Carroll County, MS – In Defense of Animals has unveiled brand-new, state-of-the-art facilities to care for the Deep South’s most abused animals at Hope Animal Sanctuary in Carroll County, Mississippi. The organization has rescued and rehabilitated animals in Mississippi since 1993, and this weekend it revealed a cutting-edge sanctuary that will support animals and the local community for many years to come. Members of the public joined canine, feline, and barnyard animal residents at a grand opening ceremony on Saturday, May 12, to celebrate and unveil the major face-lift.
“Hope Animal Sanctuary has rescued and rehabilitated thousands of Mississippi’s castoff animals in its 25 years, and these brand new facilities offer new hope to thousands more,” said In Defense of Animals President Dr. Marilyn Kroplick. “Animals find refuge at Hope Animal Sanctuary when they are beaten, blinded, burned, sick, starved, or simply forgotten, and now they will get the top-notch care they deserve in cutting-edge facilities. We are very proud of our quarter-century of work here in the Deep South and thank our generous supporters who have made it happen – their love and compassion is literally written on the bricks.”
Carroll County is a region devoid of animal shelters and other vital animal control services, making In Defense of Animals’ ongoing work beyond critical. The charity’s Hope Animal Sanctuary has rescued, provided refuge, and fought for justice for abused animals in rural Mississippi since 1993. It gives temporary sanctuary to dogs and cats, puppies and kittens, pigs, and horses. Last year, Hope Animal Sanctuary staff placed 700 dogs and cats in forever homes.
Dr. Kroplick cut the ribbon to reveal a new operations center that houses a calming cattery and state-of-the-art veterinary rooms, and will also serve as a welcome and education center for visitors. Traditional dog-kennels have been entirely reinvented as a groundbreaking community of 20 “tiny houses” that encircle the operations center to accommodate groups of rescued dogs and cats.
The cozy community homes are a breakthrough innovation that revolutionizes the way dogs and cats are sheltered. The tiny houses are thoughtfully designed for animals’ comfort first, allowing the occupants to live in a home-like setting while they wait for their loving new guardians. Specially developed to be warm in winter and cool in summer, each tiny house is nestled around a cul de sac and scenic walking path, complete with a covered porch perfect for afternoon napping. Each tiny house has a soft grassy dog run for furry friends to enjoy the play they have been deprived of for so long.
Veterinarians at Mississippi State Veterinary College gave the seal of approval to the novel renovation plans which were developed with a specialized animal sanctuary architect.
Dr. Kroplick paid tribute to several Mississippi animal advocates who have made animal rescue their life’s work.
“The animals and people of Mississippi are incredibly lucky to have animal angel Doll Stanley, a fearless campaigner who founded Hope Animal Sanctuary and has rescued literally thousands of animals during her 25 years service in Mississippi,” said Dr. Marilyn Kroplick. “We owe huge thanks to Stanley and also to Hope Animal Sanctuary’s Debbie Clark, Sharon Stone, and their fearless team who do the hard work, day in, day out, to get mistreated animals into loving homes. It is thanks to these folks’ unfaltering dedication to the animals we stand here today and our work will continue.”
The “Doll House” was unveiled in honor of Hope Animal Sanctuary founder and Mississippi Justice for Animals campaigner Doll Stanley. The founder of In Defense of Animals was also honored by the dedication of the “Dr. Katz Cattery” bearing his name.
In Defense of Animals also paid a touching tribute to the passionate animal advocates who helped rebuild Hope Animal Sanctuary. “We thank all the compassionate, generous In Defense of Animals supporters from around the world who have donated to make the Hope Animal Sanctuary rebuild happen. We especially pay tribute to the memory of Odette Grosz, New Orleans’ “grand dame of animal rights,” for this desperately-needed sanctuary rebuild would not have been possible had she not remembered the animals in her will.”
In Defense of Animals has invested $650,000 to construct the new buildings at Hope Animal Sanctuary that will allow the charity to continue to rescue and give shelter to thousands of homeless and abused animals for many years to come.
Hope Animal Sanctuary receives no government funding, so community residents and businesses are encouraged to support this vital community service by dedicating a memory lane pathway brick or sponsoring a dog run or dog house, all of which can be inscribed to recognize your commitment to serving the most abused animals in the Deep South.
“Inflation”. From the 2013 show. Eclectic. Radical. Awesome.
The Niagara Artists Centre’s (NAC) 2014 STRUTT Wearable Art Show was outlandish, bizarre and like nothing you’d ever seen before. STRUTT took place on November 22, 2014 at the WS Tyler Factory in St. Catharines, ON. Doors opened at 8 p.m. for the first edition of the Niagara Exotic Bazaar and the runway show began at 9 p.m. The show showcased over 40 pieces of wearable art performed by acrobats, aerialists and break-dancers to a live musical score performed by Chiac hip-hopper sensations, Radio Radio. The runway show will also include the debut performance of the mini trip-hopera, Unstrung, featuring music by Paradise Animals,contemporary hip-hop dance troupe Bboyizm, and remarkable masks created by local artist, Clelia Scala. The event website is www.struttwearableartshow.ca.
“We pack a whack of WTF into this thing. We don’t care who you are, or where you’re from, you come to STRUTT and you’ll get your head spun,” says NAC’s Minister of Energy, Minds, and Resources, Stephen Remus. “The artists make fantastic work, the performers tear it up, and we turn the factory into a hedonist’s palace. I don’t think it can be doubted, STRUTT’s the single annual occasion where Niagara genuinely surprises itself.”
STRUTT was a surreal party scene where the absurd is commonplace. As Doug Herod of the St. Catharines Standard reflects, “STRUTT rocks! STRUTT is a wearable art show, but that description doesn’t do it justice. It’s music, it’s entertainment, it’s theatre — and a lot of fun.”
And a few more designs from last year.
In addition to the runway show, STRUTT included the Niagara Exotic Bazaar, a showcase of all that’s weird and wonderful and originating in Niagara, from wine to designer clothing to glassware. The Niagara Exotic Bazzar was sponsored by Shannon Passero and co-presented by NAC and the Garden City Food Co-op.
Vasiliki is the high-end fashion brand that’s set to hit wardrobes in time for summer. Combining luxury fabrics, classic designs that have a modern twist, and style that’s perfect for the modern, outgoing woman, Vasiliki is bringing its unique style mixture of edgy sophistication right to fashionistas through its newly launched online store.
Blending vintage inspiration and regal romance with confident, modern designs, Vasiliki has successfully created a brand that’s timeless and contemporary. Embracing the trend for female empowerment, every design from the premium brand is designed to demonstrate confidence and let the wearer show off their individual style. The playful details and elegant silhouettes result in dresses that are wearable yet have an avant-garde quality that will delight fashion fans.
Sahar Zohair
Sahar Zohair, Founder and Designer of Vasiliki, said, “I have been designing and selling dresses since I was ten. The only difference is that then I was selling to myself, so they had to be perfect, and now I am offering these dresses to women who are like me: feminine, strong, and always appreciating beauty. These dresses are designed and made with a genuine passion and love. As a result, a vital component of my brand is emotion, emotions that are timeless and priceless, and this is what makes the Summer & Resort Collection 2018 unique.
“The first collection will encompass six designs in silks, custom printed silks, and laces ranging from $395cdn to $595cdn. These designs are inspired by the latest trends for unique cuts and silhouettes while maintaining a timeless and classic vibe. They’re soft yet striking and will give wearers a confidence boost whenever they’re slipped on.”
Highlights of the very first collection from Vasiliki include the Selene Silk Dress, which gives asymmetric Edwardian ruffles a delicate, contemporary update for a look that exudes femininity and independence, and the vintage, highly wearable Hestia Lace Dress that beautifully combines stunning silks and exquisite lace for timeless elegance. The luxury dresses designed for the Summer & Resort Collection are made from high-end materials, lovingly crafted, and effortlessly showcase individuality.
Selene Silk Dress
The sensational collection is available to view online now and will start delivering May 2018. Based in Canada, the brand will ship nationally as well as to the USA and UK, with plans already in the pipeline to reach a global audience. For the Silo, Charlotte Malone.
Catching a bus in Sydney just got a whole lot smarter, thanks to the new digital bus stops from Mercury Innovation and Visionect. These intelligent signs run on solar power and have been developed on energy-saving electronic paper technology to ease the daily commute in the bustling Australian metropolis.
eStops New digital bus stops have been installed around Sydney’s Town Hall, replacing traditional bus stop paper timetables. Dubbed ‘eStops’ and developed on electronic paper, the displays have been developed with the commuter in mind, making access to travelling information and emergency notifications easier than ever before.
The digital stops provide real-time bus arrivals, as well as capacity information, service notifications and any other relevant commuter information right at the stop.
Best of all, each eStop is solar-powered, running on the plentiful Australian sunshine, a natural resource that Sydney has in abundance.
