With the imminent arrival of Autonomous Vehicles, many people have started worrying about the safety of this new technology, especially when an issue arises to do with choice.
Infographic courtesy of our friends at selectcarleasing.co.uk
Supplemental- Silo archives, Fall 2015: Ontario became the first province to test AV’s on Canada’s roads.
STOW, OH, June, 2022 — Audio-Technica recently reached out to The Silo and announced the introduction of its AT-ART20 Dual Moving Coil Stereo Cartridge, the latest in A-T’s ART Series of high-end phono cartridges. The AT-ART20 utilizes Audio-Technica’s magnetic-core design to achieve extraordinary musical realism. Complementing its superlative vinyl playback performance, the AT-ART20 has a striking, distinctive contoured appearance.
To that end, the AT-ART20 embodies technologies and know-how that are the result of our 60 years of experience in phono cartridge design and manufacturing.”
The AT-ART20 (SRP: US$2,900 / CAD$3,760) delivers expansive, detailed sound with unmatched imaging and dynamics. The AT-ART20 utilizes the advanced manufacturing and polishing techniques that have been developed in the eyeglass industry of Sabae City in Japan’s Fukui Prefecture. The cartridge’s body features graceful curves with a flowing, organic design that has never been previously achieved. The body is made of precision-machined titanium combined with an aluminum cartridge base and an elastomer under cover, a selection of materials that provides significant resonance reduction along with lower mass. The cartridge body has threaded mounting holes to facilitate installation.
The AT-ART20 features dual moving coils aligned in an inverted “V” shape which provides optimal channel separation for superior stereo imaging and wide dynamics. The front yoke of the magnetic circuit is 0.6 mm thicker than previous designs, to improve magnetic flux density and increase the output efficiency by more than 15 percent to 0.55 mV.
The cartridge employs a nude special line-contact stylus with a solid boron cantilever just 0.011 inches (0.28 mm) in diameter, to extract a remarkable amount of information from the record groove. The boron cantilever is connected to the armature utilizing a stepped-pipe construction, which provides increased rigidity and improved strength with decreased resonance for a purer audio signal with clearer, more detailed sound.
The Audio-Technica AT-ART20 Dual Moving Coil Stereo Cartridge is now available. Contact us on where and how to place your order.
Here’s some good news for you- we’ve improved our knitted touchscreen gloves, raising the bar again with the introduction of the Single Layered and Double Layered Touchscreen Gloves. Featuring an updated nanotechnology design that includes a leather wrist strap, leather cuff boards, upgraded material for increased durability and maximized grip and a magnetic snap closure ensuring strong holding power while reducing tension on the strap during opening / closing. Here’s the story behind these innovative gloves-
There’s a new kid on the block, a brand new addition to Mujjo’s highly appraised line of Leather Touchscreen Gloves. Fitted with a fold-over closure and marked with the brand’s familiar slant line, the new Leather Touchscreen Gloves are a bold statement with an iconic look.
Powered by state of the art nanotechnology, which mimics the conductive properties of the human skin, Mujjo’s touchscreen gloves offer an unrestricted touchscreen experience and enable the user to utilize all fingers and even the palm of their hand.
To make the gloves compatible with touchscreen, nanotechnology is infused into premium Ethiopian lambskin known for offering the best isolation properties of any kind of leather. The technology functions independently from the human skin which enables us to fully insulate the gloves with a soft and warm cashmere lining.
There’s no doubt our product
would make for a great gift for someone, which is why we’ve put serious effort into designing the gift box. It is important to us that the high-quality of these leather gloves radiates through the packaging. The gift box package embodies the low-key personality of the gloves, delicate yet striking. Made with attention to detail, the materials are of uniform dark tones and contrasting textures.
Mujjo pioneered unrestricted touchscreen gloves and has continued to improve and evolve on all aspects of the designs ever since. For the Silo, Jarrod Barker.
Traditional metal rings are uncomfortable, costly to replace or repair and can lead to serious injury of caught on rocks, wires or other objects – turning a fun day into a medical emergency in minutes.
Instead of worrying about losing or damaging expensive, meaningful jewelry, let Groove Life provide a peace of mind with the Groove Ring. The Groove Ring features a comfort fit band made from low profile, flexible silicone that’s been imprinted with their patent-pending inner grooves. These grooves allow proper airflow, keeping moisture out and comfort front and center.
Backed with a lifetime warranty, the Groove Ring provides breathe-ability, flexibility, safety, security and style.
Offered in a variety of colors, sizes and styles the Groove Ring is the perfect accessory for all. Leave your worries behind while planning your next great adventure with the Groove Ring. For the Silo, Katie Lapinski.
Delphine’s collection is centered around the many uses of her Boheme Clickers, her versatile modular charm holders that can be used in many combinations, making her jewels as unique as the wearer. She favors empowering and protective symbols paired with carefully and responsibly selected gems to create uplifting & colorful jewelry. She dreams up her pieces as powerful talismans and modern heirlooms to be cherished for generations.
Delphine uses recycled fine metals whenever possible, primarily 14 & 18k gold, working to source her gems ethically and satisfy a craving for a kind of luxury that is respectful of the magnificent resources of our planet. She believes that mindful and edgy luxury is possible and aims to create sparkly sculptures that can adorn your body and help elevate your soul.
She originally moved to NYC to pursue an MBA in Corporate finance, a field where she had a successful career for more than a decade. In search of a new creative outlet, she fell in love with jewelry making after taking classes at the 92nd street Y in Manhattan. She first trained in metalsmithing, enameling, and chain making, but really found her medium once she started learning wax carving, as it better suited her love of volumes and sculptural shapes. She has not stopped hand-sculpting jewelry since, and happily left behind the drab world of corporate finance for the sparkly one of jewelry when she started her fine jewelry line in the summer of 2011.
This year marks the 10 year anniversary of Delphine Leymarie Fine Jewelry and a Fairmined gold capsule collection is in the works to mark the milestone and reaffirm Delphine’s commitment to responsible jewelry crafting. For the Silo, Olga Gonzalez.
Featured image: Confetti Lune Bracelet Onyx Inlay 14K Gold.
Let me start this article by sharing with you my own observation about the nature of intelligent mechanical life: EVERY machine I ever interacted with exhibited a distinct personality. After all, they’re really analog information processors, aren’t they? Like transformers, only not quite so … animatronic. Even so, they do have a machine “spirit”. Some docile and some down right malevolent.
From my first car, the ‘51 Chevy Deluxe, I inherited from my Gramma Hilda, through my ‘63 Chevy Impala SS dual quad 409, to my Deuce and a half water trucks, my Peterbilts (now there’s some evil shit) to my 60 Egg Sport Fish and 54 Bertram Sedan, each had it, and it made itself known immediately.
My demon possessed, assassin “business” associate, King, from early days in Seattle commercial real estate, came to my office in December of 1979. He asked me if I wanted a repo Porsche Rainer Bank hooked. I told him: “The only Porsche I’d want is a Black on Black Euro 928 5-spd with Yellow tinted windows.” His jaw hit the floor. He grabbed me out of my chair and dragged me out the door and said “We’re goin’ for a ride!”
