Marine debris comes from many land and ocean sources. Yet few of us understand that our trash can travel over land, down streams, rivers and storm drains to the ocean. That’s why Project AWARE is collecting marine debris data from divers. They’re painting a clear picture of the underwater trash that threatens ocean life and are building a case against ocean trash for all of us to see.
Once again I find myself Down in the Southern U.S checking out beautiful un-restored classic cars in their usual (usual here) worn out aged condition. With very little rust. It never ceases to amaze me the sheer quantity of classics down here. I look at such a wide array of any make or model. (people actually think that they have all been picked already!). One short cruise down one back-road down here and I guarantee that you will spot at least an old Chevy truck parked out back behind a house, in a barn, or just barely sticking out of an old garage that is coming down around it.
This, not planned, but longer than expected trip to Georgia, brought me to see a sweet 1968 el Camino SS, with a 383 stroker engine and nice black interior. I almost got to look at an original, untouched 1963 split window Corvette, parked in a carport for like 20 years. Apparently under a couple inch thick layer of dust. Go figure it was gone before I even got there.
A couple of the more odd-ball cars I looked at were a 1985 Corvette on 20inch 140spoke knock-off rims ( I don’t understand this one!), and a metallic orange 85 Monte Carlo SS jacked up about 14 inches sitting on 24’s, and featuring real bullet holes that it received in a police shootout (the guy who had it, bought it from a police auction). Neat looking car.
I also met a man down here who had to have had about 6 or 7, 58-60 Corvettes in different stages of repair. With one I believe, 1959 Corvette completely restored, in a high-gloss black, with a mint convertible top, and factory 4speed standard (manual to our UK and European friends) transmission. He also had one 1958, close to finished. They were both sweet cars. I must also add that the other 4 or 5 were scattered around his property among scrap, building supplies, and bushes. It was quite a sight.
I walked out behind his shop and he had a 1957 Chevy 210 Station Wagon with no engine, but complete interior down to the factory radio! This car just parked, with bushes and weeds growing around it. (I think I am going to buy this one to build with my son and daughter and keep as the Sunday cruiser). I’m thinking a nice, loud, built small block, flat-black paint, and white wall tires on gloss-red rallys. I love these cars!
You probably noticed the first photo in this post right? Well, on a previous trip down here about two years ago I caught wind of a guy in Tennessee who apparently had 19, (that’s right!!! 19!) 1957 Chevy cars.
This guy had acres and acres of farm with cars tucked away everywhere you looked. 1951 Fords, A 59 Chrysler, 38 Chevy coupe, 59 International pickup, a 1929 Chevy Hot-rod, an I think 1930 Nash, all kinds of cars and trucks that you never see. In nearly original condition. My actual favorite here though, was his personal “parts getter” 1929 Chevy Truck Rat-rod, it was clever right down to the piston rad cap that stuck out of the hood. I really liked this one. The cool thing about finding all these cars is meeting their owners and hearing all of their stories. Car people are usually fun to hang out with, especially in the south.
I’m coming back with a friend who bought a 1966 Big back window, Chevy custom-10 short-box. Its not a half bad truck. He’s gonna fix it up. Maybe add a small block V-8. We’ll see. I’m heading back to Canada tomorrow. Goodbye t-shirt days in January, goodbye five dollar all-you- can eat buffets, goodbye three dollar smokes and goodbye constant, rare car sightings. Oh well, I always know that there will be future adventures in the deep south. Checking out sweet old cars for people, and telling them where they’re at. It’s always cool to have someone ask if I know of an old car they have been looking for and can’t find, and I can tell them “I can give you the phone number of a guy who’s got one of those”. It’s always very cool to have someone bring you a new project. So many possibilities with every car that rolls in…
For the Silo, Robb Price. Photos via the author. Check out Robb’s auto biz on Facebook.
Many non-native plants can happily survive in other regions of the world, which has given gardeners more choice than ever before. However, native flowers and plants can summarize the landscape of a nation, while communicating the identity of a country.
In 1992 I visited Kowloon , Hong Kong and discovered a multitude of audiophile shops nestled into the nooks and crannies of the tech sector. My task at the time was to look for Laserdiscs and to purchase a fiber optic audio cable for said Laserdisc player. This task was accomplished in short order- there was so much to choose from unlike the scarcity of said items back home.
Today most North American consumer electronics are made in China or ‘overseas’ but 30 years ago this was not always the norm. Any stigma that may have existed has been eroded because quality has improved considerably and prices have dropped too- making very good quality audio equipment affordable for more consumers than ever before. And that’s a good thing.
茉莉花Jasmine®” is a hardware service provider specializing in the design and development of vinyl systems. It owns core technology of vinyl systems and provides a global, top HiFi turntable brand with R&D services for their entire product line of cartridges, tonearms, phono stages, turntables, etc.,
Jasmine has served well-known brands in more than 40 countries including the United States, Norway, Sweden, Germany, and the United Kingdom, repeatedly reported by international authoritative media including the American authoritative audio magazine Positive-Feedback.Their mission is to cultivate and spread vinyl culture. Part of their plan is to succeed in this endeavor by offering quality turntable cartridges at affordable prices and so excitedly we got our hands on their new 24$ USD/ 32.69$ (at time of posting) CAD Jasmine M1 cartridge that surprisingly comes fitted with gold plated lead connectors.
Packaged carefully and arriving safely and quickly, our review cartridge made great first impressions. The box which holds the cartridge is no nonsense, attractive, easy to open and safely holds its contents including mounting nuts and washers. We wish more manufacturers would take this K.I.S.S. approach.
The elongated ‘pencil’ layout of the cartridge and stylus offers benefits of light weight, low 2.5 gram tracking force and ease of mounting to most headshells.
Because of the style throwback we decided to mount the M1 on a suitably vintage (though freshly serviced and calibrated) Dual turntable and dig out our favorite LP’s used for evaluating cartridges. In our experience the best judgment of equipment updates is to use our ears and a familiar record.
Though technical specifications and measurements are important (see below) it is quite illuminating to discover how changing your cartridge and stylus can affect what you are able to hear. For example, we found the M1 brought out more detail in the bottle percussion on Michael Jackson’s Don’t Stop Til You Get Enough (Off The Wall original issue LP). We have always been able to hear them but this is the first time we were able to hear how LONG they play throughout the track.
Bass response was also very solid. In our test room, we have dual Mono PSB Alpha subwoofers crossed over at 80HZ and our main speakers are Magnepan SMMG panels. Using Thomas Dolby’s The Flat Earth LP we were impressed with the solid yet warm bass response both on tracks featuring electronic synthesized bass (The Flat Earth original issue LP) and electric bass guitar (Dissidents).
The Jasmine competes against a number of affordable, yet decently performing cartridges- including the Audio Technica AT-3600L but to our ears and based on the manufacturer’s specifications, the Jasmine is the better choice. For the Silo, Jarrod Barker.
Brady stands up for educational workers and students
QUEEN’S PARK – Haldimand-Norfolk MPP Bobbi Ann Brady over the past two days, stood in the House and implored the government and CUPE to tone down the rhetoric, work together through negotiations, and stop using education workers and students as political pawns.
The government declared Bill 28 to operate the notwithstanding clause during the dispute involving school board employees represented by the Canadian Union of Public Employees. The notwithstanding clause blocks the ability of the union employees to walk off the job and keep students from class.
As an Independent member of the Legislature, MPP Brady has the unique position of viewing legislation genuinely and providing honest feedback about how it will affect her constituents as well the rest of the province.
Through her question and statement on Tuesday and Wednesday respectively, Brady expressed her frustration with both sides of the House. She then questioned which side actually cares about education workers and students.
Brady is fearful that if the lives of students are impacted, education workers will be blamed by Ontario parents who are frustrated with kids being in and out of school the past few years.
In a line of questioning yesterday, MPP Brady encouraged the government to do treat educational workers fairly and do what is right for Ontario students.
For more information, contact MPP Bobbi Ann Brady at [email protected] or 519-428-0446 Please mention The Silo when contacting.
When it comes to parties and get-togethers, one of the hottest new trends is the party bus. Surprisingly, this trend has grown in almost all age ranges. The appeal is understandable as a party bus allows a group of people to celebrate in one place while also traveling to one or more destinations. Why exactly has the party bus trend taken off? Let’s look at some of the primary reasons why they’re so popular today.
Unlike having to hire a taxi or other ride service when people want to go out with their friends, a party bus is an inclusive party. After hiring the bus, they can enjoy drinks on the bus while going to and from their desired location. Some party buses may also come with their own entertainment such as a minibar, TV, dance floor, and more.
If you’re trying to get a group of people together but don’t want to break the bank, a party bus is probably the way to go. Choosing a party bus Toronto based is more affordable than ever. There are usually several packages to choose from, and for an inclusive fee, you can enjoy a wide range of entertainment options. The party bus is usually a more cost-effective option than going to a restaurant or bar with a large group of people. People also have the advantage of knowing what they’re paying for instead of having to worry about extra costs.
Although you may not need one of the larger buses, some party buses can accommodate up to a whopping 454 passengers. Not only does this have an economic advantage, people can easily party with a larger group. On the other hand, finding a restaurant or other space that seats this number of people is virtually impossible. However, many people are finding that a bus meets their needs for large or medium sized groups.
When it comes to partying, everyone has been to a bar or club before. However, a party bus offers something new and interesting. From the fun decor to the added interest of traveling while partying, this popular new trend is an innovation. Chances are, party buses will only continue to become more popular over time.
Another thing about party buses is that they’re not designed for one specific event. While you may think about them for bachelorette parties or birthday get-togethers, they’re appropriate for any number of events. From Christmas office parties to anniversaries and even wedding parties, you can find a number of reasons to rent a bus. This is also why people of all ages are choosing party buses.