This makes the display not only simple to install, but also completely independent from the power grid, making it accessible to even the most remote of areas. Transport for NSW can now communicate critical notifications at exactly the right moment, keeping passengers up to date and ensuring accurate information is delivered at the point of action, no matter your location.
Nowhere is this more crucial than in Sydney—one of the busiest cities in the world, the metropolis is host to a variety of special events, such as the upcoming Mardi Gras Parade, with streets closed off and normal city flows disturbed.
The new eStop displays allow service disruption information about such events to be communicated to the public in real-time, before and during the event, allowing for efficient interaction with bus commuters, increasing the service experience for passengers and providing an effective management system for the city.
Not only this, in cases of emergency, the eStop can provide crucial emergency information to not only the bus ridership, but Sydneyites in general, displaying notifications even during blackouts, when other digital displays fail.
Based on electronic paper technology, they eStops have been designed and manufactured by Australian engineering company Mercury Innovation and the EU-based Visionect, the world leaders in outdoor e-paper products.
The eStop is another breakthrough product in the partnership between Visionect and Mercury. Together, Mercury and Visionect are making outdoor sustainable signage a reality, following the success of their 2016 installation of solar powered e-paper traffic signs in Sydney, a world first, running uninterrupted with an unprecedented zero failure rate more than 2 years later.
Henning Larsen Architects lead a design team in establishing an overall sustainable solution for the renewal of buildings, courtyards, and streetscapes in a selected residential block of Skt. Kjelds Climate Resilient Neighborhood in Østerbro. The competition for Copenhagen Climate Resilient Neighborhood was won with a proposal that serves as a future “showcase” of holistic and sustainable approaches to urban renewal while opening possibilities for realizing the objectives of a sustainable and climate-friendly Copenhagen. In addition to Henning Larsen Architects, the winning team also included Henrik Larsen consulting engineers, TagTomat and V!GØR.
“Copenhagen Climate Resilient Neighborhood , as a flagship project, demonstrates how a holistic and innovative approach to renovation and rainwater management can create a better living environment and courtyard atmosphere in a typical residential block. The designated block in Skt. Kjelds neighborhood therefore became a climate-front runner, implementing new solutions that can inspire other blocks—not only in Copenhagen but also in the many northern European cities where blocks of courtyard buildings are a dominant type of housing,” says Signe Kongebro, architect and partner at Henning Larsen Architects.
The project reflects a holistic approach with focus on energy retrofitting, climate adaption, architecture and daylight. From start to finish, the execution of the project will be implemented in close dialogue with Copenhagen Municipality and especially the residents and the building owners in the block.
The project was based on four main strategic focus points: rainwater management; increasing recreational space by re-configuring parking and introducing green areas; strengthening of the neighborhood’s identity with community gathering points; and, optimization of existing buildings in terms of energy consumption, daylight and indoor climate.
Workshops kick-started the sustainable urban renewal process wherein the team, in close and innovation-driven dialogue with residents and the municipality, began the transformation from traditional residential block to a climate-resilient neighborhood. Throughout the project, physical prototypes, exhibitions, mock-ups, and other visual tools contributed to give the residents a realistic insight into the transformation of their block and keep the process alive and relevant. Connect with Henning Larsen Architects on Instagram and on Facebook.
These are real inventions: self healing concrete…airport sleeping pods…DIY drones and that’s just for starters. So much incredible technology and cool imagination at work. Watch this video and tell us below which is your favorite by using our live video uplink from your smart device.
CLEARWATER, Fla. – Aquila is pleased to announce that they have built their 100th catamaran boat, an Aquila 44.
Frank Xiong SinoEagle CEO
The Aquila 44 boasts Aquila’s signature fresh evolution of classic boating traditions where efficiency in design and performance compliment her luxurious living and was named “Best New Multihull 40′-49′” in the 2014 AIM Media Editor’s Choice Awards.
“This is an exciting and momentous occasion for us. From the very beginning, we have felt the Aquila Power Catamarans were the best in the world, and we have been excited to be a part of the team designing and building them. We look forward to surpassing this milestone and continuing to celebrate many more,” stated Frank Xiong, Sino Eagle Group CEO.
Construction of Aquila Power Catamarans began in 2012 when Sino Eagle Group began building the Aquila 38 specifically for MarineMax, the world’s largest power boat dealer, for its new charter business in the British Virgin Islands (BVI).
In 2012, experts from multiple development, design, and manufacturing firms, namely, Sino Eagle Group, J&J Design Group, Seaway, and MarineMax, all collaborated to expand the Aquila range by developing a new, purebred power catamaran.
This international team consisted of MarineMax’s Lex Raas, a highly-experienced boat developer and charter industry veteran, and J&J Design group and their development arm, Seaway, who have worked on designs for Azimut, Bavaria, Beneteau, Dufour, Jeanneau and Monte Carlo. This highly regarded, award-winning group began the process of designing the first true Aquila Power Catamaran, the Aquila 48.
“Bringing this group of companies together made for a very knowledgeable and powerful team. We’ve been able to combine our experience and expertise to design and build boats that are innovative and truly setting new standards for the industry,” stated Lex Raas of MarineMax.
To position itself to become a prominent boat builder, Sino Eagle Group, recognized globally in high-tech composite manufacturing, built a new factory which provided the Aquila brand with full in-house manufacturing capabilities paired with in-depth knowledge and experience in advanced yacht building practices.
With the combined knowledge and advanced experience of the most talented group in the yachting industry, Aquila is establishing a new standard of power catamaran innovation and becoming the game changer in the marketplace.
Aquila represents the newest and most exciting evolution on the market today, offering practicality and comfort with trend setting innovation, quality, and design. Both inside and out, Aquila Catamarans are designed to provide the perfect cruising vessel whether crossing oceans or traveling the Great Loop, living aboard, or exploring worldwide destinations, or simply entertaining friends and family at the dock. The expanding Aquila range currently consists of the Aquila 36, Aquila 44, Aquila 48, and will soon be including the Aquila 60 (2019 debut). MarineMax is the exclusive dealer for the Aquila brand boats throughout the world other than mainland China.
Bill McGill, MarineMax CEO
“Congratulations to the Sino Eagle Group, J&J Design, and MarineMax teams for their hard work on designing and building industry leading catamarans. Passionate teams pulling together has created winning products for our customers,” exclaimed Bill McGill, MarineMax CEO.
Aquila is excited to have reached this milestone in their continued growth to new markets with new model offerings.
ABOUT AQUILA
Recognized globally for its high-quality, advanced composite manufacturing capabilities, Sino Eagle Yachts builds Aquila Power Catamarans in a state-of-the-art facility to exacting standards. With one of the most talented teams in the industry providing the combined knowledge and extensive experience, Aquila has established a game changing new standard of power catamaran innovation. Leading the way in the market segment, Aquila continues to pave the way with strong international sales of the award-winning Aquila brand. Uncompromising design coupled with unmatched industry experience, engineering, and manufacturing by world class builders, make up the Aquila line of true pure-bred power catamarans. For more information visit aquilaboats.com. For the Silo, Sara Yasi & MarineMax.
The Canada Aviation and Space Museum is proud to support OEX Recovery Group Incorporated (“OEX”), in a project involving the search-and-recovery of nine free-flight Avro Arrow models from Lake Ontario. The project was created by OEX as a Canada 150 initiative.
As one of the three museums under the new Ingenium banner, the Canada Aviation and Space Museum – in collaboration with the Canadian Conservation Institute – will provide historical information to support the conservation, treatment, and collection of any recovered models or materials.
The Avro Arrow was the first and last supersonic interceptor designed and built in Canada. Developed between 1953 and 1959, it was produced to counter jet-powered Soviet bombers that had the potential to attack North America over the Arctic.
The nine Avro Arrow free-flight models that OEX hopes to locate and recover were test models used to evaluate aerodynamic qualities and stability of the storied aircraft’s design. They were flown over Lake Ontario between 1954 and 1957.
Through a national partnership involving the Canada Aviation and Space Museum, OEX, the Royal Canadian Air Force and the Canadian Conservation Institute, the Museum will keep the public apprised of any milestones in the search-and-recovery mission. It will also provide periodic updates on plans for conservation, preparation and public exhibition of the artifacts.
OEX holds survey and recovery permits from the Ontario Ministry of Tourism, Culture and Sport. It is financially supported by a group of Canadian mining companies and financial institutions, and is funding survey and recovery work, as well as committing to conservation work and display costs.
Follow this exciting story as it unfolds, using the hashtag #raisethearrow or via IngeniumCanada.org.
Quotations
“Our museum is thrilled to be partnering on this historically significant search-and-recovery project. The Canada Aviation and Space Museum’s collection comprises the largest surviving pieces of the Avro Arrow: a nose section and two wingtips. A free-flight model would be a wonderful addition to our collection, and to the Arrow story we share with Canadians.”