We went to the Bank’s repo yard, and all I saw as I walked through the gate was Black Beauty, crouched there like a cat laying in wait exactly as I described. I grabbed the keys from the yard manager, and told him I’d call him later. Bob and I rolled out the gate and warmed her up a little before BURYING IT! She obviously had issues on the front left. I pulled off, and looked . . . shit– a screwed up brake caliper. We stopped at a pay phone [yeah . . . this is an ancient tale], called the yard manager and told him the issue. I also told him I wanted the car and would give him less than the trillion dollars they wanted. He told me to leave a check for the half trillion at the branch and he’d bring the title, and that my branch manager would handle transferring it.
I dropped Bob off at the Yard, and took the car to the Porsche Dealer in the U-District. Told the tech what I thought, and he confirmed it when he got her on the lift. I waited in the customer concierge room for half an hour. The tech came out and told me that the work was completed. He said, “what’s with that crazy thing? I thought she was going to hop off the damn lift.” I shrugged and drove her home. My future ex-to-be couldn’t climb into the 928 fast enough!
Me and this car? It was literally love at first sight. The first attraction was an instinctual thing: I am an aeronautical/astronautical engineer and looking, touching and feeling her I had it figured out. The 928 was an engineering masterpiece. A work of art.
The next attraction was the sound of the engine exhaust while she ran. (After I smogged the car, she received 3” stainless Borlas with electric cut outs). Then, the car became the epitome of ssssmmmmoooottthhhhh. Readers, they are fucking smooth.
And quick- I drove her for a year and she wiped the deck with anyone who’d stand up. After getting tons of shit talk from everyone who raced against it (not quarters but measured mile rolling starts on the I-5 Express Lane Underpass), I pulled everything in her that didn’t make it go forward … interior, carpets, headliner … everything.
My buddy, Johnny Roselli, worked for Lake Union Air Service flying turbine otters out of Lake Union to Victoria BC and back . . . “The Sewer Tour.” While talking one day at Beth’s Café, we ended up together on the Evergreen Point Floating Bridge where we walked a measured mile in the center span from Juanita to the U of Washington turn out.
I spray painted a vertical line on the side curtain along the bridge deck at the 0’-pt and 5280.0’-pt. The next morning, at 0500, my little brother was riding as an observer with a second stop watch and we rolled out of the toll gate at Juanita and headed up the hill to the bridge.
I hit 145 mph (233.3 kph) on the clock by the time I started down to the 0.0 marker. Johnny was doing 2-min turns in his turbine Otter directly above the road bed and dropped a wing and dove down along side. He was all set to film from 50’ (15.24 meters) above ground level. [Uhhhh . . . and you didn’t get arrested . . . hmmm]
We were joining up window to window right at 0.0. [Later, the FAA shithead investigating this “maneuver” had an absolute fucking hemorrage and pulled both our pilot licenses, suspend John for a month]. I blew by him like he was standing fucking still. His airspeed when I went buy was 120. I beat him to the 1.0 mark even when he was spooled all the way up and with his throttle buried in the panel.
Later, at the J&M Café, Johnny said he’d never seen anything like it. When we compared the clocks the average was 183 mph (294.5 kph). Gears man! Gears! By the way, an aerodynamically clean 928, no rear spoiler and a reinforced chin strap has a V2 right at 183. The nose lifts, it wants to take off, and there’s no fucking where to go.
After writing this account I talked with my brother Tim, a retired Cop in Anacortes. He was the was the observer timing the run and talking to Johnny over a walk-n-talkie. Tim, reminded me that there were all sorts of wild stuff that went on with that car.Stuff that somehow I forgot about: Mechanics refused to work on her … she would do all kinda crazy shit, like dance off the rack when I’d walk by, quiver when they touched her. Weird right? Tim even refused to ride in her for a long time, “cuz she made noises at him.”
I used to go down into my garage every night, late, and just sit in front of her hood and look at her, five maybe ten minutes. It was a total love affair between that machine and me. When I’d leave to go to bed, I’d always walk around to her backside, run a gloved hand across and along her rear end to caress her right beneath the gap in the hatch. It was nutty, but I could feel the car settle, ever so slightly, a couple thousandths, from the left rear shock to the right.
When I stepped through the garage door to walk back up into the house, I would always, every time, hear her exhaust system … “clink” … and as I closed the door, I’d hear her fuel accumulator gurgle. I’m not fucking kidding. This beautiful shiny black thing would say good night to me every night. For the Silo, Christopher O’Leary.
There are so many intriguing and fresh designs from this European Union applicant and united Serbian manufacturers of Hi-Fi equipment now offer world-wide production of unique custom devices at the customer’s request.
In Trstenik, Serbia , the headquarters of manufacturer Supreme-Analog regularly hosts presentations of the hottest gear in the Serbian HiFi scene with many first time showings of new speakers, electronics, cables, tonearm, head phone amplifiers etc. A number of up and coming Serbian companies have participated already and include: Auris audio and Trstenik (Tube electronics and tube headamp, tube CD player).
Beyond Frontiers audio (BFA), Novi Sad (Hybrid electronics and DAC).
Big electronic system, Zemun (Analog Phase preamp corrector, HiFi shelf).
DIY speaker shop Krusevac (Cartridges, turntable accessories and cables).
DR Cables, Novi Sad (Speaker cables, RCA & XLR cables).
Kabel Master, Arandjelovac (Power strip and Power Cables).
Korato, Belgrade (Electronics, phono preamp).
Miraudio, Belgrade (Tube electronics, integrated amp, tube DAC).
Solaja audio, Belgrade (Tube electronics, phono preamp).
Supreme-Analog Trstenik (Gala speakers, Tangenta tonearm, modified Garrard 301 in Supreme-Analog plinth).
Trafomatic, Mladenovac (Tube electronics).
New York City is home to over 70 of the world’s billionaires, but when they want to get away to decompress, many shed their suit and tie for a guayabera, white slacks and boat shoes and head to South Florida for the white sand beaches, fine dining, yachting and golfing. Some have been heading to Sunny Isles, Florida where, according to the developer, over 20 billionaires have purchased a home at Porsche Design Tower.
New owners at the Porsche building were the first in North America to be able to take their cars up an elevator to their personal sky garage, including the $USD 32.5 million penthouse. Three patented Dezervators, a glass drive-in elevator rising at 600-feet per minute, will enable residents to keep an eye on their Ferraris, Porsches and Rolls Royces while sitting in their living rooms reading the Wall Street Journal and checking out the Atlantic Ocean views.
The 60th-floor Porsche penthouse comes with a huge living and dining area, state-of-the-art kitchen, family room and four ensuite bedrooms with a total of seven baths, floor-to-ceiling glass walls, 20-foot ceilings and a private people elevator. The outdoor living areas are equally impressive with a private terrace pool and roof pool, two balconies and two summer kitchens. It has two sky garages and a separate 3,000-square-foot car gallery. The gallery can be customized by the owner for fewer cars to substitute a game room or extra living space.
Building amenities include a three-story lobby with glass car elevator observatory, movie theater, game room, oceanside restaurant with indoor/outdoor dining, private wine lockers, oceanside bar and lounge with fireplace and large-screen TVs, oceanfront pool with food and beverage service, Intracoastal Waterway sunset deck, virtual golf simulator, virtual car-race game, ballroom with bar and catering kitchen, oceanfront gym and yoga room, spa, sauna, steam rooms, hair salon and a car concierge available to give the luxury cars a wash and maintenance.
Having broken ground in 2014, the tower is now sold out.The penthouse is priced at $32.5 million; other units when remaining were listed for sale starting at $6.2 million. Porsche is located in Sunny Isles – a ritzy part of the Atlantic Ocean stretch of Miami Beach to Fort Lauderdale condos. The developer is Dezer Development in Sunny Isles Beach, Florida.
