All posts by The Silo

Horses Fleeing California Wildfires Helped By In Defense Of Animals

SAN RAFAEL, Calif.  – New footage released by In Defense of Animals reveals horses, sheep, and wild turkeys who fled the California wildfires. In Defense of Animals has banded together with six other North Bay animal organizations to rescue and care for fire victims. The disaster continues to cause vast amounts of damage and massive loss of human and animal life.

Terrifying video footage shows In Defense of Animals’ Nicole Otoupalik leading a horse to safety in Orange County while huge, angry smoke plumes approach. Otoupalik was caught in the Irvine Park blaze and got straight to work evacuating horses.

“It was pretty scary, as the fires were right there, and they were moving fast,” reports Otoupalik. “The poor horses were scared, too. It was amazing to see people just running to help the horses at Irvine Park. They didn’t have enough staff to evacuate the horses, and so members of the public who had come to get a look at the fire just started running back into the park to help lead the horses out. Strangers were just offering their time, trailers, and trucks to help get the animals out of there. Others in cars stopped to offer rides to help everyone get there more quickly.”

Horse evacuation Irvine Park wildfire
Nicole Otoupalik evacuates horse from Irvine Park

The horses were evacuated safely from Irvine Park to a grocery store parking lot, and from there to an evacuation camp at the Orange County Fairground.

“Although the danger is over in Orange County, so many animals were injured and killed. Now, their homes are destroyed. It’s so sad, and northern California is even worse with many animals still at great risk. It is just a tragedy and so sad for so many people and animals. Please give what you can now to ensure the animals get the help they need.”

In Defense of Animals based in San Rafael, Marin County, has been coordinating aid to animal victims of the wildfires in concert with local organizations. Emergency relief from In Defense of Animals’ disaster fund has benefited Sonoma Humane Society, Lost Hearts & Souls Horse Rescue, and Forget Me Not Farm in Santa Rosa; Sonoma County Wildlife Rescue in Petaluma; Jameson Animal Rescue Ranch in Napa; House Rabbit Society in Richmond; and Otra Mas horse rescue in San Juan.

Sonoma Humane Society
Sonoma Humane Society receives IDA aid.

5,700 homes and businesses are reported destroyed, with at least 41 confirmed human deaths and untold animal casualties. 217,000 acres have been consumed by the flames and wild animals have no choice but to simply run as fast as they can from the terrifying blazes consuming their homes. Tens of thousands have perished, and many more are injured and need help.

Many families forced to flee the burning onslaught had very little preparation or warning. Some barely made it out alive as they dashed to find and secure their animals. Now these family members – four-legged, winged or hoofed – must find shelter and hope for the best as 11,000 firefighters battle the blaze. For the Silo, Fleur Dawes.

Donations made to In Defense of Animals’ Disaster Relief Fund help provide emergency supplies and resources to thousands of displaced victims of this sudden unexpected crisis. Support California’s wildfire victims here: www.idausa.org/californiawildfires

photos courtesy of F. Dawes/IDA.

Toronto Company Raising Cancer Fighting Funds Via Funky Gowns

Giftgowns logoGiftgowns, a Toronto based company specializing in redefining the archaic hospital gown, announced today the release of a limited-edition gown to raise funds and awareness for the Canadian Cancer Society in celebration of October Breast Cancer Awareness Month. The alternative hospital gown features graphics driven to motivate and inspire patients with quotes such as “You are Magic” and “Warrior”, available online at WWW.GIFTGOWNS.COM throughout the month of October.

Giftgowns Medical Gown “This October, we are pleased to partner with Giftgowns in the fight against breast cancer,” states Zahra Karimi, Corporate Development Officer at Canadian Cancer Society. “At the Canadian Cancer Society, we are taking action against the disease by funding high-quality breast cancer research, educating women about early detection and providing information and support services to those living with the disease.”

Founded by Jackie Moss under two years ago, Giftgowns’ inspiration originates from Moss’ own experience within some of Canada’s finest medical facilities. As a former patient, Moss recognized the need to create a modern, humourous and functional gown designed with snap enclosures on the backs and sleeves. The gowns are designed to make patients feel more comfortable in pyjama-like pieces that they might wear at home and aid healthcare practitioners easy access for medical needs.

“Breast Cancer Awareness Month is dedicated to not only raising awareness but working to save lives and we wanted to be part of this national effort,” says Jackie Moss, Founder, Giftgowns. 10% of the proceeds from the sale of the special edition gown will be donated directly to the Canadian Cancer Society.”