– Fern Proulx, interim President and CEO of Ingenium
“As professional explorers in the mining business, we initiated this program about a year ago with the idea of bringing back a piece of lost Canadian history to the Canadian public. As individuals, as a company, as a group and with our partners and our project participants in this search effort, we all have the same goal in mind: to find and return these beautiful pieces of Canadian technology to the public eye during this anniversary year of our incredible country. Like Avro, our own corporate group was built on dreams, and this project is a proud reminder of what we as Canadians have done, what we do, and what we can do.”
– John Burzynski, President and CEO of Osisko Mining Inc. and head of OEX Recovery Group Incorporated
For the Silo, Zoë Lomer.
About the Canada Aviation and Space Museum
Located on a former military air base just 5 kilometres from the Prime Minister’s residence at 24 Sussex Drive in Ottawa, the Museum focuses on aviation in Canada within an international context, from its beginnings in 1909 to the present day. As Canada’s contribution to aviation expanded to include aerospace technology, the Museum’s collection and mandate grew to include space flight. The Collection itself consists of more than 130 aircraft and artifacts (propellers, engines) from both civil and military service. It gives particular, but not exclusive, reference to Canadian achievements. The most extensive aviation collection in Canada, it is also considered one of the finest aviation museums in the world.
Museum Highlights: Largest surviving pieces of the famous Avro Arrow (its nose section and two wing tips); the original Canadarm used on the Endeavour space shuttle; Lancaster WWII bomber; Life in Orbit: The International Space Station exhibition.
About Ingenium – Canada’s Museums of Science and Innovation
Launched in June 2017, Ingenium is a new national brand established to preserve and share Canada’s story of scientific and technological heritage. This corporate brand, which celebrates ingenuity, encompasses three national institutions – the Canada Agriculture and Food Museum, the Canada Aviation and Space Museum, and the Canada Science and Technology Museum. Under the Ingenium brand, these three museums are places where the past meets the future, with spaces where visitors can learn and explore, play and discover. Ingenium also has an eye to the future with a state-of-the-art Collections Conservation Centre, set to open in 2018, digital and social media platforms, and travelling national and international exhibitions to educate, entertain and engage audiences across Canada and around the world. For more, visit us: IngeniumCanada.org.
Association entre le Musée de l’aviation et de l’espace du Canada et des partenaires nationaux pour la recherche et la récupération d’appareils Arrow de Avro à vol libre dans le lac Ontario
OTTAWA, le 14 juillet 2017 – Le Musée de l’aviation et de l’espace du Canada est fier de soutenir le OEX Recovery Group Incorporated (« OEX ») pour un projet de recherche et de récupération de neuf appareils Arrow de Avro à vol libre dans le lac Ontario. OEX a mis sur pied ce projet dans le cadre d’une initiative Canada 150.
Le Musée de l’aviation et de l’espace du Canada, l’un des trois musées de la bannière Ingenium, en collaboration avec l’Institut canadien de conservation, fournira des renseignements historiques pour soutenir la conservation, le traitement et la collecte de tout appareil ou matériel récupéré.
L’appareil Arrow de Avro a été le premier et le dernier intercepteur supersonique de conception et de fabrication canadienne. Créé entre 1953 et 1959, il a été produit pour résister aux bombardiers à turboréacteurs soviétiques qui avaient la capacité d’attaquer l’Amérique du Nord en passant par l’Arctique.
Les neuf appareils Arrow de Avro à vol libre que OEX espère repérer et récupérer étaient des maquettes utilisées pour évaluer les caractéristiques aérodynamiques et la stabilité de la conception légendaire de l’aéronef. Ils ont survolé le lac Ontario entre 1954 et 1957.
Dans le cadre d’un partenariat national entre le Musée de l’aviation et de l’espace du Canada, OEX, l’Aviation royale canadienne et l’Institut canadien de conservation, le Musée tiendra le public informé sur les étapes de la mission de recherche et de récupération. Il fournira également des mises à jour périodiques sur les plans de conservation, de préparation et d’expositions publiques des artefacts.
OEX détient des permis de reconnaissance et de récupération du ministère du Tourisme, de la Culture et du Sport de l’Ontario, et est soutenu financièrement par un groupe de sociétés minières et d’institutions financières. L’organisme finance le travail de reconnaissance et de récupération, et s’engage à soutenir les coûts de conservation et d’exposition.
Suivez le déroulement de cette passionnante histoire à l’aide du mot-clic #rechercherArrow ou en cliquant sur IngeniumCanada.org.
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Citations
« Notre Musée est ravi de son partenariat pour ce projet de recherche et de récupération d’importance historique. La collection du Musée de l’aviation et de l’espace du Canada compte les plus grandes pièces restantes de l’Arrow d’Avro : une partie avant et deux extrémités d’ailes. Un appareil à vol libre serait un merveilleux ajout à notre collection ainsi qu’à l’histoire du Arrow que nous partageons avec les Canadiens. »
– Fern Proulx, président-directeur général par intérim d’Ingenium
« En tant qu’explorateurs professionnels du secteur minier, nous avons lancé ce programme il y a environ un an dans le but de présenter un morceau perdu de l’histoire canadienne aux citoyens. En tant qu’individus, qu’entreprise, que groupe et avec nos partenaires et les personnes participant à ce projet de recherche, nous avons un seul objectif : retrouver et retourner ces magnifiques pièces de technologie canadienne au public pendant l’année anniversaire de notre superbe pays. Tout comme Avro, notre propre groupe de sociétés s’est bâti sur des rêves, et ce projet rappelle fièrement ce que nous avons fait, ce que nous faisons et ce que nous pouvons faire en tant que Canadiens. »
– John Burzynski, président-directeur général de la minière Osisko et chef du OEX Recovery Group Incorporated
Le Musée de l’aviation et de l’espace du Canada
Le Musée : Situé sur une ancienne base militaire à seulement cinq kilomètres du 24, prom. Sussex à Ottawa, résidence du premier ministre, le Musée concentre ses activités sur l’aviation au Canada dans un contexte international, des débuts de l’aviation au Canada en 1909 jusqu’à nos jours. Comme la contribution à l’aviation du Canada a évolué pour inclure les technologies aérospatiales, la collection et le mandat du Musée se sont aussi élargis pour inclure les vols spatiaux. La collection comprend plus de 130 aéronefs et artéfacts (hélices, moteurs) militaires et civils. L’accent est mis, mais n’est pas exclusif, sur les réalisations canadiennes. Il s’agit de la collection d’aéronefs la plus importante au Canada, et l’un des plus beaux musées mondiaux de l’aviation.
Pièces de résistance: Le plus gros élément du fameux Avro Arrow encore disponible (le nez de l’appareil); le Canadarm d’origine de la navette spatiale Endeavour; le bombardier Lancaster WWII; l’exposition Vivre en orbite : la station spatiale internationale.
À propos d’Ingenium : Musées des sciences et de l’innovation du Canada
Dévoilée en juin 2017, Ingenium est une nouvelle identité qui a été adoptée pour préserver et raconter l’histoire du patrimoine scientifique et technologique du Canada. S’inspirant de la racine latine du mot « ingéniosité », cette identité corporative englobe trois institutions nationales, soit le Musée de l’agriculture et de l’alimentation du Canada, le Musée de l’aviation et de l’espace du Canada et le Musée des sciences et de la technologie du Canada. Sous l’identité Ingenium, ces trois musées deviennent des lieux où le passé rejoint le futur, et où les visiteurs peuvent apprendre et explorer, s’amuser et faire des découvertes. Ingenium se tourne aussi vers l’avenir grâce à son Centre de conservation des collections à la fine pointe de la technologie, dont l’ouverture est prévue en 2018, à ses plateformes numériques et sociales, ainsi qu’à ses expositions itinérantes d’envergure nationale et internationale qui sauront éduquer, divertir et captiver des publics de tous âges partout au Canada et dans le monde entier. Pour en savoir davantage, visitez-nous à IngeniumCanada.org/fr.
With this Saturday, July 1st marking the celebration of Canada’s 150th Anniversary, the country recently hired the renowned New York ad agency Juized (*satirical) to rebrand the nation as “The Greatest Country On Earth”. This phrase has typically been associated with the U.S., but America let the trademark slip and Canada has scooped it up and taken it as her own.
image concept- J. Barker
Juized is actively promoting the phrase and image for Canada, while redesigning the Canadian flag and revamping the national anthem to reflect this new status.
Juized has just released this short video on the challenges of rebranding Canada in anticipation of the campaign release on Canada Day.
While the rebranding of Canada may be a marketer’s dream it is actually the imaginary creation of Media-Corps,a dual-client sales agency and the largest Canadian Media Representative in the U.S. The company created the Juized video * about Americans not getting Canada with the help of 2 top funny men — CBC’s Pat Kelly and Peter Oldring as a tribute to the Canadian milestone and to show appreciation for Canada’s unique culture.
