“If there is no sound philosophy in making the audio gear, then all product you make is plagiarism.”Zoran Mihajlovic
Having grown up around record players of dubious quality, I remember very clearly my first ‘real’ turntable. An audiophile friend of the family helped my father put together an entry level system for my 15th birthday. The system included 3 way Acoustic Research speakers, Sansui integrated amplifier, Sansui 3 head cassette deck and my first decent turntable- a gently used Sansui direct drive with a shiny S-arm and what looked like a strange silver hockey puck.
At 15 I was into my second year of drumming and with this turntable was now able to play along to LP records without having to worry about the inevitable skipping that the cheap family record player performed almost every time I hit the bass drum hard. I later learned that the puck was actually a custom made record clamp that the previous owner had fashioned to squeeze every last bit of performance out of the record player.
There is a surprising amount of science behind the advantages of using record clamps to ‘push’ the vinyl down onto the slipmat and platter and people that use them swear by them. In general terms, the added mass from the fitted clamp flattens warps in the record and a beneficial flywheel effect takes place once the record is spinning at speed.
Today, turntable designs have advanced and exotic materials and technologies are incorporated into high end models. This has translated into a need for ultra high quality clamps designed to properly secure records to all kinds of esoteric spindles and platters.
Enter Zoran Mihajlovic- a man devoted to producing the highest quality record clamps such as the Model 1 via his Serbian company Supreme Analog. At 3000 euros (at time of this article, 1 euro = 1.5 Canadian dollars) , this is a record clamp (Supreme-Analog calls it a record weight) that is produced on order only and commands attention.
70mm wide, 50mm high, 460g weight Swiss stainless steel and Serbian sinked wood
If you are on a more modest budget, they also offer the BL-006 for 250 euros. Also made from Swiss stainless steel, the more basic model weighs in at 950g and ships world wide for free in a solid wood box.
It’s easy to tell that Supreme-Analog have a real passion for audio and they make a number of interesting products including jewel like tonearms and gorgeous horn speakers. Check them all out. For the Silo, Jarrod Barker.
NEW YORK, – FASHINNOVATION, a platform where fashion and technology connect with a mission to inspire and share knowledge in the fashion, entrepreneurship and technology sectors, hosted its second edition of its semi-annual conference on February 13, 2019. The all-day red carpet event took place during NYFW at one of the city’s premiere venues, Tribeca Rooftop, and featured panels, live performances, installations, displays, and aimed to “humanize homelessness” with the launch of a book titled: It Can Be You by The NYLON Project.
Panel topics included fashion tech innovation for retail, manufacturing, production, design, textiles, blockchain, customization, sustainability, augmented reality and more. Other discussions focused on women empowerment, entrepreneurship, and even a Twitter-based elevator pitch competition. Featured guests, panelists and moderators include: Eno Polo, CEO, Havaianas, Michael Ferraro, Director of FIT’s Information Design & Technology Lab, Ryan Leslie, Co-Founder, SuperPhone, David Meltzer, Host of Entrepreneur.com’s “Elevator Pitch”, Renata Black, Co-Founder, EBY, Mark Price, CEO, FIREWIRE Surfboards, Lilian Liu, Manager of Partnerships, UN Global Compact, Gonzalo Pertile, Sustainable Director, J. Crew, Giulio Bonazzi, CEO of Aquafil, Ivan Poupyrev, VP, Google Jacquard, Carolina Wang, Co-Founder, EatGoodNYC, and Paul Dillinger, VP and Head of Global Product Innovation, Levi Strauss and more.
“The future is now, and as the tech and fashion industries converge, there’s no better place than New York Fashion Week to formalize conversations and networking opportunities by bringing these two industries together,” said Jordana Guimaraes, co-founder of FASHINNOVATION.
“There’s a reason why companies such as Farfetch and Revolve exist and are valued at billions of dollars – we need to pay attention to fashion tech innovation, and FASHINNOVATION is at this intersection,” said Marcelo Guimaraes, founder of FASHINNOVATION. FASHINNOVATION Second Edition expected approximately 500 guests and was presented by partner sponsors Runway Moda, ELYSIAIS, Lyft, and DisruptivAgency. The conference showcased a fashion installation by Constanza+LAB (Spain) and 19-year-old IMI by Imogen Evans, a mid-day cocktail hour and networking event, pop-up displays, a red carpet step-and-repeat, a special live performance by DeeMo, and an after-party by TROY. NYLON Project’s book, It Can Be You, which included 50 stories of homelessness from influencers around the world, including Melissa Molinaro, Claudia Salinas,
The first edition of FASHINNOVATION took place during NYFW on September 12, 2018, with hundreds of people exploring fashion tech panels from NASA, FIT, IBM, and more. For more information, go to https://fashinnovation.nyc/. For the Silo, Ruben Ochoa.
This is the most famous painting in the history of art. It is titled the Mona Lisa but it’s original name was Monna Lisa- a short form of “Madonna” or “my lady” but thanks to a spelling error we know this work as the Mona Lisa. Painted by Leonardo Da Vinci in the years 1503-1507, there are actually three different versions painted beneath the visible version. In one hidden version (discovered using xrays) she is seen clutching the arms of a chair. image/info courtesy of prlog.org
Every year 8.5 million visitors see the renowned work of art that is the Mona Lisa. It is a vision that graces t-shirts, calendars, coffee mugs, and art history books worldwide. Still, among those millions, I would wager that few are those that have left Paris remarking on the wall on which Mona is placed. More on this later….
Did you know that the Mona Lisa is the only work of art to be stolen from the Louvre( in 1911) and recovered? Not only that, but in 1956, it was attacked with acid and, in that same year, cut open with a rock thrown at Mona’s elbow. It would seem that times haven’t changed much either. In 2009 a coffee mug was thrown at it by a gazing woman.
Art hygiene: the Mona Lisa is protected by bulletproof glass while on display at Paris’ Louvre photo: Gilli8888/flickr
Time has provided the foresight to maintain Mona’s beauty. With 2 centimeters of bullet proof glass and an inner casing protecting against heat and humidity the artwork seems safe. But what about the wall ‘holding’ the Mona for all of us to admire?
Take a look at these choppers…are they healthy enough to support a Mona Lisa smile? Pay attention because we’re about to switch gears and talk a little oral health.
As a dentist I am prone to notice the wall and that famous Mona Lisa smile. That smile, seen on TV and used in advertising everything from vacations to toothpaste, would be worth little without considering the healthy gums and bone that keep it in place. In other words, without noticing the wall. Years spent in my business have taught me, that if not protected properly, a smile can be stolen from us, chipped, and worn away with acid leading to very costly repairs. If you value your smile then the bullet proof glass is a worthy investment.
By focusing on in-office prevention and care the need for extensive intervention is often averted. It is more time and cost effective to put up and maintain a very impressive wall for your work of art than it is to meticulously rework the masterpiece. This analogy holds true for your teeth, gums and your smile. Maintenance is the greatest security from acid and coffee alike and with it, your smile can continue to break the ice… but I wouldn’t count on 8.5 million visitors. That may be a little more than any of us can chew. For the Silo by Dr. Peter Gunn. Dr. Gunn’s practice is in Port Rowan, Ontario. www.facebook.com/caredental
The first rule is that if you’re going for a steak,it’s best to go to one of the best steakhouses in town. Cheaper places offer tasteless food, and you may just end up with MSG-laden steak that’s bad for your health and your taste buds.
If you only eat steak on special occasions, you may as well splurge on the best meat you can afford. These cuts include the rib eye, which is tender because of the high fat content. The filet is also flavorful and tender. You should also try the tender short loin, also known as the New York cut.
The special “Cowboy Rib Steak” from Baton Rouge Steakhouse Canada.
Of course, the taste of the steak also depends on where the meat comes from. American steak is tastier than European steak, while Japanese steak is extremely fatty. You may want to refrain from ordering a rib eye if you are ordering a Japanese steak.
It’s best if you order your steak rare to medium rare. This isn’t about snobbishness. It’s about the fact that when you cook steak to a degree more than medium the steak can become tough and very chewy. It’s not as enjoyable to eat.
When you cut meat and you’re right-handed, you hold the fork with your left hand while the knife is on the right hand. Hold the knife and the fork with the index fingers down the back of the utensils. You shouldn’t hold them like they’re pencils or by clenching your fists around them. You can then use the fork to hold the meat while you make your cut with the knife.
After cutting the meat, you have 2 options. One is the American style of transferring the fork to your right hand. You first have to put the knife on the plate without it touching the tablecloth. Then you use the fork in your right hand to spear the meat and place it in your mouth.
You can also use the Continental style of just using the fork in your left hand to spear the meat and take a bite. It’s quick and efficient.