Giftgowns proceeds fight cancerMoss consulted with breast cancer survivors who gave positive feedback on the gown especially after a mastectomy. One survivor noted the function of the gown as an asset, with the easy access during the recovery period at home as more useful than a traditional robe or housecoat that cannot accommodate drainage tubes. For the Silo, Dani Matte.

MORE ABOUT GIFTGOWNS

Made with purpose, Giftgowns give patients an opportunity to share an active sense of their personal character with what they wear – even when dealing with less than ideal medical situations. Designed with the intention to bring positivity and a fresh take on the archaic hospital gown, Founder Jackie Moss believes creative and colourful hospital gowns give patients of all walks of life the ability to find individuality and joy through something as simple as a dressing gown.

Giftgowns ships worldwide daily through the e-commerce platform, www.giftgowns.com, as well as through Amazon and Etsy.

About the Canadian Cancer Society

The Canadian Cancer Society is a national, community-based organization of volunteers whose mission is to eradicate cancer and enhance the quality of life of people living with cancer. Thanks to our donors and volunteers, the CCS has the most impact, against the most cancers, in the most communities in Canada. For more information, visit cancer.ca or call our toll-free bilingual Cancer Information Service at 1-888-939-3333 (TTY 1-866-786-3934).

 

Theft Of Artist Ideas May Not Be Theft At All

Recently, one of my readers wrote that “there is another kind of generosity that comes much harder to me. I know I shouldn’t be stingy in this way, but I find myself stubbornly so. It’s the generosity of sharing my ideas, my connections, or giving a leg up to those who could benefit sometimes from my knowledge – whether that’s contacts, networks, tips, or the meat of my ideas themselves.”

This concern, of course, is not unique and strikes at the heart of something that all those in creative professions fear and must face. The ownership of ideas is difficult to prove. If you tell someone your plan in confidence and they, in turn, use it for their own purposes, there is very little you can do to show that you are the originator. Spreading this rumor is likely to make you look like the bad guy. It’s no wonder that this sort of generosity is cause for concern.

Arguably, no one would really offer up their original ideas before they have been fleshed out and no one would expect this from another artist. Talking about work in progress in general terms is one thing, but detailing the entire plan is another altogether. There is nothing wrong with being a little protective of your creative capital, it is the lifeblood of what you do.

Steve Jobs and Apple on stealing ideasBut what about sharing your networks or some trade secrets that helped you get to where you are today? While you may have worked tooth and nail for everything you’ve gained, there were surely people along the way who said yes at the right moment and assisted your progress. No one can ask more than this, and as an artist of a certain standing, there is nothing wrong with offering this sort of help.

It’s important to ask yourself what you may gain or lose by offering your assistance in any way. While this may not sound like a very altruistic way of thinking, remember that you are indeed running a business and there is nothing wrong with a bit of shrewd thinking. Further, though, when you stop and think about the outcome of sharing your network, it is unlikely that helping an emerging artist by introducing people who might be able to help will in any way affect your position as a more established artist.

No one exists in a vacuum. Even you, who may have scraped and fought your way to where you are today, benefited from the acceptance and help of others. Sure, you may have pounded the pavement endlessly in order to secure your position but that is no reason not to pay forward the success you have achieved. It is too easy to forget, once you have achieved a certain status, the myriad small moments that led you there. While it may seem as though hardly anyone was out to help you in the early days, surely there were some, otherwise you could not be where you are today. Even if it was just a few gallerists who were finally willing to take a chance, there are always rungs of assistance in the ladder to every success, no matter how small.

In our present times, we live in a world where community is very much at our fingertips. The rules of social engagement have definitely changed. This is both a benefit and a burden. While the new landscape of online social engagement can absolutely open up opportunities that didn’t exist prior to this revolution in social connection, the online community can also present a world of its own difficulties. It is impossible to know who you are actually dealing with and with virtually everyone in the entire art world present online, it can easily overwhelm a newcomer to the scene.

For these reasons, there is a lot to be said for good old-fashioned face-to-face interaction. Being the sort of artist who is willing to mentor in the real world sets you apart. Establishing this sort of reputation, for being the one who will gladly share the bounty you have created, seldom reverses one’s own success and frequently opens new doors you may never have considered.

Getting back to the idea of sharing artistic ideas and concepts, this is a bit trickier. As I said before, it may be unwise to give away your nascent, unfruited plans to just anyone. On the other hand, allowing others to view works in progress isn’t likely to cause too much harm.