In Other Real Estate News- “San Francisco Clock Tower Penthouse”. Few can say that they start off their dinner parties with cocktails inside a century old clock. That is to say, no one except the new owners of this historic three-level landmark loft apartment gleaned from the clock tower of a factory in San Francisco’s South of Market neighborhood that was converted into live-work spaces in 1992 by architect David Baker.
The historic clock tower was constructed in 1907 and the large building complex that supported it became the West Coast’s largest printing company by 1921. The owner of the business, Max Schmidt, decided to construct a penthouse level in the clock tower where natural light poured in from all four sides of the clock faces so that his lithographers would find it easier to work. In 1930, the plan for the new Bay Bridge was solidified, which would require tearing down a portion of the printing buildings, including the clock tower. Schmidt would have none of that and used his clout, threatening to move his business to the other side of the bay. The city, unwilling to lose one of their largest businesses, gave in and agreed to take the highway around Schmidt’s complex and the tower was saved. In 1992, the old factory was repurposed into 127 contemporary live/work lofts and offices. Commuters have come to depend on the clock as they travel to and from work each day.
Now for the first time in almost a quarter of a century, the penthouse is for sale. The sleek contemporary condo with spectacular city views measures in at a spacious 3,000 square feet of living space, including a room inside the clock itself and has large wrap-around terraces providing outdoor space for lounging and entertaining. The two-bedroom, two-bath residence has been designed to optimize the loft’s spaciousness with an expansive living-dining room divided by a double-sided glass fireplace with French doors opening to the terrace. Original brick walls, hardwood and polished concrete floors and built-in bookcases following the lines of the beams are highlights of the structure. Included are a gourmet kitchen with top-end appliances and space for a table, office, game room, library, large master suite and the clock room.
San Francisco’s historic registered Landmark Clock Tower four-story penthouse loft apartment with conversation piece furnished room inside the clock is listed at $8.5 million.
Visit TopTenRealEstateDeals.com for more celebrity homes and real estate news. For the Silo, Terry Walsh.
Standup paddleboarding already has a loyal core of followers and its popularity is growing fast. As the world’s first self-inflating standup paddleboard, SipaBoards is changing the direction of this sport for the better and making it easier and more accessible for everyone.
Its innovative design opens up paddleboarding to children, beginners, and anyone else who is curious, but still hasn’t given the sport a try. The board pumps itself up in just a few minutes, getting you on the water more quickly, and the motor helps you keep stability and direction, making it easier to paddle further and stay out on the water longer.
According to those in the know, SipaBoards have come up with the smartest innovation in paddleboarding in recent years. The “no extra parts” philosophy of SipaBoards’ founder, Sebastjan Sitar, led him to design the motor’s housing so that it seamlessly fits into a whole in the board’s center of gravity.
The second innovation, named aptly the SipaDrive, is an integrated jet propulsion system, which gives the paddler assistance up to 3 knots. Everything is “smartly” operated wirelessly by buttons built into the paddle itself, so that communication with the motor is interrupted and the motor automativelly shuts off immediately if the paddle falls into the water.
Accelerating the Slovenian Economy by 3 knots
Sebastjan Sitar, a sportsman and entrepreneur, has his mind on the significance of this business challenge ahead of the launch:
“Slovenia was hit hard by the economic crisis, and we realize that the country needs a fast way out of these difficulties. Our solution will accelerate this recovery by 3 knots.” Sipaboards on Twitter
Clairy is an astounding handcrafted object that monitors your indoor air quality and when VOCs (Volatile Organic Compounds such as cigarettes, solvents, pesticides, copy machine chemicals etc.) levels are bad, eliminates pollution in your home. It makes you and your beloved ones breathe better and live better. It is much more than a pretty houseplant.
How is that possible?
Following an 80s NASA Clean Air Program research project, Clairy uses the power of specific species of plants to trap the air pollutants into their roots. That’s why it doesn’t need filters: the plant is the filter!
Clairy has also tech sensors that communicate with an app, so you can check directly the levels of humidity, temperature, and VOCs of your home with your smartphone.
What makes Clairy so beautiful?
It’s 100% Made in Italy by the artisans of Nove, near Vicenza, where the techniques of working with ceramics have been transmitted from father to son for centuries.
You can choose from four different colors: Corallo, Alabastro, Acquamarina and Blu Mare.
You should also consider our Premium Edition, Nero and Rame, made with the special technique called “Terzo Fuoco”. A masterpiece of Italian design you must have in your home. Holiday time is approaching, and we all want to give a gift that can be beautiful and useful at the same time. Clairy is the answer. For the Silo, Andrea Passador.
Almost one decade ago: Andy Warhol’s “Endangered Species and Ads” prints bring a combined $677,000 USD alone at this notable Modern and Contemporary Art event.
Two complete portfolios by Andy Warhol, Endangered Species, 1983 and Ads, 1985, sold for $338,500 USD each to far exceed their estimates among a field of fresh-to-market iconic works during Heritage Auctions’ $2.9 million USD Modern and Contemporary Art Signature® Auction, May 22 in Dallas.
The auction sold 90% by value and 78% by lot.
Ads, 1985
Portfolio of ten screenprints on Lenox Museum Board
38 x 38 inches (96.5 x 96.5 cm)
Ed. 50/190
Each signed and numbered in pencil
Printed by Rupert Jasen Smith, New York
Published by Ronald Feldman Fine Arts, Inc., New York
PROVENANCE:
Private collection, Texas
LITERATURE:
Feldman & Schellmann, II.350-359
Warhol, Andy:. American painter, photographer, filmaker and publisher, 1928-1987
ANDY WARHOL (American, 1928-1987)
Ads, 1985
Portfolio of ten screenprints on Lenox Museum Board
38 x 38 inches (96.5 x 96.5 cm)
Ed. 50/190
Each signed and numbered in pencil
Printed by Rupert Jasen Smith, New York
Published by Ronald Feldman Fine Arts, Inc., New York
PROVENANCE:
Private collection, Texas
LITERATURE:
Feldman & Schellmann, II.350-359
Warhol, Andy: American painter, photographer, filmaker and publisher, 1928-1987
Condition Report*:
With original Ronald Feldman Fine Arts, Inc. cardboard portfolio box and index print. All screenprints unframed and in good condition with specifics listed below. Mobil: Minor rubbing 3/8″ in due to former frame. A few incidental surface scratches and rubs. One 5/8″ abrasion, resulting in very minor loss. Paramount: Minor rubbing 3/8′ to 1/2″ due to former frame. Very minor bumping to bottom right corner. Chanel: 1/2″ to 1″ light rubbing due to former frame. Slate purple backgrund has hazy toning, beginning about 1/4″ in. Apple: Very minor incidental rubbing to edge. Rebel Without A Cause (James Dean); Van Heusen (Ronald Reagan); Blackglama (Judy Garland): All have only very minor edgewear. Volkswagen; Life Savers: Very minor surface rubbing and edgewear. Donald Duck: Very minor edgewear. Top corners have minor wear. Light handling creases. Some wrinkling and an indentation at end of signature. Left side center shows some moderate wrinkling and creases with some minor loss, beginning at 11″ from the bottom up to 24″, and affecting 3″ into the work. The face and body of Donald Duck is affected somewhat, as well as the background near edge. Light wear in top left corner and a small abrasion on middle right side. Unframed
Two works by Ed Ruscha responded well among buyers as his gunpowder on paper titled Rustic Pines, 1967, realized $290,500 USD and a color screenprint, Double Standard, 1969, sold for $182,500 USD , setting a record for the work. Mel Ramos’ Georgia Peach, 1964, fresh from a Texas collection, sold for $158,500 USD.