You should cut each piece of meat one at a time. You shouldn’t cut more than once before you take a bite, as it’ll leave a mess on your plate. It may also tempt you to take more than 1 piece of meat into your mouth and that can be awkward when you’re having a conversation around the table.
For the best wine drink some good red wine. California wines are very good with steak.
Side dishes depend on your particular tastes. Sautéed spinach is excellent, while for some the best side dish is French fries. You may also want to try creamed spinach with fried egg at the top.
You should try to eat your steak with no sauces so that you can really savor the true taste of your steak. You can then add a bit of sea salt to flavor. For sauces, you candip your French fries into your favorite sauce to accompany the taste of the steak.
Of course, the true rule of eating steak is to enjoy yourself while you mind your manners. Etiquette isn’t really about blind obedience to the rules. It’s all about making sure that your dining companions (and everyone around you) enjoy the steak as much as you do!
What does the ingredients list above represent? It’s taken from the label of a popular name brand soap advertised with fresh faces, and as leaving no residue on the skin. Would it surprise you? Perhaps you recognized it, but thought well it’s being sold in stores so it must be safe.
The good news is that since 2006, Canadians have been provided with mandatory labeling on personal care products. Health Canada has even gone a step further providing a “hotlist” or list of prohibited or restricted chemicals . This is a huge step above our neighbours to the south, whom currently have minimal regulation on personal care products. Canada is on the right track, but is still a few steps behind the European Union, where personal care products are held to stringent guidelines.
The bad news is that even though there are guidelines set of by Health Canada, some of the products on the market today still contain chemicals, with similar structures to those chemicals that have been restricted. And if something shares a similar structure it is likely to interact with the human body in a similar fashion, thus causing similar health concerns.
What at can you do? The good folks at the David Suzuki Foundation performed a Survey of Canadians and their use of personal care products, and from this developed a “dirty dozen” of chemicals to avoid. Results of their survey demonstrated that 80% of products contained at least one ingredient on the list, and only 20% did not contain any. By visiting the www.davidsuzuki.org and searching “What’s Inside? That Counts,” you can download your own copy of the list, or even visit the mobile site when you are out shopping.
Why does this all matter? Many of the chemicals that are found in personal care products can bio-accumulate, meaning they can increase in concentration over time, and be passed on to our next generations. There is also well documented evidence of effects within the human body caused chemicals affecting the endocrine system. Within the human body endocrine disruptors have been implicated in neurological diseases, reproductive disorders, thyroid dysfunction, immune and metabolic disorders. Cancer is also another health concern that has been linked to many of the chemicals found in personal care products.
What about my health? As a naturopathic doctor I am always thinking from a preventative medicine point of view. The more I learn, I continue to look for natural/chemical free personal care products. Also important is optimizing your body’s innate ability to remove build up of chemicals through organs such as liver, skin, and kidneys. As always, prevention is the best medicine, and becoming a savvy consumer involves reading labels and asking questions. For the Silo, Ashley Beeton Bsc. ND.
SIMCOE
— Ontario received the province’s highest grade ever in an annual
report card that evaluates governments across Canada based on their
progress in cutting red tape.
The
Canadian Federation of Independent Business (CFIB) gave Ontario an A-
in its 2019 Red Tape Report Card. This was a dramatic increase from
the C+ that the previous government received in 2018 — which was
tied for Ontario’s lowest grade ever. The jump from the province’s
lowest to its highest grade ever is a result of the new government’s
determination to cut the cost of doing business in Ontario and make
companies more competitive.
“The
last thing small business needs in Ontario is continued unnecessary,
bureaucratic, regulation, rules, paperwork and red tape,” said
Haldimand-Norfolk MPP Toby Barrett.
“I
am proud that CFIB has recognized we mean business when it comes to
cutting red tape,” said Todd Smith, Minister of Economic
Development, Job Creation and Trade, who is the lead minister on
reducing red tape and regulatory burden. “Ontario businesses face
the highest cost to comply with regulations in any province — about
$33,000 per company — and small businesses are being hit the
hardest. Lowering the cost of doing business here will make companies
more competitive so they can create and keep good jobs right here in
Ontario. And we won’t stop until we get the job done.”
People
across the government are rolling up their sleeves to lighten the
regulatory burden on businesses, and Ontario will take this work to
the next level this spring. Ministries are already pitching in with
ideas for new actions to help meet an aggressive target – reducing
regulatory red tape affecting businesses by 25 per cent. From the
Premier on down, the government is continuously looking for ways to
lower business costs to help create and protect good jobs for the
people of Ontario.
QUICK
FACTS
CFIB
is a non-profit organization representing and advocating for the
interests and concerns of more than 110,000 Canadian owners of small
and mid-sized businesses.
It
has published an annual Red Tape Report Card since 2011. CFIB says
its goal is to hold the federal, provincial and territorial
governments accountable for one of the biggest headaches for small
businesses — excessive regulations.
QUOTES
“We’re
committed to reducing red tape and easing regulatory burden for our
businesses, so they can grow, create jobs and compete on a global
level,” said Ernie Hardeman, Ontario Minister of Agriculture, Food
and Rural Affairs. “I was so pleased to see the CFIB award Ontario
its highest grade on their Red Tape Report Card. We’ll continue
earning top marks by further lowering the costs of doing business in
our province.” – Ernie Hardeman, Oxford MPP and Minister of
Agriculture, Food and Rural Affairs
“Speaking
to just about everyone in all sectors, red-tape is one of the single
biggest hurdles community agencies and small businesses face in
serving our region. It’s so great to see CFIB recognize the great
work we are doing to make Ontario open for business.” – Will
Bouma, Brantford-Brant
“This
is great news for our province. Receiving this grade shows that our
government is on the right track to creating an environment in
Ontario where businesses will want to come and create jobs” –
Toby Barrett, Haldimand-Norfolk MPP
A
comprehensive package of reforms to encourage employment, restore
people’s dignity and empower the province’s most vulnerable to break
free
from poverty has been rolled out by the Ministry of Children, Community
and Social Services.
Last
year, more than 450,000 people – recipients and their dependents –
received assistance through Ontario Works. Delivered through municipal
and First Nations governments, Ontario Works provides temporary
financial assistance while helping recipients find jobs and become
self-reliant.
The
Auditor General of Ontario recently investigated the Ministry of
Children, Community and Social Services and the Ontario Works program.
The findings from Auditor General Bonnie Lysyk do not paint a pretty
picture:
* Since the last audit in 2009, the average monthly number of Ontario Works cases increased by almost 25 per cent from 202,000 to 250,000 by 2017/18.
*The average length of time people depended on Ontario Works doubled, going from 19 months to almost three years.
* Service managers identified 36 per cent of recipients have barriers affecting employability, such as homelessness and mental health issues.
* In each of the last five years, Ontario Works only helped 10 to 13 per cent of recipient cases to find jobs, and only one per cent re-enter the workforce in a given month.
* Costs of the Ontario Works program increased more than 55 per cent since the last audit in 2009 – an increase from $1.9 billion to almost $3 billion.
Auditor
General Lysyk concluded the ministry oversight of Ontario Works and
service managers is “ineffective” with much of her criticism directed
at programs to find employment. She also said the ministry is not
tracking whether service providers are completing financial
reassessments on time, and if they are investigating fraud tips. On
average, fraud investigation is a year behind.
Designed
to offer a coordinated multi-ministry approach, the government’s
reforms will reduce red tape and unnecessary rules, and support
individual
action plans to establish self-reliance. Measured and carefully
implemented changes will ensure minimal disruption for those on the
system.
Several
priorities will guide the reforms. One priority will be moving people
to employment by reducing administration and paperwork so people
receiving Ontario Works, as well as frontline staff, can focus on
individual action plans that set out a path to health, wellness and
preparation to return to work. Local responsiveness and flexibility will
help job seekers reach their potential.
Once
redesigned, The Ontario Disability Support Program will provide
annualized income support with fewer reporting requirements.
A
simplified system will focus on improving outcomes by reducing
administration, cutting unnecessary rules and restoring service
accountability.
Ontario’s
social assistance system has not seen significant change in over 10
years. Change will occur gradually to update the system so it
can better meet the needs of those who need it the most. As a first
step, the government will work closely with municipalities to develop a
plan to phase in changes, giving them flexibility to meet local needs in
the context of their local economies. There
will be consultation with First Nations to develop a specific approach
for social assistance and employment services.
The province has also launched a web site, Ontario.ca/openforbusiness to make matching job seekers with businesses easier. For the Silo, Toby Barrett MPP for Haldimand Norfolk.
Most of us don’t live in a rainforest but we do know that they are in great danger. Classrooms are looking for ways to help young learners better understand the deforestation crisis, for which we urgently need to find global solutions. What if it were possible to have first-hand experience on how we as humans are contributing to the extinction of trees?
