel-sipping six-cylinders to fire-breathing V-8s, along with some truly outrageous graphics packages. A Duster 340 making 275hp was king of the hill for this series, eventually being replaced by a more moderately rated Duster 360, choked down by smog regulations and lower compression. Like the Mopars of today, a dizzying number of different packages were available, from the Gold Duster and Space Duster to the efficiency-minded Feather Duster.

This spring, Dusters performed exceptionally well, racking up big gains in public sales, listings and insurance quotes. Standard 318-powered cars can still be had cheaply, and $18,000-$20,000 usd / $24,640 cad- $27,380 cad (via exchange rate at time of posting) will land you a good (#3) condition car. The spicier 340-powered cars will reach into the $30,000 usd- $41,060 cad range, which is still a lot of muscle for the money, but an average increase of 32% is shocking for a 50-plus-year-old car from a brand that’s been dead for nearly 25.

So, what gives? Why the sudden jump?

Well, for one, cheaper cars are still performing well, and even though the majority of muscle cars are softening in value, they’re still inexpensive fun. Our theory, though, is pop culture. Around the time Duster prices started climbing, a new crime series debuted on Max. The name of the show, funny enough, is Duster, and it prominently features a Duster 340. Coincidence? Perhaps, but we’ve seen this phenomenon before. As an honorable mention, the sibling Dodge Dart also experienced a bump, but at a more modest 17% average gain. You can bet that Dusters will be a car to watch for a while, strong sales usually bring more and more quality examples to market, offering further insights into this unexpected jump.

2024 Porsche 911 S/T

Porsche 911 ST heritage appearance package
Porsche

Average increase: +25%

Yes it’s exclusive and yes it’s expensive, so it’s probably easy to tune out and move on, but hear me out. The S/T is not just some badge-engineered 911 that Porsche overcharged for. It’s an obsessively lightened 911 with the high-revving engine out of the GT3, and it’s actually both quicker and lighter than a GT3. It’s more exclusive as well, with just 1960 cars produced worldwide. Not necessarily rare, but you’re gonna have to work to stumble across one. Ultimately, if you’re a Porsche fan with the money, this is a car to have.

Just as impressive as the raw performance is the market performance. The standard MSRP last year was $292,000 usd – $399,689 cad without optional extras, and that’s if you could manage to secure an allocation from your local dealer. The market for these cars is simple supply and demand. Porsche made them just scarce enough that buyers are willing to shell out major money. Public transactions have shown that buyers are willing to pay $700,000 usd- $958,160 cad or more to get their hands on one. The case of the 911 S/T also shows the world that there is still an appetite for cars geared towards hyper-enthusiasts; they want performance-focused cars, and they want them with a manual transmission. More companies should get the hint. While most of us will never afford something like a 911 S/T, or perhaps wouldn’t care to own one if we could, the insane enthusiast response to it may be the wake up call to all manufacturers to start making cars we actually want.

1979-94 Saab 900

Saab-900-Turbo-Cabriolet-front-three-quarter-yellow
Saab

Average increase: +20%

This sweet Swede is one rad ride. I know because I have owned and enjoyed three Saab 900 cars over the years including a beauty 5 speed with moonroof which I regret selling to this day. If Saab does anything well, it’s coming up with something truly unique. This company, which is also well-known for its aeronautical division, does an exceptional job of combining practicality and safety along with a dash of the sportiness of a Saab 37 Viggen fighter jet. This mid-size automobile came in standard commuter trim, but a warmed-over Turbo and SPG version could be had to satiate the hot hatch enthusiasts.

The Saab might be a bit of an oddity or a cult vehicle here in the states, but it does carry strong enthusiast interest. It is really everything that embodies the coolness and nostalgia of the 1980s and 1990s, and they’re generally affordable. Even with the strong percentage increase, a base 900 can be scored for under $10,000 usd- $13,690 cad in good condition, while a Turbo can be picked up in the mid-teens. If you’re after the more taut and sporty SPG, be prepared to shell out around $26,000 usd- $35,590 cad for a decent one. If you’re after a fun and funky car from the ’80s, the 900 is worth a look, and with market activity picking up, more may be coming out of the woodwork. Fortunately they remain relatively affordable, just not as dirt cheap as they used to be.

1978-87 Subaru Brat

Subaru Brat studio rear three quarter
Subaru

Average increase: +18%

Subaru’s Bi-drive Recreational All-terrain Transporter, or Brat, was one of many small Japanese trucks coming into the US in the 70s and 80s. Except it wasn’t a truck, technically, but we’ll cover that in a minute. Based on a car chassis, much like the Ranchero or El Camino, it was small yet capable, featuring a single-range four-wheel drive system, not far removed from the all-wheel drive setup for which Subaru is so well regarded today. Where things go off the rails a bit is when you look in the truck bed. Like I said, it’s a truck, but not technically. In the back, there is a pair of jump seats affixed to the back, which in the legal sense made the Brat a car. This was a workaround from the U.S. tariff scheme, which taxed imported cars at a rate of 2.5% instead of the 25% for trucks.

These are funky vehicles that could only have existed in the 1980s, when Japanese manufacturers were trying everything. They’re incredibly well loved around the world and are seeing an uptick in popularity here in the U.S. They’re still moderately affordable; a good example will fetch nearly $20,000 usd- $27,380 cad these days, but due to recent transactions, that’s up noticeably from the recent past. While not as commonly seen as other Japanese trucks of the era, these things are cool as hell and certainly a conversation starter, so we expect interest will stay strong.

1973-91 Chevrolet/GMC Suburban

1974 Chevy Suburban front three-quarter
GM

Average increase: +12%

North America’s longest serving nameplate is still the mighty Suburban, lasting an astonishing 90-years, and counting.

It began as a truck-based station wagon in the 1930s, but the Suburban we know and love today saw its roots planted in 1973. The update to GM’s truck line, known by enthusiasts today as the “square body” saw the Suburban go from a three-door to four-door for better passenger accessibility, and it dripped in creature comforts missing from previous models. Better sound deadening, cushy seats and multiple trim levels evolved the Suburban from a utilitarian people hauler to more of a luxury truck. This design stuck around until 1991, when GM added the Suburban and Blazer to the GMT400 line. The rest, as they say, is history. Suburbans would become more and more cushy (and expensive), making them somewhat of a discreet status symbol today.

The 1973-91 Suburban is a sweet spot for enthusiasts; they’re plentiful compared to earlier series, parts are easy to come by, and they are extremely usable. They’re also still pretty affordable compared to the pickups and Blazers from the same era. A good condition Suburban can be scored for under $20,000 usd-$27,380 cad , even for the 4×4 versions. We’ve observed an uptick in sales and market activity with these trucks, and combined with our quote data suggesting that Suburban owners are averaging on the younger side, this could be a strong indicator that this bump in value will stick or even grow over time.

For the Silo, Jarrod Barker courtesy of friends at Hagerty Insurance.

Culture

Are Fetishes Hereditary? Research Says….

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Is it time for an open talk with your parents? Read on…..

Most of us have a specific preference when it comes to sexual arousal and being turned on. As long as it’s safe, sane, and consensual, hey… you do you! But, as we become more open about sexuality and the diverse ways people experience pleasure, it’s natural to start wondering if your preferences and sexual needs are something that is passed down like fear, eye colour or hair type. You might not want to hear it, but your parents are responsible for the way you see and have sex. Well, at least partly. And it seems like there is so much more that comes into play than the dreaded sex talk we all had at one point or another.


There is science behind it, and our friends at LELO are here to explain it.


Turn-ons, kinks, and fetishes – what’s the difference?
Before diving into the possibly interesting family discussion, let’s quickly get our definitions straight:
● A turn-on is something that excites you sexually. It could be anything from a cologne scent to a dirty text.
● A kink is a non-conventional sexual interest, like bondage or role play.
● A fetish, however, is typically a more intense and specific need. Often, it’s a need for an object, body part (like feet), or material (like latex), without which arousal is difficult or even impossible.


In short, all fetishes are kinks, but not all kinks are fetishes.


How do fetishes develop over time?
You may wonder where fetishes actually come from. A study published in the Journal of Personality highlights that personality traits, like openness to experience, neuroticism, and extraversion, are partially
heritable. Since personality plays a huge role in how we approach sex, it’s not a stretch to imagine that certain people might be more genetically inclined to develop unconventional sexual interests.
But here’s the kicker: fetishes are rarely the product of one factor. They’re more like a mix of factors, like:

● Biology: Brain chemistry, hormone sensitivity, and neural wiring contribute.
● Psychology: Your experiences and formative moments matter.
● Environment: What you’re exposed to, media, culture, and family attitudes, can all influence sexual development.
For example, researcher Samuel Hughes at the University of California identified five stages of fetish development, from childhood exposure to community belonging and sexual practice:
● Childhood: This is when a kink or fetish has been encountered before the age of 10, very often before the concept of a kink or fetish has been realised and before said kink or fetish causes sexual arousal.
● Self-exploration: Between the ages of five and 14, one might seek out certain kinds of erotica whilst learning about their bodies and what they like.
● Introspection: Between the ages of 11 and 14, one realises that they have particular interests and can evaluate how they impact their lives, positively or negatively.
● Community: This phase is about realising that others share the same kinks and fetishes as you, and it happens after age 11. This community is often discovered via the Internet and at events, groups, or conferences after the age of 18. This sense of community usually gives the person a
feeling of belonging and allows them to see their kink or fetish in a positive light.
● Outside exploration: This is when a person actively participates and engages in their kink or fetish. This is often being with another person and practicing their preferences.

Are fetishes hereditary?
Here’s where things get interesting. Science hasn’t landed on a definitive “yes” or “no” when it comes to whether fetishes are hereditary. At least, not yet. But there are clues suggesting that at least some aspects of our sexual preferences might have biological roots.
If you were raised in an environment where certain materials or aesthetics were normalized or eroticized, either openly or subtly, your brain might wire arousal around them. Even pre-conscious experiences can shape sexual arousal pathways. This helps explain why someone might associate arousal with very specific, seemingly random things, like rubber gloves or the sound of heels on tile.


The psychological terrain you grow up in and your unique biology can set the stage. If your parents are open-minded and you’re genuinely curious about family sexual history for the sake of understanding yourself better, having an honest, light-hearted conversation could be enlightening (and oddly bonding).


Asking questions like “Do you think our family tends to be more sexually open?” or “Have you noticed any patterns around desire or relationships in our family?” can be a healthy start.
So, the conclusion is no, fetishes aren’t directly passed down like grandma’s porcelain collection. The way we feel about sex is not written in our DNA. What you like in the bedroom and what things about other
people turn you on are not ingrained in your brain, nor do they come from your astrology chart.

All those things are learned the same way you learned to speak and walk. We don’t have proof that fetishes are inherited in the way eye colour is, but traits that influence fetishes (like personality and openness) may be. And since sexual preferences are shaped by a mix of biology, experience, and culture, they might feel hereditary even if they aren’t technically passed through genes. At the end of the day, you are unique, just as your kinks and fetishes, so enjoy and celebrate them. The possibilities are endless.

For the Silo, Emilie Melloni-Quemar/ LELO.

LELO is not just a sex toy brand; it’s a self-care movement aimed at those who know that satisfaction transcends gender, sexual orientation, race, and age. We’re offering the experience of ecstasy without shame, the pleasure of discovering all the wonders of one’s body, thus facilitating our customers with confidence, that leads to a fulfilled intimate life. LELOi AB is the Swedish company behind LELO, where offices extend from Stockholm to San Jose, from Sydney to Shanghai.

Culture

Happy Canada Day- Remembering Canada’s Penny And Why Coins Matter

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Thirteen years ago, the Canadian mint circulated fresh pennies for the very last time.