“The market for good contemporary art doesn’t seem to have hit any ceiling,” said Frank Hettig, Director of Modern and Contemporary Art at Heritage. “Our focus is presenting fantastic, fresh-to-market discoveries and bidders certainly responded in kind. It gives us high expectations for our November 2 Modern and Contemporary auction in Dallas.”
Among the modern masterpieces in the auction, the magnificent, 7-foot Cobalt Chandelier, 2003, by Dale Chihuly reached $158,500 USD. It is the largest Chihuly chandelier to appear on the secondary market and was offered through a federal court-appointed receivership overseeing the sale of assets previously owned by R. Allen Stanford of Stanford Financial Group.
Roy Lichtenstein’s Forms in Space, 1985, a screenprint published by the artist for the Institute of Contemporary Art’s Rally round the Flag benefit, achieved $53,125 USD and Georges Rouault’s Chemineau, 1937, realized $40,625 USD.
Sculptural art performed well as Étienne Hajdu’s La Mer, 1964, sold for $35,000 USD and Pablo Picasso’s Vase deux anses hautes, 1953, sold for $30,000 USD while Robert Graham’s Frieze Figure I-G, 1989/1990, brought $21,250 USD.
So what is that Volkswagen Warhol worth today in 2021? It’s hard to pen the value but in Spring 2019 one single print ad brought 30,000 UK Pounds ( 52,000 $ CAD) in a Christie’s auction.
ROY LICHTENSTEIN (American, 1923-1997)
Forms in Space, 1985
Screenprint in colors on Rives BFK paper
31 x 47-1/2 inches (78.7 x 120.7 cm)
Ed. 35/125
Signed, dated and numbered in pencil
LITERATURE:
Corlett, 217
NOTE:
Published by the artist for the Institute of Contemporary Art, University of Pennsylvania, Philadelphia.
Forms in Space has been created especially in honor of ICA’s benefit, Rally round the Flag (label on frame verso) .
Lichtenstein, Roy:. American painter, printmaker; born 1923 in New York City, died 1997 in New York City
Condition Report*:
Sheet: 35.75 x 51.5 A crease in upper center at extreme sheet edge; small pressure mark at lower right corner; lower right corner lightly bumped; paper lightly undulates; framed. Framed Dimensions 36.25 X 52.5 Inches
Supplemental- Apple logo designer dishes on history http://www.macworld.com/article/1142322/logo_design.html
Back in 2005, composer Lewis Spratlan and I began work on an opera inspired by Louis Kahn. Kahn, who excelled in music and once considered becoming a composer, was especially cognizant of how sound works in a physical space. “Space has tonality,” he often said. Kallick, a professor of music at Amherst College, made recordings of the “acoustic envelope” at several Kahn buildings, which were employed in composing the work’s prelude and interludes.
Key elements from Spratlan’s music were integrated into this electro-acoustic music, creating a seamless connection between the narrative world of the characters and the sounding spaces that filled their dreams. Opening in the ruins of Rome and ending with the healing waters at Kahn’s Salk Institute, ARCHITECT: A Chamber Opera narrates the dramatic arc of Kahn’s journey from dreamer to master builder.
Vivant Books brings to the world a very exclusive breed of coffee table book. Their Deluxe Editions are not only fine art coffee table books, but also include collectible works of art at a price most art lovers can afford. A select number of Deluxe Editions contain original artwork by the artist that is featured. Not only does this component differentiate VivantBooks amongst other publishing companies, but it also enables expansion of an art collecting demographic.
“We found that sold separately, an original piece by the artists we feature in our deluxe packages could range anywhere from $3000 to over $100,000,” says Mia Benenate “What we want to do and what the artists are really interested in, is broadening the audience that is able to acquire a piece of their work.”
Vivant’s book features internationally renowned artist Brett Amory. Amory has gained extensive acclaim for his haunting, mesmerizing series, Waiting. His work is often depicted as architectural and structurally elegant, stark and emotive. Waiting focuses on the transition of individuals in precise moments of existing. The lush book, which contains a collected array of work which includes the Waiting series, was first offered earlier this year by a release party at the Clift Hotel in San Francisco. Deluxe Editions includes the collected works, a biography, excellent essays by luminaries such as Gwynn Vitello and an original piece of artwork by Amory himself.
In this age of digitalization Vivant Books presents fine art in a way that’s both elegant, stylish and inventive. Upcoming Vivant Books will feature such artists as Kimberly Brooks and Gottfried Helnwein.
Brett Amory — Limited Edition
95.00USD
Brett Amory, the American artist who rose to international acclaim for his “Waiting” series is featured in this deluxe coffee table edition. Alongside four-color reproductions of the artwork, the book includes a biography and selected essays from art world luminaries and patrons. Hardcover book housed in a full-color protective sleeve.
Deluxe Edition with original artwork also available.
You can learn more at: book at http://www.vivantbooks.com/ or email: [email protected] for ordering and price information.
One recent example that continues to trend are wireless earbuds. Once considered a ‘low fi’ alternative to audiophile ear covering headphones, high bit rate digital files and improved bluetooth protocols have opened the doorway to mobile hi-fidelity. Case in point: Audio-Technica SONICSPORT Model ATH-SPORT7TW and Model ATH-CKR7TW.
When you take a moment to search what others are saying about these models you quickly realize everyone is impressed with their audio performance. Personal devices are highly subjective. Some of us prefer touch sensitive controls but others like physical micro-switch controls. If you are in the former read on and learn what these earbuds have to offer. With the exception of noise-cancellation technology, they are loaded with features.
In general terms both models sound about the same- that’s because they each have large diaphragms (a larger 11mm driver for the CKR7TW), superb DAC digital to analog converter circuitry and robust headphone amplifiers. The CKR7TW goes one step further by supporting both AAC codec (a high quality form of audio signal that can exist in various bit rates and frequencies making it a near audiophile format) and Qualcomm aptX (a low latency, super high quality bluetooth format that allows for audiophile 24 bit signal playback over bluetooth). Since the ATHSPORT7TW is designed for outdoor and active use (such as gymnasium or jogging in the rain) it makes sense that the aptX format is not included. After all, a noisy city street or busy country road is not the ideal place for long periods of scrutinized listening.
For comparison we avoided the usual reviewer method of “A-B” testing using the same source and decided instead to stream various audiophile files and test signals from YouTube- both in AAC and aptX. In our opinion a lot of this becomes a process of splitting hairs since high frequency AAC sounds about the same as low frequency aptX.
What matters most is the fact that both sets of earbuds get the job done and sound great.
Both models come with 4 sizes of Ear tips to help you get the perfect fit. The ATHSPORT7TW also includes 4 sizes of Ear fins and Ear tips that have trademarked Sweatguard technology. If you haven’t guess already, the sport model is also sweat and water resistant with a IPX5 rating. That means full on high powered splashing of water won’t affect the model and that’s reassuring. Water is the absolute worse enemy of earbuds. The SONICSPORT ATHSPORT7TW looks very tasteful too- an all greyish-white colouring with a slightly subdued brand logo is anything but gaudy.