Robert Laplante
A native Canadian, Media-Corp’s founder Robert Laplante helps American advertisers understand that for a brand to be successful beyond its own borders, it’s critical to understand the different demographics and their behaviors. For the Silo, Susan Mackasey.
Summer is the prime time for family and friends to gather around the pool and celebrate the warmer weather. And what is a good party without the latest summer hits? Pump up the party with the perfect summer companion; Yatra Aquatune 9612 speaker.
Many speakers are too quiet, don’t have much battery life, and can be damaged in the sun, sand and sea. Leave your worries behind – Yatra has got you covered!
The Yatra Aquatune 9612 is the perfect pool party companion. This 9 watt, high performance speaker perfectly projects your favorite music while providing durable, compact entertainment. The speaker is not only sleek and stylish but also waterproof, weatherproof, shockproof, and dustproof, meaning you won’t have to worry about sand clogging the speakers or damage if it gets tossed in the waves. Fearlessly stream your favorite tunes with Yatra, enjoying the sun, sand and summer with your favorite songs at hand.
The Aquatune 9612 will be the life of the party and every beach day go-to. Jam to your favorite tunes, loud and proud with Yatra.
On a tight budget? The Model 5712 Aquatune is a great option.
To view the full line of Aquatune speakers and other Yatra products please visit www.shopyatra.com.
While plenty of industries, from sports to pop culture, have entered coloring book licensing partnerships, few have embraced it as much as the fashion world. Now, what could be the most beautiful and fanciest iteration of fashion coloring books has arrived. Vera Bradley is making a grand entrance into the coloring book world with their forthcoming pattern portfolio books. The books feature the company’s signature textile designs and unique patterns as line art for coloring in, as well galleries of colored designs for inspiration.
Vera Bradley is a leading designer of women’s handbags, luggage and travel items, fashion and home accessories and unique gifts. Founded in 1982 by friends Barbara Bradley Baekgaard and Patricia R. Miller, the brand’s innovative designs, iconic patterns and brilliant colors continue to inspire and connect women unlike any other brand in the global marketplace. The Company’s commitment to bringing more beauty into women’s lives includes its dedication to breast cancer research through the Vera Bradley Foundation for Breast Cancer in which they have raised over $28 USD million to date.
The titles for her two new books—Seize the Day and Enjoy the Journey—are reflective of Vera Bradley’s values of female empowerment. This is an area Vera Bradley co-founder Barbara Bradley Baekgaard is passionate about. Baekgaard was recently a headlining speaker at the The Women’s Entrepreneurship Symposium at the University of Florida. She is also a guest judge on the show Girl Starter—an engaging, fast-paced business-genre reality-competition show that engages eight girls ages 18-24 as they compete in the early-phases of entrepreneurial business building. Vera Bradley is also a sponsor to the show. The ultimate in coloring book quality.
Enjoy the Journey with this inspiring coloring book. Featuring 40 classic Vera Bradley designs, each eye-catching illustration is printed on extra-heavy, 200-year acid-free artist paper. A quick reference pattern guide provides the original Vera Bradley color schemes for every named pattern in the book, with stunning original patterns also shown in two-page spreads.
A full-color introduction shows you coloring techniques, craft ideas, and the right color swatches to use for a terrific look. Featuring a gold foil-embossed gatefold cover, this unique book even includes 16 bonus gift tags and 8 ready-to-color note cards.
Publisher: Design Originals, an imprint of Fox Chapel Publishing / August 2017
Pages: 120
ISBN: 978-1497203532
Seize the Day features 40 classic Vera Bradley designs, each eye-catching illustration is printed on extra-heavy, 200-year acid-free artist paper. A quick reference pattern guide provides the original Vera Bradley color schemes for every named pattern in the book, with stunning original patterns also shown in two-page spreads. A full-color introduction shows you coloring techniques, craft ideas, and the right color swatches to use for a terrific look.
Similar to Enjoy The Day, this book also features a gold foil-embossed gatefold cover and includes 16 bonus gift tags and 8 ready-to-color note cards. Get ready to color in the language of beauty with Vera Bradley!
Publisher: Design Originals, an imprint of Fox Chapel Publishing / August 2017
Pages: 120
ISBN: 978-1497203532 For the Silo, Elizabeth Martins.
Bottoms Up! Award-winning Miami Mixologist Josue Gonzalez from DÔA Miami Beach (2000 Collins Avenue, Miami Beach) has created anover-the-top luxury margarita specifically for those looking to take their Cinco de Mayo to the next level: $750 USD for one, $1000 USD for the pair, $2500 USD for table service.
Crafted with luxury in mind, the Allaire Royal Gold Margarita at DÔA features premium Allaire Collection Privee Tequila. Served in a Waterford Crystal Margarita Glass, rimmed with hand-harvested Sal de Ibiza Fleur de Sel, garnished with 24K Gold Flakes and 24K Gold encrusted lime wedge – The experience with the World’s Most Opulent Margarita doesn’t end when the lucky guest leaves DÔA — purchase price includes all the materials used to create the cocktail including: Waterford Crystal Margarita Glass(es), 24K Thai Elephant Gold Leaf for the lime, a silver-plated serving platter, gold plated mixing spoon and gold plated straws.
*Available only on Cinco de Mayo!
Allaire Royal Gold Margarita:
3 oz. Allaire Collection Privee Tequila
1 ½ oz. Fresh squeezed premium lime juice
1 oz. Grand Marnier Cuvee du Centenaire – 100 Year Anniversary
Shaken over purified spring ice,
Strained into a 24k Gold plated Shaker, Coat half the crystal glass rim with hand-harvested Sal de Ibiza Fleur de Sel
Pour into Waterford Crystal Margarita Glass
Garnish 24K Thai Elephant Gold Leaf coated lime slice
Served on silver plated platter with gold plated mixing spoon and gold plated straws
Allaire Royal Gold Margarita is available at DÔA in South Beach for $750 for one, $1000 for pair and $2500 as table side service leaving plenty of margarita to share!
Parc natural de ses Salines d’Eivissa.
Sal de Ibiza Fleur de Sel: For over 2,700 years, a sea-salt of premium quality has been harvested in the saline fields on the Mediterranean island of Ibiza. The island’s inhabitants have always been very proud of their marine salt, regarded as one of the best of its kind. The supreme “Queen of Salts” however, hand-harvested in the Nature Reserve of the “Parc natural de ses Salines d’Eivissa”, is the “Fleur de Sel” (Blossom of Salt). Unique in taste and texture, it is a rare and precious delicacy. The fragile “Fleur de Sel” crystals only form in conditions of abundant bright sunshine, low humidity and gentle winds. “Fleur de Sel” is exceptionally rich in vital minerals and trace-elements. It is a surprisingly mild, yet very aromatic and a tasty salt. For the Silo, Jessica Kirk.
Celebrate Canada’s 150th Anniversary with this Limited Edition RAYMOND WEIL freelancer timepiece.
This automatic stainless steel collection of 150 numbered units is highlighted by a black dial featuring the patriotic maple leaf. The black ceramic unidirectional bezel features red and white accents, and the caseback is engraved with the Canada150 logo and date. A work of beauty and precision. Recommended. For the Silo, Jarrod Barker.
With the historic opening of Documenta 14 in Athens this month, now is a perfect time to take a look around the world at more of the biennials happening in every corner throughout the year. You may recall a previous post in which we discussed three of the brightest stars in the biennial universe (namely, Venice, Whitney, and Documenta) but there is more to the vast world of biennials than just those few. There are old and new festivals celebrating cultural and political stories from every part of the globe imaginable. In these times of increased global awareness and community, the biennial may be one of the best conduits to further difficult conversations. The four biennials here take place in nations where socio-political upheaval has been or is part of the nations’ recent past or present existence.
Documenta 13 – Thomas Bayrle. Photo: commons.wikimedia.org
Odessa Biennale
A relative newcomer to the biennial scene, Odessa Biennale was established in 2013 by The Museum of Modern Art, Odessa. The first biennale was titled Self-government: cultural evolution vs. revolution. Participants were asked to examine the relationship and contradiction between various forms of freedom (personal, social, small group) and the impositions and restrictions of self-government. The upcoming biennale, set for August 26-September 30 is titled Turbulence. This year’s exhibition is rooted in Alvin Toffler’s 1970 book, Future Shock. Toffler examined the idea of collective shock as a result of living during a time of extreme change. Spinning out from the ancient curse, “may you live in an era of change” this year’s biennale seeks to disrupt the notion that extreme change is outside the ordinary and instead posits that all of human existence has been based around rotating times of chaos and calm. Open call for the 2017 biennale ended in December, but for future events (the next is slated for 2019) artists are always welcome to contribute their work for consideration.