Arguably, there is no such thing as original art. Even some of the most contemporary artists’ work is derivative of past creations. Marina Abramovic, in her unique style, has absolutely drawn from (and occasionally been accused of copying) works by other artists. Pablo Picasso (and perhaps more famously, Steve Jobs who quoted him) said, “good artists copy, great artists steal.” This doesn’t mean that you should open yourself up to idea theft, but it does mean that perhaps being stingy with your concepts, your network, your position as an established artist, doesn’t count for as much security as you might think. Be smart about things, but in general, it is always a good idea to reach down the ladder and help those coming up behind you find the next rung.  For the Silo, Brainard Carey.

Brainard  is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.

Featured image: Jarrod Barker.

The Latest Odds On F1 Drivers Championship

If you’ve been paying attention to the races so far, it’s no surprise the United Kingdom’s Lewis Hamilton (team Mercedes ) , Finland’s Valterri Bottas (team Mercedes) and Germany’s Sebastian Vettel (team Ferrari) are poised to battle for the crown and the odds continue to get more interesting.

Back and Forth

Hamilton, a 3 time F1 crown winner, currently sits with a 28 point lead after winning the race in Singapore. It’s a slim lead and until the last two races, Vettel was the front runner in points.

It’s this sort of drama and excitement that makes F1 an edge of seat experience. Wagering on one factor alone does not necessarily mean a sure cash in. In Singapore a mistake at the starting line left Vettel, a 4 time F1 crown winner,who had the Pole Position, unable to finish and pointless. This can only mean added pressure as he chases back the lead- one that he held over Hamilton for most of the 2017 season.

Valterri Bottas is not to be taken lightly. Two weeks ago he was rewarded by Mercedes with a contract extension for his consistently impressive driving this year- having won both the Austria and Russia GP. Complicating matters is the fact that he is a team member of Hamilton’s and considered a very fair and sportsmanlike driver. Will he help Hamilton win if he can’t close the gap and compete for the crown? Here’s the latest odds from Sports William Hill.

Not Long to Go

There are only 6 races to go- with the last ever Malaysian Grand Prix coming up next. That is most certainly a favorite track of Vettels and a race he has won 4 times.

Starts below are in Toronto, Canada local time.

Click me for latest odds!

Malaysian Grand Prix, Kuala Lumpur ( 2.7601, 101.7370)   Next 1 October 03:00
First Practice Session, Malaysian Formula 1 Grand Prix Kuala Lumpur (2.7601, 101.7370) 28 September 23:00
Second Practice Session, Malaysian Formula 1 Grand Prix Kuala Lumpur (2.7601, 101.7370) 29 September 03:00
Third Practice Session, Malaysian Formula 1 Grand Prix Kuala Lumpur (2.7601, 101.7370) 30 September 02:00
Qualifying Session, Malaysian Formula 1 Grand Prix Kuala Lumpur (2.7601, 101.7370) 30 September 05:00

Japanese Grand Prix, Suzuka ( 35.3689, 138.9256) 8 October 01:00

United States Grand Prix, Austin ( 30.1328, -97.6411) 22 October 15:00

Mexican Grand Prix, Mexico City ( 19.4028, -99.0986) 29 October 15:00

Brazilian Grand Prix, Sao Paulo ( -23.7014, -46.6969) 12 November 11:00

Abu Dhabi Grand Prix, Yas Marina ( 24.4821, 54.3482) 26 November 12:00

 

Largest Campus Telescope In Canada At York University

Toronto’s York University will soon play host to the largest telescope on a university campus in Canada. The university announced recently that the new one meter telescope will arrive in 2018 to replace the existing 40 cm telescope which is used to conduct astronomical research.

York U will have a customized one meter telescope fitted with CCD electronics. Here is a diagram of a similar telescope. Image- orbitaldebris.jsc.nasa.gov

The current record holder (at the time of this article) for the largest telescope on a Canadian university campus is the 0.8 metre telescope which is housed at the University of Victoria in British Columbia.

Is Bigger Better?

Size isn’t everything when it comes to judging a telescope, however what really matters is the ability to gather light efficiently. A larger mirror means a greater light gathering capability. With more light comes more information and the ability to identify more details. Even in environments with a lot of light pollution, with enough light information astronomers are able to pick out stars and other celestial objects from all the other noise in the data.

Pubic Outreach

York University is already housing two telescopes; the aforementioned 40 centimetre telescope and another that is 60 centimetres but isn’t used for astronomical research or public outreach in the way that the 40 centimetre version is.