Not to be outdone, the CKR7TW includes 3D loop support ensuring that long periods of listening are comfortable. We also slightly prefer the looks too- the brushed Rose gold accents paired with the grey coloring makes for a very attractive look and will have you standing out from the crowd.
With all that high powered amplification and bluetooth functionality (Fully smart music controls and phone controls including a built-in microphone for answering calls) you’d be forgiven for thinking that these models are high drain on their battery. Would you believe 17 1/2 hours playback time (using the charging case) for the SONICSPORT and 15 hours playback time (using the charging case) for the CKR7TW? The charging case is almost jewelry box like in that it is beautifully designed and has a magnetic holding area that offers a very satisfying “click” when you insert the Ear buds for a charging session or for travel storage. Of course USB cables are also included if you prefer to charge from umbilical.
Flawless. Crystal clear audio playback and a superb quality microphone. Not a single person we called complained about ‘echo voice’ or ‘long distance sound effects’.
Hardly ever mentioned in an Ear bud or headphone review is safety consideration and if you are a cyclist or jogger you know what I am talking about. The ability to hear audio cues from fast moving traffic or approaching vehicles is an essential part of safe outdoor exercise. The SONICSPORT alleviates this concern with a special pass-through circuit. This option can also be turned on to allow for listening of conversations.
Just like in the automotive world, quality does not come cheap. Now that’s not to say that these models are prohibitively expensive, in fact, they are very competitively priced especially when compared to similar models from other manufacturers. With the Audio-Technica brand you know you are getting something special. The company has been an innovative player in recording studios and on stages worldwide for decades. That history and experience with both capturing and playing back sound is present here.
MSRP SONICSPORT ATH-SPORT7TW $200usd
ATH-CKR7TW $249usd. For the Silo, Jarrod Barker.
This piece quizzes you by presenting the interior of some of the most lavish celebrity homes and asking which celebrity owns the property.
Look closely and think before making your choices- there are clues hidden…..somewhere.
Digital Habits is an extension of the international design studio Habits.
Founded in Milan in 2012, it specializes in connected objects. For example, a few years ago during the 2017 edition of the Superdesign Show by Superstudio, Digital Habits examined in depth the relationship between the user, the context and controls of electronic products.
Since then, they haven’t looked back and their new prototypes go beyond the natural interfaces designed by others in the past. In fact, present multisensory systems now connect gestures, space, attention and feedbacks.
The presented products are control devices designed around humans, their anthropometry, their spaces and their best perceiving or moving abilities; they are not based on technical elements such as the size of the display, the currently available sensors or computational capability. Where need be they engineer and manufacture what does not already exist.
These devices express a new design Humanism where the user has a central role prevailing to the underlying technology sophistication. This is a different approach from the usual ‘technological one’ where the tendency to standardize components brings also the standardization of user experiences.
Instead, Digital Habits has presented three new projects that have colour as a common thread linking the user experience, the object and the environment:
OSOUND XL: a new Air Gesture Control Bluetooth Loudspeaker, covered by colourful fabrics; Its wide size qualifies OSOUND XL as piece of smart furniture rather than just a well-designed electronic device.
COLOR SWING: an ambient light detection system of the color information of an object surface which is returned as a light feedback to the environment XVOID: a new generation of air gesture interfaces, to control light/colour intensity; for the exhibited project, the presented case is the control of white and coloured light.
Digital Habits has already won several international awards (RedDot Design, Core 77, Expo Award) and received a vast press coverage (selected by CNN as best 10 Technology objects for your home, presented on TED Talks ideas worth spreading, The Telegraph, Mashable, Gizmag, etc.). Digital habits products are available in most exclusive retailers. For the Silo, Jarrod Barker.
Featured Designer Brian Swift used PAOM to print fabric for his latest collection inspired by the Technological Singularity: a theoretical time in which human consciousness and Artificial Intelligence merge and become a new, unrecognizable species.
Brian collaborated with a machine learning algorithm to imbibe his photographs with a psychedelic quality. These computer generated compositions were then printed onto fabric and used throughout his latest collection.
For more work check out Brian’s site brianswift.com
Supplemental- MONA the world’s first artificial intelligence clothing designer
LONDON, ENGLAND February, 2020: ‘XXI’, a landmark contemporary art exhibition, will launch at the new, state-of-the-art HOFA Gallery in London’s Mayfair on 20 February 2020. It is set to be the world’s first ever asset-based tokenised contemporary art exhibition, using cutting-edge blockchain technology and cryptography to facilitate access to coveted blue-chip contemporary art.
RETNA
The highly anticipated highlights of ‘XXI’ will be rare and unseen works by established contemporary artists such as Kaws, RETNA and Damian Hirst. These include the Blame Game Portfolio, a set of 10 prints by Kaws which has been shrouded in mystery since its shadow début in 2016. With sprightly colours and a suggestive title, these prints have the intrigue of a jigsaw puzzle or a comic detective game. At once stimulating, playful and yet, somewhat ominous, Blame Game is expected to be a crowd favourite and stands as the most valuable artwork set for display at ‘XXI’.
Damien Hirst
RETNA’s Los Ne El Barrio joins Kaws’ Blame Game on the list of rare features at the upcoming exhibition. This abstract lettered painting, finished with rare blue diamond dust and seemingly laden with hidden meanings, represents a unique style of contemporary abstract art that’s highly sought after by art connoisseurs. Also on the list of exclusive features, is the Heart Spin Painting by Damian Hirst. Hirst’s popular spin paintings achieved international renown when a large reproduction was used to cover the floor of the stadium for the closing ceremony of the London Olympic Games of 2012. Heart Spin Painting is a colourful piece whose piecing and energetic radial symmetry evokes the speaking gaze of a knowing eye.
Kaws
All told, ‘XXI’ will feature a portfolio of carefully sourced artworks collectively worth more than $1M and individually projected to appreciate in value based on current market trends. Other participating artists include Banksy, Jeff Koons, Joseph Klibansky, George Condo, Zhuang Hong Yi and Ilhwa Kim. Indeed, the upcoming ‘XXI’ exhibition is anticipated to a hotspot for investments in high-yield contemporary art.
Commenting on the upcoming exhibition, HOFA co-founder, Elio D’Anna, said “We are proud to unveil this project which has been over 12 months in the making. It’s going to be an extravaganza of contemporary art. We are bringing the crème of contemporary art together for a ground-breaking show which we know viewers will enjoy.”
HOFA’s new gallery is located at 11 Bruton Street in Mayfair, London. ‘XXI’ will run for 2 week from the 20 February to 5 March 2020.
During the medieval Gothic period, depictions of lions were important talismans. A knight wearing a lion’s head on his breastplate or his shield channeled the power and dominance of the King of the Jungle. That’s why Yvan Arpa, CEO of Artya, was looking for the right combination of elements for his new Lion’s Head Tourbillon timepiece, and he found it when he met Bram Ramon.
Born in Flanders, Belgium, Ramon is a sculptor and engraver. A few years ago, ArtyA introduced the Brabant Tourbillon and the Arabesque Tourbillon, and a couple of years later Arpa and Ramon debuted the Lion’s Head Tourbillon.
Inspired by the neo–‐renaissance style and the armed knights of medieval times, Arpa and Ramon came up with a brand new way of engraving that combines deep chiseling with sculpture, and the result is incredible.
Ramon’s specialty is combining classical engraving with sculptured figures. As an example, the Lion’s Head at 12 o’clock is so powerful it appears to be leaping off the face of the watch, especially with its eyes of 24 ct gold.