Back then I looked out the window at my favorite Café , I noticed one of the employees was sweeping the pavement. He had one of those stand-up dust pans in one hand, and a pole-like brush in the other. In the dustpan were wrappers, cigarette butts, and coins. I couldn’t believe it. Yes, it was money! I watched with disgust and dismay as pennies (which were the majority of the money) and nickels and dimes were swept into the waiting dustpan.

Then Finance Minister Jim Flaherty presses the button that stamped the last penny at the Royal Canadian Mint in Winnipeg on May 4, 2012.

Brief flashes of light came from the dust as the sunlight reflected off the coins’ surfaces.

The employee was very efficient and obviously had done this before. He walked around to the side of the Café where he emptied his dustpan filled with garbage and the “change” into a larger plastic container. “I can’t believe it!” I said out loud. “Give me a break. How can anyone just throw away change?”


The local Humane Society had a campaign asking for pennies. This was a fundraiser toward building a permanent structure for the stray animals they house, feed and adopt out. While running their campaign a few years ago, they had a large old trailer as their “shelter” and office. The fundraiser  “Pennies for Paws” was successful and with the end of the penny it may be difficult to find a replacement. With the news that the government has decided to stop minting pennies, it is even more important and applicable to see the importance of what “small change” can do for others.

Instead of throwing away all those pennies that I felt had no worth, I just put them in a container with a lid and added the label “Pennies for Paws” that I printed off from the Society’s website. I started collecting pennies in January of 2012  when I first heard of the campaign and had filled one coffee container and was working on my second one by June. My father-in-law had one at his house in Hamilton. Somehow soliciting friends and neighbors for pennies isn’t as daunting as asking for donations for other causes but with the end of the penny, charities have seen a downturn in contributions.

A friend of mine only uses paper money to pay for things.

He saves all his change which ranges from pennies up to Toonies. He deposits this money into jars and cans. When his vacation time comes around in August, he has enough money to take his wife and four kids away for much needed “family time.” He has accumulated $1,500-$2,000. Making a habit of saving “change” not only helps with expenses later, but it makes you feel as if you are getting a “bonus” every year from your work.

A few years ago, I parked at the end of the large parking lot of my favorite grocery store and was walking toward the front door. As I neared the entrance, I noticed people going in the store seemed to be streaming to the left or right of the main entrance. I soon saw why. A group of kids in their early 20’s were standing with their backs to the center of the front entrance flipping quarters, dimes and nickels onto the payment. These kids were throwing away all their loose change as if they were playing “Tiddly Winks” or “Beer Pong”.  “Are you throwing them away?” I asked as I got closed to this group. I’m sure I sounded upset and looked very bewildered.

“It’s only change man,” the larger kid replied to me unaware of why this would draw attention. I swooped down and picked up two handfuls of coins in front of them.

“This is stupid!” I declared. “Didn’t your parents teach you about the value of money?” As soon as I said it, I realized I sounded just like my parents. The response from the group was shrugs as they walked quietly away unaffected by my actions and questions. I counted the change and it was almost $8.00.

I had another friend several years back that I stopped associating with because his wastefulness upset me so much. One of his worst habits I witnessed was when my wife and I went over to have supper with them. He threw all the supper leftovers into the garbage along with his change he had taken out of his pockets.

I wouldn’t have believed it if I had not personally witnessed this.

He let his kids play with loose change he took out of his pockets and placed on the kitchen table, then at the end of the week, he would take it and any other coins lying around the house on other tables, floor, or on the couch, and throw it into the weekly garbage he put out on the curb. I was so upset. So, I gave him a large jar to fill and would collect it every week showing him the error of his ways, and how much money he had saved. His reply was, “Blair, you are so silly.”

For months, I would visit weekly and collect the jar of money which my friend put his loose change into, tally up the amount, and tell him the total. He didn’t care and didn’t want the change. I would replace the jar and take the filled one to the local Food Bank. They appreciated this very much and bought baby food which they always had a shortage of for the mothers who came on a regular basis.

Eventually, I felt I could no longer be involved with a person so wasteful in his life, and who set such a poor example for his children.

So everyone out there, keep and collect all your unwanted change.

There are many charities that would gladly take it. It is simple to collect with containers left by your front door, on your dresser in the bedroom, by your flat screen, or other places where you spend a lot of your time. You would be helping others, and teaching your children the importance of giving to others. All money, including “change” has value. For the Silo, Blair Yager.

Culture

Diamond Cutter Sutra- Oldest Printed Book In The World Teaches Manifestation

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In this TEDx talk, Michael Roach shares a teaching from the oldest printed book in the world—the Diamond Cutter Sutra—which helps us get everything we want in life, and in a way also helps the entire world.

We will be learning an ancient method known as the Four Steps, which can be applied to five different goals: financial independence for the rest of our life; great personal and professional relationships; vibrant health and energy; a clear, happy, and focused mind—and most importantly, how we can use all these to find out why we came into this world, and how we can live a life of great purpose and meaning.

Geshe Michael Roach is a Princeton University graduate who spent 25 years in a Tibetan monastery and is the first American to be awarded the degree of Geshe, or Master of Buddhism. He utilized his monastery training to help build a major New York corporation which reached $250 million usd in annual sales, and was sold to super-investor Warren Buffett in 2009.

Michael used a large portion of his business profits, and support from companies like Hewlett Packard, to found a 25-year effort to train and pay Tibetan refugees to input thousands of their endangered ancient books and make them available online for free.

We are not affiliated to Michael Roach in anyway. We are helping to spread his message to make this world a better place. Please share with your friends if you find this helpful.


The Diamond Sutra – printed May 11 AD 868
“The Diamond That Cuts Through Illusion”
A new translation In English by Alex Johnson
Read by Chris Johnys.

For The Silo, Jarrod Barker.

Vintage

Historic Mid Century Modern Case Study House #16

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case study house announcement mid century modern historic homesDownload
Los Angeles’s Case Study House #16
Vintage mid-century modern homes are as popular today as they were when built in the 1950s and ’60s. Arts & Architecture magazine’s post-war Case Study Houses, for example, rarely come up for sale, and when they do, are usually snapped up by aficionados almost as quickly as the listing goes into print. Case Study House #16 is now for sale and priced at $5.4 million usd/ $7.4 million cad.

When World War II ended and the American troops were returning home, it was the start of the baby boom and a monumental housing shortage. Well-known architects in the country were asked to design simple, affordable homes that could be built en masse.


The magazine Arts & Architecture put out a challenge to architects that included Richard Neutra, Raphael Soriano, Craig Ellwood and Ray Eames. The Case Study Houses were numbered 1 through 28, and two apartments were included. They were built from 1945 sporadically through 1966. Thirteen were never built, and from the ones that were, at least three were later demolished. A couple of them have been renovated rather than restored, and the rest are lived in and cared for today.

NUMBER 16

Number 16 was the first of three Case Study Houses designed by Craig Ellwood. Completed in 1953 in Bel Air, the house was innovative in its use of exposed steel-structural framing and floor-to-ceiling glass walls to optimize the views and open to the grounds, making it feel twice the size.

Ellwood was actually an engineer rather than an architect, and placed a lot of emphasis on the stability of the structure using steel, glass, and concrete built on a slab. The 1,664-square-foot home with two bedrooms and two baths is just as contemporary today as when it was built. The living room has a dramatic stone fireplace set into the glass wall that extends beyond it into a terraced area. Set into mature landscaping, the house appears to rest on a cushion of greenery.

Study 16 MCM House vintage magazine article arts and architectureDownload

The historic Case Study House #16 is for sale in Bel Air, Los Angeles, California. Priced at $5.4 million usd/ $7.4 million cad, the listing agent is Veronika Sznajder with Crosby Doe Associates. For the Silo, Bob Walsh/ toptenrealestatedeals.com

Culture

LELO Guide To Love Making During Canadian Heatwaves

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NOTE THIS ARTICLE CONTAINS MATURE THEMES AND IS INTENDED FOR ADULTS ONLY

As Canada braces for another scorching summer with record-breaking temperatures, there’s one burning question on many couples’ minds: how do you keep the spark alive when it’s already too hot to move?

Our friends at LELO, the world’s leading intimate wellness brand, has just released a timely and refreshingly practical guide: “Guide to Sex During the Canadian Heatwave” – featuring ten clever tips to turn sweltering weather into an opportunity for sensual exploration.

When the temperatures rise, so does the passion, but getting hot and sweaty in the middle of a heatwave isn’t always as fun as it sounds. Sticky sheets, dehydration, and exhaustion can all dampen your steamy plans. But fear not! LELO has the ultimate 10 step guide to keeping things sizzling without overheating.

  1. Location, Location, Location
    Forget the bedroom; heatwaves call for creative cool-down solutions. Try the bathroom floor (hello, cool tiles), the kitchen counter (refreshing and thrilling), or even a shaded outdoor area if privacy allows. If you have air conditioning, position yourselves strategically for maximum airflow.
  2. Time It Right
    The sun isn’t your best friend when it comes to high-energy activities. Opt for early mornings or late nights when the temperature dips, giving you a more comfortable setting to let loose.
  3. Keep It Cool – Literally
    Turn your pleasure into a cooling experience. Ice cubes, chilled massage oils, and refrigerated sex toys can heighten sensation while keeping things refreshingly cool. A strategically placed fan can also provide a light breeze that intensifies every touch.
  4. Dress (or Undress) Smart
    Silky, breathable fabrics or nothing at all are the way to go. Lightweight lingerie, or even just a damp towel under you, can prevent that sticky, uncomfortable feeling that heatwaves bring.
  5. Hydration is Sexy
    Sweat is inevitable, so keep a bottle of cold water nearby. Not only will this keep you both refreshed, but a little playful ice cube action on each other’s bodies can add an erotic twist to your session.
  6. Adjust Your Pace
    Heat can make vigorous sessions feel draining. Go for slow, sensual movements, incorporating tantric techniques to build deeper intimacy without exerting too much energy.
  7. Shower Together
    Take advantage of a cool or lukewarm shower as part of foreplay or even the main event.
    Water play can be an erotic and effective way to beat the heat while staying connected.
  8. Change Up Your Love Making Positions
    Some positions create more body heat than others. Try ones that minimize full-body contact, like doggy style or spooning variations, to keep things hot while staying cool.
  9. Say Yes To Sensory Play
    Heatwaves are the perfect excuse to explore sensory play. Ice cubes on the skin, cooling gels, or even minty lubricants can create exciting temperature contrasts that heighten pleasure without overheating. Consider incorporating sex toys with added cooling lubricant to elevate
    the experience.
  10. Try Mutual Stimulation
    If full-body contact feels too overwhelming in the heat, mutual masturbation is a fantastic alternative. You can still share an intimate, erotic experience while keeping some personal space.
    A heatwave doesn’t have to put a stop to your sex life – it’s just an opportunity to explore new ways to keep things cool and exciting. With the right mindset (and maybe a few ice cubes), you can turn up the heat in all the best ways without breaking a sweat. Stay cool, stay playful, and
    let summer lovin’ take on a whole new meaning.

For the Silo, Emilie Melloni-Quémar.

More About LELO

LELO is not just a sex toy brand; it’s a self-care movement aimed at those who know that satisfaction transcends gender, sexual orientation, race, and age. We’re offering the experience of ecstasy without shame, the pleasure of discovering all the wonders of one’s body, thus facilitating our customers with confidence, that leads to a fulfilled intimate life. LELOi AB is the Swedish company behind LELO, where offices extend from Stockholm to San Jose, from Sydney to Shanghai.

Art

King’s Award For Canadian Inuit Artist Ashoona

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 Inuit artist Shuvinai Ashoona, recently received the King Charles Award III Coronation Medal for her long-standing contributions to the arts, which has brought international attention to Canada’s northern landscapes and contemporary Inuit art.