There is no doubt that party buses are changing the industry and becoming more popular every day. They are perfect for any number of reasons, and who knows, maybe you could consider renting one for your next event. If you’ve been one of the many people who has partied in one of these buses, then you already know what the hype is about.
Featured image- Majestic Limos Toronto Party Bus interior.
The capital, also known as the Middle of the World, not only has the largest and best preserved historic center in America, but it also has one of the richest cultures in the continent and Day of the Dead or Dia de los Difuntos is no exception.
Every November 2, cemeteries are decorated with flowers, freshly painted crosses, pictures and cards to celebrate the Day of the Dead in Quito.Early in the morning, thousands of Ecuadorians remember their family members and friends who’ve passed away with prayers, vigils and songs. This popular holiday merges hundreds of years of traditions in a fusion of Catholic and indigenous rites, where faith and religion come to life in an act of profound significance.
The oldest towns in Ecuador have been celebrating the dead since before the arrival of the Spaniards, but with Christianity, the tradition was adapted to the Catholic calendar. Today, the streets near the cemeteries fill with locals selling flowers and prayer cards and food trucks providing typical cuisine such as colada morada and guaguas de pan, which represent the religious syncretism and culinary fusion of the holiday. At the Calderon Cemetery, about 30 minutes from Quito, indigenous communities visit the graves of their loved ones and share the favorite food of the person who passed away as a way to honor them and communicate with them, with the belief that the deceased live a similar life than the one they lived while alive.
The preparation of these dishes also serve as a reason for the entire family to get together. Colada morada, one of the typical beverages for the Day of the Dead, is a drink of indigenous origin and one of the most traditional delicacies of Quito’s cuisine. Prepared with a base of black corn, blueberries, blackberries, pineapple, orange and other fruits and herbs, colada morada is accompanied by the traditional guagua de pan, sweet breads shaped into baby-like figures made with wheat flour and, in some places, with cornmeal from grains from the Ecuadorian Andes.
The guaguas de pan are reminiscent of the dead, especially children (hence the name guagua, which means child in Quechua). Its origin dates back to the nineteenth century and today are normally filled with guava, figs, chocolate, raisins and custard or tree tomato. For the Silo, Luciana Soula.
Over the years, many books have come out exploring this explosive time in music and culture, but none have exclusively focused on the vitality and influence of the women who played such a crucial role in this incredibly dynamic movement.
“Almost a decade ago- IN THE SUMMER OF 2012, I attended an oral history workshop by the social justice organization Voice of Witness. I’m a librarian and professor at Santa Ana College and I participated in the workshop to discover projects I could do with students. I ended up imagining something entirely different: interviewing other women like me, now in our middle or later years, who grew up in the punk rock scene in Southern California. Did punk rock influence the rest of their lives? What attracted them to punk rock and how did they get involved? What was it like being a woman in the scene?
What you can now hold in your hands is the final result of a project that took several years and countless hours to complete.
How did I do it? I created a flyer about the project. I posted the flyer a few places around Orange County and Los Angeles and on Facebook. Women started contacting me to participate. I wrote up a list of questions and bought two digital recorders. I emailed some women directly and asked if they would be willing to participate. Then I started calling women and meeting them, mostly in their homes. A friend called it “punk rock anthropology.” I had no idea what an amazing experience this would be.“
Stacy Russo has created a unique book about the punk rock era, focusing on the women who were such a huge part of it. We Were Going to Change the World: Interviews with Women From the 1970s & 1980s Southern California Punk Rock Scene (Santa Monica Press/2017) captures the stories of women who were active in the punk rock scene in Southern California during this historic time, adding an important voice to the cultural and musical record. Recommended reading. For the Silo, Trina Kaye.
How I met my wife halfway…Elegant Confusion………Being delivered by car (my wife’s friend and a co-worker) to the Hotel in the downtown area of Zhengzhou, bursting along the byways and expressways from the Airport, cars around us dancing across the indistinct markings of the lanes in what could be described as a level of a video game in progress, I had no idea ( a horn honks and a bus switches lanes in front of us ‘sans’ signal..) that the “Art” of driving could manifest itself in such a reckless song trying so very hard to be a “ballet”.
My first impressions were to be made, however innocent, a misplaced fantasy.. As we made our way across the edge of this city of 8 1/2 million souls.., it was plain that this was far different than the large, ‘controlled’ infrastructures of North America.. A place where those, who in the faltering of the majority of their lives, seeking to maintain “control” of most aspects of their lives, would be shattered as if a piece of glass hitting the concrete of this sudden reality. I believe that all this time seeking that ‘control’, having it slip through the grasps of their expectations, is the cause of so much anger, disappointment, and frustration in North Americans’ lives..
Once into the downtown, the pace slows somewhat, taking time to congeal into something even more unexpected.. Now there are people, thousands of them,.. mixed with electric bikes, bicycles, motorcycles, pedestrians, carts of vegetables and fruit perched high on platforms innovatively connected to motorcycles, wagons of produce drawn by donkeys and cars.. All are dancing in and out of lanes of traffic, up onto sidewalks, threading the pedestrians walking different directions, the buses and taxis faster than the rest..
The remarkable impression to be made here for a Caucasian in ‘Neverland’,… is that, there are no egos here to set off a clash of emotional diatribes leading to certain physical, or vocal, outbursts.. Just ‘focus’ of purpose.. There is only the destination to be sought.., nothing more matters.. It is not a matter of forgiveness, on the part of the conceded ,.. just a plain sense of infective respect.. An old woman, peddling a bicycle, weaves suddenly directly across the lanes of traffic.. I look away, fearing the sounds and images of her death.. A few impatient honks from the cars,.. all traffic stops.. as she slowly winds her way to the sidewalk on the other side of the street.., the motorbikes weaving around her, pacing in and out of the stopped buses, cars and taxis.. A woman on a motorbike with a child in front, one in back of her seat, sails by me on the sidewalk…It is ‘Elegance in Confusion’ at it’s finest.. For the Silo, Bill Stewart.
A Silo look back article 🙂
It’s Fall 2013 and the “now brand new” Wraith from the Rolls-Royce car company is not something I get exposed to often. Let’s face it, I’m a mid size car guy. Not high-end luxury. I rationalize my affordability factor by saying that high end’s are too ‘heavy’ and shee-shee poo-poo. Up until now, that may have been as true.
Rolls had an unveiling of their new car The Wraith the other week here in beautiful Vancouver. And well, like the locale, the car itself did stand out even beyond the scenery. The Silo was invited to attend and I earned the assignment. Life is hard 😉
There was jewelry set to the tone of $425,000 (Canada’s biggest pink Diamond); a price tag similar to the cars standing right next to them. The food was excellent and the company certainly discerning.
There was not shortage of demonstration of other models and those with mostly older not only in lineage but also in style, heralding a tradition one has come to know of Rolls Royce. Which is why when the time came for the unveiling of the new car, there was nothing short of a surprise. The car looked sleek and modern while maintaining the more discernable feature Rolls is known for. It looked like, well, not quite a Rolls. It seemed sporty even.
Once the shock settled opera singers belted out a song of elegance that matched the vehicle’s looks and appearance. I became transported and wanted to change careers all of sudden.
The show was a success, so now came the long shot that I would get to test-drive one of them. I am not a buyer, no sir.
“So when can I test drive one, ahahaha”
“Are you free tomorrow at 3pm?”
Ummm….yeah maybe sure….oh look at that I am free. Perfect” Gulp.
I show up at the Rolls dealership in Vancouver and was met with nothing but interest and enthusiasm for someone who clearly was not in the market for such a car. That didn’t matter much as they were very excited to show off their new marvel. Ha! I thought. No way this thing can actually drive as cool as it looks. Well, my dear readers, was I wrong.
0-100 in 4.4 seconds. Quite. Handles like a dream. Smooth. Great suspension. 14 speaker sound system. Crazy navigation. Just crazy. The holographic road map was floating next to a virtual speedometer in/on (?) the windshield. Touch sensitive screen for drawing on. I mean the whole thing was about performance from interior to engine.
The camera system is a cool feature, however at the end of the experience I didn’t really know how to use them. What happens is a 5-camera system captures unique perspectives and through an algorithm creates a bird eyes view of the car. Very cool. However, I just used my mirrors and the over–the-shoulder-one-arm-on-the-back –of-the-passenger-seat to look behind me for the approach in backing up. Technology is great but it has to actually be effective or helpful. Give the user a certain level of confidence that she or he would never have alone otherwise.
And boy did I check my mirrors often when driving. I didn’t want to risk a dent or a scratch.
Just pulling out for the first time was nerve racking, but once you got the feel for it, which happens quick, you are instantly spoiled as a driver which is of course the point when dealing with luxury cars. And it seems Rolls still has been able to retain the ability to spoil its driver no matter what. The wraith delivers. For the Silo, Arthur Maughan.
A lot has been said, lately, about the increased activity and severity of storm systems around the World in the last 30 years.. Most will tell you it is because of the increased amount of Carbon Dioxide in the atmosphere, some would even hazard the aberrations are caused by deities seeking retribution for our collective sins…
But the truth is, the balance maintained for millions of years in the weather patterns of this planet have been dented, impacted, and thrown off kilter by our own change of tastes.. The larger homes of today’s tastes often include “Exotic Hardwood” floors from non-domestic species imported from third World countries, just trying to make a dime from their only primary crop,.. timber.. Another reason for the felling of trees was to create farmland for the Third World’s bulging populations.. This has led to the clear-cutting of massive stands of Equatorial Forests on the order of hundreds of square miles, of of these massive trees, at a time..