Istanbul Biennale
This year will mark the 15th Istanbul Biennial. Since its inception in 1987, Istanbul has made the move to become an artist curated biennial. This year curation is headed up by artist duo Elmgreen & Dragset, Danish artists who explore the crossroads of art, architecture, and design. Istanbul has risen to a high place among the world’s biennial festivals, now being given similar footing to Venice, Sao Paolo, and Sydney. The event seeks to bring together Turkish artists as well as artists from the international community in order to further dialogue and exchange of cultural ideas. Past themes have included 2013’s Mom, am i barbarian? And in 2015 Saltwater: a theory of thought forms. The 2017 biennial is working in collaboration with the 2017 Istanbul film festival, both of which are exploring the title topic A Good Neighbor. In addition to the contemporary art program, the biennial will include ten feature and five short films all curated by Elmgreen and Dragset. The films (as well as the art) will look at the concept of home as a means of portraying identity and the intricacies of community and co-existence. The 2017 Istanbul Biennial runs from September 16-Novermber 12.
Beijing International Art Biennale
China is a nation with an ancient history of art as well as a finger on the developing pulse of the future. It is a burgeoning international economy as well as a land steeped in cultural tradition. The biennial was begun following China’s ascent to the WTO as well as their 2008 hosting of the Olympic Games. Through art, the Beijing Biennale seeks to further the notion of plurality as China continues to open its borders and join the world stage. The overall theme of each biennial is stated as demonstrating “the graceful bearing of opening up in an all-round way.”
photo: news.cn
A few of the tenets of the Beijing Biennale are, “building a grand path and bridge for international cultural exchanges” and “closely combining arts with international trends and national interests, developing the resource advantages in serving society and human beings.” The theme of the 2017 Biennale, set to run from September 24-October 15 at National Art Museum of China, encapsulates these basic principles. The Silk Road and World’s Civilizations considers the ancient tradition of China’s Silk Road and the new tradition of peaceful international development.
Karachi Biennale
In its first ever biennale, Pakistan will explore bold themes under the title Witness. According to the festival website, “Art as a testament of its time has always held significance, particularly in times when memory is heavily contested.
Czech born writer Milan Kundera
According to Milan Kundera, ‘The struggle of man against power is the struggle of memories against forgetting’. The theme Witness has been chosen for its strong relevance to politics of representation, erasure and selective documentation.” Pakistan has been a nation of political and social strife. Like much of the world today, upheaval has been a strong contributor to individual experience. Art has always been a medium that can reach beyond difficult times and continue a dialogue outside the socio-political arena. Karachi’s first Biennale will be curated by Amin Gulgee who grew up in Karachi. For the Silo, Brainard Carey.
Brainard is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.
For the high end market, there are often many different brands of similar products and services vying for attention. What are some effective ways luxury consumers can stay abreast of the newest, highest quality products and services?
This can actually be the done the good ol’ fashioned way and that’s simply to read a lot. Everything that you can possibly be looking for, think you might be looking for or not even know you’re looking for is on the Internet. Every day when I wake up, I spend a good 30 minutes and go through literally everything while I’m drinking my coffee—from international news to gossip to anything I can find that’s different from what I read before. People are out there doing everything they can to appease the people.
You are a member of a network called, “The Billionaires Club.” What are some of the luxury brands you and your inner circle are paying attention to and what draws these brands apart?
I would say these days quite a few people have moved away from just so called “big purchases.” Everything is now more about personal touches. For instance, many people own a Rolex, Audemars Piguetor Hublot. More often than not, some of these are one out of however many but how many people really have something that’s one of kind? Not too many. The other point is that the watch may suit you but it doesn’t reflect your own personality, likes and dislikes. So what’s actually becoming quite popular is engraving one’s watches. I’ve seen some crazy designs that really add some character to a person’s wrist such as koi fish, skull heads and zodiac signs.
So back to the main question and one particular brand that has stood out is Golden Concept. Again, it’s all about personal touches these days and being unique. Golden Concept specializes in luxury cases for your phone. They have gold, snakeskin and gator cases just to name a few. All done to the highest of quality and many are customizable. So if you’re looking to stand out, make sure to check them out.
Another brand which has seen quite a bit of press and accolades is JetSmarter, one of the more successful private aviation companies. For many entrepreneurs, meetings take place in different cities, different continents and in different time zones. JetSmarter offers these services in an easy-to-maneuver application that makes flying private relatively affordable and easy.
World’s most expensive ‘whatever’: click me
What are the top three luxury items or brands that have captivated your own attention right now?
Right now there are three top brands that are top-of-mind for me right now. These are Emperada Cigar Humidor by Imperiali Geneve; Astonomia Tourbillion by Jacob & Co; and Bentley EXP 10 Speed 6 Concept car.
Not everyone can afford luxury brands. What would you suggest for those who have the desire to appear high end but not necessarily the means?
There’s actually been a lot of hype surrounding brands that cater specifically to people who enjoy the “finer things” but are limited by what’s in their wallet. Many bloggers, for instance, are always writing about the newest gadget, accessory or clothing. I would recommend finding a few that fit your style and follow them on Instagram to see what it is that they’re rocking on a day to day basis. Many people have to understand that your average blogger is there to inform the public on some of the newest fashion do’s and don’ts, and these are all done with new brands or affordable pre-existing brands.
Second, which I have seen quite a bit, is on Kickstarter or similar sites that are always offering “perks” for those who invest early in their brands. Without naming names, a few brands offered a discounted handmade Italian leather, skeleton movement watches for a fraction of the cost to the first “so many” number of investors.
Just keep in mind for everything high-end there is always a cheaper counterpart. Don’t worry just about name brand or high end. All that matters is that it looks good and makes you feel great.
For those who focus on products that are affordable luxury, who are some of the brands doing the best and what are the keys to success?
One of the biggest and most successful brands that I have seen that caters more towards the everyday luxury is Tory Burch. Although TB is for women, I have on many occasions bought it for family, friends and clients so I can safely say I have quite a bit of exposure to this brand and can thus speak with some confidence. Obviously, price point for TB is well within the means of many. Besides that, what is it that has led TB to such success? I would say three main factors: relate-ability, professionalism and seamlessness. Relate-ability in that walking through the concrete jungle that is New York, TB products have always caught my eye in their simplicity but also how stylish it is, whether on a working woman running into Starbucks or that beautiful lady going to brunch. Second, professionalism – although many brands always stress the attentiveness of the staff, it pales in comparison to TB. People have to understand that often times upper tier luxury items are for a certain group and employees are naturally prejudiced to people who they perceive not to be at that level. There have been times where I would walk into a Rolex store unattended for 15 minutes and the instant my AP peaks out from under my shirt, someone is there to help. This just doesn’t happen at TB and for that I am quite appreciative. Seamlessness in TB’s product, in that it offers just the right amount “je ne sais quoi.” Most of their products can be matched with a variety of other brands. This has all led to the tremendous success that TB has experienced over these past few years.
What are the top three factors that truly set an ultra-premium wine, champagne or spirit brand apart from less costly luxury beverage counterparts, wine and otherwise?
Marketing wine for the luxury market is a really tough job to do. Quite frankly it’s because you’re trying to appease a group of people who have seen it all. People always say when you do something for long enough, whether you want to or not you will become a bit of a connoisseur. That’s especially true for those in the wine industry. Most are well educated, well informed and have a true passion towards exploring the finer points of what’s in a wine bottle. If we were to say that all wines in the luxury market were of the same caliber, there would still be so many factors in play, the first being accessibility and quantity. Many luxury wines are such because there is a limited supply. You can’t expect a brand to sell at the same price point when there are only 10,000 bottles as compared to 100,000 bottles. However, although there are still 10,000 bottles that were produced, that doesn’t mean your everyday Joe would be able to get his hands on them even if he’s willing to dish out the necessary cash. Thus, there’s another added premium to an already sky high price.
Another example is time and care. For those who are only there to turn a quick profit, the longer time they spend on making a wine, the more money that needs to be invested. That in itself increases cost and decreases profit. This is why sometimes you have wineries that will actually keep the wine in their cellars for years after bottling to ensure that the wine has at least matured to a passable level. By care, I mean winemakers are very passionate about their craft and thus hate having their name associated with sub-par wine. Thus, you have some years where there is little to no wine produced by a certain grower because only a small amount of the grapes harvested passed the standard or none at all.
Never one to rest on his laurels and even amid a diversity of endeavors, Shu continues to raise the bar for himself professionally and personally. Whether it be as an active investor looking for the latest innovation in the luxury and tech space or, despite his jam-packed schedule, his current pursuit of an Ivy League Master’s degree at Columbia University. Clearly this good life connoisseur turned luxe market mogul will continue making an impact on the numerous high-end industries for many years to come. For the Silo, Merilee Kern. Merilee is an influential media voice and lauded communications strategist.