She is the first Inuit artist from West Baffin Cooperative to receive the prestigious award, and adds to her international acclaim as one of Canada’s preeminent visual artists. She previously was awarded a Governor General Award in Visual and Media Arts in 2024 and the prestigious Gershon Iskowitz Prize in 2018

West Baffin Cooperative. Established in 1959.

“It’s something like a strange thing to get an award from the King of England,” said Shuvinai Ashoona, who works from her home studio in Kinngait, Nunavut. “He probably hasn’t seen my drawings, but I hope that someday, he’ll get to know what my art is all about.” 

Photo: William Ritchie

Never content to follow rules and expectations, Ashoona’s unconventional artistic vision has successfully challenged and revolutionized how the public perceives Inuit art and contemporary Indigenous art more generally, helping to create a new space for expression and artistic freedom.

SHUVINAI ASHOONA
UNTITLED,2009
Graphite,Coloured Pencil
56 x 76 cm

Her artwork has been showcased across Canada and around the world including at the National Gallery of Canada,  the Institute of Contemporary Art Miami, and the 59th International Art Exhibition, also known as the Venice Biennale. In September 2025, Ashoona’s artwork will be featured in Brazil at the 36th São Paulo Biennial.  For the Silo, Paul Clarke.

Culture

Rock Star Haven Egg House In Topanga Canyon Is For Sale

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Topanga Canyon’s One of a Kind “Egg House”
Topanga Canyon is one of LA’s most unique neighborhoods. Nestled in the Santa Monica mountains, the tight-knit community is known for its spectacular nature and Bohemian vibes. During the 1960s and 70s, the neighborhood was a haven for rock stars, including Canada’s own Neil Young and Joni Mitchell along with Jim Morrison, several members of The Eagles, and even country legend Linda Ronstadt among its talented residents. R&B superstar Marvin Gaye described Topanga as “a place where I can create my masterpiece,” and numerous artists agreed. Local venue The Topanga Corral hosted some of the all-time greats and inspired The Doors’ hit “Roadhouse Blues.” Simultaneously accessible and remote, the region remains a sanctuary for artists of all kinds. 

The opportunity to own a piece of this special neighborhood presents itself with the listing of Topanga Canyon’s “Egg House” for $4.995 million usd/ $6.790 million cad. This sculptural masterpiece of brutalism and organic design proudly sits at 225 Powderhorn Ranch Road.

Designed and built by artist couple Chad Hagerman and Allison Ochmanek of Rascal Makers, the home is inspired by the concept of the embryo – the origin of life, potential, and transformation. Combining brutalist architecture with organic materials, the bespoke home offers a serene aesthetic with touches of Japanese minimalism. The home is a true statement piece, with handcrafted plaster walls,  stone floors, artisan fixtures, and thoughtful details throughout. With four beds and five baths, the stunning home offers 3,350 square feet of living space. 

For The Silo, Jarrod Barker.

Culture

My Fat Dad- A Memoir Of Food, Love & Family

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“Every story and every memory from my childhood is attached to food,” Dawn Lerman

Our relationship with food starts at a very young age: what and how we eat is often determined by our environment and our upbringing.

Our eating habits and snack tastes are cultivated by our family members’ relationships to food, for better or worse. Dawn knows this first hand. The author of the New York Times Well Blog series, “My Fat Dad,” shares her food journey and that of her father, a brilliant copywriter from the “Mad Men” era of advertising at Leo Burnett and McCann Erickson, in her book, MY FAT DAD: A Memoir of Food, Love, and Family, with Recipes (Berkeley; September 29, 2015; Trade paperback/$USD16.00).

Summer Snack Book Dawn And FatherDawn’s father was known for his witty ad campaigns; he was responsible for such iconic slogans as “Coke Is It,”

“This Bud’s for You,” and “Leggo My Eggo.” Unfortunately, he was not able to use the same problem-solving skills when it came to his weight. Dawn’s father was obese as she was growing up —450 pounds / 204.12 kilograms at his heaviest. His weight would go up and down like an elevator, depending on what fad diet he was on–or what ad campaign he was assigned to. He insisted Dawn, her mother and sister adapt to his saccharine-laced, freeze-dried food plans to help keep him on track. Dawn’s mother never cooked and she witnessed her mother eat only one real meal a day—a can of tuna over the kitchen sink—while she dashed from audition to audition pursuing an acting career.

“As far back as I can remember, there was an invisible wall that separated me from my dad, a distance that I could never completely penetrate, His closest relationship was with the bathroom scale – his first stop every morning and his last stop every evening. The scale controlled his moods, our days, what we were going to eat and basically ruled our family life.”

Snacks were a particular downfall of her father, especially when he was working on fast food marketing campaigns.

“My dad felt that in order to create a good slogan, you needed to believe in the products you were selling,” Dawn explains. “He was always the best customer for the food and drinks he advertised, testing them excessively—especially when Wells Rich & Green promoted him to head creative director for Pringles potato chips”

Listening to him crunch away canister after canister on the crispy snacks in the privacy of his room– trying to come up with the perfect slogan, Dawn knew she had to get inventive to help her dad get healthy while still staying inspired. At 9 years old Dawn had become the official chef for her family, turning her maternal grandmother Beauty’s Jewish weekly recipe cards into diet friendly meals and treats that would keep her dad motivated. It was her grandmother who instilled in Dawn a passion for cooking for oneself and others as she learned that the best food is prepared with the freshest ingredient.

One recipe Dawn developed during that time was her special homemade hot air popped corn coated in ranch seasoning. Upon trying it her father declared “Dawn now that you popped, you can’t stop!” That statement of delight was the kernel of an idea that took her dad around the world– filming highly attractive people on beaches and other fun places, joyfully indulging in Pringles potato crisps that exploded out of the can as the top popped off while the voice over announced…” Once You Pop, You Can’t Stop!”

My Fat Dad Summer Snack Book CoverDawnLermanThis spring and summer try these healthy and delicious snacks from My Fat Dad with no stopping required.

The potato chip recipe, derived from that long-ago hot air popped corn recipe, can be enjoyed throughout out the day as they are satiating and nutritious. Pair it with Dawn’s Hummus recipe, which is loaded with protein. The combo of complex carbs, protein and healthy fats –will fill you up without weighing you down. A win-win for both mood, energy, and weight control!

Recipes below from MY FAT DAD: A Memoir of Food, Love, Family, and Recipes By Dawn Lerman

Berkley Books/ first printing 2015

MY FAT DAD: A Memoir of Food, Love, and Family, with Recipes By Dawn Lerman  Berkeley / Trade Paperback/$16.00usd

Dawns Potato Chip Recipe

Herb Infused Ranch Style Sweet Potato Chips with Coconut Oil

Yields: 4-6 servings

These sweet potato chips are crunchy, slightly salty, and have that wonderful ranch taste. They are a healthy take on traditional store bought chips. They are fried in coconut oil– which not only helps the chips to brown beautifully, but aids in speeding up your metabolism. They are a constant staple in my formerly fat dad– 450 pounds, now 210 pound –snacking regime.

4 large sweet potatoes, can also use white potato’s or beets

1/2 cup coconut oil

1 teaspoon of dried parsley

1 teaspoon of garlic salt

I teaspoon of onion powder

1 teaspoon of minced onion

Sea salt for seasoning

Fresh thyme for garnish

Pre heat oven to 375 degrees, scrub potatoes to remove dirt. Then slice into thin, even pieces. You can cut them by hand or use a slicing attachment on a food processor. Rinse your potato slices in cold water. Now soak the slices in cold water for 30 minutes.

Drain the potatoes and lay them on a paper towel or paper keeping them slightly moist. Dip in bowl with herb mixture –dried parsley, garlic salt, and onion powder. Make sure chips are coated.

In a skillet melt the coconut oil over medium heat. When the oil sizzles place them in the oil for about 1 min till they get slightly brown. Do not over crowd the pan. Best to do in small batches. Use a slotted spoon or spatula to remove your chips from the coconut oil. Drain the chips on a layer of paper towels, and repeat till all chips have been fried and blotted.

Then place all the cooked chips on a baking sheet and bake for 1 minute. Remove and serve warm. Sprinkle with sea salt and garnish with fresh thyme.

*NOTE: if you do not want to fry the chips you can take coated chips, lay them out on a baking sheet sprayed with coconut oil and bake for 20 minutes at 375 degrees until golden brown.

Sweet Potato Hummus

Yields: 6 servings

If you are looking for a light, healthy snack this sweet potato hummus is bursting with flavor, spice and color. Because of its high protein content, it will help control your appetite and mood. My dad named it the caviar of hummus—exclaiming, that it was almost illegal for something so nutritious to be this delicious. Pair this with my Potato Chip recipe for the perfect blending of protein and carbs.

1 large sweet potato (about 9 ounces)

1 (15-ounce) can chickpeas, drained and rinsed

5 tablespoons olive oil (plus additional, as needed, for thinning)

2 tablespoons tahini

2 tablespoons fresh lemon juice

2 garlic cloves, peeled

1 teaspoon ground coriander

1 teaspoon ground cumin

¼ teaspoon kosher salt

Pinch of nutmeg

Position the baking rack in the middle and heat the oven to 425 degrees. Wrap the sweet potato in foil and bake in a shallow baking pan until it can be easily pierced with a knife, about 45 minutes. Transfer to a cooling rack and allow the potato to cool completely.

Peel the skin off the sweet potato and transfer to a food processor fitted with a blade. Add the chickpeas, olive oil, tahini, lemon juice, garlic, coriander, cumin, salt, and nutmeg, and process until smooth. If the hummus is too thick, add a little extra olive oil or water and process until the desired consistency is reached.

MY FAT DAD is as much a coming of age memoir as it is a recipe collection from Dawn’s upbringing and culinary adventures in Manhattan. Her recipes include some of her grandmother’s favorite traditional Jewish dishes, to healthier interpretations and creations. Her father’s life-long struggle with food, along with her grandmother’s love of cooking fresh foods, led Dawn to become a well-respected nutritionist, NY Times blogger and chronicle her story in her best-selling book. Today her dad is a healthy 210 pounds and vegan.

“Dawn Lerman grew up Jewish in the 70’s. I grew up Italian. Might sound different, but for the most part, it’s the same. Especially when it comes to food. The philosophy was simple, food = love. My Fat Dad hilariously and poignantly captures that essence. Whether you’re Italian, Jewish, or anything else you can relate to how family, food, and the love of both affect how we grow up, and live our life. Mangia!”

—Ray Romano, Emmy award-winning actor

“The Manhattan nutritionist was raised by a diet junkie who tried every regimen under the sun and food — or the lack of it — ruled her life. My Fat Dad is about her eccentric upbringing and her constant state of hunger as Albert imposed his wacky ways on the whole family.” The New York Post

“My Fat Dad is an exploration of the many ways food shapes our connection to family. It also includes many delightful recipes.” Michel Martin, NPR, All Things Considered

“It is clear Lerman ‘s life is centered around the table and she gives readers a seat at hers” Baltimore Jewish Times

” ‘My Fat Dad’ is a memoir of food, love and starvation” New York Daily News

ABOUT DAWN LERMAN, MA, CHHC, LCAT

Dawn Lerman Nutritionist Blogger AuthorDawn Lerman is a Manhattan based nutritionist, bestselling author of My Fat Dad: A Memoir of Food, Love, and Family with Recipes, and a contributor to the New York Times Well Blog. She has been featured on NBC, NPR, Huff Post TV as well as several other news outlets. Her company Magnificent Mommies provides nutrition education to student, teachers and corporation. Dawn counsels clients on weight loss, diabetes, high blood pressure, and other diet-related conditions. She is a sought-after speaker and cooking teacher and lives in New York with her two children.