One must consider the impact of this act.. The average large tree, in North America, has the cooling effect of 15 room-size air conditioners… The average large tree in the Amazon or Indonesian Archipelago can has the cooling effect of 100 or more air conditioners…
To demonstrate the physics, 1 pound of water, heated to increase the temperature one degree Fahrenheit, would take 1 BTU of energy… This is an even measurement throughout the change from a solid (ice) to a gas (steam), or, 212 degrees, Fahrenheit, OR, 180 BTU.. The amount of energy necessary to change the state of that 1 pound of water to steam, is 965 BTU… If you can imagine that an average North American tree can evaporate 30 gallons of water, an hour, or, remove 231,600 BTU’s per hour of heat energy from the atmosphere, and, an an average Equatorial Forest tree can remove as much as 180 gallons of water per hour, or, 1,389,600 BTU per hour.., THEN, you can imagine the effect of the removal of a Million of these trees on the stability of the moderation in the balancing of storm systems that these important Equatorial Forests have…
Storms, particularly in Europe and the U.S., have been dramatically more severe… One never, ever, heard of a thunderstorm in Europe, some 30 years ago, packing winds of up to 125 miles per hour.. Now, they are almost a common occurrence.. One storm, in the South of France, in the Autumn of 1997, destroyed a forest of ancient oak and ash trees that were planted by workers under the auspices of King Louis the thirteenth..
Though a large part of the felled trees were salvaged by sawyers cutting board stock out of the logs, the forest was destroyed, and, only lately replanting efforts have made an impact on the landscape…
For the Silo, Bill Stewart.
According to research by our friends at Zutobi.com, the United States takes top spot and earns a total EV score of 8.19/10. The US offers the world’s most popular EV, the Tesla Model 3, at the lowest price, just over $39,000usd/ $53,540cad. The US also has one of the most generous incentives for EV purchases, placing in the top five for the factor.
Germany and Luxembourg tied for second place, both scoring 7.67/10. The German government offers motorists over $9,000usd/ $11,552cad off the price of a new EV, and It also has one of the top 10 highest proportions of EVs. Luxembourg earns its place in the rating thanks to its great purchase incentives, as motorists in the country can get over $8,000usd/ $10,269cad off a brand-new EV.
Next up is Norway taking third place in the index with a score of 7.42/10. The Scandinavian country takes the top spot for both the highest proportion of EVs and the cost of an EV as a proportion of the average income.
Germany has the most generous incentive for buying an EV, offering a rebate of just over $9,000usd/ $11,552cad for EVs. On top of this, the country also has a reduced VAT rate when buying EVs, and EVs are exempt from some vehicle taxes.
Luxembourg ranks second, offering motorists more than $8,000usd/ $10,269cad for their EV purchases. The country also charges the minimum tax rate for vehicles with very low emissions, which is excellent news for EV motorists.
Offering over $7,500usd/ $9,267cad in subsidies for EV purchases is Slovenia, taking it to third place. The Slovenian government also only charges its minimum rate of 0.5% sales tax on vehicles that emit less than 100 grams of CO2 per kilometre.
With the ever-present media message of climate change, more and more people are considering finding ways to reduce their reliance on fossil fuels and shrink their carbon footprint. One of these ways is ditching traditional polluting gas and diesel cars in favor of electric vehicles (EVs). In fact, many people have already adopted electric cars and are using them to learn to drive.
So which countries are the best for electric vehicles? We’ve delved into the data to find out, taking into account purchase incentives, the proportion of EVs in each country, and the cost of one of the world’s most popular cars, the Tesla Model 3, as a proportion of average income too.
Venice, ITALY – Known as “the most influential artist in Mexico,” Gilda Garza is an internationally recognized painter constantly pushing the boundaries between emotion and art. This award-winning Mexico native prepares to make history with a moving collaborative collection by sculptural artist Mario Furlan in a live exhibition at New Murano, Atelier Muranese.
“I have always put my entire heart and soul into my work,” shares Garza. “I’m extremely grateful to create real world impact through art – the thing I love most. It is a true honor to see my influence and efforts reflected in a once-in-a-lifetime glass rendition by the historic New Murano Gallery in Venice.”
Widely regarded as the master of Murano Sculptural Art, Mario Furlan will transform Garza’s epic pieces into three-dimensional glass structures before a live audience of exhibition attendees. The finished works will then display at the more than 1,500-year old Atelier Muranese studio. Through the presentation of glass masters, fine art, conceptual art, and collectible design, the Venetian gallery supports the creative vision of Murano/Venetian artisan culture. The “Glass Queen” exhibition serves their ongoing mission to expose the creative art process, from interpretation to object, using centuries-old skills of muranese high manufacturing.
In the US, Garza’s work can also be seen in an exclusive jewelry collection at Jason of Beverly Hills, Roberto Cavalli Haute Couture, and the House of Bijan on Rodeo Drive. Garza has been officially recognized for her cultural contributions by the Senate of the Republic constitutionally Chamber of Senators of the Honorable Congress of the Union in Mexico City.
She is also acclaimed for donating $80,000 USD/ $109,800 CAD from the sale of a Vice President Kamala Harris-inspired painting to the World Woman Foundation, committed to empowering one million woman by 2030. Gilda Garza is famously recognized as the first artist to have an art exhibition on Las Vegas strip. Since then, she has showcased various collections in the iconic Caesars Palace Hotel.
Featured image- Playboy magazine chose Gilda’s art for the cover for the first art special edition.
MOGADISHU – The United Nations World Food Programme is delivering life-saving food and nutrition assistance to record numbers of people in Somalia, with over 4 million people a month receiving urgent humanitarian support to prevent famine in the face of the region’s worst drought in over 40 years.
But the situation on the ground remains dire, with lives and livelihoods being lost. WFP is racing against time to avert a projected famine and a death toll that could reach the tens or even hundreds of thousands.
The United Nations World Food Programme is the world’s largest humanitarian organization, saving lives in emergencies and using food assistance to build a pathway to peace, stability and prosperity for people recovering from conflict, disasters and the impact of climate change.
Featured image: Somalia, Baidoa, 12 October 2022 Nuuriya Ali Mohammed Nuur and her baby Mohammed Nuur Mohammed travelled to Baidoa from a rural town in Southwest state. After four failed rainy seasons, all of Nuuriya’s livestock died due to the drought. She lost ten cows and one donkey which supported her livelihood. She has ten children and was only able to bring four children with her and the oldest stayed behind with their father. There were several stops on her journey to Baidoa, including walking on foot until she reached transportation to reach the camp. Her child was weak and malnourished when she arrived, but with WFP assistance he is starting to gain weight and become healthier. With no expectation to return and nothing left for her at home, she now lives in an IDP camp on the outskirts of Baidoa town, receiving both WFP relief assistance and nutrition services. Photo: WFP/Geneva Costopulos
Debut on 4K Ultra HD For the First Time October 25th
IT HAPPENED ONE NIGHT ~ FROM HERE TO ETERNITY
TO SIR, WITH LOVE ~ THE LAST PICTURE SHOW ~ ANNIE
AS GOOD AS IT GETS
Exclusively Available on 4K Disc in this Limited Edition Set,
Includes an 80-Page Hardbound Book on the History & Impact of the Films
and Over 35 Hours of New and Archival Special Features
TORONTO, ONT. (October, 2022) – Continuing the fan-favourite and award-winning series, Sony Pictures Home Entertainment is proud to debut six more acclaimed and iconic films from its library on 4K Ultra HD disc for the first time ever, exclusively within the COLUMBIA CLASSICS 4K ULTRA HD COLLECTION VOLUME 3, available October 25. This must-own set includes films that have resonated and endured, with stars and stories that have reverberated through cinema history: IT HAPPENED ONE NIGHT, FROM HERE TO ETERNITY, TO SIR, WITH LOVE, THE LAST PICTURE SHOW, ANNIE and AS GOOD AS IT GETS. Each film is presented in 4K resolution with Dolby Vision High Dynamic Range, and four of the films have all-new Dolby Atmos mixes.
The six films in the COLUMBIA CLASSICS 4K ULTRA HD COLLECTION VOLUME 3 are only available on 4K Ultra HD disc within this special limited edition collector’s set. Included with the collection is a gorgeous hardbound 80-page book, featuring in-depth sections about the making of each film within the set via six all-new incisive essays from renowned writers—including a special exclusive essay from award-winning writer/director James L. Brooks on his 1997 classic, AS GOOD AS IT GETS!
The set also includes a variety of rare related features and TV episodes, expanding the worlds of several of the included films—some of which haven’t been available in decades! From a 1932 cinematic incarnation of Annie to a nearly five-hour 1979 TV miniseries adaptation of FROM HERE TO ETERNITY—and much more!—these supplemental additions round out this must-own gift set, perfectly timed for holiday gift-giving.
Clark Gable and Claudette Colbert team up for laughs as mismatched lovers in this 1934 screwball comedy classic. Spoiled Ellie Andrews (Colbert) escapes from her millionaire father (Walter Connolly), who wants to stop her from marrying a worthless playboy. En route to New York, Ellie gets involved with an out-of-work newsman, Peter Warne (Gable). When their bus breaks down, the bickering couple set off on a madcap hitchhiking expedition. Complications fly when the runaway heiress and brash reporter fall in love. Directed by Frank Capra, IT HAPPENED ONE NIGHT was the first movie to be honoured with all five major Oscars®: Best Picture, Best Actor, Best Actress, Best Director, and Best Screenplay.