Can’t figure out what to get the film buff in your life? Delight any movie lover with high-quality EntertainArt. Set the scene with exclusive, limited edition, ready-to-hang wall art from some of the hottest movies, classic comics and TV shows like Star Wars, Alice in Wonderland, Batman and many more.
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Featuring rich detail, deep color saturation, and exciting embellishments, EntertainArt is a modern way to display artwork on quality canvas with or without a frame. So what are you waiting for? Shine a spotlight on your space with the magic of the movies.
Whether you’re a fan of sci-fi, Disney princesses, or Marvel and DC superheroes, EntertainArt is the place to find the most unique designs and authentic wall decor. Want to class up your home while still representing your favorite flicks? Check out a few examples of EntertainArt’s growing selection of officially licensed artwork:
Batman Blimp: The world’s greatest detective, Batman, protects his beloved city of Gotham from the rooftops. DC Comics created some of the world’s most popular characters such as Superman and Wonder Woman and is the oldest active publishing company. Beautiful comic book covers like this one from Jim Lee will make for beautiful, bold designs to display proudly on your wall.
Alice Looking For Wonderland Tea Fall: Follow us down the rabbit-hole to a curious place filled with mad hatters, white rabbits, and evil queens. Create a world of your own with wall art that will transport you to wonderland with Alice.
Rogue One, A Star Wars Story: Rebel and Imperial forces collide in this legendary collage. Celebrate this inspiring tale with a creative canvas art piece. Decorate your home with the epic saga of a rebellion built on hope.
About our friends at EntertainArt
EntertainArt is created by entertainment enthusiasts who wanted to fill a void of online stores selling high-quality wall décor for movies, comics and alike. EntertainArt is the leading online destination for officially licensed entertainment wall art. We provide quality ready-to-hang wall art from your favorite movies, comics, and TV Series. Whether you’re a fan of sci-fi, princesses, or superheroes, we are the place where you can find the most exclusive designs and authentic wall decor.
If you could choose just one photo exhibit to see all year, it would have to be Hurban Vortex in Cannes.
Often, photography is the visual equivalent of telling a one-word story, expressed through an immediately comprehensible image. In contrast, Parisian photographer Boris Wilensky takes you on a journey through time, space, and humanity. His photos are true documentaries which require time to contemplate, and listen to. Yes, listen to, not just look at. Because all of his work tells a powerful, juxtaposing story. A story of humans in cruel, all-consuming urban environments… facing challenges beyond their control… surviving in harsh conditions… A story that is already written but that is reinvented every time you look at the image.
Boris Wilensky’s current exhibition Hurban Vortex at the Suquet des Art(iste)s in Cannes opened on December 9 last year, featuring a selection of 30 of his works. Much has been said and written about it, and him, since, so no further biographical introduction is needed. And what really shaped his life, are locations rather than dates – Israel and Palestine, Tokyo, Fukushima, and Cambodia.
An emotional trip to Israel and Palestine in 2005 left a big impression on the idealistic young man, and he started keeping and publishing travel journals to share his impressions. At some point he began illustrating those with photos. Meanwhile he kept working as a photographer in entertainment and sports.
In 2008, a café in Paris offered him space to display his photos. Thinking to himself, “This is a great opportunity… probably the only one I’ll ever have to exhibit”, he went for it. It was a success, and the impetus to turn his passion into a profession.
A visit to Tokyo in 2009 would prove to be the pathway into that professional career as an art photographer. The swirling, frenzied city of dazzling lights around the clock inspired him to find a way to capture the craziness of the megalopolis and the loneliness of its citizens … and he found a way to do so by superimposing two photos taken in the Tokyo subway, of the train and its travelers. It turned out so well that this type of photography would soon become his signature.
On his next visit to Japan – and in fact to Fukushima, just one month after the 2011 reactor catastrophe there – he found a country that had profoundly changed. The Japanese were beginning to awaken to the consequences of boundless, unchecked use of nuclear energy. As a consequence, the garish lights all over town were dimmed, and the mood had become much more somber and sober.
This was when the Hurban Vortex project started taking shape in the artist’s mind. “Hurban Vortex is an urban adventure with a big H”, he explains, the constant game between the concepts of humanity and urbanity, extending into notions of modernity and identity, future, sustainable development, ecology and economy. The City, symbolizing Progress and Modernity, in constant growth, now become a “megalopolis”, or a “City-world”, a space built by humans to live in but one that eats them up in return.
For this project, and forever drawn to Asia, Boris Wilensky returns to Tokyo, Shanghai and Bangkok to take as many “photographic backgrounds” as possible. Then he tours Cambodia for two months, the stark contrast to the other cities’ modernity. Here he immerses himself fully in the ancient Khmer culture, taking portraits of men, women and children. Many of those faces bear silent witness to the horrors of the Khmer Rouge regime, and yet retain pride and dignity that speaks of inner strength.
Over 15,000 photos later, Hurban Vortex sees the light of day. The ensemble of artistic, esthetic and human adventure are at the core of the triptych that represents his works: Origins corresponds to 2009 (present), the period of an oblivious, profligate, consumerism-driven world. Collapse takes us into 2011 (future)…Fukushima, with its worldwide impact. The glasses and gas masks worn by the humans represent the man-made destruction of a world as we had known it before and which will never be the same. And in Post we find ourselves in an urban landscape filled with waste and shattered ruins. But people are no longer wearing their blinders… Maybe there is hope after all that cities may disappear but humans are still around? Or does the urban jungle always win in the end? You decide, because it is your personal interpretation, after an intense dialogue with the image… exactly what Boris Wilensky wants.
What the viewer sees, is how this artist sees the world – not in the literal but figurative sense. But he does not dictate, he suggests. He considers himself a storytelling portraitist first and foremost, and an urban photographer second. As you look at his large-size pictures (180 x 120 cm), the image in front of you transforms from a flat canvas to a three-dimensional scenography. You are drawn in, pulled onto a stage, you become part of the performance, an actor engaged in a dialogue. You are the person across from the man in the photo, but you also become him, turning outward to the viewer.
The continuous movement – the vortex – pushes and pulls you as the borders between Human and Urban blur and become Hurban. There are violently cold and anonymous city landscapes, consisting of monochromatic and starkly geometric patterns, entirely unlike anything you find in nature. But the human element, superimposed, invariably bestows them with a strangely appealing aesthetic. For the Silo, Natja Igney. This article originates at Riviera-buzz.Banner diptych image Boris Wilensky- concept by Jarrod Barker.
Maybe you watch all the TV shows, follow the blogs, and read all the magazines (or perhaps just look at the pretty pictures) and still wonder what Interior Design really is, what a Designer does, and if you would benefit from working with one? If so, then read on because here’s the nitty gritty on Interior Design and the passionate Designers working within it.
Interior Design is about providing “creative design solutions for interior environments and its clients. It is the combination of technical and analytical skills with an aesthetic vision to achieve spaces that are functional, support the health, safety and well-being of users, enhance the quality of life of the occupants, and are visually attractive” (www.idcanada.org ).
Interior Design can cover a variety of disciplines, including residential, corporate/workplace, retail, healthcare, hospitality, public, and institutional design. Designers pay special attention to function, space planning, ergonomics, lighting, and of course the “pretty” surface elements such as colours and fabrics. Interior Designers can be thought of as an “interior architect” and are skilled in the aspects of spatial planning, preparing technical drawings and documents, and can help design and renovate interiors from drawing up the initial floor plans to placing the last decorative accent.
How does an Interior Designer gets to be a certified professional? It begins with 3-4 years of schooling, followed by a minimum of 2-3 years of work experience, and then certified by rigorous examinations facilitated by the professional bodies of ARIDO and IDC. Designers are required to carry liability insurance, participate in ongoing professional development programs, and uphold a professional code of ethics and standards to maintain their credentials.
Interior Designers can be hired for remodels, renovations, redecorating, and new build projects. They often work with architects, trades, and other design professionals to achieve the clients’ goals while following safety standards and building codes. Designers are often involved with planning from the very beginning but can be brought in at any stage of the design and construction process.
The cost of hiring an Interior Designer may seem prohibitive for those on a tight budget, but the benefits are advantageous.
Those who don’t have the time or desire to plan, shop, select, and oversee their project will ultimately profit from hiring an expert. An Interior Designer can prevent clients from making costly mistakes; whether it is with project management, decision-making, or providing savings on products and materials purchased. Designers bring with them an array of professional contacts for trades, suppliers, custom fabricators, and favourite stores. Regardless of the project size and needs, clients often have the option to choose from a variety of services to suit their budget.
If you are considering hiring an Interior Designer know what you want by determining your needs beforehand, and define your style through design and architecture magazine clippings. You can find a Designer through word of mouth, web-based research, professional associations, or trade magazines.