For more information about Dawn, go to www.DawnLerman.net .

Art

Met Receives 500 Guitars From Golden Age of American Guitar Making

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The Met Receives Landmark Gift of More Than 500 of the Finest Guitars from the Golden Age of American Guitar Making With this collection, the Museum will become an epicenter for the celebration and study of this iconic instrument
(New York, May, 2025)—The Metropolitan Museum of Art announced today that it has received a landmark gift of more than 500 of the finest guitars from the golden age of American guitar making, spanning the years 1920 to 1970. This new collection of the most important guitars, anchored by a major gift from collector Dirk Ziff, will showcase the profound impact this celebrated instrument has had on popular music, culture, society, politics, and religion in America—and then resonated around the world. The collection displays the diversity of the guitar in all its forms—including electric, acoustic, archtop, bass, resonator, and lap steel—as well as related stringed instruments and amplifiers.

“This is truly a trailblazing and transformative gift, positioning the Museum to be the epicenter for the appreciation and study of the American guitar,” said Max Hollein, The Met’s Marina Kellen French Director and Chief Executive Officer. “We are immensely grateful to Dirk and his longtime advisor, Perry Margouleff, for their extraordinary commitment to assembling this world-class, one-of-a-kind collection over the course of decades. The guitar has been of singular importance to popular music of the past century and was used by musicians across geographic, racial, and economic backgrounds. This seminal American object of our time has had a profound impact on global culture, art, and society. These guitars are examples of outstanding artistry and craftsmanship as well as visually powerful tools of expression and distinction. This gift celebrates the innovators, inventors, and manufacturers who created many different forms of the guitar to meet the needs of individual musicians, while also telling the stories of American music through the 20th century.”

The collection includes a wide range of iconic examples, such as: Leo Fender’s first guitar, made in 1948; a Gibson 1955 J-50 acoustic guitar used by Delta blues musician Mississippi John Hurt; the 1941 Epiphone “Clunker,” an experimental prototype modified by Les Paul that was used in recordings and broadcasts by guitarist and vocalist Mary Ford and that is one of several guitars from Les Paul’s personal collection; the 1959 sunburst Les Paul guitar used by Keith Richards during The Rolling Stones’ first appearance on The Ed Sullivan Show in 1964, which ignited interest in this legendary model; the “Futura” guitar owned by blues guitarist Ponty Gonzalez around 1956 that led the Gibson company to create the futuristic Explorer model in 1958; and the Martin OM-45 guitar made by the C. F. Martin guitar company in 1930 that was the primary instrument of cowboy musician Roy Rogers. Some of the guitars included in this gift were featured in The Met’s widely popular and well-received special exhibition Play It Loud: Instruments of Rock & Roll (2019).

The donors and The Met have agreed that these carefully preserved instruments must remain alive and accessible. Almost all continue to be in prime playable condition and will be used frequently for special performances, recordings, and educational programs, including study by contemporary guitar builders. A number of the guitars will be on temporary display in the current Musical Instruments galleries prior to going on view in the new gallery dedicated to celebrating the American guitar.

Mr. Ziff said, “Since embarking on this journey with Perry in 1987, our objective has been to assemble a comprehensive collection of American guitars, many of them historic and culturally significant, and preserve them for the benefit of future generations. We always saw ourselves as custodians, not owners. It is genuinely thrilling to see our vision validated at the greatest cultural institution in the world.  As someone who grew up in New York City and has been going to The Met since childhood, I am honored to help play a role in broadening the Museum’s reach and impact by making these great instruments accessible to legions of guitar lovers from all over the world.”

The collection exemplifies the visual design history of the guitar in the 20th century and how the instrument’s aesthetics evolved from small “parlor” guitars with Victorian-era decoration, to art deco–inspired archtop guitars, to the mid-century designs of the electric guitar informed by the major influence of the automobile and the fascination with the television age and space exploration—hence the legendary 1950s Fender model names “Telecaster” and “Stratocaster.” The collection is a celebration of industrial art, demonstrating innovative engineering, outstanding craftsmanship, and timeless 20th-century design aesthetics that, in many cases, remain entirely unchanged since their introduction and are as modern and relevant today as when they were first conceived. To this day, they remain the aspirational working instruments of choice for the finest guitar players around the world.

Jayson Kerr Dobney, Frederick P. Rose Curator in Charge of the Department of Musical Instruments at The Met said, “This is not just a once-in-lifetime gift; it is a once-in-a-century opportunity for the Museum—a visionary, comprehensive collection of American guitars, unparalleled in both its breadth and variety. The guitar was the driving force of 20th-century popular music. It changed culture and it changed the world. Now that Dirk and Perry have entrusted us with this amazing collection, we will work to create a unique and immersive permanent experience for our visitors that showcases these instruments and tells the powerful story of their evolution.”

The Met’s collection of musical instruments—which demonstrates the technical and social importance of instruments while also presenting them, with their visual and tonal beauty, as art objects themselves—includes approximately 5,000 examples from 300 BC to the present, representing six continents and the Pacific Islands. The Department of Musical Instruments currently has an outstanding collection of European guitars from the 17th to the 19th century and includes a famed collection of classical guitars.


STATEMENT FROM JIMMY PAGE

“When it first came on the horizon that The Metropolitan Museum of Art would have a feature exhibit celebrating the instruments of Rock & Roll, I was more than happy to loan a number of my most important guitars, amplifiers, effects, and even costumes. I was particularly excited to display my Telecaster—which I had hand-painted myself. As a student in art college, I never would have imagined that one of my paintings would find its way into one of the most prestigious art museums in the world!

My hope was that, by loaning my instruments, others would join in this celebration and lend their instruments as well. As it turned out, everyone was inspired and loaned an incredible array of musical instruments for this exhibition, which would become known as Play It Loud: Instruments of Rock & Roll.

The exhibit exceeded everyone’s expectations in terms of attendance as people traveled from around the world to enjoy this unique experience. This was a true win-win situation for everybody, including the guitars in general.

As a result of this incredible exhibition, I have now been made aware that The Met is building a permanent gallery to celebrate the American guitar. To know that there is so much passion behind this project is thrilling. I would like to take my hat off to the people who have been behind this—and to The Met for its dedication to construct something that is going to be of such great importance for generations to come. An inspirational arena for people old and young alike.

I am most curious to see how the young people are going to expand the guitar in the future. This gallery will truly be an epicenter and inspiration for the celebration of the guitar.”
For the Silo, Meryl Cates, Ann Bailis.

Featured image– Jimmy Page reproduction via Fender of his original hand painted Telecaster.

Art

Fabulous  Mid-Century Modern Home Hits The Market

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Yale School of Architecture’s Dean, Deborah Berke, is an accomplished and decorated architect. The founder of the TenBerke firm, she is responsible for such notable projects as the Residential Colleges at Princeton University, the Cummins Indy Distribution Headquarters, the Rockefeller Arts Center at SUNY Fredonia, the Yale School of Art in New Haven, Connecticut, and the 21c Museum Hotels across the South and Midwest. She is the winner of the Topaz Medallion, the highest honor for architectural education, the Berkeley-Rupp Prize at the University of California at Berkeley, which is given to an architect who has advanced the position of women in the profession, and the AIA Gold Medal Award for a lasting impact on the theory and practice of architecture. In 2014, the venerable architect completed a bespoke renovation of a stunning mid-century-modern home in Rye, NY, winning the 2015 Hudson Valley Design Award. That home has now hit the market for $4.95 million usd/ $6.89 million cad.

Originally built in 1969 by notable architect Milton Klein, the 6,500-square-foot residence is a classic California-style modern with the walls of glass, steel-frame construction, stark lines, and an open floor plan characteristic of the coveted aesthetic. As described in her book, House Rules: An Architect’s Guide to Modern Life, Berke was primarily inspired by nature in her home renovation, a philosophy in keeping with the ethos of the modern design movement. She chose materials like warm mahogany to act as a deep contrast to the concrete and stucco features. 
Culture

5 Crucial Online Dating Mistakes

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Working with thousands of clients over the years as an online dating coach, I’ve seen so many simple errors intelligent singles make that hamper their chances with online dating. 

Before you say online dating does not work (it does), or it will not work for me (why not?), or my friends tell me horror stories (believe me, they are doing something wrong—it’s them, not the app/site), here are some things to think about:

  1.  A unique Profile

    Short and Sweet sells.  No one wants to read a long monologue. 
    Here’s an excerpt of a profile I wrote for a male client that got great traction….and a relationship:

“YES:  vanilla, rosemary, Buenos Aires, humility, Barnes & Noble browsing, bourbon, cilantro, dogs, generosity, bikes, empathy, skates, skis, boats.

NO: beets, videoconference dates, whining about online dating apps, Red Wings, selfishness, arrogance, snakes.

I can’t grow a bougainvillea to save myself.  It grows like a weed here and I can’t keep it alive for 10 days.”

We had trouble keeping up with the responses he got!

  1.  Your Profile
    It must be grammatically perfect with no mistakes.  Yes, people read these and if they see you using “there” and “their” wrong, they very well may skip right over you. Spellcheck is your BF!

  1.  Messages
    If I hear one more woman tell me the man should reach out first, I’ll lose it!.  Men love when you make the first move. 
    If they do send a message, it can be one of two big mistakes:
  1.  It’s a short generic message
  2. It’s a 3-paragraph novella where you are cross-eyed by the end with way too much information.  Nobody will read this.
  1.  The Phone thing
    Pre-date, why do you need to chat on the phone?  
    Here are the issues with that:
    A.   A 45–60-minute call—client all excited as they have so much in common and the first date expectations have risen astronomically.  Very few dates can measure up now.

    B.  A short, awkward call and no date ensues.  This is a bummer because the other person may just not be good on the phone—perhaps a bit reserved, shy, etc.  This could have been the right person for you!

Ok, the only time I encourage a phone call is if there is significant distance. 



You live within 20 minutes of each other.  Go on the date. It’s coffee or a drink.  Get dressed and go!

  1.  Your photos
    Nobody, yes, nobody goes to your profile first.   Photos make or break you. 

    If you are serious about online dating and going on good dates or perhaps beginning a relationship, 5-6 great photos are a necessity.   And by that I do not mean filtered, air-brushed, highly edited photos.  I just mean you at your very best.  And current—as in from the past year.  And what you will look like when you show up on your date.

Action shots sell.  I had a NYC Wall Street-type juggling in a pic.  Plus, he bowls.  (I guess no one bowls and that grabbed a bit of attention).  Not the stereotypical private equity guy, right?

I hope this helps you a bit—I love what I do and enjoy my one-on-one contact with clients.  It’s one of the reasons that I sold It’s Just Lunch (I founded it in 1991 and sold out to Private Equity when we had 110 locations globally) as I missed client contact.   Remember, it only takes one! For the Silo, Andrea McGinty.

Culture

Supporting Young Athletes: How to Inspire Your Child to Thrive in Sports

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Encouraging children to participate in physical activity can have a significant impact on their health, mental well-being, and social skills. As parents, guardians, and mentors, it’s vital to provide support that not only helps young athletes excel but also aids in their overall development.

Below we are going to discuss some effective strategies to inspire your child to thrive at their favorite sport. Let’s begin!

Foster a Love for the Game

One of the most important aspects of supporting youth athletes is helping them develop a genuine love for their sport. Encourage exploration by introducing them to various activities and attending local games/tournaments together.

It’s also crucial to discuss the positive aspects of sports, such as teamwork, discipline, and the joy of participating (rather than focusing on winning). When children enjoy the process, they are more likely to remain committed and motivated.