It is hoped that this new telescope will allow for students to engage in more advanced research objectives and will hopefully therefore entice a broader range of students and interests to the astronomy department. It is hoped that it will benefit students who live in York university housing. As well as benefiting students, it is hoped that the new telescope will also prove to be a boon to the university’s efforts to do more to further its goal of scientific outreach, giving the public the opportunity to view objects such as galaxies, which require expensive equipment to be view-able to amateur astronomers. Every Wednesday night the telescope will be open to members of the pubic and, for those that cannot attend these weekly sessions, every Monday the university will host live, online viewing through the telescope and take requests from the public for what to look at through it.

Galaxy image- public domain.

Portraits of the Cosmos

The new telescope will also be equipped with a charge coupled device camera which will allow the university to take images of celestial bodies in the night sky with the utmost clarity. Among the sights within our own solar system that the new telescope will make visible to viewers from Earth is Jupiter’s Great Red Spot. The Great Red Spot is a storm which has been raging on Jupiter’s surface for the last 187 years, first confirmed to have been observed in 1830, however there are records purporting to be of observations of the same phenomena dating back as far as 1665.

Similarly the rings and moons of Saturn, which can be viewed with even a basic telescope at the right time of year will be easy to see with great detail. It is hoped that sights like these will induce more children and young people to consider studying astronomy.

The arrival of the new telescope to York University should give the astronomy department a shot in the arm and will hopefully encourage the university to further its public outreach programs. For the Silo, Dimitry Karloff.

Supplemental- Choosing the right CCD camera for telescopes.

Streaming Companies Spotify And Labels Sony Making The Money Not Artists

Potter Box

Definition:

Is it ethical for media streaming companies, such as Spotify, to take advantage of IP loopholes, which are known to negatively impact artist revenues?

Values:

>Balance & Fairness

>Legal Values

Loyalties:

a. Duty to service

b. Duty to subscribers

c. Duty to shareholders

d. Duty to Intellectual Property

e. Duty to Art & Commerce

Principles:

Aristotle’s Mean: “Moral virtue is a middle state determined by practical wisdom.” Virtuous people will arrive at a fair and reasonable agreement for the legitimate claims of both sides somewhere in the middle of two extreme claims.The two sides must negotiate a compromise in good faith. “Generally speaking,in extremely complicated situations with layers of ambiguity and uncertainty, Aristotle’s principle has the most intellectual appeal.”

BASIC CONCEPT:

Negotiated compromise.

>>Streaming Media Company

For the Purpose of analyzing an isolated streaming media company, Spotify will be examined through the lens of the potter box. Spotify is a streaming service with cross-platform availability that specializes in music, and generates income from its 20 million premium and 75 million free users, respectively. Spotify boasts an extensive catalogue for free and for a nominal fee. Spotify’s extensive catalogue is made possible due to established agreements between various record labels and media companies. Agreements that are known to negatively affect artists, while benefiting both Spotify & Record labels, plague the music industry. Payout deals between Spotify and record companies range from royalty payout to equity deals.

Spotify does not want to make adjustments to the model of its free service, because if their users are not able to find it on Spotify, they will utilize other streaming services such as youtube, which is likely to have the content. They have identified this free offering as being their driving force for getting new subscribers to the service. New subscribers that turn into increased revenue for record labels, as 70% of revenue from $10 per month subscriptions and advertisements are paid to record labels, artists, and song publishers.

>>Artists—Influence: Art/Media Creators

The Artists on Spotify collectively stream over 30 million songs across 58 different markets. Despite collectively making up a heart from which Spotify thrives, Artists receive 6.8% of streaming revenue, the smallest share of the pie.

Artists receive 10.9% of the post tax payout between artists, labels, and songwriters/publishers. Many artists including Adele, Taylor Swift, the Beatles, and Coldplay have opted for keeping music off of Spotify.

Spotify Breakdown Chart1

Spotify does not have direct agreements with most artists. The streaming company has agreements with labels, whom are responsible for not only securing licenses to music, but to are also responsible for payouts to artists. So essentially, Spotify pays labels, and the label is empowered with payout to artists. The problem is not that Spotify refuses to fairly pay for royalties; it is the trickling down of payment from labels to the respective artists. Spotify has wholesale access to music catalogues from record labels, which makes it hard to fairly split royalty payments amongst artists that are under contractual agreements with respective label.

Even with leaked contract between Spotify and Sony Music available, it is still unclear how much of payouts to record labels actually get to the hands of the artist. It is clear that Sony Music is getting a hefty payout annually, but the question is still whether or not these hefty payouts are passed on to the artists.