Tree is a hyper-realistic VR experience that transforms the audience into a living and breathing rainforest tree. The viewer can see and feel the tree’s growth from a seedling into its fullest form and witness its fate firsthand. In a collaboration between MIT Media Lab and filmmakers Milica Zec and Winslow Porter, a fully immersive virtual reality story about a tree was created. The film has been presented to date at over 70 conferences and film festivals (including Sundance and Tribeca).
The Global Search for Education welcomed Winslow Porter to talk about the reality of deforestation and how Treecan help.
People often develop a personal connection to the tree after viewing the experience.” – Winslow Porter
Winslow, what motivated you to tell this story?How did you come up with the idea?
Everything started with our first project, Giant, in which we depicted an innocent family trapped in a war-zone. Giant speaks about the destruction humans do to each other, and we wanted to continue in our second piece with how humans destroy nature. That is how the idea of Tree was born. We wanted to shift the perspective of the audience and place them in the position of nature, so that they can witness firsthand how we as humans contribute to deforestation.
What does the VR experience really add to our viewing experience in this story? Are we missing something if we don’t see this movie in VR?
In our piece, we use VR as a tool to transform the viewer into a living and breathing tree. When the viewer looks down, they’ll see their arms are branches, their body is the trunk, and when they move, the tree moves too. We use multi-sensory elements so the viewer feels the growth from a tiny seed underground, to the tallest tree in the rainforest. We use a Subpac – essentially a backpack with bass speakers in it – to vibrate along with the piece, simulating the feeling of growing and expanding. The viewer can also smell the soil and the rainforest, sense the change in temperature and feel the wind on their face when they reach their tallest height. As of now, we believe that VR is the only medium that allows us to closely replicate what it is like to be a tree.
How do people react during and after the Tree experience? What kind of emotional connection is evoked?
So far, we have brought Tree to over 70 festivals and conferences and witnessed thousands of people from across the globe take off the headset. Most people have a very emotional reaction to the piece, strongly identifying with the tree. There is no language in the piece, just the sounds of nature, which creates a universal story that anyone can relate to. After the experience, people have a stronger understanding of the deforestation happening all around the world. People often develop a personal connection to the tree after viewing the experience.
“At the end of the experience, we give each viewer the seed of the tree they just embodied with the message “take this seed as a reminder to keep our forests standing.” – Winslow Porter
Climate Change and the Environment are timely topics. In what ways do you believe Tree can add to our understanding of these issues? How would it be different from traditional ways we learn about The environment and climate change?
Since most of us do not live inside of a rainforest, it’s difficult to imagine what is really happening. Tree brings you into that environment and shifts a viewer’s perspective to shed light on a topic that many people haven’t really thought about before. We partnered with the Rainforest Alliance, which helped us remain scientifically accurate while creating the project, and also provided us with a lot of knowledge about deforestation. People often come out of the headset asking what they can do to help, so at the end of the experience, we give each viewer the seed of the tree they just embodied with the message “take this seed as a reminder to keep our forests standing.” We link them to our website and the Rainforest Alliance, so they can discover the many different ways they can help.
What can you tell us about your next project, Rainforest? What’s the story and what’s the inspiration?
Rainforest is a mixed reality game. In Tree, we focused on a singular rainforest tree, when in reality there are many plants and animals that inhabit those forests. We want to educate people on this entire wonderous world that is being threatened by extinction. To do that, we wanted to bring the actual scale rainforest into the player’s room. Rainforest allows people to play in the environment, and through entertainment and fun they can discover and learn about all the life within. They will also learn about the dangers that rainforests are facing and actively participate in the preservation of those ecosystems.
“With VR, the screen is no longer just across from us, but all around us, and viewers have the ability to be a part of the piece they are viewing.” – Winslow Porter
The global VR market is growing rapidly. As the technology improves in the next 5 years or so, what do you believe are the additional benefits for storytellers/creators as well as entertainment consumers? What are the challenges?
With VR, the screen is no longer just across from us, but all around us, and viewers have the ability to be a part of the piece they are viewing. We’re breaking the boundaries and making entertainment more visceral and real, no matter where people are. Instead of watching movies on a TV screen, the movie can be playing all around someone, even inside their home. The viewer is getting the opportunity to become a participant in these pieces and decide on where the story should go, and how it should progress. The biggest challenge is that although we’re developing these projects with ground-breaking technology, not everything is ready for mass consumption, however, that time is coming very soon. For the Silo, David Wine/CMRubinWorld.
In my lastSilo travel column, I featured five of my favorite travel destinations in Ontario within 250 kilometres of Niagara. Here’s another five, but this time “on the other side of the ditch”. First, I’d suggest if you travel into the United States frequently like I do apply for a NEXUS pass (www.cbsa-asfc.gc.ca/prog/nexus). This pass is available to Canadian and U.S. citizens and costs around $50.00. It allows you and every other occupant in your car that has the pass to quickly cross over the border and return. It’s saved me hours of waiting at the border. Also be sure to carry health insurance for travel outside of Ontario.
[The nexus card will save you time at US Canada border crossing but part of the application process involves finger-printing and the completed card uses the same controversial RFID technology used across parts of the US Mexico border CP]
Now let’s get down to business…….and in no particular order ;> Ellicottville, N.Y.
(120 kilometres from the Canada/U.S. border)
This is a place I go to two or three times a year because there’s always something happening. They have 11 festivals spread throughout the year. Ellicottville has a compact pretty-as-a picture postcard downtown. It’s void of big-box retailing. There are plenty of historic brick and wooden buildings that have been re-born as unique, quirky, crayon-coloured stores and restaurants www.ellicottvilleny.com or 1-800-349-9099
Ellicottville NY- top- late Summer bottom- mid Winter
Randolph, N.Y.
(140 kilometres)
Not far from Ellicottville you’ll find the tiny village of Randolph. This village and the outlying countryside are deliciously peaceful. You’ll find a large thriving population of Amish families. As you drive the back roads, you’ll pass numerous styles of Amish horse and buggies. Loose your camera for this part of the trip. The Amish don’t like to be photographed. We spent all day visiting and speaking with these fine people who operate numerous businesses along, “The Amish Trail” that are open to the,” English”. Some of the places we visited specialized in toy making, farming, jams, pies, cheese making, quilting, pillows, and rugging. Forget your credit card. The Amish only accept cash and they’re closed on Sundays. www.NYAmishTrail.com or 1-800-331-0543
Stay cabins along the Amish Trail in Randolph
Hammondsport N.Y.
(250 kilometres)
I was originally trying to find Watkins Glen when I got lost and stumbled upon Hammondsport N.Y. What a hidden gem it turned out to be. This small community is nestled at the southern end of Lake Kueka and set in a protected valley in New York State’s Finger Lakes region. You can’t be in a hurry here. An old-fashioned town square anchors the village. Historic buildings snuggle side-by-side around its perimeter. The star attraction here is pristine Lake Kueka. There are also well maintained homes on the tree-lined streets date back to the 1800’s.Just on the outskirts of town is the Glenn H. Curtis Museum. It pays tribute to Glenn Curtis a pilot who took the first preannounced flight in America on July 4, 1908.In January of this year Budget travel voted Hammondsport the, “Coolest Small Town in America”. Well, so much for my hidden gem. www.hammondsport.org
Heritage architecture and vintage ooze at Maloney’s Pub in Hammondsport
Medina, N.Y.
(69 kilometres)
I have known some great breakfast joints in the past but Rudy’s Diner (closed Sundays) found in this friendly village along the old Erie Canal is one of the best. Just about everything here is made from scratch and reasonably priced in this converted 1940’s Sinclair Gas Station.
This town founded in the 1820’s echoes of the nineteenth century. Check out these things. Their beautifully restored downtown is very walkable. Don’t pass up seeing the Oak Orchard River Gorge and Medina Falls. It’s hard to find so ask a local. On the outskirts of town is the Culvert Road Tunnel. It’s the only arched roadway running under the Erie Canal. This narrow tunnel is like going through the eye of a needle! One must, is a visit to the Medina Railroad Museum (closed Mondays and major holidays).If you have kids they’ll love it and so will you. Tell owner Marty that George and The Silo sent you. www.medina-ny.com
So there you have it. Enjoy the remaining bit of Summer holidays and remember September and October are beautiful months. For the Silo, George Bailey.
Nancy Redstar explores the long-standing contact between American Indian tribes and extraterrestrial visitors through interviews with the tribes’ spiritual leaders and shares the wisdom and ET experiences of Dawnland founder Dana Pictou, Mayan daykeeper Hunbatz Men, Choctaw wisdomkeeper Sequoyah Trueblood, and Creek healer and artist Shona Bear Clark.