Emphasize the Importance of Practice

Practice is key to improvement. Encourage your child to dedicate time to honing skills outside of regular team practices. You may want to create a routine that includes a mix of skill-building, drills, and casual play.

For children who are showing a keen interest, consider signing them up for various training programs and camps. These not only help improve their skills but also allow them to form relationships with like-minded individuals. 

Searching for Basketball Clubs Edmonton? Youth Hoops is an excellent choice to kickstart their personal development journey.

Model a Positive Attitude

Children often look to their parents and mentors for guidance on how to approach challenges. By modeling a positive attitude towards sports and competition, you can instill a growth mindset in your child.

Encourage them to view setbacks as opportunities for learning rather than failures. You should also share your own experiences, highlighting the importance of determination. Your enthusiasm can inspire them to adopt a similar approach to their athletic endeavors. 

Promote a Balanced Lifestyle

While sports are important, it’s crucial to promote a balanced lifestyle that includes academics, social interactions, and relaxation. You want your child to not just excel in athletics but also in their studies and other interests. 

Help them manage their time effectively to balance practice, homework, and leisure. A well-rounded lifestyle contributes to overall well-being and prevents burnout.

Set Realistic Goals

Lastly, setting goals is essential for any young athlete, but it’s also important to ensure they are realistic and attainable. Help your child establish both short-term and long-term objectives, such as improving their skills, making a team, or achieving a personal best.

Break these goals down into smaller, more manageable steps to maintain motivation and track progress. This approach helps build resilience and teaches children the value of perseverance and hard work.

Final Words

As you can see, supporting young athletes involves many different steps. By implementing the strategies above, you can inspire your child to thrive in sports while helping them develop valuable life skills that will benefit them both on and off the field.

Comics

Comic Books Will Break Your Heart, Kid

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This post is a response to the comic book article found at popuniverse which begins like this:

“The comic book industry is the launchpad for one of the most unique and innovative storytelling mediums ever created. Powered by imaginative creators highly skilled in the written and visual arts. Forged by businesspersons who recognize the power of ideas to make an iconic impression on a global scale. Propelled by readers and fans who support the industry and the people who make the stories. The comic book industry is the source of multimedia interpretations of mythic and personal stories that inspire people, entertain the world, and ignite lifelong careers.

It is the adventure of a lifetime.

The comic book industry is a ruthless Darwinian landscape of cronyism, narcissism, and power moves. Its main fodder is the creators who are the engines of its continued existence. Full of flair and pomp, colors and characters both fictional and real-life. A road to hell paved with landmines, bear traps, and the opportunity to work on high-profile, profitable media while living on the precipice of poverty. The industry is fueled by organizations with finite funds and infinite hubris.“

“The comics industry is the illusory world of grenades disguised as dreams.“

The issue I see (and our comic illustrator household has personally experienced) in the comics and illustration / publishing industry is that the original contract terms were never set up fairly to compensate the artists and illustrators. While photographers and videographers retain the rights to their original images, and someone must pay them usage rights fees based on the size of the audience per usage, the artists are never granted that same fair compensation.

While actors get residuals when their TV shows play on in perpetuity, and musicians earn their royalty checks with every needle drop, the comics publishers can repurpose an illustrator’s iconic cover art in perpetuity and make millions from the image—on puzzles, lunch boxes, hoodies, sweatpants, and pajamas in my husband’s particular case—while the artist never sees a dime beyond the initial ANEMIC work-for-hire fee in these insanely unfair, one-sided deals. And if the artist DARES to complain? The smear merchants are only too happy to start their whisper campaigns, blackballing the artist as “too difficult to work with” and completely destroying their already financially challenged lives with nuisance law suits.

When I think back on how Ghost Rider co-creator Gary Friedrich was made the industry scarecrow in the last years of his life as greedy lawyers descended upon him like buzzards picking the last flecks of flesh from his bones, it sickens me.

This impoverished, unwell, elderly man was just trying to eke out the last days of his hard-scrabble life by selling sketches of his OWN co-creation at comic-cons. There’s nothing I despise more than anyone preying on the vulnerable. It’s appalling how Gary was treated.

And then we have AI “art” apps exploiting my husband’s already way underpaid art to create new, derivative works, but only GETTY Images can afford to lawyer up and go after these apps…because the photography world always negotiated image usage the CORRECT and fair way from the start.

The sobering truth is that if illustrators (and line artists, colorists, and letterers) were paid as well as photographers, every comic would sell for $100 per floppy and that would be the final nail in the #comics industry’s coffin.

…DAVE DORMAN… told me at dinner tonight that someone was selling AI art at SDCC last week and was summarily kicked out of Artists Alley. It gave me a brief glimmer of hope…I imagined a deafening crescendo of cheering as the non-talent skulked away, tail between his/her legs. That takes some gall to occupy the highly competitive table space of an ACTUAL hard-working artist (who’s paying off about $100k in art school student loans) with some Mid-Journey derivative crap. Wowzers. For the Silo, Denise Dorman.

Culture

Which Red Wine Boosts Metabolism?

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Turns out not all red wines are created equal…

Not by a long shot!

French scientists have discovered one of the following wines offers up to 10X more cancer-protective and cardio-protective effects than the rest…

Plus, this one wine also supports significantly improved metabolism when you drink it a certain way.

But which one? Is it…

(Click on the wine image you think is right.)

HINT – Researchers point to one wine above to explain the French Paradox.
So, if you want to be lean AND still drink wine, it should definitely be THIS.

To your health!

Art

Eileen Gray and the House By the Sea Hybrid Documentary

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She designed a sanctuary for herself.
Unfortunately, it turned out to be a modern masterpiece.
E.1027
Eileen Gray and the House by the Sea
Opens May 16 at the IFC Center in New York City
& May 23 at Laemmle Theatres in Los Angeles
Director Beatrice Minger will attend the New York and Los Angeles premieres and is available for interviews.
 
In 1929, Irish designer Eileen Gray created E.1027 on the sun-soaked Côte d’Azur – a bold and hidden gem of avant-garde architecture. This striking house was meant to be a personal refuge.

But when the legendary architect Le Corbusier stumbled upon it, fascination turned to obsession. He covered its walls with his murals, completely disregarding Gray’s wishes and her vision. His defiant act ignited a battle for creative control, with Gray demanding restitution for the destruction of her work, He ignored her wishes and instead built his famous Cabanon house directly behind E.1027.

E.1027 – Eileen Gray and the House By the Sea is an unusual hybrid docu-fiction film that tells a story about the power of one woman’s creative expression and a man’s desire to control it.
“Eileen Gray was a creative genius and the first woman to conquer the world of architecture at a time when men controlled it all. This new film reflects on Gray’s impressive career and her stunning modernist house on the Cote d’Azur.” – Meredith Taylor, Finito World

“The directors put architecture in dialogue with cinema in order to bring to life the sensibility of a woman who was a visionary yet is too rarely celebrated. Elegant and well thought-out, the film uses the cinematic medium to enrich a discourse.” – Giorgia Del Don, Cineuropa

“Based on the memoirs of Eileen Gray, this meticulously crafted docu-drama, where poetry slips into frames, angles and tones, almost feels like a hallucination.” – Le Monde

“As more women have the opportunity to make films, a distinct form of female narrative based on a particular female gaze and female sensitivity is being developed.” – Melita Zajc, Modern TImes Review
A First Run Features / Architecture & Design Film Festival Release
E.1027 – Eileen Gray and the House By the Sea Written & Directed by Beatrice Minger
Co-Directed by Christoph Schaub
With Natalie Radmall-Quirke, Axel Moustache & Charles Morillon
90 minutes, color, 2024 | English & French w/English subtitles

For the Silo, Kelly Hargraves.

Art

Canadian Doc Producer Gifts The Met Key Inuit Prints

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The Metropolitan Museum of Art to Receive Major Gift of Relief Prints by renowned Inuit printmakers from René Balcer and Carolyn Hsu-Balcer.

(New York, March, 2025)—The Metropolitan Museum of Art announced today the landmark gift of the René Balcer and Carolyn Hsu-Balcer Inuit Print Collection, which features over 500 relief prints by renowned Inuit printmakers from multiple regions across Nunavut and Nunavik, the semiautonomous Arctic homeland of Canada’s Inuit population. This important collection, gifted to The Met by René Balcer and Carolyn Hsu-Balcer, is among the strongest examples of Inuit graphic art in the United States. With works ranging from the mid-1940s to the present day, it includes major works by some of the most influential Indigenous women artists in history and will significantly enhance The Met’s collections of Inuit objects. The Balcer Collection represents diverse Inuit printmaking methods, including sealskin and paper stencils; monoprints; and carved stone, or stone-cuts, on paper, and features imagery of birds, animals, Inuit peoples, transformative figures, dreams, cosmologies, and hunting scenes.

Kenojuak Ashevak’s drawings and prints feature fantastical creatures and bold colors and forms. This captivating image of an arctic owl was among the first prints produced by the West Baffin Eskimo Cooperative. It quickly became a Canadian icon, and in 1970 the print was chosen for the country’s commemorative stamp.

Kenojuak Ashevak Inuit, 1927–2013. The Enchanted Owl, 1960. Stone cut on paper, Sheet: 21 1/8 x 26 in. (53.7 x 66 cm). Brooklyn Museum, Gift of George Klauber, 1998.122. © artist or artist’s estate (Photo: Brooklyn Museum, 1998.122_PS1.jpg)


“We are deeply grateful to René Balcer and Carolyn Hsu-Balcer for this extraordinary gift, which is a leading collection of Inuit masterworks in a U.S. museum,” said Max Hollein, The Met’s Marina Kellen French Director and Chief Executive Officer. “Mr. and Mrs. Balcer’s dedication to the support of Inuit artists is evident in this magnificent and comprehensive collection that celebrates the remarkable artistry of Native and Indigenous individuals and communities, and we are thrilled to be able to share these prints with visitors in our American Wing galleries.”

René Balcer began collecting Inuit art in Montreal, Canada, in the late 1970s. The René Balcer and Carolyn Hsu-Balcer Inuit Print Collection highlights the famous artists’ collective and printmaking studio at Baffin Island’s Cape Dorset, the source of Inuit printmaking that was established in the 1950s. The original artists working at Cape Dorset collectively identified as the West Baffin Eskimo Co-operative, and in 1960 they released their first official catalogued collection of 41 prints to great critical acclaim. The René Balcer and Carolyn Hsu-Balcer Inuit Print Collection includes some of the most celebrated Inuit artists associated with the collective, such as Jessie Oonark (1906–1985) and Kenojuak Ashevak (1927–2013), whose print The Enchanted Owl (1960) was featured on a commemorative Canadian postal stamp in 1970 and was on view in The Met exhibition A Decade on Paper: Recent Acquisitions, 2014–2024(August 26, 2024–February 23, 2025). Looking ahead, select works in the Balcer Collection will be included as part of ongoing annual rotations in the Art of Native America installation in the Museum’s American Wing.

“This is an aesthetically and culturally significant gift, and it has been an absolute pleasure to work with René Balcer and Carolyn Hsu-Balcer in our mutual goal to more strongly represent Inuit artists in The Met collection,” said Patricia Marroquin Norby (P’ urhépecha), Associate Curator of Native American Art in the American Wing. “The arrival of this beautifully curated collection aligns with our departmental vision to prioritize previously underrepresented artists and the presence, voices, and experiences of peoples and communities who have contributed greatly to our cultural and national identities. We look forward to collaborating with Inuit communities and individual artists to highlight these works in our galleries and programming.”