IT HAPPENED ONE NIGHT Disc Breakdown
· 4K Ultra HD Includes:
· Feature presented in 4K resolution with Dolby Vision
· Original Mono DTS-HD Master Audio
· Special Feature:
o NEW: YOU CAN’T RUN AWAY FROM IT – 1956 remake of IT HAPPENED ONE NIGHT, starring June Allyson and Jack Lemmon. Newly remastered in HD!
§ Blu-ray Includes:
· Feature presented in high definition, sourced from the 4K master
· Original Mono DTS-HD Master Audio
· Special Features:
o Audio Commentary featuring Frank Capra, Jr.
o Frank Capra, Jr. Remembers It Happened One Night Featurette
o Screwball Comedy? Featurette
o Original Live Radio Broadcast
o Advertising Materials
o Theatrical Trailer
IT HAPPENED ONE NIGHT has a run time of approximately 105 minutes and is rated PG.
Synopsis:
FROM HERE TO ETERNITY Disc Breakdown
· 4K Ultra HD Includes:
· Feature presented in 4K resolution with Dolby Vision
· Dolby Atmos English audio
· 5.1 DTS-HD Master Audio
· Original Mono DTS-HD Master Audio
· Special Features:
o NEW: Strength and Sacrifice: The Making of From Here to Eternity
o NEW: Eternal History Revisited Featurettes
o NEW: FROM HERE TO ETERNITY 1980 TV Pilot – the TV pilot starring William Devane and Barbara Hershey, presented in SD!*
o Theatrical Trailers
· Feature Blu-ray Includes:
· Feature presented in high definition
· 5.1 DTS-HD Master Audio
· Dolby Digital Mono
· Special Features:
o Eternal History: Graphics-in-Picture Track
o Audio Commentary featuring Tim Zinnemann and Alvin Sargent
o Making of From Here to Eternity
o Excerpt from “Fred Zinnemann – As I See It”
FROM HERE TO ETERNITY has a run time of approximately 118 minutes and is rated PG.
TO SIR, WITH LOVE
Synopsis:
TO SIR, WITH LOVE Disc Breakdown
· 4K Ultra HD Includes:
· Feature presented in 4K resolution with Dolby Vision, restored from the original camera negative
· Dolby Atmos English audio
· 5.1 DTS-HD Master Audio
· Original Mono DTS-HD Master Audio
· Special Features:
o NEW: A Tribute to Sidney Poitier
o NEW: TO SIR, WITH LOVE 1974 TV Pilot – Hari Rhodes stars in this rare TV adaptation of the 1967 classic film, presented in HD!
· Blu-ray Includes:
· Feature presented in high definition, sourced from the 4K master
· 5.1 DTS-HD Master Audio
· Original Mono DTS-HD Master Audio
· Special Features:
o Audio Commentary featuring Actor Judy Geeson and Film Historians Julie Kirgo and Nick Redman
o Audio Commentary featuring Novelist E.R. Braithwaite and Author / Teacher Salome Thomas-El
o NEW: TO SIR, WITH LOVE II – the 1992 TV-movie sequel to the 1967 classic, starring Sidney Poitier and directed by Peter Bogdanovich, presented in HD!
o NEW: To Potter, With Love Featurette
o NEW: Beginnings of an Acting Career Featurette
o Those Schoolboy Days Featurette
o Look and Learn Featurette
o E.R. Braithwaite: In His Own Words Featurette
o Lulu and the B-Side Featurette
o Miniskirts, Blue Jeans and Pop Music! Featurette
o To Sidney, With Love Featurette
o Principal El: He Chose to Stay Featurette
o Theatrical Trailer
TO SIR, WITH LOVE has a run time of approximately 105 minutes and is rated PG.
Released in 1971 to critical acclaim and public controversy, THE LAST PICTURE SHOW garnered eight Academy Award® nominations, including Best Picture, and was hailed as the most important work by a young American director since Citizen Kane. A surprisingly frank, bittersweet drama of social and sexual mores in small-town Texas, the film features a talent-laden cast led by Jeff Bridges, Cybill Shepherd and Timothy Bottoms. Cloris Leachman and Ben Johnson each won Oscars® for their work in supporting roles. Featuring both director Peter Bogdanovich’s preferred 1999 Definitive Director’s Cut and the 1971 Theatrical version on 4K Ultra HD.
THE LAST PICTURE SHOW Disc Breakdown
· Director’s Cut 4K Ultra HD Includes:
· Director’s Cut presented in 4K resolution with Dolby Vision, restored from the original camera negative
· Original Mono DTS-HD Master Audio
· Theatrical Version 4K Ultra HD Includes:
· 1971 Theatrical version presented in 4K resolution with Dolby Vision, restored from the original camera negative
· Original Mono DTS-HD Master Audio
· Feature Blu-ray Includes:
· Director’s Cut presented in high definition, sourced from the 4K master
· Mono DTS-HD Master Audio
o Audio Commentary featuring Director Peter Bogdanovich
o NEW: A Tribute to Peter Bogdanovich
o The Last Picture Show: A Look Back Documentary
o A Discussion with Filmmaker Peter Bogdanovich
o Location Footage
o Promotional Featurette
o Theatrical Trailers
THE LAST PICTURE SHOW has a run time of approximately 118 minutes and is rated 18A. THE LAST PICTURE SHOW: DIRECTOR’S CUT has a run time of approximately 126 minutes and is rated 18A for sexuality, nudity and language.
Synopsis:
Celebrating its 40th anniversary, ANNIE is the story of everyone’s favourite plucky, red-haired orphan! One day Annie (Aileen Quinn) is chosen to stay for a week with the famous billionaire “Daddy” Warbucks (Albert Finney). One week turns into many, and the only person standing in the way of Annie’s fun is Miss Hannigan, the tyrannical ruler of the orphanage (played to hilarious perfection by Carol Burnett). Will Miss Hannigan’s zany attempts to kidnap the irrepressible Annie succeed? Sing along with the unforgettable songs and experience this beloved musical!
ANNIE Disc Breakdown
· Feature presented in 4K resolution with Dolby Vision, restored from the original camera negative
· Dolby Atmos English audio
· 5.1 DTS-HD Master Audio
· Original 2-Channel Surround DTS-HD Master Audio
· Special Feature:
· Feature Blu-ray Includes:
· Feature presented in high definition, sourced from the 4K master
· 5.1 DTS-HD Master Audio
· Original 2-Channel Surround DTS-HD Master Audio
· Special Features:
ANNIE has a run time of approximately 127 minutes and is rated G.
Synopsis:
Jack Nicholson, Helen Hunt, Greg Kinnear and Cuba Gooding, Jr., star in James L. Brooks’ hit comedy, AS GOOD AS IT GETS, now celebrating its 25th anniversary. Nicholson gives a show-stopping Academy Award®-winning performance as Melvin Udall, an obsessive-compulsive novelist with Manhattan’s meanest mouth. But when his neighbor Simon is hospitalized, Melvin is forced to babysit Simon’s dog. And that unexpected act of kindness, along with waitress Carol Connelly (Helen Hunt, in an Academy Award®-winning performance), helps put Melvin back in the human race. Nominated for seven Academy Awards®, including Best Picture (1997).
AS GOOD AS IT GETS Disc Breakdown
· 4K Ultra HD Includes:
· Feature presented in 4K resolution with Dolby Vision, restored from the original camera negative
· Dolby Atmos English audio
· Original 5.0 DTS-HD Master Audio
· Feature Blu-ray Includes:
· Feature presented in high definition, sourced from the 4K master
· Original 5.0 DTS-HD Master Audio
· Special Features:
o Audio Commentary featuring Director James L. Brooks, Stars Jack Nicholson, Helen Hunt and Greg Kinnear, Editor Richard Marks, Producer Laurence Mark and Composer Hans Zimmer
o NEW: Deleted Scenes
o NEW: Behind the Scenes Footage
o NEW: The Making of As Good As It Gets Featurette
o NEW: Archival Theatrical EPK Soundbites
o Theatrical Trailer
AS GOOD AS IT GETS has a run time of approximately 139 minutes and is rated PG for strong language, thematic elements, nudity and a beating.
EXCLUSIVE BONUS DISC INCLUDES:
· FROM HERE TO ETERNITY – the nearly 5-hour 1979 TV miniseries starring Natalie Wood, William Devane and Peter Boyle, presented in high definition*
* Select instances of music have been removed for this presentation.
Academy Award® and Oscar® are the registered trademarks and service marks of the Academy of Motion Picture Arts and Sciences.
Much like movies, gaming as an industry has grown to be a robust machine churning out titles, both big and small, at an obliterative pace. Suffice it to say that it is impossible to try and play all games that release every year. Moreover, considering that the price of games has been on the rise for the past few years, partly due to increased production cost and partly due to inflation, it is impossible to purchase and play all games.
So, in order to not get blown away in the confusing hype created by reviewers, here’s what you should keep in mind about gaming reviews.
The issue with game reviewers is that they mostly expend time and effort praising AAA titles that release every year instead of lesser known artistic or Indie games. Not everyone likes major titles with repetitive gameplay. You would rarely see any famous gamers play with Online casino, Karamba, an indie mobile game, or let’s say the games that aren’t don’t get into enough limelight. We’re talking about the games that are niche and aren’t very popular in the industry of gaming reviewers.
The issue with gaming in general is that it is almost impossible to please everyone. In terms of narratives and themes, games tend to include only a limited number in their arsenal. However, with time, the expectation from games increases. It isn’t rare for reviewers to expect deeper political or social commentary from games, after the success of titles like Detroit Become Human.