Her book includes color photos of ET-inspired work by prominent Indian artists as well as traditional Indian art and petroglyphs depicting contact with “Sky Elders”
As humanity stands at the crossroads between the Fifth and the Sixth Worlds, American Indian wisdom keepers have recognized signs that they must now speak their closely held knowledge about extraterrestrial contact, their original instructions from the Sky Elders. These ET relationships have existed since the beginning of time. They have been depicted on ancient rocks and hides, embedded in creation stories, choreographed in sacred dances, beaded on wampum belts, and continued to this day through rituals and the tobacco blessing.
They show our planet back into balance with natural laws.
Exploring the unifying “Sky Elder” theme found in virtually every Indian culture, Nancy Red Star shares her profound interviews with wisdom keepers from several Native traditions and produced an exciting documentary film that offers their teachings on taking our rightful place among the peoples of the universe. http://www.nancyredstar.com/film.htm
Laying out a path for rebuilding our world, the Sky Elders’ original instructions initiate us into the possibility of a coming time of peace. Inviting all peoples to realize their Star ancestry, the women and men of proud lineage and inspiring wisdom who share their experiences here offer us a survival plan for walking into the next world. http://www.amazon.com/Star-Ancestors-Extraterrestrial-American-Tradition/dp/1591431433
The
individual’s role in combating climate change is becoming a prevalent
topic, following the release of the IPCC report this autumn. Leading by
example, NBA star Lauri Markkanen is taking a stance by changing his
daily eating habits. As his first action to combat climate change on a
personal level, the Chicago Bulls player has given up eating red meat.
“As
my first action for #DontChoke, I pledge to stop consuming red meat as a
concrete step towards minimizing my personal carbon footprint. Every
move counts, play your part”, Markkanen declares on social media.
Following
his #DontChoke collaboration with renewable energy company Neste, the
decision is an exemplary step in doing his part in the fight against
global warming.
Markkanen
explains, that having recently become a father has made the well-being
of the environment even more significant to him. Markkanen encourages
his fans to follow in his footsteps to ensure a better environment for
generations to come. “I want to do everything in my power so that my
child will grow up in a clean environment, like I did. This is a call to
all my fans to do their share”, Markkanen explains.
The
#DontChoke campaign is a call to action for individuals to do their
share in battling climate change. The NBA player kicked off the campaign
by shooting hoops with a basketball covered with a hand painted visualization
of this year’s heat map. Throughout the on-going campaign, Markkanen
will consider the elements of his own lifestyle and opt for more
sustainable alternatives. Leading by example, the NBA player hopes to
encourage others to make their own climate pledge.
The Ontario government is taking action to address issues of climate change. Once in office, we have been acting as quickly as possible to fulfill our commitment to Ontario families and businesses. For example, we revoked the cap-and-trade carbon tax and ended emissions trading and allowances. In addition, we have now released our Made-in-Ontario Environment Plan that takes concrete steps to protect our air, water, and land and fight climate change.
Climate change is here. It is a reality and our environmental legacy will be predicated on our capacity to adapt, and to stop the worst consequences from materializing.
Fortunately, another reality is the fact the Ontario government is committed to protecting the environment using a sensible and balanced approach that creates jobs, respects taxpayers and grows the economy. But it is important to discuss what we’re fighting…the actual impact climate change can have on all of us.
Our government understands that climate change is a reality. It is a serious, worldwide problem.
More frequently, we hear media reports of severe weather that results in flooded basements, structural damages, and costly cleanups—sometimes in our own backyard. And the insured losses we’ve incurred in Ontario during 2018 give an unnerving snapshot of the consequences.
Earlier this year, a storm caused more than $46 million of insured damage in Brantford, Cambridge, London and the GTA. A spring storm in southern Ontario resulted in almost $80 million in costs. Soon after, winds and rains hit Hamilton and the GTA and caused over $500 million in damage. Last summer, a rainstorm in Toronto caused $80 million in damage. Further, we can’t forget the destruction left in the path of the Ottawa tornadoes this September.
The people across Haldimand-Norfolk are close to the land and are among the first to notice changes in the weather and the attendant damage and costs extreme weather can inflict on crops and buildings. Farmers and those that work outdoors have long been aware of fluctuating temperatures and are taking note when scientists predict that the average annual temperature in Ontario could be increasing significantly.
Milder winters and hotter summers create a paradise for insect and plant diseases. Are you getting more tick and mosquito bites? Lyme disease and West Nile virus, and other mosquito and tick-borne diseases, have been moving northward as our part of the world warms. And with increasing temperatures and phosphorus loads, many have taken notice of Lake Erie’s more frequent algal blooms and accelerated aquatic plant growth.
These aren’t news items from a far-off land. These events effect our health, increase food costs, hurt our communities, and can mean large repair bills and higher insurance premiums.
In a subsequent column, I’ll discuss our Made-in-Ontario Environment Plan and how it’s constructed to meet the needs of Ontarians by protecting and conserving our air, land and water; fighting litter and waste; building resilience to the impacts of climate change—particularly extreme weather—and illustrating ways for all of us to do our part to decelerate climate change by reducing greenhouse gas emissions.
As one with a background in agriculture and the outdoors, I’m excited about our environment plan. It draws on the expertise of environmentalists, scientists, stakeholders, Indigenous people, and the general public—more than 8,000 ideas and recommendations were received through our online portal. But more on that in a future column. For the Silo, Toby Barrett.
There are nowadays millions of single men, and among those, many dream of meeting a woman from Eastern Europe. Indeed, these women are known to be extremely attractive, faithful, and ready to do anything to come to live in Europe. Many dating and marriage agencies have been created to cater for this niche, specializing in so-called international marriages.
Unfortunately, many scams are hidden among these agencies. The websites use the faces of superb young women as bait. Once the vulnerable bachelor is hooked by some carefully worded emails, he is asked for money to cover the cost of a plane ticket as well as the visa fee. The sums involved can go up to 1,500 or 2,000 €, depending on the naivety of the man, and there is generally no way to fight it legally.
Anti Arnaques, the First community dedicated to fight Eastern Europe romance scams
That’s why Anti-Arnaques was created, in order to provide a reliable verification platform to any man who has doubts about the sincerity of the person he is speaking to. It includes:
A unique identity verification system in 2 steps: the Express Background Verification, through the four major Russian social networks, and the Official Background Verification, through the public and private databases of Russian and Ukrainian citizens that are reserved to the official authorities.
A black list containing names and pictures of women known to have practiced scams.
Practical advice to identify risk scenarios.
A forum to exchange ideas on potential risky encounter situations.
Testimony of a scam victim
“Hello, I am Rui, I live in Portugal and I was a victim of a scheme. Nastya or Anastasiya Vorozhnina, living at Lomonosova 97-64, 428000 Novopokrovskoe Russia, deceived me. By mere chance, I only lost 200 €, as well as 24 photos. This scheme lasted about 5 months, but I always resisted to send the full amount of money she requested, which was around 800 € to start with.
I hope to my testimony will help someone, and prevent him to fall into such scheme. These women can be very sweet at the beginning: only after 2 or 3 months she started to ask money. She was an authentic professional, who already appears in your list with other names: if I had knew Antiarnaques.org back then, I would not have wasted so much time.”
Rui, 48 years old, scammed by A.V.
The website Antiarnaques.org (which means Antiscams in French) allows anyone who wants to date a Russian, Ukrainian or Slav women to check the identity of a specific woman. Antiarnaques.org also offers the possibility to check the reliability of any marriage agency, and to consult the black list of Russian women known for fraud.
About Dimitri Berezniakov, the creator of Anti Arnaques
Dimitri Berezniakov launched UKReine.com in 1998: it was the first dating site specializing in international marriages between men from France, Belgium, Switzerland and Canada, and Ukrainian women.
This allowed him have a ringside seat to witness the rise of Russian romance scams: he used to receive emails from men victims of these scams almost daily. Because of the magnitude of the problem, he decided to create Anti Arnaques in 2010, in order to offer a reliable solution to individuals wishing to verify the identity of Russian and Ukrainian women.
Anti Arnaques, le premier site francophone de lutte contre les escroqueries sur le marché de la rencontre russe
Le site Antiarnaques.org permet à tout individu souhaitant trouver l’amour auprès d’une femme russe, ukrainienne ou slave de vérifier l’identité d’une femme spécifique. Antiarnaques.org offre également la possibilité de vérifier le sérieux de l’agence matrimoniale choisie, et de consulter la liste noire de femmes russes connues pour escroquerie.
La rencontre de femmes russes, ukrainiennes et slaves : un marché florissant mais présentant de nombreux risques
On compte aujourd’hui dans l’Hexagone de 16 millions à 18 millions de célibataires, divorcés et veufs, ce qui représente un marché attractif et porteur (CIDJ.com). Et ce nombre ne cesse d’augmenter : le nombre de seniors et de divorcés étant en hausse, de plus en plus d’individus se retrouvent à chercher l’âme sœur.