>>Major Record Companies

The music catalogue on Spotify is mostly populated by content from major record labels that include Sony Music, Universal Music Group, EMI, Warner Music, Merlin, and The Orchard. Self-published artists as well as artists from independent labels also help makeup Spotify’s catalogue.

Record companies have begun to further question Spotify’s free model since Taylor Swift and other artists have proactively opposed Spotify’s extensive free offerings to users. Streaming consumers of music increased by 54% between 2013 and 2014 according to the Nielsen SoundScan. Major record companies are often made better deals, which disproportionately disadvantage independent artists and labels.

Executives at major record label such as Universal Music and Warner Music have made statements about the extensive free offering of its licensed music is not sustainable long-term. It was suggested that there needs to be a more clear differentiation between content available to free and premium users. Bjork has suggested that Spotify should not allow access for certain content right when it comes out, but should allow for content to go through certain rounds of monetization before ending up on Spotify, similar to Netflix’s rollout method for its content. Major record labels are currently in the process of renegotiating agreements, and are mostly pushing for adjustments to free service offered.

Their goal is to have the “freemium” model disappear as time persists.

What is the current policy?

A legal agreement between Sony, the second largest record company in the world, and Spotify recently leaked, which further intensifies questions about fair payouts for artists. The contract confirmed that major record companies benefit from the success of the streaming service Spotify. The contract details advance payments of over $40 million, with a $9 million advertising credit. Sony has declined to comment on the leaked contract, as it was illegally obtained. Labels routinely keep advances for themselves according to an industry insider.

The leaked contract detailed agreements between Sony Music and Spotify, but not between Sony Music and artists. Such fruits of private agreements don’t necessarily trickle down to the artist, because in most cases they are not even aware of an under the table deal unless a leak has occurred. Unstated under the table deals are not ethical, because artists do not benefit from funds received on account of their intellectual property. The International Music Managers Forum urges European and American authorities alike to use the Sony leak as an example of why more transparence is necessary.

Artists are not being fairly compensated for use of their intellectual property.

Streaming companies have established a revenue arrangement with major Record Companies that often does not favor artists. The obvious shortfalls with existing policy include the lack of transparency when it comes to agreements between record labels and Spotify. There are no systems of checks and balances for ensuring that labels adequately and fairly share Spotify revenue with artists. There needs to be a streamlined system that puts everything on the table in clear view, for fair agreements between artists, label, and streaming company to be arrived at. Current policy also allows Spotify to take up to 15% off the top from revenue generated from ad sales.

What needs to be changed?

Spotify seems to be fairly paying for royalties, but the flow of cash does not always get to the artists. Substitute apps; try to compete with Spotify, by challenging the freemium model. Other apps such as Tidal aim to provide audience with exclusive content that they won’t find anywhere else. The problem is that apps such as Tidal market themselves as a music-streaming app by the artists for the artists. Nowhere in that equation is the interest of the average potential consumer considered. Artists may receive more money per stream, but the service is double the price of Spotify. Record companies, and artists alike, are moving away from Spotify’s freemium model. The digitization of music is not the problem, as most artists and labels generally trust certain digital services such as itunes, because it translates into revenue for artists with no veil or strings attached. Extensive free offerings seem to be the major issue that involved parties have with Spotify, but it is the only thing that drives traffic according to Spotify. The freemium offerings need to be changed in some way, but in a way that is non-disruptive to Spotify’s commerce. Since Spotify pays its fair share of royalties, a more streamlined agreement between record labels and artists should be established and transparent, as should deals made between Spotify and record labels.

Major record labels need to stop double dipping. Not only do they receive cash advances & royalties, but they also benefit from Spotify’s overall revenue stream as they have equity in Spotify of up to 18%. Billboard magazine interviewed two dozen record executives and they agreed that they were confused as to what Spotify was replacing, whether being a substitute for sales or piracy. Examples of setting limitations of the freemium service have showed signs of slowing down subscription growth rate. Spotify has stated that if artists are not fairly compensated from stream revenue, then it is a result of recording contracts and or label accounting practices. Some major record labels are fine with Spotify using their music to build business, because of their equity; they are looking ahead for profit from a future IPO. The artists would not benefit in the same manner, despite their content being the driving force for the app in the first place.