However, it is impossible for games, like Assassin’s Creed that seek to be historically accurate to both portray the times while tending to demands of politically correctness. Two distinct possibilities arise here: Either the game sticks to its roots, and builds a good gaming but gets scathing reviews for not doing enough or for being problematic. Or, it can fit political pandering in its theme and make itself a terrible game, but get hearty praise from reviewers. An example for this is Assassins Creed: Odyssey, for which Ubisoft got rid of all its Assassins’ roots and made it a messy poor quality RPG, that looks like a poorly made copy of Witcher 3.
A big issue where the premise of reviews falls flat is that hardcore gamers usually do not fit the target audience of reviews. Gamers can be broadly classified into hardcore or serious gamers and causal gamers. And while most games are made with the former in mind, game reviews are made keeping the latter in mind. That’s because game reviews too, are a market that needs to pander to an audience to sell itself. While most reviewers are knowledgeable and competent enough to make detailed reviews, most of their audience wouldn’t consume such reviews.
As sad as it is, most casual gamers just want to play a first person shooter for fun. They do not care about social commentary, or beautifully written characters or aptly composed music scores. When reviews are written keeping them in mind, blissfully average games like Call of Duty keep getting very high reviews. And while playing CoD is definitely fun, it fails to hold its own against impressive games like Witcher 3 or Batman: Arkham Knight.
A second issue with gaming reviews being a business is that these sites depend on developers for content for their channels. Reviewers that bring out reviews earlier obviously stand to gain since there is a flux of readers to their channels about the exciting new title, which earns them a lot of money. This in turn means review sites depend on developers to send them early and free copies of games for them to try out, and review. For every bad review they give, they turn off the developer from dealing with them in future, which in turn makes competing review channels benefit.
This creates a dangerous nexus between gaming review channels and developers. This in fact harms smaller developers more since they effectively make lesser games than bigger developers. Thus, an Electronics Arts, can utilize this nexus for their benefit much better than a CD: Projekt Red, although the latter is arguably a much better developer. And this means, very average EA games will get much better reviews than a fantastic game developed by CD:PR.
However, as we know, making video games are one of the most elevated forms of contemporary human art. And art, by virtue of interpretation, is extremely subjective.
Thus, in an effort to pick and choose games that are worth our time and money, we obviously tend to look at gaming reviews. Not only do they offer a valuable insight into what each title is about, but they also explain important details like the brilliance of narratives, character development, gameplay mechanics, multiplayer experience, presence of inhibitive micro transactions, and tend to give an overall suggestion on whether or not they recommend the game.
Therefore, it is foolhardy to expect reviews to do a perfect job in terms of recommending games that you may like. For the Silo, Ritik Pandey.
Eight years ago at Queen’s Park, the Cross-Border Institute (CBI), part of the University of Windsor, hosted an event to demonstrate advances in security, surveillance and fingerprinting technology. That technology had immediate application for border crossing screening, supply chain security and cybersecurity.
The CBI hosted the event as part of its mandate to support ongoing, practical research aimed at addressing numerous cross-border issues with the United States. The CBI works in collaboration with a number of University of Windsor departments, private sector partners and organizations and all levels of government, looking at making land border crossings work better. The technologies demonstrated represented a number of research projects and initiatives currently being conducted at the University of Windsor as part of its strategic focus related to understanding borders. These projects and activities were also supported by the Department of Research and Innovation at the University of Windsor.
Queen’s Park staff and members had a first-hand opportunity to see the work of Dr. Roman Maev’s high-speed biometrics ultrasonic system for 3-D fingerprint imaging. This system allows reconstruction of fingerprint patterns from deeper layers of skin while embedding the internal parameters of these deeper layers as key features of the fingerprints. Also on display was Dr. Sazzadur Chowdhury’s 77GHz short range radar. At the time- the smallest and thinnest in the world and economical enough to be carried by an individual for mobile motion detection or used in multiples in such large surveillance application as airports. Cue the Aliens movie soundtrack. Both Drs. Maev and Chowdhury are members of the University of Windsor Faculty.
The University of Windsor has developed an area of expertise in technologies that can detect threats and violations, provide positive identification and secure the transfer of data. The projects all have practical security applications and are at or approaching the commercialization stage. All of these projects have received support from the Federal Development Corporation for Southern Ontario (FedDev Ontario) Prosperity Initiative Project 802390, which is administered by the Cross-Border Institute at the University of Windsor.
Quick Facts: The Cross-Border Institute at the University of Windsor was founded in 2008 under the direction of Dr. Bill Anderson. The Centre approaches the study of border issues from a multi-disciplinary perspective that includes economic development, geography, engineering, management science and political science. The CBI has focused on initiatives, events and research that address ongoing challenges at land crossings between Canada and the United States. The CBI, as part of the University of Windsor, looks at the impact of trends in cross-border transportation and the impact of policy decisions by governments on both sides of the border. Currently, the CBI is working to launch Canada’s first university level certificate program in border management, Managing Borders and International Trade.
Technology Quick Facts:
Short Range Radar for Surveillance Applications – UWindsor engineering professor Dr. Chowdhury has developed the world’s smallest and thinnest short-range radar unit. Because it is inexpensive to build and completely weatherproof it can be used effectively in a variety of applications for motion detection, ranging from individual units attached to a soldiers uniform to arrays of units for border and perimeter surveillance.
High Speed Biometrics Ultrasonic System for 3D Fingerprint Imaging – World-renowned UWindsor physicist Dr. Maev has taken a new approach to fingerprinting using acoustic microscopy technology. This device generates far more detailed information from fingerprint images below the skin level, making it more accurate than conventional technologies, yet it is fast and practical.
Real Time Location System for Security and Indoor Location – Based on the novel indoor positioning method developed by Dr. Majid Ahmadi and Dr. Rashid Rashidzadeh at the University of Windsor, this system will identify, locate and track people in indoor environments. Its positioning algorithm takes advantage of various sensors on smartphones to improve positioning accuracy.
Automated Vehicle Identification – Cameras that can read license plate information are increasingly common. University of Windsor computer scientists Dr. Imran Ahmad and Dr. Boubakeur Boufama have taken this technology several steps farther, allowing the shape and colour of a car to be extracted from video feeds and stored in a database. This technology will be tested in the University of Windsor’s new parking structure in the Spring of 2015.
Data Encryption Using Graphical Processing Units (GPUs) – Data encryption is an increasingly important function that normally requires the use of expensive add-on cards known as crypto-accelerators. UWindsor researcher, Dr. Roberto Muscedere has developed algorithms that make it possible to achieve the same kind of encryption using much cheaper GPU units typically found in laptop computers and game consoles.
Secure vehicle-to-vehicle (v2v) communications – Advanced vehicular communications technology has enabled such life-saving features as collision warning, collision avoidance and emergency vehicle signaling. However these systems may be vulnerable to cyber-attacks that threaten the privacy and safety of drivers and passengers. University of Windsor faculty researchers Dr. Mitra Mirhassani, Dr. Kemel Tepe and Dr. Wu and their students are working to fill security gaps in V2V systems.
Control, Monitoring and Surveillance in Wireless Systems – Large scale power and communications systems, manufacturing and process control plants, networked building energy systems and others are increasingly controlled by autonomous, sensor-rich, wireless systems. Given the consequence of failure in these systems and the danger of cyber-attacks upon them, UWindsor researchers Dr. Mehrdad Saif, Dr. Rashid Rashidzadeh, Dr. Alavi and Dr. Razavi-Far are developing methods to detect intruders and faults early.
Sensor fusion for concealed weapons detection – Conventional images are good for revealing a person’s identity, while infrared images can spot concealed weapons. But what if you want to both identify a person and know if they are concealing a weapon? A University of Windsor engineer, Dr. Jonathan Wu, has found a way to fuse information from different sensors to produce a clear image not only of a suspect’s appearance but also of any concealed weapon they are carrying. For the Silo, Jarrod Barker.
Learn More: www.uwindsor.ca/crossborder
You’ve likely seen paper money from all over the planet. Maybe you have an aunt living in Australia that sends you dollars in the mail every year for your birthday or perhaps on your commute to work each day you pass by a currency exchange kiosk- you know the type: colorful bills from all over the world decorating the walls. 
But how well do you know the faces of world currencies? Is it the King or Queen on the face of the Swedish Krona or neither? Which former US President is found on the five dollar bill?
Take this fun test and discover some pretty cool facts about paper money faces.
When I was growing up stamp collecting seemed like it was on the verge of dying out but I started a collection anyway. I had a lot of fun with it and although I no longer have that collection (I really wish I did) it provided many hours of entertainment and gave my brain a chance to think.
It’s a hobby that is becoming more and more popular as more and more generations are born with gaming as a normal part of everyday life. One of the best things about game collecting as a hobby is that you can diversify your collecting in various ways.
For example, you can be an “everything” collector like I am. You collect all video game systems and games from the mid-1970’s to today. This is the most challenging (and dare I say it, expensive) of the choices but it doesn’t have to be. You could concentrate on the oldies, starting out with a system like the Atari 2600 or you could try to focus on the “16-bit era” and focus on systems like the Super Nintendo which came out in 1991 and produced a great library of titles.
Another great aspect of game collecting is that it can fit any budget. Frugal gamers can find the best of deals at garage sales and far, out of the way retailers or you can loosen your wallet a bit and find easier pickings at the bigger retailers.
It doesn’t matter where you live. You can take the family for a drive on the weekend while you look for buried treasures. For Canadians, there is even a website dedicated to classic game collectors where you can connect with like-minded individuals. Just head over to Canada’s Classic Game Collectors Website.
I think it’s important to define the parameters of what you are collecting (for example, are you collecting boxed items or “loose”) and so on. It gives you guidance when going shopping. I know some collectors who only buy sealed games (very expensive) and others who only collect certain game series (for example all of the Zelda games or all of the Pokemon titles). The possibilities are quite endless. Regardless of what approach you take, collecting can be almost as much fun as playing. For the Silo, Syd Bolton. Featured image- Commodore Vic-20 computer and modem used by the author to conduct the world’s first tweet from a Vic-20.