René Balcer and Carolyn Hsu-Balcer said, “One of the greatest challenges the Inuit face vis-à-vis the southern world is invisibility. At best, the Inuit and their brethren in the Circumpolar region are an abstraction to the rest of the world, glimpsed mostly through the distorted lens of pop history. At worst, the reaction the Inuit get when meeting non-Indigenous people is, ‘Oh, I thought you all died off years ago.’ It is our modest hope that this collection will demonstrate that the Inuit and their culture are very much alive and very much engaged in the modern world (to wit, see the following image of Annie Pootoogook’s Watching Jerry Springer from 2003). My wife, Carolyn, and I are very grateful to The Met for accepting the collection and committing its vast resources and reach to showcase to the world the creative brilliance, wisdom, and humor of Inuit artists.”



About René Balcer and Carolyn Hsu-Balcer

René Balcer is an Emmy-winning writer, producer, and creator of critically acclaimed TV series and documentaries. René’s engagement with the Canadian North began as a teenager working in lumber mills, hydro projects, and construction on airstrips in remote communities, often alongside First Nations and Inuit coworkers.

Among other artistic endeavors across North America and Asia, René and Carolyn recently organized and participated in a multiyear artist’s residency with Chinese artist Wu Jian’an and Inuit artists at the Uqqurmiut Centre for Arts and Crafts in Pangnirtung, Nunavut, and with renowned artists Shuvinai Ashoona, Ningiukulu Teevee, and Qavavau Manumie at Kinngait Studios (Cape Dorset). René’s poignant photographs of the Arctic have been featured in gallery exhibitions in New York and appear in his recently published portfolio, Seeing As (ACC Art Books UK). For the Silo, Meryl Cates/ The Metropolitan Museum of Art.

(above) Sample pages from Rene’s “Seeing As” Artbook

About The Met

The Metropolitan Museum of Art was founded in 1870 by a group of American citizens—businessmen and financiers as well as leading artists and thinkers of the day—who wanted to create a museum to bring art and art education to the American people. Today, The Met displays tens of thousands of objects covering 5,000 years of art from around the world for everyone to experience and enjoy. The Museum lives in two iconic sites in New York City—The Met Fifth Avenue and The Met Cloisters. Millions of people also take part in The Met experience online. Since its founding, The Met has always aspired to be more than a treasury of rare and beautiful objects. Every day, art comes alive in the Museum’s galleries and through its exhibitions and events, revealing both new ideas and unexpected connections across time and across cultures.

Feature Image: Kenojuak Ashevak. “Untitled (red woman/birds/wings/feet),”Drawing, pencil and ink 10x14in, 25.4×35.6 cm. Waddington, 9/18/20. René Balcer and Carolyn Hsu-Balcer Collection, Gift of René Balcer and Carolyn Hsu-Balcer, 2024
Kenojuak Ashevak. “Untitled (red woman/birds/wings/feet),”Drawing, pencil and ink 10x14in, 25.4×35.6 cm. Waddington, 9/18/20. René Balcer and Carolyn Hsu-Balcer Collection, Gift of René Balcer and Carolyn Hsu-Balcer, 2024

Vintage

The Ultimate Modern Collector Car

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  • One of only two McLaren F1 road cars finished in the striking Marlboro White exterior
  • Attractive interior configuration with light blue Alcantara driver’s seat and dark blue/grey leather and Alcantara passenger seats
  • Incredibly low mileage with just 1,291 kilometers (802 miles) from new
  • Unaltered and maintained exclusively by McLaren Special Operations in Woking throughout its life
  • Received a fuel cell replacement in 2021, followed by comprehensive recent maintenance in November 2024
  • Documented ownership history from new, beginning with Japanese racing team owner Kazumichi Goh
  • Complete with original owner’s manuals, fitted luggage set, tool roll, and Facom toolchest

Chassis No. SA9AB5AC6S1048053

The McLaren F1 emerged from what might be the most consequential airport delay in automotive history. In 1988, following the Italian Grand Prix, TAG-McLaren Group executives Ron Dennis and Mansour Ojjeh found themselves stranded at Linate Airport alongside McLaren’s Technical Director Gordon Murray and head of marketing Creighton Brown. Their conversation turned to creating the ultimate road car—not just another supercar, but in Dennis’s words, “…the finest sports car the world had ever seen.”

In May 1992 at Le Sporting Club Monaco, the McLaren F1 redefined the supercar genre upon its unveiling. Built around a carbon fiber monocoque—a world first for a production road car—and powered by a bespoke 6.1-liter BMW Motorsport V12 engine, the F1 delivered 627 horsepower and a power-to-weight ratio of 550 horsepower per ton. Its unique central driving position, gold-lined engine bay, and no-compromise approach to performance and driver engagement set new standards that remain unmatched to this day. Limited to just 106 examples across all variants, only 64 were built as standard road cars, making them the most revered and sought after supercar of the modern era.

This superlative example of the F1, chassis number 053, was ordered on 31 March 1995, and assigned production sequence 044. Assembly began on 28 July 1995, with the car being officially delivered “ex-works” on 27 November 1995, showing just 193 kilometers on the odometer. The original purchaser was Kazumichi Goh, the Japanese businessman behind Team Goh, which would go on to win the All Japan Grand Touring Car Championship (JGTC) in 1996 with a pair of McLaren F1 GTRs sponsored by Philip Morris cigarette brand Lark.

Chassis 053 featured a highly distinctive specification highlighted by its Marlboro White exterior finish—one of only two F1 road cars to wear this color. The cabin was finished with a unique blue-themed interior featuring dark blue/grey leather with pierced blue/grey Alcantara cloth central panels for the passenger seats, while the central driver’s seat was entirely covered in light blue Alcantara. This bespoke specification was completed with blue Wilton carpet, light blue Alcantara headlining, and an optional black suede steering wheel. The car was also delivered with a matching bespoke luggage set in dark grey leather with a blue Alcantara strip carrying the embossed chassis number. Factory driver settings were configured with the steering wheel at height position A (highest), pedals at position C (long), reach at position A (near), clutch foot rest at position D (extra long), and standard seat with extra long rails.

In 2004, chassis 053 was purchased by another Japanese collector. By late 2006, the car showed just 432 kilometers when it was sold by WHA Corporation of Nagoya, Japan, to dealer SPS Automotive Ltd. (Hong Kong) on 28 November. The car subsequently came to Europe in 2007 when it was acquired by dealer Lukas Huni AG in Switzerland on behalf of a European client with a recorded mileage of 482 kilometers. On 14 March 2014, chassis 053 was sold via Morris & Welford to collector in the United States. During this ownership, the car spent time in both the U.S. and U.K., and the mileage had increased to 1,108 kilometers. On 16 November 2016, the car was acquired by its next long-term European owner via McLaren Special Operations in Woking and subsequently registered in the U.K. with the appropriate license plate “53 MCL.”

Throughout its life, chassis 053 has been meticulously maintained by McLaren Special Operations. The service book records regular maintenance with all work completed at McLaren’s Woking headquarters on December 12, 2006 (481 kilometers), 14 June 2010 (998 kilometers), 25 October 2016 (1,185 kilometers), 24 April 2018 (1,238 kilometers), and most recently on 12 November 2024 (1,290 kilometers). In July 2021, the car received a comprehensive fuel cell service at McLaren Special Operations totaling £52,061.55 (excluding VAT), which included £31,624.50 in labor charges and £15,472.74 for the fuel cell unit itself. A covering letter from McLaren Heritage Manager Thomas Reinhold noted the return of a “favourite F1” to MSO, an F1 that also “drives extremely well.”

Further work was carried out in November 2021, including replacement of various pipes, fittings, suspension rose-joints and bushes, plus a new water pump at a cost of £23,992.05 (excluding VAT). Most recently, the car returned to MSO in late 2024 for a “3 Year Life Items” service, during which the steering wheel battery, instrument binnacle battery, key fob battery, air conditioning receiver dryer, engine oil and filters, gearbox oil, and coolant were all replaced. The car also underwent a full suspension set-up and headlamp alignment at a cost of £4,861.10 (excluding VAT). Heritage Manager Michael Wrigley’s covering email following this most recent service summed up the car’s exceptional condition: “It’s a truly lovely example so there is very little of note to comment on!”

With just 1,291 kilometers recorded from new, chassis 053 represents one of the lowest mileage and most original McLaren F1 road cars in existence. Its unique color combination, low mileage, comprehensive documentation, complete set of factory tools, owner’s manuals, and fitted luggage make it an unparalleled example of Gordon Murray’s masterpiece. Maintained throughout its life without regard to cost and exclusively serviced by McLaren Special Operations, this McLaren F1 offers its next custodian the opportunity to acquire the ultimate modern collector car in truly museum-quality condition.

For the Silo, Barney Ruprecht.

Art, Fashion

ArtyA Purity Wavy HMS Mirror Watch Is Perfection

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ArtyA unveils an avant-garde horological creation:

“Purity Wavy HMS Mirror” A fully in-house caliber reimagined through masterful handcraftsmanship. The perfect union of design and comfort, encased in the groundbreaking Wavy case, crafted from titanium with a transparent protective DLC coating. The first-ever mirror casebackStairway To Heaven: The Movement At the heart of this exceptional timepiece, ArtyA’s latest in-house caliber: Stairway To Heaven HMS. This manual-winding movement embodies the Manufacture’s dedication to both visual spectacle and horological excellence: • Microbead-frosted and hand-chamfered minute wheel train and balance bridges. • Pulsing at 4 Hz, the spectacularly “starified” escapement is positioned like a podium centerpiece, suspended in mid-air. • Traditional fine regulation – a hallmark of haute horlogerie that ensures optimal precision. This process involves meticulously adjusting the balance wheel’s inertia using peripheral weights (inertia blocks) to maintain the hairspring’s steady and consistent oscillation. The result: optimized caliber performance and lasting chronometric stability. • Twin barrels, working in parallel, equipped with longer, finer mainsprings for a more stable and linear energy release. The polished barrel blade reduces friction for improved efficiency. The redesigned drum barrels, with fluid, curving lines, seamlessly integrate with the bold bridge architecture of the movement. Proudly bearing the manufacture’s name and caliber designation, this subtle detail completes the movement’s refined aesthetic.
Wavy Titanium Case A bold evolution in the Wavy collection, this is the first case crafted from grade 5 titanium, a material prized for its strength and lightness. • Ultra-light yet incredibly strong, titanium embodies both modernity and innovation, delivering exceptional comfort without compromising durability. • The matte finish results from meticulous hand polishing, followed by microbead frosting for a refined texture. • A transparent DLC coating boosts resistance to scratches, shocks, and fingerprints. For comparison, stainless steel has a Vickers hardness of 200 HV, titanium 400 HV, and transparent DLC-treated titanium an impressive 1,200 HV (1,800 HV for the black DLC version). • A mirror-polished lug-to-lug contour adds a discreet yet sophisticated touch, enhancing the timepiece’s elegance without diluting its avant-garde appeal. This meticulous finish – exceptionally complex to achieve on titanium – creates a striking contrast with the case’s matte surface, balancing power with refinement. • Designed by Jérémie Arpa, son of Yvan Arpa, the case embodies independent, family-driven watchmaking at its finest. Its flowing, organic contours evoke the power of ocean waves, an effect heightened by titanium’s natural opacity – delivering a case design unlike anything seen before in haute horlogerie.
Mirror Effects The Wavy Titanium’s mirror caseback introduces an unprecedented innovation, a world first in watchmaking: • A fully reflective surface that offers a striking new way to experience the movement. • From the front, seeing through to the mirrored bottom creates the illusion of depth, with the movement seemingly floating in space, enhancing the ethereal purity of the skeletonized caliber’s aesthetic. • From the back, the one-way mirror effect teases the complexity of the movement without fully revealing it complexity, adding an element of mystery and sophistication. ­
Purity Wavy Titanium Mirror Technical Specifications Edition

Limited Edition of 99 pieces 
Case Grade 5 titanium, satin-finished, mirror-polished lug-to-lug contour
Transparent or black DLC protective coating
Diameter40 mm
Thickness13 mm
Water resistance50 meters
Caseback Screw-in, engraved, fitted with a one-way mirror
Crystal Sapphire, triple ant-reflective coating, laser-engraved chapter ring
Hands Brushed and diamond-polished
Crown Engraved with the ArtyA signet   
Caliber ArtyA Purity Stairway To Heaven HMS in-house movement
Winding Manual
Indications Hours, minutes, and central seconds
Power reserve Minimum 72 hours, thanks to twin parallel barrels
Frequency 4 Hz (28,800 vph)
Finishes Fine regulation through precision adjustment of inertia blocks on the balance wheelMicrobead-frosted minute wheel train and balance bridgesHand-chamfered edgesPolished mainsprings to optimize friction in the barrel assemblies 
Strap Alligator or grey nubuck leather
Buckle ArtyA pin buckle, available with or without black DLC coating Swiss Made Entirely designed and crafted between Geneva and the Swiss Jura 
Price (excluding VAT) Titanium & Black Titanium
CHF 25,900 (reference price)
EUR 27,900 (subject to exchange rate)
USD 29,900 (subject to exchange rate) CAD 42,754
Also available with transparent, hued or NanoSaphir case
From CHF 44,900 (reference price)
From EUR 47,900 (subject to exchange rate)
From USD 50,900 (subject to exchange rate)
VERSION FRANÇAISE
Vintage

9 Old Automotive Tools Almost Nobody Uses Anymore

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If you have them should you keep them? Read on via this interesting article from our friends at Hagerty.