Click me! Future Art Sound
Click me! Future Art Sound

Scenarios

In a time of changing platforms and distribution methods, consumer trends has undoubtedly been in transition. The radio still accounts for an estimated 35% of music consumption, followed by CD consumption at 20%, free streaming at 19%, and paid streaming at 1%. Multichannel consumers, mostly millennia’s, account for 66% of music consumers. A multichannel consumer may pay for a streaming subscription, and make a physical and/or a virtual music purchase. The most common multichannel consumption combination is free streaming coupled with CD listening which accounts for 49% of multichannel listeners, followed by free streaming coupled with music downloads which accounts for 44%. Millennia’s are also known to engage in both free streaming and downloading.

Evidence

During the first quarter of 2014, Pharrell Williams garnered 43 million Pandora streams, which only paid him $2,700 as a songwriter. A statement from Pandora indicates that all rights holders were paid upwards of $150,000 within the first 3 months, and that the real issue is the financial dispute between labels and publishers. Pandora also indicated in the statement that labels are free to split royalties between themselves and artists, however they see fit. Clearly there needs to be more transparency for the cash flow between streaming company, label, and the artist.

Spotify returns 70% of its revenue to rights holders, with information about each artist to aid in the royalty split process. Streaming companies are engaged in fair due diligence where payment of royalties are concerned. The evidence is as follows:

Spotify Breakdown Chart2

Actionable Policy

The music industry needs a streamlined agreement between streaming companies, record labels, publishers, and artists. It is imperative that there is increased transparency, especially where cash flow is concerned. Artists should be able to see all cash and data exchanged between streaming company and label. Royalty holders need to publicly split funds amongst themselves and artists. Record labels need to be accountable to both their artists and streaming company, because an artist that feels swindled can create bad blood between the artist and the label and/or the artist and streaming company.

Recommendation

>>Actionable

1. Artists are cut into equity deals based on audience pull to streaming service per qtr

>>Streaming Services should provide analytics with specific data to aid audience pull observation for given artists

2.Major Labels are transparent with cash flow of compensation from Streaming Companies

Is it ethical for media streaming companies, such as Spotify, to take advantage of IP loopholes, which are known to negatively impact artist revenues?

Judgment:

It is ethical for streaming services to take advantage of IP loopholes, which are known to negatively impact artist revenues. Music platform are changing, and as such, better agreements need to be drafted to complement this change. Streaming companies have shown the numbers, and they are paying for royalties, which is essentially paying for the use of the music in their catalogue. Music streaming is an emerging market, which record companies themselves are invested in. The common mode of music monetization is moving away from CD sales, and that is undeniable. Music downloads take up a lot of data, so streaming is the most practical way for consumers to enjoy their music.

The freemium model of Spotify should not be eliminated, but it should certainly be reconsidered, or at least limited in music access. Premium, new, and sought after music should not be as accessible as music that has already exited the promotion stage. Their needs to be some sort of compromise between record labels and Spotify, to better differentiate between premium content and freemium content. Spotify does not want to compromise the availability of its music on either platform, and labels reserve right to pull any of their artists from Spotify as they wish. Spotify should do a better job differentiating free content from premium content, it’s only fair. Spotify should not compromise to the point that it becomes impractical, but should compromise in a way that is cost-effective for all parties. If this were to be attained, streaming companies, record labels, and artists would be happy, circumventing social dilemma.  Jordan Muthra The New School University, M.A., Media Studies, Graduate Student

Click here to read PDF version: The_Ethics_of_Streaming_Music

 

Neuroband Clothing Gives Athletes Measurable Performance Boost

What Do Peyton Manning, Dwight Howard, and Diana Nyad Have in Common? They all rely on performance-enhancing technology. Forget drugs that boost performance but cause health problems – and get athletes stripped of medals, titles and anything else they’ve earned.

alignmed system

Professionals and amateurs alike have discovered a new technology, Neurobands, to optimize their performance on the field and alleviate pain from current and prior injuries. Developed with the help of a 16-member team of physicians, trainers and other specialists, Neurobands mimic contractions that stimulate neuron pathways in specific muscles so they continuously adjust muscle balance to keeping the skeleton in alignment.

“Broncos quarterback Peyton Manning, who’s had repeated neck and back injuries and multiple surgeries, now has eight therapeutic shirts with built-in Neurobands and wears them pretty much every day,” says Bill Schultz, who brought the technology to market via his company, AlignMed, www.alignmed.com .

“Houston Rockets center Dwight Howard began wearing MyLign shirts after suffering a torn labrum [shoulder injury] in January 2013 when he was with the Lakers. The National Basketball Association approved it as a medical device.”

Is this where we are heading? Hi-tech clothing that approaches Batman's body enhancements and armor? Could be. CP
Is this where we are heading? Hi-tech clothing that approaches Batman’s body enhancements and armor?