Parmi ces millions de célibataires, de nombreux hommes rêvent de rencontrer une femme originaire d’Europe de l’Est. En effet, on leur promet des femmes fidèles au physique extrêmement attractif, prêtes à tout pour venir vivre en France. Une multitude d’agences matrimoniales s’est ainsi positionnée sur ce créneau, en se spécialisant dans les rencontres dites internationales.
Malheureusement, de nombreuses arnaques se cachent parmi ces agences. Les sites utilisent les visages de superbes jeunes femmes comme appât. Une fois le célibataire vulnérable hameçonné par quelques emails soigneusement rédigés, on lui demande de l’argent pour couvrir le montant d’un billet d’avion ainsi que les frais de visa. Les sommes en jeu peuvent monter jusqu’à 1 500 ou 2 000 € selon la naïveté de l’interlocuteur, et il n’existe en général aucun recours devant la justice.
Anti Arnaques, première communauté francophone luttant contre les arnaques sentimentales d’Europe de l’Est
C’est pour cela qu’a été créé Anti Arnaques, dont l’objectif est de fournir une plateforme de vérification fiable à tout homme ayant des doutes sur la sincérité de son interlocutrice. On y trouve ainsi :
Un système de vérification d’identité unique en deux temps : la Vérification Express, via des 4 principaux réseaux sociaux russes, et la Vérification Officielle, via les bases de données publiques et fermées des citoyennes russes et ukrainiennes qui sont réservées aux organismes officiels.
Une liste noire répertoriant les noms comme les visages des femmes connues pour avoir pratiquées des escroqueries.
Une liste noire des agences matrimoniales internationales connues pour pratiquer des escroqueries.
Des conseils pratiques et concrets pour identifier les scénarios à risque.
Un forum d’entraide pour échanger sur des situations de rencontres potentiellement à risques.
Ils ont été victimes d’arnaques et témoignent
« Tout a commencé par un mail, et des conversations dans lesquelles on parlait de tout et de rien. Je lui ai proposé de venir en France pour son anniversaire, et la cascade d’ennuis a débuté : pas d’argent pour payer le passeport, pas d’argent pour payer le visa…J’ai donc payé tous les frais. Une fois à l’aéroport, elle s’est soi-disant faiteî arrêter, on lui a interdit de quitter le pays à cause du crédit de son appartement. J’ai eu moult preuves de sa bonne foi, j’ai cru en elle, je me suis senti responsable, je me suis investi à fond. J’ai donné beaucoup beaucoup d’argent, et aujourd’hui j’ai tout perdu.
Je souhaite simplement que d’autres ne répètent pas les mêmes erreurs : je l’ai donc signalé sur Anti Arnaques, s’il vous plaît allez-voir, et faites attention ! »
Joël, 43 ans, arnaqué par E. T.
“J’ai commencé une relation par email avec Anastasiya, elle m’a complétement séduit en quelques semaines. Elle était extrêmement douce au début, puis a commencé à réclamer de l’argent. Par chance, j’ai flairé quelque chose de louche et ne lui ai envoyé que 200 €. J’ai ensuite réalisé qu’elle était présente sur la liste noire d’Anti Arnaques ! »
J’espère empêcher un autre homme de tomber dans le même piège ! »
Pierre, 48 ans, arnaqué par A. V.
A propos de Dimitri Berezniakov, le créateur du site Anti Arnaques
Dimitri Berezniakov a lancé UKReine.com en 1998 : il s’agissait alors du premier site de rencontres spécialisé dans les mariages internationaux entre des hommes originaires de France, de Belgique, de Suisse et du Canada, et des femmes ukrainiennes.
Cela lui a permis d’être aux premières loges pour assister à l’essor des arnaques sentimentales en provenance d’Europe de l’Est : il reçoit alors des emails provenant d’hommes victimes de ces escroqueries quasi-quotidiennement. Face à l’ampleur du problème, il décide de créer Anti Arnaques en 2010, afin d’offrir une solution fiable aux individus souhaitant vérifier l’identité de leurs interlocutrices.
“The growing flow of digital culture depends on the hidden protocols of its underlying systems. To explore how interfacing shapes spectatorship online, this pioneering study pinpoints experiences of flow through the friction of photo-based glitch art by Phillip Stearns, Rosa Menkman, and Evan Meaney.
Homing in on the viewer, these three cross-disciplinary case studies present and analyze material that is new to the art-historical context. In particular, they focus on how glitched artworks in online environments make viewers aware of their own activity within the flow, causing a break from the increasingly naturalized integration of system and individual.
Mysterious and Beautiful
When a glitch invites the viewer to try out different positions in relation to the system, a tactical spectatorship unfolds.” That’s the introduction text of Vandela Grundell’s book Flow And Friction: On The Tactical Potential Of Interfacing With Glitch Art. In simpler terms, our modern online life utilizes smartphones and digital cameras to not only represent who we are, but to present to others ‘how’ we are.
In the early days of computer, during the great Cold War and its technologically dependent Space Race this was known as a ‘glitch’.
Flow and Friction is a fascinating celebration of the mystery and the beauty that sometimes arises from glitched systems. 238 pages. Recommended. For the Silo, Jarrod Barker.
About one hundred years ago, millions were involved in war – a war later to be known as the War to End All Wars. It was a global conflict of brutality, propaganda and technological advance — a war of survival and humanity and courage.
Trench warfare forced soldiers to adapt to new technology and new techniques in order to survive – something my grandsons and I learned on a recent visit to the Canadian War Museum.
The helmet, the respirator and the Lee Enfield rifle were all introduced in 1916. The helmet was in response to shrapnel artillery shells. The respirator provided some defense against chlorine and phosgene gas. The Lee-Enfield bolt-action, magazine-fed, repeating rifle replaced the unsuitable and much hated Ross Rifle.
One hundred years ago, thousands of miles of trenches crisscrossed the western front. Between the opposing trench systems lay No Man’s Land — a battered killing zone across which soldiers had to move in order to attack.
Howitzers were used to pound trenches and targets at the enemy’s rear. The eight-inch Howitzer could fire an enormous high-explosive, 200-pound shell up to seven miles. The trajectory of fire was very high, with the shell plunging downward to deliver a devastating explosion.
Nieuport 17 image courtesy of airpowerworld.info
Shrapnel shells were designed to burst in the air, producing a cone–shaped whirl of deadly metal. Soldiers suffered horrific wounds as pieces of shrapnel ricocheted inside the body, causing further internal damage and gaping exit wounds.
The Creeping Barrage was a key to victory on the Western front. This moving wall of artillery fire forced the enemy to remain under cover, unable to fire on the attacking infantry as they moved across No Man’s Land.
Control of the air was essential for victory on the ground. Canadians played a key role in the British air services as fighter and reconnaissance pilots, aerial observers, mechanics and flight instructors. The Nieuport 17, introduced in 1916, featured a powerful engine and a synchronized Vickers machine gun. It became one of the best allied fighter planes of the war.
Improvements in combat surgery and new techniques like blood transfusions meant almost 90 per cent of all wounded soldiers who received medical treatment survived.
Doctors learned to treat the terrible wounds of modern warfare, and served in the front lines or within range of enemy artillery. Causalities were so heavy that more than half of all Canadian physicians served overseas to meet the demand.
Canadian nurses were trained medical professionals, but nothing could have prepared them for the horror of battlefield wounds — more than 3,000 served in the Canadian Army medical corps. Their wartime service assisted women to receive greater recognition within the medical profession.
To pay for the enormous cost to equip our personnel overseas, the federal government imposed a business profits tax in 1916, and an income tax for individuals in 1917. Proposed as a temporary emergency measure, the income tax became permanent.
And, almost every city and town across Ontario and the country launched campaigns to raise money. Women worked without pay to provide countless supplies and gifts, including warm clothing, bandages and food.
To quote a popular phrase of the time, everyone was encouraged to, “Do your bit,” in support of soldiers and winning the war.
A century has passed, and we remember the tremendous impact of the War to End All Wars. For the Silo, Haldimand-Norfolk MPP Toby Barrett.
Hoy Chi Master Mike Mah and the Developer of the Hoy Chi Technique has successfully used acupuncture to treat stroke recovery patients.
Acupuncture, a word that literally means, “puncture with needle”, has been practiced around the world for over 2500 years. The historical origins of acupuncture are rooted in Traditional Chinese Medicine, and one of key fundamental is the intrinsic balance of energy or “qi” within the body. The best way to visualize this balance is by looking at the well-known yin yang symbol.
Yin [According to urbandictionary.com ying-yang is an erroneous spelling CP] and yang are found everywhere in nature, as complementary opposites, neither exist without the other. Humans are always in a dynamic balance, and optimal health requires the body to be able to adapt to various internal and external changes. Illness arises when this balance is disrupted, and homeostasis is now longer intact.