Boulder, Colorado, October, 2022 – PS Audio’s Octave Records label announces its latest release, The Audiophile’s Guide: The Loudspeaker, a book and companion SACD/download that tells listeners exactly how to get the most out of their loudspeaker setup. Written by PS Audio CEO Paul McGowan, the book and its accompanying disc (also available as a download) offer the practical knowledge he’s gained through more than 50 years of high-end audio design and in setting up hundreds of speaker systems.
“I’ve had to come to the rescue of someone’s system time and again because it just wasn’t sounding right. It was almost always a setup problem. Like everyone else, I used favorite music tracks for system tuning. But now, with Octave Records’ recording studio at our disposal, we were able to create tracks that are ideal for system setup, and then write a book that tells listeners how to implement these tracks to their best advantage.”
The Audiophile’s Guide: The Loudspeaker is useful for both novices and experienced audiophiles who may benefit from bringing their setup to a higher level or musical realism.
The book begins by covering a variety of topics including the nature of sound, different speaker designs, the importance of choosing the right speaker for your particular needs and listening tastes, and one of the most critical aspects of speaker setup: the effect of the listening room on loudspeaker performance.
Next the book discusses where to place the speakers in the room, and how to deal with various types and shapes of rooms. The Guide notes that different placements may be appropriate for different speaker types – for example, stand-mounted “box” speakers versus dipole planar designs – and listening room configurations (such as whether to place speakers across the short or long wall of a room). Real-world aspects like accommodating living spaces that aren’t dedicated to loudspeakers, and taking into account the locations of furniture, are also considered.
The Audiophile’s Guide: The Loudspeaker (SRP: $58usd/ $79 cad – $68usd/ $93cad depending on format) then walks the listener through using the accompanying reference disc (or download) to fine-tune the system to perfection. The disc starts with some basic tests for channel orientation and moves on to exacting, step-by-step procedures (time to get out the tape measure!) for getting the best bass response and tonal balance, achieving a solid center image, finding the best seating position, maximizing dynamics, producing a believable soundstage, capturing subtle musical details, and ultimately, getting the speakers to “disappear” and create the feeling that the musicians are in the room with the listener.
The tracks on the disc are tailored to help the listener zero in on various sonic aspects, from the pluck of Chris Brunhaver’s acoustic bass and how it energizes the room, to the focused center image of Gabriel Mervine’s trumpet, and the resonance and spatiality of Bill Kopper’s acoustic guitars and a number of tracks featuring vocalists with a full band.
The Recording
Recorded over three months of intense work, The Audiophile’s Guide: The Loudspeaker was the first recording project at Octave Records’ new state-of-the-art studios. Recorded in pure DSD256 and mixed by Paul McGowan and Jay Elliott, the tracks on this work were laid down with every effort to maintain not only the purity of recording, but the accuracy of mic’ing, distance, and purpose. The mic’ing on solo voice, piano, trumpet, and guitar was primarily handled with a single-point stereo microphone to maintain a sense of realism. In particular, Octave Records’ hand-modified AKG C24 was used throughout the many tracks. On other tracks, like guitarist Bill Kopper’s seminal work focusing on the beauty of ringing harmonic overtones, we blended the detailed stereo condensers of the single-point Telefunken with the dynamic impacts of a single-point stereo ribbon microphone. Engineers Jay Elliott and Zach Balch went all out to get the best recordings from an amazing drum kit.
The kit (the same kit used in The Audiophile’s Guide: The Stereo) consists of a Ludwig 1970 Blue Sparkle 20” kick drum, 12” rack tom, 16×16” floor tom, 14 x 6.5” Ludwig Superphonic John Bonham LM 402 snare drum, Zildjian New Beats Hi-hat 70’s era 14”, Custom Dark Crash Kerope by Zildjian Crash 18”, and a Kerope by Zildjian 22” ride. To capture this kit, Jay and Zach employed their favorite setup for close mic’ing: a Shure Beta 52 for the kick-in and a cardioid patterned, phantom powered, large-diaphragm FET Soundelux U195 by David Bock for the kick-out. The top of the snare was handled by a Hypercardioid Beyerdynamic M201 with its phase flipped while the snare’s bottom was a Telefunken M80. The rack tom was captured by a Shure SM7B Cardioid dynamic microphone and the floor tom, an Audix D4 hypercardioid dynamic microphone.
To capture the ambient room response, a pair of calibrated DPA omnis were used for the overheads, and the stereo AKG C24 in a Blumlein configuration was placed twelve feet into the room for space recording. All microphone preamplifiers were Manly vacuum tubes with a small smattering on the overheads using Forsell preamps. The tracks were all mixed in Octave Records’ custom mixroom on PS Audio’s aspen FR30 loudspeakers powered by an all-PS Audio system.
The Audiophile’s Guide: The Loudspeaker SACD is playable on any SACD, CD, DVD, or Blu-ray player (an SACD player is required to play the high-resolution DSD files on the disc). In addition, the master DSD and PCM files are available for purchase and download in formats up to 352.8 kHz/DSD256 from psaudio.com at this link.
Radiation is all around us.
It occurs naturally in our environment, coming to us from the sun, from the soil and foods that we eat, and in the air that we breathe. It is omnipresent across a diverse cross section of industries. We tend to associate radiation with the nuclear industry, but the reality is that we come across radiation sources in numerous other areas: construction, health care, oil and gas, research, manufacturing, food processing – to name just a few.
With radiation being everywhere in our lives, it is not surprising that it garners a lot of attention, curiosity and, often, worry.
With more than 15 years as a career radiation protection professional, I’ve had to respond to many occupational radiation safety questions — some have related to regulations and compliance, others to potential health effects of exposure and ways to minimize such exposure. In all cases, it is best to rely on well established radiation physics concepts and scientific data, where available.
Radon testing of homes is the simplest first step you can take to protect yourself and your family from radon gas, but all too often we do not make the time to educate ourselves and make this a priority. Workplaces are required to have a radiation protection program in place that is appropriate for the type of radiation and potential risk in their industry. But it takes time and investment to develop these programs, and it requires the commitment of both employers and workers to put these programs into practice.
Our challenge is that radiation and its associated risks are not always well understood.
On the one hand, we do not wish to alarm anyone unnecessarily, yet we want to make sure that the public, workers and employers are aware of the steps they need to take to stay safe. Remember, we are talking about an “invisible” hazard that very rarely causes ill health effects in the short-term. Additionally, the existing radiation protection models are built on what we call the linear no-threshold concept, which, in simple terms, is based on studies of the atomic bomb survivors from the Second World War in Japan and other high-exposure situations, and extrapolates the information to the potential health effects of low exposures.
An agency of the World Health Organization (WHO) recently published a study on the health effects of low-level exposure to radiation that provides data to support the validity of the linear no-threshold model. We encourage all who read the study (available at The Lancet Haematology) to not get alarmed and to keep the study conclusions in perspective.
A frightening statement, but we have to keep in mind that the increased risk is small, in line with what we have estimated based on the modeling concepts. This boils down to two things: first, it is important that we continue to apply the ALARA principle — “As Low as Reasonably Achievable” — to all our of interactions with radiation; and second, that we continue to view the numbers associated with radiation and risk in the proper context. The study points to a “small increase” of risk of dying from cancer from low levels of radiation exposure.
If we extrapolate this study’s conclusions for nuclear workers to persons living near Canadian nuclear plants, people are 6,000 times more likely to die in a car accident, than to die from leukemia due to doses received from reactor plant emissions. Yet most of us think nothing of driving to work, driving our kids to school, or driving to visit friends and family. The radiation risk is there, but it is significantly smaller than the risks we accept every day, often without even thinking or worrying about them.
More research is required on the health risks from low-level radiation exposure, and there are efforts underway around the world to make it happen. At the Radiation Safety Institute, we will be looking forward to hearing about more study results. In the meantime we invite all people who are interested in the subject of radiation safety, who have a question or a concern, to reach out to our Free Information Service at 1-800-263-5803 or by e-mail at [email protected]. Let’s keep the conversation going. For the Silo, Laura Boksman Chief Scientist at the Radiation Institute of Canada.
Michael Kittredge started making candles as a teenager and selling them to friends and family. One of his first products was a Christmas candle he made for his mother on the family stove out of his melted crayons and a wick from a shoelace. Within a few years, he had opened his first Yankee Candle Shop in his hometown of South Hadley, Massachusetts. The business expanded to become the wildly successful Yankee Candle Company whos candles are sold all over America.
Kittredge cashed out in 1998, selling 90% of his company for $500 million USD/ $683 million CAD. He used the money to jet around the world, collect luxury sports cars, drink $20,000 USD/ $27,000 CAD bottles of wine, and construct a fantastic compound on over 60 acres of parkland in idyllic Western Massachusetts. With the entrepreneur’s passing in 2019, the estate his son described as “like having Disneyland in the backyard” has been listed for $23 million USD/ $31.4 million CAD .
Generous with friends, family, and employees, Kittredge designed his compound to entertain his guests in the utmost luxury. Sparing no expense, the eight Colonial-style structures on the property were constructed with the finest materials from all over the world. The main house includes five bedrooms, six full bathrooms and five half baths, and over 25,0000 square feet of living space.
The home features 11 fireplaces spread across multiple levels, a solarium, an oval office with glass walls, a pine-paneled living room with built-ins, and a stunning two-story great room with a balcony and an atrium-like ceiling. Two commercial-grade kitchens, one with five islands, and a wine grotto allow for large-scale entertaining.