And Diana Nyad wore one when she made her record-breaking swim from Cuba to the Keys last year,” he says.

Nyad, who injured her shoulder in her 2011 crossing attempt, can be heard asking during a training session, “When are we gonna put my shirt back on?” in the 2013 documentary, “The Other Shore: The Diana Nyad Story.”

How and why do therapeutic posture shirts work? Schultz explains.

• Body alignment and good posture are the key recognizable characteristics of human health and a fundamental requirement for performance.  The skeletal system will best support the weight and forces put on the body using the least amount of energy when it is correctly aligned. However, many people, including professional athletes, have a difficult time maintaining perfect alignment, or posture, either because they’ve had an injury that impedes it or because they’re unable to do so without making a conscious effort. “These shirts are actually even more helpful and effective for people who sit at desks all day, since they tend to sit with their head forward,” Schultz says.

• Compression shirts don’t perform the same function. Compression shirts are designed to indiscriminately squeeze regional body parts. The only scientifically validated benefit is increased blood flow in the legs when certain regions are compressed, Schultz says, adding compression garments tend to be worn more for an aesthetic the wearer hopes to achieve.

• Correct alignment improves blood flow and reduces stress on joints. Increased blood flow improves muscle strength. In one of the independent studies done on AlignMed Posture Shirts, the University of Southern California tested pitchers’ velocity, accuracy and throwing arm physiology when wearing the shirts and when wearing their usual game day undergarments. Velocity increased 1.47 mph and an overall 23.5 percent improvement in accuracy. “Reducing the excess force on joints cuts down on fatigue, the No. 1 cause of injury,” Schultz says.  For the Silo, Ginny Grimsley.

About Bill Schultz Bill is founder and president of AlignMed, www.alignmed.com , a leading research-based innovator focused on the mechanical, neurological and aesthetic functions of posture. Through clinical studies and with the help of the AlignMed Advisory panel of 16 physicians, trainers and other specialists, Schultz has helped deliver critical information on the benefits of a proper posture to universities, medical clinics, physical therapists, strength coaches, the Air Force Academy and professional athletes. In September, Schultz received a Certificate of Special Congressional Recognition for “outstanding and invaluable service.”

Supplemental- the S3 Brace:

 

Canada Methane Emissions Not Properly Regulated

We need to take steps NOW to make sure Canada’s methane (aka Hydrogen Sulfide gas which contains up to 90% methane) emissions are being properly regulated. Methane is a greenhouse gas that is 84 times more potent than carbon dioxide – and its uncontrolled emissions affect everyone.

The solutions to reducing methane emissions are actually very simple – frequent leak detection and repairs, and replacing equipment that deliberately releases methane. The industry is resisting these solutions and pushing the Canadian government for weaker methane regulations. They want longer delays before regulations come into effect, as well as less frequent monitoring so that methane leaks go undetected for longer. And, they want to be paid for reducing methane emissions – so instead of polluters pay, the industry wants it to be pay-the-polluter.

Those who live in Alberta strongly agree that regulating pollutants like methane to the strictest North American standards is the right thing to do. If the province that would be most affected by these regulations feels this way, why aren’t we doing it?

Time is running out to make sure Canada’s methane emissions are strongly regulated. For the Silo, Dale Marshall.  Featured image- Les Stone /Greenpeace

Dale Marshall
National Program Manager

Body Check North America Study Shows Natural Look Is The New Sexy

A new study of the dating app Jaumo concludes that superficiality in online dating is just a preconceived prejudice. A survey among North American users shows that the majority of participants do find athleticism attractive but a couple of extra pounds on the hips will not necessarily decrease your chances of finding a date.

What attracts Jaumo users? 
What is it, that attracts one person to another? Which body features are most important to most people? To answer these questions, Jaumo carried out a survey among more than 4,400 Jaumo users from the US. Jaumo interviewed them over a period of 4 weeks about their preferences in regards to their own body and personal ideals required of a partner. Users could agree or disagree with the statements outlined in the survey.

Image: whoabooty.com

Jaumo users are not only active flirters.
63 percent of the users find an athletic partner attractive and more than half of the respondents don’t mind a couple of extra pounds on their significant other’s hips. It is noticeable that significantly fewer users, namely 42 percent, consider an athletic body sexy. And the sexes even completely agree on this question!

Raw data from Jaumo Survey.