Traditional Chinese Medicine practitioners found they were able to access the vital energy of the body through the insertion of acupuncture needles into points along the 12 different energetic meridians within the body. These “points of insertion” or “where the needle goes” have been developed over many years of pattern recognition and diagnosis. The goal of acupuncture is to restore normal functions by stimulating certain points on the meridians to restore the body’s flow of energy.
There are more than one meaning offered for the symbol Yin-Yang but most meanings suggest this symbol represents the ancient Chinese understanding of ‘how things work’. fly.cc- “The outer circle represents everything while the black and white shapes within the circle represent the interaction of two energies, called ‘yin’ (black) and ‘yang’ (white), which cause everything to happen. They are not completely black or white, just as things in life are not completely black or white, and they cannot exist without each other.’ It goes on further to state that the shape of each section suggests a movement of these two contrasting energies, which models natural conditions such as the rising and falling of tempertature, the expansion and contraction of glaciers etc. Think of it as a visual model of the character of nature. CP
Contemporary evidence- based medicine looks to understand the acupuncture from the reductionist perspective focusing on determining the mechanism of the concern, and diagnosing a neurological dysfunction in the individual. This new type of clinical knowledge has made acupuncture increasingly popular within the western medicine.
Physiotherapists and chiropractors commonly use acupuncture for musculoskeletal problems. This type of acupunctures needling induce a chain of events that results in the release of neurotransmitters and neurohormones resulting in widespread and measurable effects on pain, and tissue healing.
In addition, clinical studies have demonstrated efficacy [the capacity to produce an effect ] for treatment of irritable bowel disorder, insomnia, fertility and support with assisted conception.
While the use of acupuncture has been increasing in popularity, it is important to continue to respect the vast amount of clinical knowledge Traditional Chinese Medicine acupuncture point indications are based in.
Naturopathic Doctors are a wealth of knowledge regarding use of Traditional Chinese Medicine and Acupuncture. We are trained from the Traditional Chinese Medicine background, but embrace the modern scientific explanations of acupuncture to treat a variety of conditions. Training for Naturopathic Doctors incorporates understanding Traditional Chinese Medicine, clinical case taking, and hands on clinical practice utilizing various acupuncture needling techniques. For the Silo, Ashley Beeton ND.
Busy moms share a common stress during the holiday season. There is too much to do, and not enough time to do it. The best way to reduce stress levels is to reduce expectations. The only woman obligated to entertain like Martha Stewart is Martha Stewart. By lowering personal expectations and opting for timesaving options, moms can reduce the pressure they put on themselves. The following are a few of Kleven’s holiday tips and tricks for busy moms:
Purchase holiday baking at fundraising bake sales or from community-based charities. Moms can stock up on a supply of festive treats while supporting worthwhile organizations. Get together with girlfriends for an afternoon of baking. Each woman bakes enough batches for herself and the others. Once cooled, everyone has a selection of festive baking that can be combined on disposable platters ready for gifts giving or holiday get-togethers. Offer to watch a friend’s children while she does her gift shopping. Get her to do the same for you. Shopping without children is faster and less stressful. Moms can also do their gift shopping online, in the comfort of their own homes.
Arrange to have the items shipped to a nearby neighbour or friend, where they can be stored away from prying eyes until just before the big day.
Money doesn’t have to be an issue. Re-gifted items make perfectly acceptable presents. So do homemade treats like cookies, flavoured popcorn, or peanut brittle. Check the internet for quick and easy recipes. Another gift that is sure to please the other moms on the list is an I.O.U. for a free afternoon of babysitting. The only cost to the giver is a few hours of her time, while her friend enjoys a quiet afternoon all to herself.
Simplify entertaining wherever possible. Meet friends for coffee and dessert at a local restaurant instead of at home. The holidays are about spending time with loved ones. Holding the festivities somewhere else ensures that everyone, even the hostess, gets to sit down and enjoy the visit.
If you do decide to invite friends and family to your home, have them drop by in the afternoon. Daylight get-togethers are far less formal. Ask guests to bring finger foods or purchase them ready-made. The selection and quality of hors d’oeuvres, vegetable and fruit platters available at grocery stores has come a long way in the past few years.
Author -Colleen Kleven
Rather than creating a pile of dirty dishes for afterward, pick up plastic cutlery, disposable plates, paper tablecloths, and napkins in festive patterns. For best selection, shop early. This holiday season, prepare for a house full of guests in advance. Borrow sleeping bags and air mattresses from family and friends and tell children they are all “camping out” in one bedroom. This creates extra sleeping areas for grandparents, aunts and uncles.
Over the next several weeks, make double batches of dinners like spaghetti sauce, chili, soups and casseroles. Freeze leftovers to thaw and serve during the holidays.
When planning for meals, go for the easiest alternative. Pick up a mixture of lunch meats and buns for self-serve lunches, and order pizza for dinner one night. By taking a more relaxed approach to the holiday season, busy moms stand a better chance of actually enjoying themselves instead of starting the New Year exhausted and disappointed. For the Silo, Colleen Kleven.
The PHV MAC is an ‘electronic peephole’ for your home security that takes images of anyone or anything that is out front.
Its ambient light sensor allows images to be taken up to 30 inches from the door. This battery-powered device features an LCD screen on the inside of the door to display the photos, which stores still shots as well as video on a Micro SD card and includes dates and times of when the sensor was activated. The batteries inside last for 9,000 triggers, and can be powered for a little more than 6 months. The playback feature allows you to view a time-lapsed video with all images with one press of a button.
The MAC 200 can function as a separate security camera for your home. The portable, motion-activated camera can store up to 14 months of images. You can watch over 8 hours of images with a condensed, time-lapsed 1 minute video. There are three capture modes you can choose from: motion-activated, time lapse capturing, and a hybrid mode that includes both. Activity can be set to sense anywhere between 20 feet to 320 feet between the three different modes.
Daniel Johnston is not a secret anymore. Thirteen years ago, in 2005, director Jeff Feuerzeig released the Sundance award-winning documentary on Johnston’s life “The Devil and Daniel Johnston,” his songs have been covered by renowned artists like Beck, Tom Waits and The Flaming Lips and he has also been featured in the 2006 Whitney Biennial of American Art. It seems that over the past few years the enigma that was Johnston has mutated into a proverbial “cult figure.” However this cliché is an inaccurate description. Where is the line between cult figure and pop culture icon drawn? The common theme found in essays and reviews on Johnston’s work is the examination of his mythology rather than the examination of his work. This type of analysis tends to do more harm than good: the myth swells while the work rusts.
The lack of critical texts on Johnston’s artwork is alarming considering that he has exhibited internationally and in his home country of the United States. Moreover, his work resides in numerous public and private art collections (including my own). Anyone even remotely familiar with Johnston’s work can recognize his assorted cast of unusual characters, symbols and motifs like Jeremiah the Frog (refer to images above and below), Vile Corrupt and the Dead Dog’s Eyeball. The latter image surfaces in Johnston’s early work as a result of a traumatic encounter with exactly that, a dead dog’s eyeball. In the book The Life, Art, and Music of Daniel Johnston, Johnston himself describes a childhood incident where he witnessed a dead dog hanging from a swing set: “He got himself caught on the rope and got hanged. I asked this girl where was her dog and she pointed over at him and said right there.” As the authors of the book point out, the same incident was addressed in lyrics from Johnston’s song “Catie” on the album Fun (1994):
I saw the dog hanging on the swing set
I asked the girl
Where was your doggie at?
I walked on down to see my grandpa yeah!
Well I’ve had a lot of horrors
And I’ve had a lot of fears
But the worst of horror
Is when there’s nothing here
What is fascinating about the reproduction of the dead dog’s eyeball in lyrics and illustrations is that it may be connected to the trauma Johnston experienced when first encountering the dead dog on the swing set. Trauma is characterized by an affective shock that has the capacity to wound the body and the psyche, which in turn causes anxiety, stress and other forms of neurosis. Seeing the dead dog’s eyeball during childhood might have registered trauma in Johnston that affects him well into his adult life and it could have taken the form of an obsession (fig. 4). In one particular drawing from his early work Johnston asks himself in bold text, “WHY DO I KEEP DRAWINGS [sic] THESE SILLY LITTLE EYEBALLS?” Here and elsewhere, the artist is consumed by flashbacks of the dead dog’s eyeball to the extent of being overwhelmed.
While Johnston’s manic depression and schizophrenia have been well-documented—and largely contribute to his mythic status—his encounters with trauma and its relation to his artwork have not. Keeping this idea in mind will help to better understand and appreciate the construction and trajectory of his characters, symbols and motifs. It may be time for writers, critics and scholars to take a step back, allow Johnston’s myth to rust and the impact of his work to swell. He is not a secret anymore. For the Silo, Matthew Ryan Smith, P.H.D.