Meandering paths on the property wander past ponds, fountains, waterfalls, and gardens to connect the main home with the estate’s many amenities. Several guest homes and staff quarters bring the bedroom total up to sixteen.
Three tennis courts, a T-shaped pool with expansive deck and fully equipped cabana, and a nine-hole golf course offer hours of athletic fun. For relaxation, the compound includes an epic 55,000-square-foot spa complex complete with multiple gyms and massage areas, saunas, a steam room, and an indoor tennis court with stadium seating.
The state-of-the-art, 4,000-square-foot outdoor stage has hosted such bands as Hall & Oates, The Doobie Brothers, KC and The Sunshine Band, and Eric Burdon & The Animals. A two-story arcade features pinball, slots, arcade games, and a three-lane bowling alley.
Two huge garages offer plenty of space for high-end toys while a full-sized auditorium offers another venue for concerts and shows. A truly spectacular indoor water park, modeled after the Bellagio in Las Vegas, with palm trees, water slides, and pools, completes the one-of-a-kind entertainment pavilion.
A sleepy town with less than 2,000 residents founded in 1750, Leverett, Massachusetts is best known for the Buddhist monument New England Peace Pagoda, historic churches, and a scenic chasm called Rattlesnake Gutter. It is close to the five-college area of Amherst, Hampshire, Smith, Mt. Holyoke, and the University of Massachusetts.
The listing is held by Johnny Hatem Jr. of The Sarkis Team at Douglas Elliman. For the Silo by Terry Walsh /TopTenRealEstateDeals.com
The first governor of the Town of York, John Graves Simcoe, believed that this town would become a powerful industrial metropolis, and when Toronto became one of the top financial centres in the world, his dreams came true. Toronto, as the fifth most populous city in North America, is evaluated by experts and economists from the Economist Intelligence Unit as one of the world’s most livable cities.
The provincial capital of Ontario is dominates many sectors, including business services, finance, telecommunications, media, arts, film, music, television, software production, tourism, medical research, and engineering. There’s no doubt that Toronto is one of the fastest developing and growing cities in North America. We should remember and appreciate the most significant people in our city’s history who contributed to this prosperity.
Each part of Toronto has its own unique atmosphere that reflects its cosmopolitanism. The architecture of Toronto preserves various styles from different eras and centuries. Nevertheless, there were several architects whose work and designs significantly shaped the look of Toronto as we know it today. Let’s take a closer look at the work of the most significant Torontonian architects.
Edmund Burke (1850-1919)
Early Years
Burke was born in Toronto on October 31st, 1850 as the eldest child of lumber merchant and builder William Burke and his wife, Sarah Langley. Edmund Burke finished his studies at Upper Canada College and started to work as an architectural apprentice under the guidance of his uncle, Henry Langley, who was very distinguished among the first generation of architects who were taught in Canada. Back then, Burke was a twenty-year-old man with considerable skill and an open mind who was eager to learn as much as possible from his uncle. A great deal of knowledge about traditional styles was passed from Langley on to his young nephew. Langley’s influence can be recognized in the conservative undertones of Burke’s works. In 1872, he entered a partnership with his uncle. This year marked the formal beginning of his rich and successful career. His own business was set up in 1892, and in first years on his own, he worked on two important architectural projects: the Jarvis Street Baptist Church and McMaster Hall (now the Royal Conservatory of Music) on Bloor Street.
This was the first time that he was truly independent and could express himself without any limitations, making this a period of crucial importance for understanding Burke’s work. Gilbert Scott, one of the most notable figures in British architecture, was his biggest influence in his early works. However, Burke was able to brilliantly combine his progressive and innovative sensibilities with traditional architectural styles. Angela Carr, Assistant Professor of Art History at Carleton University, wrote in her study, Toronto Architect Edmund Burke: Redefining Canadian Architecture, that “Burke’s work developed consistently through a variety of building types in all periods, accommodating technological advances almost as rapidly as these appeared and expressing the new aesthetic of a changing society.“
Burke, Horwood, and White
Burke, after two years as a sole practitioner, established a partnership together with J.C.B. Horwood, and they were later joined by Murray White. All three of them were former students of Henry Langley. Their firm, which designed a vast number of churches across Canada, many luxurious mansions for wealthy citizens of Ontario, and many commercial buildings, was one of the most successful architectural companies in the country. The firm combined different historical styles with new techniques and new materials such as glazed terra cotta, early iron, reinforced concrete frames, and forms of fire protection.
Edmund Burke was eager to seek a new innovative solution that would encourage the modernization of technology. He shared his knowledge with his colleagues by giving lectures and issuing publications. His biographer noted that Burke “presided over the transformation of the architect from the craftsman to consulting professional.“ Burke is responsible for bringing to the practice of architecture in Canada the new vocabularies and technologies used in that era in the United States. He worked with American models, a type of plan than became standard across the country in the last two decades of the 19th century, when he was working on the Jarvis Baptist Church from 1874 to 1875. Moreover, he was responsible for introducing the “curtain-wall“ construction to Canada when designing the Robert Simpson store in 1894, which, in the following decades, inspired many architects of retail department stores across the country.
It is worth noting that Burke was also active in urban planning activities for the City of Toronto and that he also was a part of several committees established by the Ontario Association of Architects and Toronto’s Guild of Civic Art. He is the author of the Prince Edward Viaduct, also known as the Bloor Viaduct, which he designed together with the city engineer’s office. Moreover, he participated and worked on projects improving the city’s traffic flow.
Burke’s Work in Professional Architectural Societies
Edmund Burke was one of the leading figures responsible for the recognition of the architectural profession and for having a substantial influence on Torontonian architecture in the 19th century. Burke played a major role in codifying standards of practice and education in the field of architecture, which ensured basic rules and and proper working conditions for architects as well as protection from unqualified practitioners.
The ever-growing competition from the United States was the main reason for the establishment of innovative learning programs, the introducing of modern technologies, and the formation of professional architectural organizations. Burke was responsible for the establishment of the Ontario Association of Architects in 1889, which he later led as its president in 1984 and 1905 to 1907. Furthermore, he was one of the three founding members of the Royal Architecture Institute of Canada. His support of quality education was an important aspect of his contribution to Canadian architecture. He noted that “if we train our students thoroughly and see that no one but first class men are permitted to enter the profession, I think the rest will take care of itself.“
Edmund Burke devoted his life to architecture and introduced a new way of combining the newest trends with traditional styles. The last years of his life were dedicated to public and professional service. The face of Toronto continued to be shaped by his works and ideas through the works of his colleagues and students for many years.
“Few men of the present generation of architects have so widely held the respect and esteem of their confrères, or been more closely identified with the building progress of the country. Practicing continuously for a period of over forty years, during the time when Canada was passing from its more backwards state to the present great strides of nationhood, his efforts stand out prominently in the modern character of Canadian architectural work.“ Obituary of E.Burke, Construction (January 1919)
Notable Buildings Designed by Edmund Burke
Jarvis Street Baptist Church (1878) – Jarvis Street
Prince Edward Viaduct, also known as the Bloor Viaduct (1881)
Trinity-St. Paul’s United Church (1887–1889) – Bloor Street, west of Spadina Avenue
Owens Art Gallery (1893) – Mount Allison University, New Brunswick
St. Luke’s United Church (1874) – Sherbourne Street and Carlton Street
Beverley Street Baptist Church (1886) – 72 Beverley Street
Robert Simpson’s Department Store Building (1908) – 176 Yonge Street [*perhaps the building Burke is most famous for CP]
St. Andrew’s Evangelical Lutheran Church (1878) – 383 Jarvis Street
McMaster Hall, now The Royal Conservatory of Music (1881) – 273 Bloor Street West
For the Silo by Jamie Sarner.
As the cold weather and winter arrives back to North America and Covid is (hopefully) finally behind us, it’s time to start setting travel records again. For example, 2017 saw a record number of tourist arrivals in Jamaica, with 4.3 million vacationers. That was a huge 21.1% increase from the previous year and that trend continued for 2018 and 2019. It seems safe to expect the same pattern to start up again in 2022 and beyond and visitors won’t just be staying in hotel rooms but also opting to stay in luxury villa rentals.
Part of the reason is that the movies tend to portray Jamaicans as fun-loving people. But the real truth is that it’s always been a popular country, and also because the trend for “authentic experiences” in tourism has enticed more travelers to visit the country without going to a hotel.
If you’re still thinking about visiting the country, take note of the following reasons why you really should drop by for a visit:
Gorgeous beaches. Many of the most impressive beaches in the whole Caribbean are in Jamaica. The sands along the beach are spectacularly white and pristine, the waters are crystal blue, and the sunrises and sunsets are utterly dramatic. You can relax in the famed Seven Miles Beach, or perhaps indulge your need to explore by visiting the rocky coast of Cosmos Beach. Just about every city along the coast will provide you with a fantastic beach to relax in.
Water sports. When there are beaches, water sports are also part of the fun. It’s virtually axiomatic. Here in Jamaica, that kind of fun includes scuba diving and snorkeling, along with surfing as well. You can rent jet skis too.
Exotic wildlife. You really need to bring a good digital camera, as your smartphone may not be enough to capture the real beauty of the local plants and bird species. But you really must see them for yourself. You ought to try scuba diving as well, so that you can be mesmerized by the creatures and plants under the sea.
Golf. Are you a links fanatic? If so, you will definitely love the luxury golf courses on the island. You can drive and put amidst the fantastic landscapes and enjoy the beautiful gardens. It’s in Jamaica where you will find Half Moon, which is widely considered as the best golf course in the whole Caribbean region.