Interview them to review their portfolio, determine that your personalities mesh, discuss your project scope as well as the designer’s fees and process. Most important of all, have fun with the process – your interiors will thank you, and you will have made an investment into the enjoyment and functionality of your space. For the Silo, Ramee Cyr Principal, Ra-me Interior Design www.ramedesign.com
Originally published in print edn. of The Silo December 2013.
I began writing this post after an annual viewing pilgrimage of sorts. Each year on the eve of shopping’s busiest day, I crack open the well worn plastic jewel case and fire up the DVD player. It’s a fictional account but based in fact and is very entertaining and I can’t help but wonder what “might have been” after watching CBC’s 1996 mini-series “the Arrow” again. [You can watch this right here at the end of this post CP]
Over the decades fact and fiction have become tangled but the basic truths remain intact. In the late 1950’s a highly advanced jet interceptor designed to seek (and if necessary destroy) Russian nuclear bombers was conceived, designed, built and flown in Canada by a predominantly Canadian team. Here’s where things get fuzzy. The Arrow was developed when the federal Liberal party were in power but was finished and flown when the Conservatives were in power. It represented not only the technological capability of Canada’s aviation industry- but also the econo-political agenda of the mid-twentieth Century. So what happened at that time to help spell the doom of the Arrow?
-The ICBM- intercontinental ballistic missile was viewed as the future of warfare not the nuclear bomber. This meant that a jet interceptor was obsolete because it would be unable to intercept approaching missiles.
-Bad timing: on the day of the rollout of the very first completed Arrow, the Russians launched Sputnik, the world’s first artificial satellite. In the public eye jets seemed unimportant.
-The American Bomarc missile system was designed to intercept incoming nuclear bombers and ballistic nuclear missiles. The Bomarc had a small nuclear warhead which would detonate in the pathway of approaching missiles (or bombers) and create a nuclear ‘shield’. The Bomarc was highly controversial at the time because our Prime Minister did not want nuclear missiles on Canadian territory. However, our Defence Minister did not agree and eventually resigned over the matter. This defence ‘split’ exacerbated the Arrow program and any chance for an Arrow squadron legacy.
-The Canadian designed Iroquois engines were not readied in time and were not fitted into the Arrow. These engines were innovative and theoretically could have propelled the Arrow to speeds of Mach 2.5 or possibly Mach 3.0- far beyond every fighter of the time with the exception of secret black technology projects like the American Blackbird SR-71. Had the Canadian engines been readied and proven, there seems little doubt that international orders would have offset some of the Arrow’s mounting costs.
Black Friday…….almost 15,000 workers lose their job.
There is no official record of just who ordered the destruction of the remaining Arrows. Other than a few recovered test models, an incomplete cockpit and a few seconds of in flight film, nothing remains of this wonderful airplane . For the Silo, Jarrod Barker.
The completed Arrows being cut up and readied for a Hamilton,ON scrap dealer.
LOS ANGELES – Bucky O’Hare – the original comic book series turned into a classic cartoon – made its debut in the digital domain with an 8-page exclusive Swipe Studio e-comic book written and illustrated by brand creators Larry Hama and Michael Golden together with Neal Adams and his Continuity Productions. Bucky O’Hare and the Toad Menace made its premiere appearance Day One of Stan Lee’s Los Angeles Comic Con recently held October 28-30 at the Los Angeles Convention Center.
Designed utilizing the tools available on the all-new Swipe Studio design app, the latest offering in the Bucky O’Hare legacy follows Bucky and his crew as they do battle with the Toad Armada. The special Los Angeles Comic Con presentation featured legendary artist Neal Adams together with Swipe Studio’s famed creator Satoshi Nakajima.
The 8-pager provided fans with a glimpse into the creative for the planned Bucky O’Hare theatrical motion picture now in the works with Neal Adams producing and directing.
The brainchild of software genius Satoshi Nakajima – the engineering architect responsible for Windows 95 and Windows 98 along with Internet Explorer versions 3 and 4 – Swipe empowers everyone from consumers to creators to easily animate everything from emails to digital comics with media-rich digital elements and make use of animation, video, vector graphics as well as full audio for voice, music and sound effects on tablets and smartphones. Created to take full advantage of today’s touch-enabled smartphone and tablet technology, Swipe eliminates the need for complex programming typically required to build animation or other forms of design content. As a result, creators, designers, animators and artists have the tools to create media-rich animated digital content for consumption via touch-enabled devices including smartphones, tablets and touch-enabled set-top-boxes, such as iPhone and Apple TV.
In addition to the Swipe Bucky O’Hare comic book, artist Neal Adams also worked with the Swipe team to load into the platform an impressive portfolio of Bucky art elements and animation that can be adapted by anyone for any digital purpose, including e-mails or presentations of any kind, including all main characters and several backgrounds.
Creators and artists can now experience the free Swipe app instantly by downloading Swipe Studio to their iPhone/iPad/iPod touch and begin to create media-rich animated digital content. To download the Swipe Studio, go to App Store https://appsto.re/us/hlcDeb.iNote- Swipe Studio is available only for iPhone/iPad/iPod touch users with version iOS9 or later.
“We are thrilled to unveil the newest Bucky O’Hare creative from the team responsible for this celebrated and enduring property at Stan Lee’s Los Angeles Comic con,” said Nakajima. “I [had] tremendous enthusiasm towards sharing a panel with the great Neal Adams whose brilliant use of the Swipe Studio design tools helps us usher in a new era in digital design.”
“It has been a lot of fun to work with Swipe Studio and I encourage artists to check it out for their own design projects. In fact, Swipie – which is Swipe’s platform for consumers – continues to offer a wealth of art and animation applications to enhance everything from emails to digital presentations. Mr. Nakajima has built an extraordinary platform and I am proud to contribute Bucky O’Hare as a way of underscoring its power as a design platform,” said Neal Adams.
About Swipe, Inc.
Headquartered in Tokyo, Swipe, Inc. is the parent company for Swipe™, an open source platform embedding the full range of visual and audio media into digital documents for smartphones, tablets and other touch-screen devices. Swipe, Inc. Founder-Chief Technology Officer Satoshi Nakajima is recognized industry-wide as the lead engineer and architect of Windows 95 and Windows 98 which he created during his tenure with Microsoft. Visit Swipe, Inc. online at http://www.Swipe.net/.
Imagine looking in your glasses to see updates from your friends on social media. The future is coming sooner than you think and yes, you will be wearing your next computer- check out this future ready infographic from our friends at Frames Direct.
Click Me to see more interesting Infographics by visual.ly
The first published concept of Virtual Reality: Pygmalion’s Spectales (short story) by Stanley G. Weinbaum ‘You drink,’ said the elfin, bearded face, ‘to make real a dream. Is it not so? Either to dream that what you seek is yours, or else to dream that what you hate is conquered. You drink to escape reality, and the irony is that even reality is a dream.’ Published June 1935 ~ Wonder Stories
It’s late September as I write this and with winter slowly creeping in (Sorry but true!) and holiday shopping season around the corner, I would like to tell you all about some amazing books to add to your shopping list and help pass the cold months. If you are an aviation lover, you are in for a very special treat courtesy of Quarto Publishing.
They took the ORIGINAL flight manual and republished it… all 1,040 pages and 8 pounds!!!! The Lockheed SR-71 Blackbird was a long-range, Mach 3 reconnaissance aircraft developed by Lockheed’s top-secret Skunk Works. One of the first aircraft designed to have a low radar signature, the SR-71 could map 100,000 square miles from an altitude of 80,000 feet. Operational from 1964 to 1998, it is still the fastest jet-powered aircraft – a Blackbird once completed a Los Angeles-to-Washington, D.C. flight in 64 minutes. Naturally, reigning in all that technology and performance required some know-how on the parts of the pilots and ground crews
For as long as there has been sustained heavier-than-air human flight, airplanes have been used to gather information about our adversaries. Less than a decade after the Wright Brothers flew at Kitty Hawk, Italian pilots were keeping tabs on Turkish foes in Libya. Today, aircraft with specialized designs and sensory equipment still cruise the skies, spying out secrets in the never-ending quest for an upper hand.
Hatched in June 1943 after a special request of the US Army Air Forces to develop a turbojet-powered fighter to counter growing German threats, Lockheed Martin’s Skunk Works has gone on to develop remarkable aeronautical and space technologies, including stealth. Some have made it into production, while others never quite made it off drafting boards and computer screens, but proved fascinating nonetheless.
There’s no shortage of fantastic archival aviation photography from World War II. But photos from the period fall short in three major categories: the vast majority are black and white, most were composed under duress, and very few capture moments that have since entered the written record of aerial conflict.
Award-winning artist Jim Laurier rectifies the situation in this stunning, large-format, hardcover book celebrating World War II’s top fighter aircraft.