This had never been done before in a watch, and Artya dared to pair this with one of watchmaking’s most traditional complications, the flying tourbillon. The Lion’s Head exudes power, a touch of Gothic spirit, a hint of religion and an artisan’s excellence.
Just looking at the Lion’s Head is captivating, as the eye is drawn to the mixture of grooves, crevasses and sculpted figures. And the tourbillon complication at six o’clock finishes off this exceptional, unique piece.
“I love working with Bram,” says Arpa. “We had such fun the first two times around, with the Tourbillon Arabesque and the Brabant Tourbillon, I couldn’t wait to get another project going with him. I love this piece so much –‐–‐ I don’t really want to sell it.”
Design Features:
–‐Dial and bezel entirely Hand–‐engraved with 24cts gold inlays following a 19th century style: the “Neo–‐Renaissance” style only made by a master engraver
–‐ Relief Engraving technique
–‐ Lateral insert in black PVD steel
Technical Specifications:
Dial & Bezel in High–‐grade 316L steel with 24cts gold inlays
Case: 44mm
Exclusive ArtyA flying tourbillon
manual winding
19 Jewels
Exhibition Back
Two anti–‐reflective sapphire crystals, front and back Hours, minutes, seconds
Frequency: 21,600 vph
Power reserve: 100 hrs
Genuine Crocodile strap
Unique Piece 1/1
Price: 180,000 CHF
Advances in technology and miniaturization continue to disrupt marketplaces with the latest 360 degree camera release from Wunder. With a zingy and boastful advertising claim: “be a professional director with one tap” you know there’s going to be amazing design and features inside. 
For starters, this compact camera that looks great, works surprisingly well as a standalone device without the need to be connected to a smartphone or a PC. Other cameras need to share the workload with a connected device in order to use all of their functions- not at all convenient when you are an aspiring movie maker “in the field” and trying to keep your setup light and manageable.
Thankfully, the Wunder C1 has a large on board viewing screen and navigation buttons with menus that work well and make sense making it the ideal ‘all in one’ solution and ‘stand alone device’. If you prefer using your phone as a controller the Wunder app can be downloaded for free for Android and iOS.
Live Stream to Facebook and YouTube
With the C1, it is now possible to live stream to Facebook or Youtube (2176×1088@60fps) in 360 degrees by 360 degrees. This powerful camera connects to the web on its own (802.11 b/g/n 2.4GHz/5GHz) while performing real time ‘in camera stitching’. Weighing in at only 95g and with a small profile of 109mm x 45mm x 35mm be prepared to be amazed.
Video Quality
Each camera is individually tuned for color consistency and the 7 element lens paired with dual ISP assures accurate white balance and natural exposure. Even the body of the phone itself was carefully designed and manufactured with human ergonomics in mind. This assures comfortable one handed operation while shooting. The form/function factor extends to the small baseline module which facilitates perfectly stitched images.
Incredibly Smart Features
Do you like to capture and share action scenes? Shaky, dizzying footage often results with small, handheld video cameras but not when using the Wunder360. High tech computer technology borrowed from the movie industry results in automatically stabilized video that is sharper and smoother than other cameras. Speaking of dizzying footage, an out of focus video can really ruin the capturing of an important moment. The C1 uses processing power to track objects smartly- and to keep the focus of your attention in the center for the frame. For the Silo, Jarrod Barker.
Discover More About The Wunder360
Find out about all of the impressive C1 features and order your camera here.
Geek Stuff
Los Angeles, CA, – Richard Clar using an earth-moon-earth (EME), or moon bounce as it is also called, radioed two very special signals off the surface of the moon where their return was received at Dwingeloo Radio Observatory in the Netherlands.
Clar’s extraordinary two-part project, Giant Step and Lune sur la Lune, paid tribute respectively to Apollo Astronaut pioneer Neil Armstrong’s first step on the moon on July 20, 1969 and to the far side of the moon itself, something witnessed only by a rare group of individuals, the Apollo Astronauts. The two radio transmissions to the moon and back emanated from a radio dish in Italy.
Giant Step is a personal response to an event Clar personally witnessed back in 1969, and he wanted to use his creativity to pay tribute to those who took part in the Apollo program, and especially Neil Armstrong for what he did on that momentous day.
He wanted this work to say something about the moon itself, using the moon.
His interest was piqued after hearing about an earth-moon-earth bounce (EME) from Italian artist and colleague, Daniela de Paulis, who together with radio specialist Jan van Muijlwijk developed the process of using EME to send images to the moon and back in 2009. As he researched the Apollo Archives, he came across an Electrocardiogram (EKG) of Neil Armstrong as he took the first step on the moon on July 20, 1969 – and Richard found his inspiration!
While data scientist Dr. Ryan Compton created the sonification tone from Armstrong’s actual EKG graph, prominent Los Angeles-based double-bass jazz performer and composer Roberto Miranda used the tone to create compelling sounds that have been called “edgy and hauntingly beautiful.”
In addition, an image of the first footprint on the moon was transmitted and bounced back to Dwingeloo. [Listen to Neil Armstrong’s heartbeat beginning at the 2:10 mark here Ed.]
“I wanted the art to say something about the first humans to set foot on the moon. Think how many living beings have observed the moon for eons…and now we have made a number of trips to the moon and back. I want people to have new experiences through my artwork,” says Clar.
Lune sur la Lune, an image of the far side of the moon, was transmitted in a poetic gesture onto the earth facing side of the moon. Since only the Apollo astronauts have seen the far side of the moon, using the radio-reflective surface of the moon to produce a site-specific artwork makes the moon a unique part of the process rather than just a subject matter ─ and also gives people on earth an opportunity to witness this phenomenal event and experience the moon in a new and different way. Shortly after the sound and image from Giant Step and Lune sur la Lune were received and processed at Dwingeloo, and will soon be accessible to the world at www.rockthemoon.com.
There was considerable excitement at the Dwingeloo Radio Dish on September 26th by those who witnessed the sound signal and image signals being received from the surface of the moon after the moon bounce. All in all, the art mission was a great success.
“For me It was an incredible feeling to use this 120 ton radio dish, capable of peering into the far reaches of the universe, to create an artwork focusing on one of the greatest achievements in human history,” stated Clar.
Richard Clar’s timeless work has been exhibited in museums, galleries and universities throughout the United States and Europe. His visionary ‘art in space’ began in 1982 with a NASA-approved concept for an art-payload for the U.S. Space Shuttle. Philosophical in nature, many of Clar’s themes originate in space environment issues, such as orbital debris, war and peace, the Search for Extraterrestrial Intelligence (SETI), and water management on earth.
Clar studied at the Chouinard Art Institute (now Cal-Arts). In 2001 and 2002, he coordinated the Leonardo/OLATS/IAA Space Art Workshops in Paris. Clar is the Director of Art Technologies; a Member of the International Academy of Astronautics (IAA); a Member of the IAA SETI Permanent Study Group; a Member of Women in Aerospace, and a Member of the Leonardo Space Art Working Group. He was the Secretary of the former Art and Literature Subcommittee of the International Academy of Astronautics, and a past Member of the Executive Board, Graphic Arts Council, the Los Angeles County Museum of Art.