Friendly people. Haven’t you noticed how in the movies Jamaicans are stereotypically portrayed as fun-loving friendly folks? That’s because the people here are just that way. They tend to regard tourists as personal friends, so it’s like every day there’s a party here to celebrate meeting new people.
Local cuisine. The food items here are mostly locally grown, so you tend to enjoy fresh meat, seafood, fruits, and vegetables. You really need to try the jerk-seasoned dishes, this jerk and curry seasoning can expand your horizons when it comes to chicken and pork dishes. But that’s not the national dish. It’s ackee and saltfish, with just caught seafood along with the ackee fruit that’s been sautéed and served with salt cod, tomatoes, peppers, and onions.
Visit here even once, and you’ll certainly want to come back time and again. In fact, it’s always hard to leave. It’s always a fun time here, and that’s what makes for a great vacation.
[This article was first published by The Silo on April 22, 2014] On June 10, 2009, the Honourable Justice Murray Sinclair, Marie Wilson and Chief Wilton Littlechild were appointed as Commissioners to the Truth and Reconciliation Commission of Canada (TRC), a component of the Indian Residential Schools Settlement Agreement.
Canada’s Truth and Reconciliation Commission is unique from other commissions around the world in that its scope is primarily focused on the experiences of children and its research spans more than 150 years (one of the longest durations ever examined). It is also the first court-ordered truth commission to be established and most notable, the survivors themselves set aside 60 million dollars of the compensation they were awarded to help establish the TRC.
Over the course of its 5 year mandate, one of the main tasks of the Commission is to create an accurate and public historical record of the past regarding the policies and operations of the former residential schools, what happened to the children who attended them, and what former employees recall from their experiences.
It is difficult for Canadians to accept that the policy behind the government funded, church run schools attempted to “kill the Indian in the child”. The violent underpinnings of the policy challenge the way we think about Canada, and call into question our national character and values. We have been taught to believe that we are a peaceful nation, glorious and free.
Over 130 Residential Schools were located across Canada, with the last one closing in 1996. More than 150,000 First Nations, Métis and Inuit children as young as five years old were forcibly removed from their families and placed in institutions that shamed their languages, customs, families, communities, traditions, cultures and history. In essence, they were not allowed be themselves and denied the love and belonging owed to all children.
While some former students had positive experiences at residential schools, many suffered emotional, physical and sexual abuse, and others died while attending these schools. Other lessons in trauma included assimilating children to gender roles, non-skilled labour and religion to prepare them for future integration. For the parents left behind, the worst lessons in shame, grief, loss and disconnection. Whole societies were undone.
In addition to creating the public historical record of the past, the survivors also tasked the Commission to reveal to Canadians the full and complete story.
Here’s why: When we tell our stories we change the world. When we don’t tell our stories we miss the opportunity to experience empathy and to cultivate authenticity, joy and belonging. (Brené Brown, 44) Through story-telling, the survivors are compelling Canadians to listen and respond with deep compassion and to re-set relationships in a big way in this country. This is our greatest opportunity to recognize shared history and our shared humanity. These stories are a gift and will help us to shape our shared future.
Through statement gathering at national or regional events and at TRC Community Hearings, former students, their descendants and anyone who has been affected by the Residential Schools legacy, had an opportunity to share their individual experiences in a safe and culturally supportive environment. The TRC concluded its last community hearing in March 2014 and has collected more than 6, 200 statements.
Almost all of them were video-and-audio-recorded and range from a few minutes to a few hours. The statements will be stored at the National Research Centre on Indian Residential Schools at the University of Manitoba. Students, researchers and members of the public will be able to access the statements to learn about residential schools and the legacy they leave behind.
As the TRC begins to reveal to Canadians the full and complete story of residential schools and inspire a process of reconciliation across this country, ordinary Canadians seem ill-equipped to make the journey from shame to empathy. “We know the voices singing, screaming, wanting to be heard- but we don’t hear them because fear and blame muffle the sounds” (Brené Brown, 42) We need to prepare ourselves to go to the dark corners of our history, so we can stand in the light together as equals.
In my next article, I will share with you more about empathy, how to practice empathy and why its essential to building meaningful and trustworthy relationships.) For the Silo, Leslie Cochran.
(Brené Brown, 42 and Brené Brown, 44) are taken from her first book “I thought it was just me.”
After job losses and the mortgage meltdown of 2008, Karin Esterhammer, her husband, and their 8-year-old (autistic) son fled Los Angeles to start over in an unlikely place: a nine-foot-wide back-alley in one of Ho Chi Minh City’s poorest districts, where neighbors unabashedly started into windows, generously shared their barbecued rat, kept cockroaches for luck, and ultimately helped Karin and her family find joy without their Western trappings.
Who hasn’t daydreamed about chucking it all and living simply in a hut with a hammock on a beach? Such a move can be a brilliant way to cut expenses and flip your life’s switch to adventure mode.
Karin was one of them. “I don’t know why I thought selling nearly everything we owned and moving to Vietnam would be the easiest way to get back all I’d lost. Call it desperation. I was laid off from an industry becoming more obsolete by the day — newspapers. My husband’s home business was also tanking, and with debts that equaled what seemed like the GDP of a small country, we didn’t have the capacity for clear thinking and careful planning.”
So, in 2008, Karin and her family moved to Ho Chi Minh City to get jobs teaching English. In a country where a great meal was $1usd, a motorbike taxi ride was 50 cents, and cable TV plus telephone was $6usd a month, they had lofty expectations of saving bundles of money and returning home in a year. What they didn’t account for was high rent. The least-expensive place they could find was $400usd a month for a nine-foot-wide house on a crowded alley with no hot water, but plenty of roosters and rats. They took it.
In the great tradition of Bill Bryson and J. Maarten Troost, So Happiness to Meet You is a captivating travel memoir that’s as rich in heart as it is in vivid, hilarious observations about Karin’s life in one of the world’s most fascinating places. For the Silo, Trina Kaye.
Karin Esterhammer’s work has been published in the Chicago Tribune, Los Angeles Times, Baltimore Sun, and more. Her diary-style article in the LA Times about Vietnam earned more letters to the editor than almost any other travel story. After their years in Vietnam, Karin and her family are again living in LA.
Prospect Park Books 16$usd contact: [email protected] for ordering information.
Meet Jerry Dandrige. He’s sweet, sexy, and he likes to sleep in late. You might think he’s the perfect neighbour. But before inviting Jerry in for a nightcap, there’s just one thing you should know. Jerry prefers his drinks warm, red, and straight from the jugular! It’s FRIGHT NIGHT, a horrific howl starring Chris Sarandon as the seductive vampire and William Ragsdale as the frantic teenager struggling to keep Jerry’s deadly fangs out of his neck.
Only 17-year-old Charley Brewster (Ragsdale) knows Jerry’s bloodcurdling secret. When Charley can’t get anybody to believe him, he turns to TV horror host Peter Vincent (Roddy McDowall), who used to be the “Great Vampire Killer” of the movies. Can these mortals save Charley and his sweetheart Amy (Amanda Bearse) from the wrathful bloodsucker’s toothy embrace?
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Written and Directed By: Tom Holland
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Cast: Chris Sarandon, William Ragsdale, Amanda Bearse, Stephen Geoffreys and Roddy McDowall
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Run Time: Approx. 106 minutes
Rating: 18A
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Natural gas is an important fuel used for heating and cooling in more than half of all North American homes. But methane, the key component in natural gas, is highly explosive and can become deadly when uncontrolled. Back in 2014, a natural gas explosion in two apartment buildings in New York killed eight people and injured 70 others.
In addition to the risk of explosion, the smell of natural gas can make many people ill. Hundreds of residents of Porter Ranch, near Los Angeles, were recently sickened by a natural gas leak from a nearby underground storage facility a mile away. The cause of their headaches, nausea and nosebleeds was mercaptan, the chemical added to natural gas that smells like rotten eggs.
Natural gas is composed primarily (95% or more) of methane, a colorless, odorless, non-toxic flammable gas. Methane is emitted from natural sources such as wetlands and also from industrial and agricultural processes.
Because methane is odorless, an additive known as mercaptan, or methanethiol, is added to natural gas to make the presence of methane detectable. Mercaptan additives contain sulfur, which is the reason natural gas smells like rotten eggs. Exposure to mercaptan can result in a variety of adverse health effects, including irritation of the eyes, skin and respiratory tract. Natural gas can also contain small amounts of potentially harmful volatile organic compounds (VOCs) such as ethane, propane, butane and even toxic compounds such as benzene and toluene.
Methane cannot be filtered. Mercaptan and VOCs can. Unfortunately, methane is not just dangerous – it’s also unfilterable. Adsorption and chemisorption, the two processes by which gas and odor air filters remove chemicals from the air, are ineffective against methane, which has an extremely low molecular weight. As a result, the only effective strategies for reducing indoor methane levels are source control/reduction and increased ventilation.
Mercaptan and VOCs, however, can be efficiently filtered with a high-performance air filtration system with a combination of high quality activated carbon and potassium permanganate – such as the IQAir HealthPro Plus or GC MultiGas (at right) room air purifier. The activated carbon provides adsorption of VOCs, and the potassium permanganate provides excellent chemisorption of mercaptan and many other VOCs, such as formaldehyde. The combination of these two filtration media is ideal.
Because methane is so highly explosive, high-performance air filtration to remove the odors associated with natural gas (mercaptan) is not recommended unless sufficient monitoring with a methane detector has determined that levels are safe. Methane detectors, also known as explosive gas detectors, can be purchased at hardware and home-supply stores.
This article is brought to you by The IQAir Group, friends of the Silo who develop innovative air quality solutions for indoor environments around the globe. IQAir is the exclusive educational partner of the American Lung Association for the air purifier industry.