The nuts and bolts that make up our beloved automobiles have not changed that much over the last 150 years. But the tools needed to maintain them? Those have changed a lot. Software has cemented itself as part of a service technician’s day-to-day regimen, relegating a handful of tools to the history books. (Or, perhaps, to niche shops or private garages that keep many aging cars alive and on the road.)

How many of these now-obsolete tools do you have in your garage? More to the point, which are you still regularly using?

Spark-plug gap tool

Spark plug gap tool
Kyle Smith

Though spark-plug gap tools can still be found in the “impulse buy” section of your favorite parts store, these have been all but eliminated from regular use by the growing popularity of iridium and platinum plugs. These rare-earth metals are extremely resistant to degradation but, when it comes time to set the proper gap between the ground strap and electrode, they are very delicate. That’s why the factory sets the gap when the plug is produced.

These modern plugs often work well in older engines, meaning that gapping plugs is left for luddites—those who like doing things the old way just because. Nothing wrong with that; but don’t be surprised if dedicated plug-gapping tools fade from common usage fairly quickly.

Verdict: Keep. Takes up no real space. 

Dwell meter

Snap On dwell meter
sodor/eBay

50 years ago, a tuneup of an engine centered on the ignition system. The breaker points are critical to a properly functioning ignition system, and timing how long those points are closed (the “dwell”) determines how much charge is built up in the ignition coil and thus discharged through the spark plug. Poorly timed ignition discharge is wasted energy, but points-based ignition systems disappeared from factory floors decades ago, and drop-in electronic ignition setups have never been more reliable (or polarizing—but we’ll leave that verdict up to you.)

Setting the point gap properly is usually enough to keep an engine running well, and modern multifunction timing lights can include a dwell meter for those who really need it. A dedicated dwell meter is an outdated tool for a modern mechanic, and thus most of the vintage ones are left to estate sales and online auction sites.

Verdict: Toss once it stops working. Modern versions are affordable and multifunctional. 

Distributor wrench

Snap on distributor wrench set
Snap On tools

When mechanics did a lot of regular timing adjustments and tuning, a purposely bent distributor wrench made their lives much easier. However, much like ignition points, distributors have all but disappeared. Thanks to coil-on-plug ignition systems and computer-controlled timing, the distributor is little more than a messenger: It simply tells the computer where the engine is at in its rotation.

Timing adjustments have become so uncommon that a job-specific tool is likely a waste of space. If you’ve got room in your tool chest, keep yours around; but know that a standard box-end wrench can usually get the job done and is only fractionally less convenient than the specialized version.

Verdict: Keep if you have them. No need to buy if you don’t. 

Pre-OBDII diagnostic scan tools

pre-OBDII diagnostic equipement
Sajeev Mehta

Prior to the required standardization of on-board diagnostic computers by the U.S. in 1996, a single car could host a wild mix of analog and digital diagnostic methods. OBDII, which stands for On-Board Diagnostic II, wasn’t the first time that a small computer was used to pull information from the vehicle via an electronic connection; it merely standardized the language.

Throughout the 1980s and early 1990s each OEM had its own version of a scan tool. Now those tools can be reverse-engineered and functionally spoofed by a modern computer, allowing access to diagnostic info tools that, at the time, were only available to dealers. Since many pre-OBDII cars are now treated as classics or antiques and driven far less frequently, the need for period-correct diagnostic tools is dropping.

Verdict: Keep. These will only get harder to find with time, and working versions will be even rarer. 

Distributor machine

A distributor is simple in concept. Trying to balance the performance and economy of the ignition system, with the distributor attached to a running engine, and achieving proper operation starts to get pretty complicated. That’s where a distributor machine comes in.

A distributor is attached to the apparatus and spun at engine speed by an electric motor. This allows you to literally see how the points are opening and closing. You can also evaluate the function of vacuum or mechanical advance systems. These machines are still great but the frequency that this service is needed these days is few and far between, especially when trying to justify keeping a large tool around and properly calibrated.

Verdict: Keep, if you are a specialty shop or tool collector. 

Engine analyzer

Sun Master Motor Tester
ajpperant

Even a casual enthusiast can see there is a lot more information that can be gleaned from a running engine than whatever readouts might be on the dash. Enter the engine analyzer, a rolling cabinet of sensors and processors designed to fill in the data gaps between everything that is happening in a car and what its gauges report.

An engine analyzer is essentially a handful of additional instruments packaged into a small box hanging around the bottom of your tool drawers. It can also house a lot of sensors in a giant cabinet, which was likely wheeled into the corner of the shop in 1989 and left to gather dust. Now engine analyzers can be found listed online for as cheap as $200usd/ $287cad.

The funny thing is that many of the sensors in these engine analyzers are often the same systems that come built into modern dynamometer tuning systems. In a dyno, the sensors allow the operator to see more than max power; they also show how changes to an engine’s tune affect emissions. Maybe engine analyzers didn’t disappear so much as change clothes.

Verdict: Toss. The opportunity cost of the space these take up can be tough for most home garages. Sensors went out of calibration decades ago so the information you might get from one is dubious at best. 

Most pneumatic tools (for home shops)

Ingersoll Rand air impact
Ingersoll Rand

Air tools hold an odd place in the hearts of many gearheads. For many years the high-pitched zizzzz and chugging hammers of air-driven die grinders and impact drills were the marks of a pro. Or, at least, of someone who decided that plumbing high-pressure air lines around the shop was easier than installing outlets and maintaining corded tools. Air tools are fantastic for heavy use, as they are much easier to maintain and can be rebuilt and serviced.

Those tools can really suffer in lack of use, though, since pneumatic tools rely on seals and valves, neither of which deal well with dry storage. Battery tools have caught up to air tools for most DIY folk. No more air lines or compressors taking up space in the shop—and requiring additional maintenance—and, in return, a similarly sized yet more agile tool.

Verdict: Keep, if you already have the compressor. Don’t have one? Invest in battery tools. 

Babbitt bearing molds/machining jigs

Every engine rebuild has to have bearings made for it in some fashion. Today’s cars use insert bearings that are mass-produced to surgical tolerances for a multitude of applications. If you wanted—or more accurately needed—new bearings in your Model T circa 1920, you needed to produce your own … in place … inside the engine. Welcome to Babbitt bearings.

The process is a true art form, from the setup of the jigs to the chemistry of pouring molten metal and machining the resulting orbs to actually fit the crankshaft and connecting rods. Now there are newly cast blocks for your T that replace the Babbitt with insert bearings. Since those antique Ford engines just don’t get abused the way they used to, and lead fairly pampered lives, they need rebuilding far less often than they did in-period. Modern oils also do a better job of protecting these delicate bearings. Since they are less and less in demand, the tooling and knowledge to make Babbitt bearings are difficult to find, and precious when you do.

Verdict: Keep. It’s literally critical to keeping a generation of cars alive. 

Split-rim tire tools

split rim tool ad
Universal Rim Tool Company

Among the realm of scary-looking tools that have earned their infamy, split-rim tools hold court. The concept is simple: The rim is sectioned, allowing it to contort into a slight spiral that can be “screwed” into a tire. (This is almost the reverse of a modern tire machine, which stretches the tire around a solid wheel rim.) When tires needed tubes, both tire and rim were relatively fragile, and the roads were rough, split rims were popular—and for good reason. Now the tooling for drop-center wheels is ubiquitous and shops often won’t take on split-rim work. Success is hard to guarantee, even if techs are familiar with split rims—and they rarely are.

Verdict: Keep. No substitute for the right tools with this job. 

These tools might not make much sense in a dealership technician’s work bay, but that doesn’t mean they should disappear forever. Knowing how to service antiquated technology is as important as ever, whether using old tools or new ones. If you’ve got any of these items, consider it your responsibility to document what the tool does and how to safely use it. Keeping alive the knowledge of where our modern tools came from is powerful.

For the Silo, Kyle Smith.

Art

Now In Decline- Irish Is Third Oldest Written Language In Europe

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JG O’Donoghue imagines a ‘versus’ scenario to demonstrate the struggle of ‘languages at risk’

There is a mass decline in linguistic diversity happening all over the planet and in places geographically far apart and I think that if things don’t change, the loss of language diversity will be immense.

In the book, Irish in the global context, Suzanne Romaine mentions that linguists believe 50 to 90 % of the world’s estimated 6,900 languages will simply vanish over next 100 years.

At this moment in time, 85% of the world’s languages have fewer than 100,000 speakers and over half of the world’s remaining languages are spoken by just .2 % of the world’s population. These facts have informed my work and have become the wider subject of my illustrations, specifically the linguistic decline of the Irish language.

In some ways the battle between the Irish and the English languages is one of the defining features in modern Irish culture, but it is Irish which defines this island more, and the Irish language tells the entire history of Ireland in its influences and in its form.

Ruairí Ó hUiginn said in his book  The Irish language: you have influences of Latin from the Christianization of Ireland in ecclesiastical words, influences from Viking invasions in words for “seafaring, fishing and trade”, influences from the militaristic Normans [ French CP] in words for “architecture, administration and warfare”, and from English colonialism you get English in every day words.

“To create my intended mood, the english words are given a general typography while the Irish words are given a distinctive script reminiscent of Geoffrey Keating’s book Foras Feasa ar Eirinn”

Each influence shows an aspect of Irish culture. What people forget to realize is that a language is much more than something spoken to express oneself. Ancient peoples created language in an attempt to describe the world around them and the world within them, in other words their worldview.

An example in Irish is- you don’t say ‘I’m angry’, you say ‘tá fearg orm’, which means ‘I have an anger on me’.

Nevertheless, Irish is important internationally too, and Irish is the third oldest written language in Europe, after Latin and Greek, and as a spoken language it may even be older than both.

How should an artist illustrate a language? And more specifically the struggle of one language with another? I choose nature as my metaphor, from the ancient forests of Ireland, mostly gone now, to Islands which stand for thousands of years but are slowly worn away by the tide. The words that make up these landscapes are either ‘for’ or ‘against’.

My illustrations therefore visualize the real life drama of ancient language versus modern language.