Clar founded Art Technologies in 1987 as a liaison between the worlds of art and technology. By collaborating with such partners as the U.S. Naval Research Laboratory, Boeing Aerospace Corporation, and contemporary composers, Clar generates high-visibility art works that transform state-of-the-art technology and highly-engineered materials into evocative contemporary art. His work is found in many corporate collections, including JBL Sound, Home Savings of America, and the MGM Grand Hotel in Las Vegas.
After spending the last fourteen years in Paris, Richard Clar now resides in Northern California. For more information on his extraordinary artwork, please visit:
http://arttechnologies.com
http://rockthemoon.com
https://www.facebook.com/RichardClar.ArtTechnologies
Coming to Kickstarter April 18th. Meet the designers, makers, musicians and their instruments and learn how they have shaped the world of electronic music. Richly illustrated with a unique collection of sketches, photos and graphics and with a foreword by electronic music visionary Jean-Michel Jarre.
The book’s essence is to celebrate innovative interface designs, provide a categorization of gear and explore the functional, artistic, philosophical and aesthetic world of user interfaces in the context of making and performing of electronic music.
Featuring exclusive interviews with: Roger Linn, Dave Smith, Keith McMillen, Richard Devine, Suzanne Ciani, Olivier Gillet, Ean Golden, Brian Crabtree, Matt Moldover, Axel Hartmann, Dorit Chrysler, DiViNCi, Skinnerbox, Native Instruments, Ableton, Teenage Engineering, Roland, Elektron and many more.
A wide range of landmark pieces of equipment is featured along with chapters on design principles, interface elements, visualization of sound and instrument and controller concepts such as grids, touch and modular. PUSH TURN MOVE is the very first of its kind in both scope and depth. Please sign up on www.pushturnmove.com or follow along on http://fb.me/pushturnmove/
PUSH TURN MOVE is written by friend of The Silo- Danish designer, author and electronic musician Kim Bjørn and edited by Mike Metlay, editor at Recording Magazine and Paul Nagle, reviewer at Sound on Sound Magazine.
The contemporary look has spread from the urban core and is growing increasingly popular in the suburbs and communities outside major Ontario cities, such as Toronto, say industry experts.
“The past couple of decades of residential construction have been dominated by neo-traditional designs, but we’re in the midst of a major shift to modern or contemporary homes,” says David Stewart, an Urban Designer and Principal of Williams & Stewart Associates Ltd. in Richmond Hill, Ont. “We’re seeing more and more builders who are using contemporary designs to gain a competitive edge and buyers who are looking for homes that really make a statement and are modern and unique.”
The contemporary trend in residential architecture features:
While brick, block and stone have been the most trusted building materials for hundreds of years because of their durability, masonry manufacturers are taking the lead in developing innovative new products to stay ahead of shifting architectural design tastes and trends.
“Our manufacturers are constantly refining their products to meet evolving demands for new colours, textures,sizes and shapes,” said Judy Pryma, President of MasonryWorx, a tradeassociation for Ontario masonry industry professionals. “Brick, block and stone may stand the test of time for hundreds of years, but they are also extremely versatile and can adapt to any building style.”
At the same time as more residential buyers opt for contemporary-style homes, municipal and provincial government policies are encouraging developers to build higher density housing to make the most of residentially zoned property. As a result, communities are seeing a shift to more creative townhome designs, low-rise apartments and mixed-use buildings with retail at ground level and residential space above.
As with single-family residential construction, masonry products continue to be the exterior cladding of choice for multi-family residential units, Stewart said.
“Municipalities want high-quality and durable new communities, and brick, block and stone are definitely the preferred solution,” he said.
An overwhelming 90% of consumers who participated in a recent province-wide study by MasonryWorx said they would prefer to buy homes made of masonry products over other exterior finishes, such as wood, vinyl siding or stucco. The majority of respondents said they favour masonry because it’s durable, attractive, easy to maintain and adds greater long-term value to their investment than other building materials.
About MasonryWorx:
MasonryWorx is an association of industry professionals working in brick, block and stone masonry. Our members include product manufacturers, suppliers and skilled professionals from across Ontario who create high-quality homes, buildings and structures that last for generations, increase in value, are environmentally friendly and beautify neighbourhoods. We are committed to providing consumers, members of the construction industry and all levels of government with accurate information about the uses and benefits of brick, block and stone products.
“If there is no sound philosophy in making the audio gear, then all product you make is plagiarism.” Zoran Mihajlovic
Having grown up around record players of dubious quality, I remember very clearly my first ‘real’ turntable. An audiophile friend of the family helped my father put together an entry level system for my 15th birthday. The system included 3 way Acoustic Research speakers, Sansui integrated amplifier, Sansui 3 head cassette deck and my first decent turntable- a gently used Sansui direct drive with a shiny S-arm and what looked like a strange silver hockey puck.
At 15 I was into my second year of drumming and with this turntable was now able to play along to LP records without having to worry about the inevitable skipping that the cheap family record player performed almost every time I hit the bass drum hard. I later learned that the puck was actually a custom made record clamp that the previous owner had fashioned to squeeze every last bit of performance out of the record player.
There is a surprising amount of science behind the advantages of using record clamps to ‘push’ the vinyl down onto the slipmat and platter and people that use them swear by them. In general terms, the added mass from the fitted clamp flattens warps in the record and a beneficial flywheel effect takes place once the record is spinning at speed.
Today, turntable designs have advanced and exotic materials and technologies are incorporated into high end models. This has translated into a need for ultra high quality clamps designed to properly secure records to all kinds of esoteric spindles and platters.
Enter Zoran Mihajlovic- a man devoted to producing the highest quality record clamps such as the Model 1 via his Serbian company Supreme Analog. At 3000 euros (at time of this article, 1 euro = 1.5 Canadian dollars) , this is a record clamp (Supreme-Analog calls it a record weight) that is produced on order only and commands attention.
70mm wide, 50mm high, 460g weight
Swiss stainless steel and Serbian sinked wood
If you are on a more modest budget, they also offer the BL-006 for 250 euros. Also made from Swiss stainless steel, the more basic model weighs in at 950g and ships world wide for free in a solid wood box.
It’s easy to tell that Supreme-Analog have a real passion for audio and they make a number of interesting products including jewel like tonearms and gorgeous horn speakers. Check them all out. For the Silo, Jarrod Barker.
If we’re living in an oxymoronic age (and it seems indeed that we are), then Ballasox footwear by corso como makes a lot of sense. Women’s fashion has never been off limits for innovation, experimentation and whimsy but today’s designs are also driven by comfort and economy.
That’s a lot of parameters to hit and with that in mind, let’s take a look at Ballasox- just one of many interesting lines of high fashion women’s footwear from corso como.
We decided to focus on two styles that represent interesting designs and coincidentally are the high and low price point in the Ballasox line: the Micaela with straps priced at $129 (usd) and the Prince priced at $60(usd). Fun! That’s a word we don’t often use when highlighting fashion. There are wonderful pop elements found in these shoes. Looking at the Micaela one is reminded of 1970’s Punk movement. The dog collar like strapping, the chrome studs and red and black leather colour scheme have an attitude that works. Especially if you’re pounding the streets on a busy weekend or hopping onto a motorcycle.
The Prince has a simple design and we adore the Warhol-like camo/snake patterning. Perhaps you’ve heard of Stephen Sprouse and Monica D Murgia’s recent camo design dresses? In the 1980’s Sprouse worked with Warhol and those designs were just slightly ahead of themselves. Contemporary television shows like Duck Dynasty and the mega-mall staple BassPro have changed all that. Camo isn’t just for your Dad to wear to the lodge- it’s become ubiquitous as Warhol predicted.