Tarssa Yazdani and Don Goede, The Life, Art, and Music of Daniel Johnston (San Francisco and Colorado Springs: Smokemuse and Last Gasp, 2006). 33-34.
Random acts of kindness come in all shapes and sizes, something as simple as a smile to a stranger, or paying for the guy behind you in the cue at the coffee shop drive-thru counts. The idea is to leave someone, whether you know them or not, with a brightened day and a reminder that there are good people. There is an amazing movement happening in the artistic circles, created with the same purpose, it is called art abandonment and artists from all over are leaving behind their artworks anonymously.
“It’s something that I’ve done for a number of years now, albeit infrequently, usually on beverage napkins and the like,” says deMeng in an introduction to Art Abandonment on his blog. “About ten or so years ago I would walk to the same place by a river and leave a little charcoal drawing. So recently I started this activity up again…leaving little sketches with a note on the back”
deMeng acknowledged that he did not create the idea of art abandonment, but perhaps discovered its use as a random act of kindness as opposed to a political message used by many urban guerilla artists.
In fact, Haldimand-Norfolk artist Jarrod Barker created several guerilla art installations in Haldimand-Norfolk including one at Simcoe’s now demolished American Can property back in the summer of 2010.
ILIAD. J. Barker. Abandoned canned food factory Norfolk, Ontario.
deMeng outlined some of his theories behind the art of abandoning art and its purpose, including that its good for the heart and a little addictive once you begin and the simple fact that money is tight and giving a gift like this could encourage someone to continue to support the arts.
“I think it’s important to be able to let one’s art live beyond it’s creator, I love imagining what becomes of my art after it is gone…whether given or sold,” said deMeng.
“Some folks can’t seem to let go of their work, even when they sell it. This is a great way to learn to move on.”
The concept is very simple:
1) Create a piece of art.
2) Write or attach a note explaining it is a free gift, purposely left behind including contact information if you so wish.
3) Take a photo of your art and its place of abandonment and then sneak away unnoticed.
I myself am not an art abandoner, although if I had the time and resources I would, but I thought I could offer a unique opportunity for the abandoners I find so much joy in following on social media.
June 30, 2013 I will have departed to Peru for a ten day journey across a wide variety of landscapes including urban centers, Machu Picchu, and the Amazon rainforest.
I invited artists to send me their work in order to abandon on my journey, and I would share the photos of their abandonment locations with the artists as I continue my journey.
“Machu Picchu is on my bucket list,” said Burlington artist Heather Kuzyk who sent three art trading cards (atc) to be abandoned.
“So if I never perchance to make it there in body at least a part of my soul has been. ”I was excited by the thought of the photos I could take of the abandoned art on the Machu Picchu ruins with the beautiful Peruvian mountains sprawling in the background. Although I sincerely hope some of the finders will share of their discovery, I’m pleased just to imagine how excited I would be if I found something like that in such a magical place. For The Silo, Lacie Williamson.
Post-script: Remember to never install or leave behind work that contains string, toxic or synthetic materials, small pieces of plastic etc. Anything that can harm or interfere with the natural environment or wildlife must never be used.
Recent Ukrainian laws requiring that one in four songs on the radio be Ukrainian, not Russian or any other language, have met resistance from DJ’s who claim there is just not enough local talent. Ukrainian linguist and music lover Vira Vyrśka says there is plenty to choose from and shares her personal play list.
Can Ukraine legislate which language is spoken?
While we are on the topic of Ukraine’s aspiration to become free of Russian domination and partner with Europe, the political feud has bubbled over into new proposed language laws. But can you legislate which language people speak? Even some Putin critics disagree.
China’s pirate video underground
Unpaid subtitlers have made it possible for the House of Cards and John Stewart to become massive hits on the other side of the globe. So are they copywrite thieves or the last hold out against Chinese censorship? Meet Mr. Xia.
How beards explain international history
And you thought it was just hair. Beards have represented everything from religious extremism to masculine savagery and intellectual gravitas. A timeline of 3,000 years and 20 countries.
Yes, you can go to jail for writing poetry
Putin’s political opponents and courageous whistle blowers have been thrown off of buildings and shot in broad daylight. But they are not his only targets. Bad poetry, it turns out, is also a crime. Just ask Alexander Byvshev.
Egypt’s missing belly dancers
Where are the famous belly dancers of Egypt? A video tour of belly-dancing from its heyday in the 1920’s in Cairo to its current diminished status in the country where the art of belly-dancing was born.
The 14 best Middle Eastern musicians?
Break out your iTunes and Spotify. This list spotlight Middle Eastern music trending now in every country from Morocco to Iraq. This music will make your next dinner party or romantic evening.
Syrian warfare the computer game?
Russian game makers Cats Who Play released a new game this year based on the war in Syria in which the player must side with the regime. Did they get it right?
Chavez love culture
The cult of Chavez has only spread after his death, creating a “love culture” as annoying to some as a clingy ex-girlfriend in a small town who keeps showing up everywhere. For the Silo, Alisa Cromer.
Yes this post’s title bears repeating. The public’s appetite for failing public figures continues to be satiated. But beyond the face value of these stories, should the public have deeper concerns about their causes and what could they be indicative of beyond sexual obsession? According to Dr. David M. Reiss, what is more pertinent to analyze is the self-defeating, self-sabotage aspect of these actions, and essentially the unconscious self-hatred and hatred of anyone who cares for them (i.e., humiliation of a wife).
According to Reiss, “We are getting away from one on the true critical issue — masochism. It is the acting out of the self-hatred by politicians through their legislation and power that is actually infinitely more dangerous to the public than any particular sexual activities. What more don’t we know about their behaviors behind the scenes and what else may manifest?”
In addition, the so-called treatment for someone is nothing more than a publicity play to help “fix” the problem in the public eye. The idea of his going into an “intensive treatment program” for two weeks is a joke. Especially at age 70, with decades of this type of behavior, a program like that can’t do anything but perhaps a diagnostic evaluation and set a course for ongoing therapy – with a poor prognosis. Otherwise, it’s an insult to the idea of therapy to think that two weeks could be of any significant effect.
David M. Reiss is a practicing psychiatrist for 30 years and recognized internationally for his expertise in character and personality dynamics. He has performed more than 10,000 psychiatric evaluations; evaluated and treated patients from diverse social and cultural backgrounds, and from every occupational field. He is an in-demand lecturer and has been published and covered in academic journals as well and general consumer media. For the Silo, Alyssa LaManna.
In her youth, Wendy E. Slater found her greatest gift of expression in poetry- and then went dormant. Years later, on a trip to Scotland, the fount reopened. She had been through a crucible of chronic illness that forever changed her, launching Slater on a quest for meaning and life reexamination. That quest opened a gateway into self-healing that resulted in 20 volumes of simmering, soul-searing and spiritual poetry that deftly points humankind toward a new awareness of our Oneness with all humanity, nature, the cosmos and the divinity.
Slater’s breathtaking dive into self-scouring, cleansing and finally transcendence offers hope for all who have been pulled down by the forces of self-blame, self-judgment and self-sabotage. The beauty of her soothing words and healing revelations clears the way for a new path to life-altering Unity, emerging from the alienation of separation.
Her awakening journey began first in the 1980’a where as a student studying science, she became increasingly aware of the inter-connectedness of all things. Struck down by an undiagnosed chronic illness in 1991 that incapacitated her for five years, she turned to alternative healing techniques when allopathic medicine failed her. This widely ranging exploration of holistic health and spiritual practices opened her eyes to a new way of being, brought forth consistently by healers from all societies and eras- an existence without “the false archetype of perfection.”
Says Slater, today a gifted alternative healer herself: “When blame and self-judgment are transformed, healed and cease to be, we have reawakened without myth, the mythos, of separation.”
It was on that one heart-opening trip to Scotland in 2001, that the poetry coalescing inside of her during that healing period began to pour forth. In subsequent trips to spiritually enriched landscapes, the words found their way to paper. Slater calls her work “Vision Quest” Poetry.
Into the Hearth, Poems-Volume 14, is actually the first of her volumes to reach publication. And it is already a widely-acclaimed Amazon.com #1 Bestseller:
“This is a very dangerous book of songs. You will find yourself overwhelmed, engulfed, and swept away into the very intimate heart fire of Wendy Slater, the feminine heart fire of love, and in the end you will be left in ashes, totally in love without any object whatsoever, yearning for more.: ~ John A. Perks, Author of “The Mahasiddha and His Idiot Servant,” Ven. Seonaidh Perks, Celtic Buddhist lineage
“Wendy E. Slater is that breed of poets who open our eyes, our hearts, and our minds with a warm arm around the shoulder, a sympathetic and empathic delivery that instantly binds the reader to her. These poems, quite simply, are eloquent, not only because they are offered with a desire to invite us to join her on the path to enhanced perception of the world and our place in it, but also because she manages to infuse that sense of spiritual respect that is so often absent in contemporary poetry.” ~Grady Harp, Amazon’s Hall of Fame, a Top 100 Amazon reviewer.