Frank Lloyd Wright designed over 1,000 structures (532 were completed) in his 70-years-plus career – mostly homes but also hotels, schools, churches, the Johnson Wax Headquarters and the Guggenheim Museum. This iconic American architect’s final design was the Norman Lykes House in Phoenix in the same year of his death in 1959. It is now for sale priced at USD$3.6 million and profiled at toptenrealestatedeals.com.
The Guggenheim cameo in Men In Black (1min 25secs)
Wright had been working with his apprentice, John Rattenbury, on the Lykes House sketches and had already chosen the building site for the home when he died. Having come full circle from his start in Prairie style, to textile block, to organic and, towards the end, the functional Usonian for the masses, his last designs showed a new interest in circles and curves as he created buildings in the round such as the Guggenheim and the house he built for his son, the David and Gladys Wright home also in Phoenix.
With a site on top of Palm Canyon with views of the valley, Wright began the Lykes design by replicating the curves of the mountainsides, making the home an integral part of its environment and providing big views for its owners and visitors. Though Wright passed away before finishing the working plans, the Lykes hired his apprentice, Rattenbury, to complete the plans according to the details set forth by Wright. The couple loved the completed plans, though it was another seven years before they started construction. When they did, Rattenbury oversaw the build and the home was completed in 1967. In addition to the structure itself, Wright also designed the furniture and built-ins for the home.
In 1994, new owners wanted some updating, so they called back Rattenbury to do the redesign by expanding the master bedroom, converting a workshop into a media room and combining two other bedrooms into a guest room – all without disrupting the overall design. Rather futuristic for its time, the circular and curvilinear design has become a timeless piece of architecture that continues to be copied by today’s designers and builders.
Now for sale and registered with the Frank Lloyd Wright Building Conservancy, the 2,849-square-foot home on one acre of desert plateau has three bedrooms, three bathrooms, the signature large living room fireplace intended to bring families and friends together, a lower-level media room, two home offices with built-ins of desk, cabinet storage and walls of shelving, a distinctive curved kitchen with Wright-designed island and unique under-cabinet windows and timeless stainless-steel counters, contemporary tiled large baths, and a privacy walled crescent pool patio viewed from inside through glass walls. There is also a separate large office in the round with all built-in furnishings encircled by half-moon windows. Views of valley and mountains can be seen from almost every room.
Classic last Wright design before his death, contemporary for today including lots of storage space with furniture and built-ins designed by the famous architect, the Lykes House is now for sale and priced at USD$3.6 million. For the Silo, Terry Walsh.
Starting last month Habits Studio and QUANTUM formalized a new partnership that signaled an exciting collaboration between the Italian design studio and the Japanese innovation studio/accelerator.
With shared aspirations and values, the two companies plan to work closely to develop Internet of Things (IoT) products that breathe new life into everyday experiences. The first product created by the partnership was unveiled at the Digital Habits booth at the Salone del Mobile Milano 2016, held in Milan, Italy in April. Inspired by moon-watching, the teams introduced a unique interior lighting display, ‘Another Moon’, that showcases the delicate beauty of waxing and waning of the moon in real time.
Being enhanced through their collaboration, both companies are committed to developing future products and services that have appeal for the wider global marketplace. The partnership opens up new opportunities for both companies to incorporate global design perspectives into the earliest stages of product development.
In addition to this, QUANTUM and Habits Studio plan to leverage their partnership across a wide range of projects undertaken in conjunction with QUANTUM’s numerous partner companies.
HABITS Studio provides seamless experiences for users looking to adopt innovations and new technologies. The team includes product designers, mechanical and electronic engineers, visual and interaction designers, who together, bring their visions to life by making interactive prototypes as proof of concepts. Habits Studio has also an internal innovation platform, called ‘Digital Habits’.
QUANTUM was launched in 2014 as a division within TBWA\HAKUHODO to help foster innovative growth and exploration. It went on to establish its own brand called QM in 2015. The collaboration with Habits Studio started between QM and Digital Habits.
“We have a special link with Japan. We started working in the country in 2000 when we were still students. Now we feel somehow integrated with the habits and creativity of the Japanese people. Our design approach appears to be especially effective for Japanese advanced industries. The partnership with QUANTUM ideally fits this opportunity and the capabilities of both companies express together a whole creative heritage.” Innocenzo Rifino, Founder, Habits Studio
“Our work style at Ku-Mu (QM) is always to collaborate with partners flexibly depending on the products and services we produce. Through the project with Habits Studio, we realized that partnering with global design firms would make us enrich the products we develop with a broader perspective, especially at a time when both businesses and markets are becoming more global. Habits has lots of experiences working with global companies, including some in Japan, and we are very excited to continue our collaboration on more projects based on this partnership.” Futaba Maehara, General Manager, QUANTUM Makers, QUANTUM
Print All Over Me is a creative community of people turning virtual ideas into real world objects. Every three months, we release a series of silhouettes like t-shirts, backpacks, jockstraps, etc. As a designer, you can upload your own artwork to each silhouette and then offer your design for sale. Even “captcha” designs like in our collab below with EXONEMO.
Every piece on PAOM is custom made. We print the fabric first and then cut and sew. We believe that by taking fashion slowly we can: a. offer high quality items; b. produce in an environmentally sustainable way; c. (and most importantly) offer our studio employees a living wage and health benefits.
Our office and collab studio is based in New York at New Inc. – the New Museum’s incubator. Our main production studio is outside Shanghai and we have a satellite studio in Georgia, outside Savannah.
Click me to design your own captcha – antibot wear.
Supplemental-
Neilsen’s signature look- a la 1970’s 1980’s
Was Cheap Trick guitarist Rick Nielsen an early captcha-clothing pioneer?
The release of the new Absolutely Fabulous movie is set for this month, and here from our friends at The Rug Seller we’re really looking forward to it. Like Edina and Patsy, we appreciate the finer things in life – one of our newest collections for 2016 is the Christian Lacroix range, one of Eddy’s favourite fashion designers. This infographic takes a look at the most outrageous outfits from the famous series, the characters’ favourite designers as well as some of the funniest quotes from the series – Saffron can always be relied on to come up with some memorable insults. There’s also some facts that you may not have known about Ab Fab. For the Silo, Georgia Davies.
Don’t be fooled- this might seem like a commercial but it’s a trailer 😉
Watch the latest movie trailers via our friends at Tribute.ca
Peter Auto is delighted to announce that the Concours Chantilly Arts & Elegance Richard Mille, which will be held on 4th September in the Chantilly Domain for the third time, is welcoming two new partners: BMW and ACJ (Airbus Corporate Jets).
Last year’s Chantilly.
BMW was present at the 2015 event as entrant in the Concours d’Elégance reserved for concept cars and won the 1st prize with the 3.0 CSL Homage R. In 2016, the year which marks the Bavarian make’s centenary, BMW has joined the Chantilly Arts & Elegance Richard Mille in the context of a wider partnership that will be announced at a later date.
ACJ provides its clients with the most modern business jets in the world based on the full range of planes made by Airbus, leader in the field of aeronautics, thanks to its unique expertise, innovative technology and bespoke customer service. A fully personalised interior can be installed in these very spacious VIP planes including, for example, a lounge, an office, a bedroom and a bathroom. By combining interiors with unique living spaces and a range of action that enables its clients to cover the whole world, ACJ facilitates their life style. With ACJ Chantilly Arts & Elegance welcomes a partner whose values of excellence, innovation and luxury dovetail perfectly with those highlighted by the event.
Last year’s winner- the BMW CSL concept car. What a beauty!
BMW and ACJ join a list of prestigious partners who have renewed their confidence in Peter Auto in 2016 for the Chantilly Arts & Elegance Richard Mille: DS Automobiles, Le Point, Bonhams, Relais & Châteaux, Charles Heidsieck, Radio Classic, the IDEC Group, etc.
The first two Chantilly Arts & Elegance Richard Mille were an instant success with the public, manufacturers, collectors and partners. They were also rewarded in Great Britain by the prize for the Motor Car Event of the Year in 2014 and 2015 at the International Historic Motoring Awards. In 2015 the event received the backing of the French Ministry of Culture and Communication, which has renewed its support in 2016.
The 3rd Chantilly Arts & Elegance Richard Mille follows in the same vein as the previous ones by continuing with the Concours Automobile allied with a wide range of activities that include the French Art of Living, Fine Arts, Arts of the Table, Fashion, Music, Watch making, etc. with the partnership of prestigious houses and brands. Thus, all the ingredients are combined to make it a rendezvous that’s unique in its field in an exceptional setting only a few kilometres from Paris. The riches of the Chantilly Domain and the eponymous princely town give Chantilly Arts & Elegance Richard Mille the quintessence of art and elegance, which all the visitor can enjoy at this convivial, family event.