Back to the Prince. So this little shoe is not as unassuming as it first appears.
There is a pedigree and history of aesthetic design that is a part of its look. Yes, it’s technically a snake skin design but the type of snake chosen must have been carefully considered and settled on because this shoe would not look out of place paired with a Sprouse/D Murgia Camo dress. Now that’s a combination we’d love to see. For the Silo, Jarrod Barker.
If you enjoy French fashion, art and film and coloring books, sharpen your pencil crayons and prepare to be inspired by two French icons of unparalleled creativity: fashion designer Yves Saint Laurent and playwright and filmmaker Jean Cocteau in these two funky adult coloring books.
“The chicest stress reliever ever.” —Buzzfeed
This elegant, imaginative colouring book explores the dynamic, fanciful creations of iconic fashion designer Yves Saint Laurent, who headed the House of Dior at age twenty-one before launching his own design house at age twenty-five.
The book’s line drawings for colouring are based on many of fashion designer’s original sketches for dresses over the years. In these pages, one can see the breadth and versatility of his creations with designs inspired by harlequins and the Carnival of Venice, Pop Art and Mondrian, and the cultures of Asia, Africa, and beyond. Colourists have much breadth and versatility to design creations of their own, with the accompaniment of full-colour photos of the dresses for reference.
This book is produced in conjunction with the Fondation Pierre Berge-Yves Saint Laurent, dedicated to preserving and promoting the history of the House of Yves Saint Laurent.
JEAN COCTEAU COLOURING BOOK
The Jean Cocteau Coloring Book brings the fanciful, elegant world of artist, playwright, and filmmaker Jean Cocteau to life, serving as a primer on the work of this inspiring artist.
As a playwright, Cocteau is best known for The Human Voice (1930); as a filmmaker, he directed Beauty and the Beast (1946) and Orpheus (1948). A prominent member of the Paris avant-garde (1910s), he formed friendships and professional relationships with Picasso, Stravinsky, Gide, and more. His paintings and graphic art were playful, fantastical expressions exploring mythological themes and subjects, personal portraits, and domestic scenes.
Cocteau’s graphic drawings are ready to be coloured in, alongside original illustrations for reference. Also included are images from the original film poster for Beauty and the Beast, playful doodles that Cocteau included in letters to his lover Jean Marais, and drawings of Parisien women, cats, sleeping figures, circus performers, and other figures emanating from Cocteau’s imagination. For the Silo, Cynara Geissler.
Yves Saint Laurent Coloring Book
ISBN: 978-1-551526-39-3
$12.95 list USD | CDN
US distribution by Consortium
Canadian distribution by UTP
Canadian sales by Ampersand Inc.
Jean Cocteau Coloring Book
ISBN:978-1-55156-40-9
$12.95 list USD | CDN
US distribution by Consortium
Canadian distribution by UTP
Canadian sales by Ampersand Inc.
YVES SAINT LAURENT COLORING BOOK
A pair of Blundstone boots has a way of replacing a big chunk of your everyday footwear. Not only because Blundstone boots are so functional, but also because these are boots you want to wear every day. The two-tone styles aim to appeal to those who like a bit more colour in their fashion choices. Blundstone’s two-tone styles give you the same fantastic quality in a more colourful package.
“In the past, we’ve played it safe with neutral colours like Classic Black, Steel Grey and Rustic Brown,” says Ian Heaps of Blundstone Footwear. “The two-tone boots are perfect for those who want the same great quality, durability and functionality of the classic Blundstone boot, but with a little extra edge and a pop of colour.”
Blundstones are widely recognized for their practicality and adaptability as footwear, but they are also an extremely versatile fashion accessory. All styles are unisex, and the sleek look of the boots make them compatible with anything from jeans or shorts, to slacks and even skirts. The two-tones styles are available in women’s 6 to men’s 14 sizes.
About Blundstone
Blundstones have been available in Canada since 1993 at Australian Boot Company and other retailers, and now sold at over 600 locations across Canada. Tin Shack is the exclusive Canadian distributor of Blundstone, located in Collingwood, Ontario. Founded in Vancouver in 1998, Tin Shack distributes footwear made by Blundstone, Pty, of Tasmania, Australia. Founded in 1870, Blundstone is Australia’s leading manufacturer of quality footwear and remains a family-owned company to this day. Blundstones have been toughing it out for no-nonsense, go-anywhere, do-anything types seeking comfort, durability and rugged style. Boasting pull-on comfort, Blundstones are all-weather, lightweight, durable and no-gimmick footwear. For more information, visit www.blundstone.ca.
Here in Canada, you may not have heard of Edifier but take note- their state-of-the art manufacturing facilities in China produce 8 million units every year for home, consumer electronics and PC multimedia applications. Edifier specializes in premium sound systems that showcase technological innovation and design elegance while keeping prices amazingly low.
Normally if you are spending just $100 on a set of speakers you expect to be left desiring better quality. Let’s take a closer look at our review pair that arrived safely in a well packaged box. The Edifier R1280T are an affordable, entry-level set of bookshelf speakers that deliver clear and balanced sound at low or high volumes. For only $124.99CDN including free shipping to Canada these speakers set a new standard for affordable quality.
The speakers have a 102mm (4-inch) bass driver and a calibrated, flared bass reflex port augmented by a 13mm silk dome tweeter for a total output of 42W RMS (21W each speaker). An optional front cover can be removed to expose the speaker components allowing for a sleek look or a more exposed techie aesthetic. Use them with a television, computer, or other device, they sound great on any surface because of the design team’s passion for sound and for quality.
Edifier’s uncompromised design elegance is recognized internationally by prestigious design awards. Some of their designs are winners of the Red Dot Design Award, the iF Product Design Award and the CES Design & Engineering Showcase Honours.
— Anthony Wilkinson, Managing Director, Edifier International Limited
R1280T powered bookshelf speakers lets you connect to multiple audio devices using the dual RCA inputs. By looking at the back panel you can easily tell one of these is a passive speaker and one is an active speaker. The active speaker has two inputs located on the back. These inputs are perfect for RCA to RCA or RCA to AUX connections. Connect them to a PC, laptop, tablet, phone or record player. The speakers are connected to each other via regular speaker wire (included along with a generous variety of cables to ensure you enjoy your music from most devices right out of the box- if you require digital connections or bluetooth Edifier make a larger model).
Some overseas manufacturers of electronics have been questioned about their environmental impacts and strategies but refreshingly, Edifier are committed to best operating practices.
For environmentally conscious, budget minded individuals looking for a solid entry level speaker with the convenience of remote control and easy hook-up you can’t go wrong choosing the R1280T. Highly recommended.
We spent several days and evenings having fun with these speakers in a small bedroom Laserdisc and projector bookshelf setup. The sound quality was quite nice, dialogue was easy to understand and stereo soundtracks came to life, even with a noisy air conditioner running and the fan noise from the projector.
The speakers will most likely benefit from a break in period as new drivers tend to have a slight compression effect that is alleviated as the speaker suspension is stretched from playing source material. These speakers fit nicely onto the shelf and were easy to position and operate, we were pleasantly surprised by the handy mini remote control that arrived with batteries included. For darker watching conditions we left the front grilles in place but would be happy to remove them and show off the nicely designed faux woodgrain cabinet sides in brighter conditions. Highly recommended…
For the Silo, Jarrod Barker.