In the Hearth by Wendy E. Slater is available from Amazon.com and also on Kindle. To learn more about “Vision Quest” Poetry visit Traduka.com
If we’re living in an oxymoronic age (and it seems indeed that we are), then Ballasox footwear by corso como makes a lot of sense. Women’s fashion has never been off limits for innovation, experimentation and whimsy but today’s designs are also driven by comfort and economy.
That’s a lot of parameters to hit and with that in mind, let’s take a look at Ballasox- just one of many interesting lines of high fashion women’s footwear from corso como.
We decided to focus on two styles that represent interesting designs and coincidentally are the high and low price point in the Ballasox line: the Micaela with straps priced at $129 (usd) and the Prince priced at $60(usd). Fun! That’s a word we don’t often use when highlighting fashion. There are wonderful pop elements found in these shoes. Looking at the Micaela one is reminded of 1970’s Punk movement. The dog collar like strapping, the chrome studs and red and black leather colour scheme have an attitude that works. Especially if you’re pounding the streets on a busy weekend or hopping onto a motorcycle.
A still from the 1986 punk biopic film Sid and Nancy-
The Prince has a simple design and we adore the Warhol-like camo/snake patterning. Perhaps you’ve heard of Stephen Sprouse and Monica D Murgia’s recent camo design dresses? In the 1980’s Sprouse worked with Warhol and those designs were just slightly ahead of themselves. Contemporary television shows like Duck Dynasty and the mega-mall staple BassPro have changed all that. Camo isn’t just for your Dad to wear to the lodge- it’s become ubiquitous as Warhol predicted.
Check out the snakey Camo print in this closeup detail of the Prince
Back to the Prince. So this little shoe is not as unassuming as it first appears.
There is a pedigree and history of aesthetic design that is a part of its look. Yes, it’s technically a snake skin design but the type of snake chosen must have been carefully considered and settled on because this shoe would not look out of place paired with a Sprouse/D Murgia Camo dress. Now that’s a combination we’d love to see. For the Silo, Jarrod Barker.
Zylia, the Poland-based manufacturer of audio recording technologies, will host a workshop on 3D/360 music production and sound design during GameSoundCon 2018, today and tomorrow at the Millennium Biltmore Hotel in Los Angeles. Zylia co-founder and CTO Tomasz Żernicki will lead the workshop, focusing on the use of third-order Ambisonics spherical microphone arrays, such as that in the innovative new ZYLIA ZM-1, to capture a 3D full-sphere audio scene for gaming or ambient sound production.
“Use of a spherical microphone array to enable single-device capture of a full sound scene with high spatial resolution is a recent and significant advance in audio recording technology — and one that opens the door to 3D audio production opportunities for both professionals and amateurs,” said Żernicki. “We’re excited to be sharing this technology with GameSoundCon 2018 attendees and to be providing them with useful techniques for capturing 3D sound in Ambisonics format and for working with live sound in VR applications.”
During the Zylia GameSoundCon workshop, Żernicki will demonstrate how just one spherical microphone array can record an entire 3D sound scene and then separate the recording’s individual sound sources for multitrack editing in post production. The numerous physical microphone capsules within the spherical array effectively enable users to work with software-controlled virtual microphones with adjustable direction and spatial characteristics. By isolating particular sounds, cutting out interesting areas of the sound space, and zooming in on particular sound objects, this kind of sound representation allows for soundscape modification in post production and simplifies ambient or Foley sound preparation.
Żernicki will explain how sound recorded by third-order Ambisonics spherical microphone array can be converted into the Ambisonics format and used in 360-degree movies — particularly virtual reality content on Facebook 360, YouTube 360, or game engines — in which listeners can rotate the whole sound scene. He also will discuss usage of 360 sound with the combination of binaural or surround loudspeaker reproduction.
As an audio expert, Żernicki focuses his professional interest on 360/VR music production, spatial sound processing, and recording. He holds doctorates in electrical and electronic engineering, and he takes an active role in the Moving Picture Experts Group (MPEG) standardization committee. He also has made significant contributions to audio compression standards such as MPEG-D USAC and MPEG-H 3D Audio.
GameSoundCon is dedicated to game music, sound design, and virtual reality audio. Throughout the conference, Żernicki and other Zylia experts will be on hand to discuss 3D/360 sound applications, as well as the company’s ZYLIA ZM-1 spherical microphone array, ZYLIA Studio PRO VST/AU plugin, and ZYLIA Ambisonics Converter.
TORONTO — In March 2019, the Royal Ontario Museum (ROM) brings visitors an exhibition of rarely-seen royal treasures from Marwar-Jodhpur, one of the largest former princely states in India. The ROM will be the final North American destination and the exclusive Canadian venue forTreasures of a Desert Kingdom: The Royal Arts of Jodhpur, India. This exhibition, organized by the Museum of Fine Arts, Houston, with the collaboration of the Mehrangarh Museum Trust, India, will be on display from March 9 to September 2, 2019.
“As a leading centre for scholarship and expertise in South Asian art and culture, we are delighted to give visitors the unprecedented opportunity to explore a part of India’s rich cultural history that has rarely been seen,” says Josh Basseches, ROM Director & CEO. “This landmark exhibition will not only captivate audiences, it will also offer a deeper understanding of India’s artistic heritage and its continuing influence today.”
Treasures of a Desert Kingdom features nearly 250 artworks and objects from the kingdom of Marwar-Jodhpur, located in the northwestern state of Rajasthan. The exhibition traces the kingdom’s cultural history as it was continually reshaped by cross-cultural encounters. Lavishly-made ceremonial objects, opulent jewellery, textiles and tapestries, palace furnishings, architectural treasures, and a monumental 17th-century court tent showcase the history of Marwar-Jodhpur and the Rathore dynasty that ruled the region for more than 700 years.
Drawn primarily from the collections of the Mehrangarh Museum Trust and the private collections of the royal family of Jodhpur, the exhibition marks the first time that most of these treasures have been seen beyond the palace walls.
Dr. Deepali Dewan, the exhibition’s coordinating curator and ROM’s Dan Mishra Curator of South Asian Art & Culture says: “This exhibition will be a special experience because most of the treasures are coming from Jodhpur itself. Treasures of a Desert Kingdom tells the story of an incredibly dynamic, cosmopolitan, and influential kingdom that saw art and culture as a critical aspect of rule. Jodhpur flourished, despite the odds of being in the middle of a desert, because they made strategic alliances, opened their borders, and allowed for a diverse culture. These are lessons still relevant today. This enthralling presentation demystifies our notions of life at the royal court, while highlighting India’s multifaceted past and its contemporary cultural landscape. There will be something familiar and something surprising for everyone.”
On view in Garfield Weston Exhibition Hall, Treasures of a Desert Kingdom: The Royal Arts of Jodhpur, India explores numerous thought-provoking themes, including the cross-pollination of new ideas through art and culture; the strong influence of women in the royal court; the importance of royal patronage; and the powerful role of art as tools of diplomacy.
The ROM engagement follows the exhibition’s run at the Museum of Fine Arts, Houston and the Seattle Arts Museum.
Treasures of a Desert Kingdom: The Royal Arts of Jodhpur, India is a separately ticketed exhibition. ROM Members enjoy free admission and exclusive opportunities to experience ROM exhibitions and programs. For the Silo, Anne Vranic.
Featured image- MFAH Exhibit Peacock in the Desert photo: Houstonia
My name is Olga and I’m a Virtual Reality VR artist/sculptor based in Toronto,Ontario. In 2016 I was hired by Google to create VR experience for YouTube Plus event. This was my first introduction to Google Tiltbrush. I live painted the Toronto skyline in front of hundreds of people.
Since then I was involved in Google projects and many other events and conferences. My VR works were featured on national media chains such as the CBC and Space Channel. I would very much like to share them with you as well. Since Russian is my native language, I often prefer to speak through video and if a picture is worth a thousand words then a video must be worth even more.
I am very passionate about this new medium. I have talent and humor and would love to work on big VR / AR art project. Perhaps there are others like me, looking to collaborate? I would be happy to hear from you.
Milder winters and hotter summers create a paradise for insect and plant diseases. Are you getting more tick and mosquito bites? Lyme disease and West Nile virus, and other mosquito and tick-borne diseases, have been moving northward as our part of the world warms. And with increasing temperatures and phosphorus loads, many have taken notice of 
That’s why 
Mysterious and Beautiful
Yes, you can go to jail for writing poetry
The ROM engagement follows the exhibition’s run at the Museum of Fine Arts, Houston and the Seattle Arts Museum.