I imagine a “versus” scenario. On the “against” side I chose English words plucked from peoples statements in online forums and in letters to newspapers. On the “for” side I chose Irish words, and they were chosen from recent investigations into the creation of the ancient Irish language. Irish words in my illustrations such as “dúchas (heritage), tír (country), litríocht(literature), and stair(history)” reflect the Irish language’s cultural importance, while “Todhchaí(future), féinmhuinín(self-confidence), beatha(life), and anam(soul)” reflect its importance in a metaphysical way to Ireland.

The Irish language forest- An Coill Teanga Gaeilge

The english ‘against’ words can range from the practical benefits of english within subjects such as “tourism, movies, business, and comics,” to words that reflect the interaction of English speakers with Irish. To illustrate the concept, I chose words like “conform, bend, harass, and adapt”.

To create my intended mood, the english words are given a general indistinctive typography reflecting uniform mono-linguilism, while the Irish words are given a distinctive Irish manuscript/Gaelic script reminiscent of Geoffrey Keating’s 17th century book- Foras Feasa ar Éirinn/History of Ireland.

The core message in my illustrations is a positive one, the sun is rising for a new day as the Irish language holds on, like a lot of minority languages. It is diminished but not beyond hope. I believe it can make a comeback, and this is exactly what is happening all over this country today, because of the work of people far more dedicated than myself. I hope my work can help reinforce linguistic diversity as well as all forms of heritage. I have the will to preserve these for future generations, so they too can live in a world full of diversity spending their lives discovering and exploring it in all its beautiful variety.

For the Silo, JG O’Donoghue.

 

Vintage

Beverly Hills Prettiest Mansion

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Brunette knockout Christina Estrada modeled for some of the world’s top brands and appeared in the famous Pirelli calendar. Born in the USA, the glamorous Estrada has been based in London since 1998. She was previously married to Saudi billionaire Sheikh Walid Juffali, but the couple divorced in 2016, leaving Estrada the sole owner of a fabulous Beverly Hills villa. The supermodel has listed the stunning estate for sale at $26 million usd/ $37.7 million cad. According to the listing agent, Gary Gold, “This is the quintessential Beverly Hills estate located on the best block of the best street in the Flats. This is the type of home you see in a movie portraying the good life.” 

Built in the 1930s, the mansion has been painstakingly restored, blending the irreplaceable craftsmanship of a bygone era with all the latest in modern luxury.

Spanning 9,000 square feet with five bedrooms, eight bathrooms, and luxe modern amenities, the residence will be sold fully furnished. 

The two-story home boasts an imposing Italian-style facade. Old World styling is evident throughout the mansion, with columns, archways, wrought-iron details, and exquisite beamed ceilings. Enter through the impressive two-story foyer, featuring double staircases, coved archways, a wonderful chandelier, and a hand-painted ceiling. The chef’s kitchen boasts top-of-the-line appliances and a spacious butler’s pantry, while the formal dining room includes seating for 12. A cozy breakfast offers a more relaxed atmosphere, with yard access for al fresco dining. 

The spacious primary suite includes big windows for lots of natural light, a generously appointed bathroom with marble accents and a glamorous mirrored powder room, plus a walk-in closet fit for a supermodel’s wardrobe. Upstairs, find three more bedrooms with their own en-suites, furnished in a classic style. A step-down living room with steel-case windows and an attractive great room with an inviting fireplace offer lots of space for lounging. Meticulous attention to detail is evident in every room, while the chic but understated furnishings allow the home’s timeless beauty to shine.

The spectacular yard offers a resort-like atmosphere with a stylish pool, manicured lawns, and tall hedges for lots of privacy. Multiple balconies offer pool views, while the den and family room connect with the outdoor spaces for seamless indoor-outdoor living, taking advantage of LA’s year-round pleasant weather. The covered loggia is especially lovely, with intricate columns and a curtained gazebo. Other amenities include a library with built-in bookshelves, a five-car garage, and a separate guest house with two bedrooms and two baths.

Located just off world-famous Sunset Blvd, the mansion is convenient to the music and entertainment venues of the Sunset Strip, the high-end shops on Rodeo Drive, the Getty Museum, and the Los Angeles Country Club. Known for its beautiful homes on large lots, the Flats is one of 90210’s most exclusive neighborhoods. Just a few of the zipcode’s illustrious residents include Adele, Taylor Swift, Jennifer Aniston, Jack Nicholson, Ashton Kutcher and Katy Perry. For the Silo, Bob Walsh/ toptenrealestatedeals.com.

The listing is held by Gary Gold at Forward One.  Photo Credit: Jennifer Mann, The Luxury Level

Source: soldbygold.net

Art

LANDSCAPES 2025 At the Aird Showcases Contemporary Landscape Artists

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LANDSCAPES 2025 is an impressive online survey exhibition adjudicated by the notable public art gallery programmer Krista Young and the celebrated artist Clint Griffin. The John B. Aird Gallery is proud to present its first large group project organized around the Landscape Genre, a genre of art practiced for centuries around the world.

Broadly defined, a landscape practice is a migratory representation of an artist’s creativity within the fluid realms of two- or three-dimensional art, whether representational or non-representational.

This intentionally broad definition allows for a diverse range of artworks, reflecting the variety of contemporary art techniques and practices today.

LANDSCAPES features new work by fifty-five artists inclusive of John Abrams, Rhonda Abrams, Sue Archibald, Joe Atikian, Phill Atwood, Jarrod Barker, Ioana Bertrand, Matthew Brown, J. Lynn Campbell, Alyson Champ, Ava P Christl, Frances Cordero de Bolaños, Glen Cumming, Grace Dam, Fanny Desroches, Jennifer Dobinson, Edward M. Donald, Janice Evans, Tanya Fenkell, Marie Finkelstein, Julie Florio, Robert Fogel, Anna & Richelle Gaby-Trotz & Forsey, Elena Gaevskaya, Arnie Guha, Stev’nn Hall, Michael Hannan, Emily Honderich, Carol Hughes, Connie Ivany, Marlene Klassen, Lisa Litowitz, Ramona Marquez-Ramraj, Claudia McKnight, Susan Munderich, Mahnez Nezarati, Allan O’Marra, Sherry Park, Karen Perlmutter, Piera Pugliese, Jackie Rancourt, Katie Rodgers, Lynne Ryall, Kaija Savinainen, Lee Schnaiberg, Wendy Skog, Carolynn Smallwood, Margaret Stawicki, Kate Taylor, Robert Teteruck, Steph Thompson, Joanna Turlej, Dejana Veljko, Victoria Wallace and Don Woodiwiss.

The landscape work of these artists spans various themes, from expansive vistas and sophisticated gardens to untamed wilderness.

These pieces engage with the dialogue between traditional art history and contemporary interpretations. Some explore the connections between mythologies and landscapes, investigating the relationship between spirituality and nature, which may lead to more abstract representations. Conversely, other works critically examine the impacts of the railroad, displacement, and extraction industries, illustrating the lasting scars these forces leave on the land.

JURORS BIOGRAPHY

Clint Griffin lives and works in Toronto. His work has been widely shown in Canada and the United States. Celebrated in both the contemporary and folk art worlds, Griffin’s work can be found in many private and public collections including the Art Gallery of Ontario, Bank of Montreal and Canada Council Art Bank. Clint currently owns and operates a fine art services business providing service to galleries, artists, collectors and institutions throughout Ontario.

Krista Young has held roles in both administrative and programming capacities at public art galleries in Northern and Northeastern Ontario. Krista has assisted in the development of programming, publications and touring exhibitions. Now based in Toronto, Krista is a small business owner and mother of three.

For the Silo, Carla Garnet.

Culture

Canadian Screen Award Nomination For Randy Thomas

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Seasoned Canadian Actor Randy Thomas Put Forward for Canadian Screen Award Nomination for Best Supporting Performance in a Drama.


Toronto, ON – Seasoned actor Randy Thomas has been officially put forward for nomination by Brainpower Studio for the Academy of Canadian Cinema & Television’s prestigious Canadian Screen Award for Best Supporting Performance in a Drama for his riveting role in The Jane Mysteries: Murder at Moseby starring Jodie Sweetin and Stephen Huszar.


Known for his commanding presence as stoic corporate executives and his undeniable charm as comedic father figures, Thomas stunned audiences with his transformative performance as an emotionally distraught and lonely antagonist in the Hallmark mystery franchise.

His portrayal—layered with heartbreak, volatility, and an unexpected
path to redemption—took fans by surprise, further solidifying his range and talent as a seasoned performer.


The industry has taken notice, with Thomas’ nomination consideration reflecting the powerful impact of his performance.


Randy is a special actor. He has Leading Man charisma like George Clooney but with a unique knack for comedy. We are incredibly grateful to Director Marco Deufemia and Brainpower Studio CEO Beth Stevenson for seeing the depth of Randy’s talent and entrusting him with such a complex role. The fact that they put him forward for nomination tells us that Randy far exceeded their expectations. Let’s hope the Academy recognizes his extraordinary work as well. A win in this category would be a career highlight, and we anticipate this nomination will open even more doors for him across Canada and the U.S.


As the industry eagerly awaits the final nominations, Randy Thomas’ performance in Murder at Moseby stands as a testament to the rich and evolving talent pool within Canadian entertainment. With growing anticipation from his peers and fans alike, one thing is certain—this should be the beginning of a thrilling new chapter in Randy
Thomas’ career that’s long overdue. For The Silo, Sandy Martinez. 514-286-6001

Culture

Groundhog Day Could Be An Amazing Holiday

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It’s that time of the year again…time for a perennial favorite read. Why favorite? Because we all want to know how much longer Winter will last. At this point on the calendar, at the second day of February, it feels like warm days are lost forever. But there is always hope. Hope in a critter and a shadow. Let’s begin. Again.

Maybe Groundhog Day can become a National or Provincial Stat Holiday because February 2nd isn’t officially known as Groundhog Day. Technically it isn’t a National Holiday. It isn’t a Provincial Holiday. [Is Quebec the only province with a Provincial Holiday? CP]

But maybe it should be.

Groundhog Day isn’t an exclusive celebration that targets a specific demographic such as Family Day. It isn’t religiously or  politically motivated. It doesn’t specify Muslim, Buddhist, Marxist, agnostic or atheist beliefs. It is inclusive, quirky, wacky and fun. There is no need to worry about political incorrectness.

Maybe Groundhog Day can become a rallying point for Ontarians because in many ways they are like us:  Groundhogs are robust creatures. They handle a long winter with style. Groundhogs might be cute but they are also tough!

Maybe the Groundhog can become Canada’s national animal.

Does anyone remember  the politician who wanted to make the polar bear our national animal? Most of us aren’t likely to run into polar bears. It’s that old adage: “Out of sight, out of mind” and since we’re more likely to see a groundhog and associate with a groundhog it is an ideal choice. Incidentally Canada’s national animal is the beaver. Another obscure animal that most of us have never seen.

Maybe Groundhog Day is spiritual after all.

If a Holiday needed ever to be justified on a basis of spirituality or community consider the following short list:

  • Mysticism  (Shadow casting or lack their off = Long range weather forecast)
  • Fatalism     (Let everyone believe that an animal can come out of the ground on a specific day and tell us how the next six weeks will turn out)
  • Anthropomorphism (Groundhogs can really see? Can they talk? How do we know if they have seen their shadow?)
  • Human/Animal Communication or Telepathy  (Groundhog interpreters/ Groundhog whisperers? Are they specific to Wiarton, Punxsutawney?)  Feature image- Punxsutawney Phil.  For the Silo, Rick Fess. 

Supplemental- “Pothole Pete” is a growing legend in New York City. Canada’s groundhog is an albino.