 

 

 


Hairy is not scary.
On the subject of body hair, the female users are pretty much in total agreement: 76% think chest hair belongs on the male body. The male users see this somewhat differently, but nonetheless, 64 percent of respondents agree. A natural look is also preferred in the downstairs department. 63 percent find a hairy pubic area perfectly acceptable and a total of 70% of the women prefer to see hair when they look down.

The way to someone’s heart is through their stomach.
Vegan, vegetarian, low-carb or meat-eater – with so many varied eating preferences, it may be difficult to find a partner with the same nutritional routine. For 77 percent of the Jaumo users, however, a compatible diet with their partner is seen as a must. For the Silo, Racheal A. Mack.

Jaumo founders Jens Kammerer and Benjamin Roth.

About Jaumo
Jaumo is a dating app founded by Jens Kammerer and Benjamin Roth in 2011. Jaumo has 20 million users in 180 countries around the world, more than 2 million of them in the USA and Canada. The dating app is available for free for iOS at the Apple Store and Android at the Google Play Store. The driving force of the two friends from Germany is to offer an uncomplicated and user-oriented product that binds satisfied customers.

 

Dolphin Hunting Season Opens In Japan

Taiji, Japan  – In Defense of Animals denounces the cruel dolphin hunting and killing season that officially opened on September 1 in Taiji, Japan. The hunting season, which goes until March each year, sees the brutal slaughter of hundreds of dolphins.

“The primary motivation for the hunting and killing of dolphins is the captivity industry, where live, trained dolphins fetch a much higher price than dead ones,” says Dr. Toni Frohoff, In Defense of Animals’ Cetacean Scientist. “We call on the captivity industry in the United States to stop contributing to the demand that fuels these cruel hunts.”

Photo- Liz Carter.

During the hunts, wild dolphins are driven into a cove along the coast of Taiji and held, sometimes for days, while “show-quality” individuals are selected and torn away permanently from their families. These individuals are then trained and sold to aquariums in Japan and around the world. Often, some or all of the remaining dolphins are killed and butchered for their flesh, or turned loose into the ocean where they suffer from the significant trauma of severed familial ties or in some cases witnessing the deaths of their podmates.

While demand for captive dolphin entertainment may be declining in certain places within the United States, in others the industry is attempting to gain foothold. The Mississippi Aquarium, slated for downtown Gulfport, plans on including a new dolphin aquarium.

“Promoting captive dolphin entertainment is tantamount to promoting the brutal killing of dolphins that happens each year in Taiji,” continued Dr. Frohoff. “The only way to stop these slaughters is to stop promoting captivity, which in itself causes enormous stress, suffering and premature death for dolphins.”

The quotas for this year’s dolphin hunting season in Taiji, set by Japan’s Fisheries Agency, total 1,940 individuals, including 414 bottlenose dolphins, 450 striped dolphins and 400 pantropical spotted dolphins, according to Cetabase.

In Defense of Animals is an international animal protection organization with over 250,000 supporters and a 30-year history of fighting for animals, people and the environment through education, campaigns and hands-on rescue facilities in India, Africa, and rural Mississippi. For the Silo, Dr. Toni Frohoff.

All photos- Liz Carter.

IN DEFENSE OF ANIMALS • 3010 KERNER BLVD. • SAN RAFAEL, CA 94901 • 415-448-0048

 

Artwork That Reminds Us History Is Absolute

Colorization processed G. Orwell photo- mensxp.com

“The most effective way to destroy people is to deny and obliterate their own understanding of their history.” -George Orwell

The facts of the past cannot be objectively altered regardless of belief or opinion. They can, however, be tainted by those wishing to assume power. It is critical that we understand the past as it happened and do not allow the view to be obscured. Only in this way can we ensure that we do not repeat the mistakes of our forebearers, only in this way do we as a society learn and move on from our past transgressions. Those who would revise the past must be confronted with resistance and overcome with the truth. We are bound by our ancestors to carry their truth along the banks of the future no matter how heavy the burden may be.

Golden Age Rorschach, 2014, 38” x 26”, Acrylic paint over inkjet print mounted on Dibond by Aura Goldenberg.

Aura Rosenberg is based in New York City and Berlin, Germany. Since 1993 she has worked on a project titled Berlin Childhood. Over the years the project has taken on many forms including a published book, souvenirs of Berlin’s Victory Column, photographs, and a film. The title comes from a series of texts by Walter Benjamin written during his exile from Berlin in the 1930s. Rosenberg began creating a photograph to correspond with each text which Benjamin wrote in order to combat his homesickness during exile. Chantal Benjamin, the granddaughter of Walter Benjamin moved to Berlin and contacted Rosenberg. The two became friends and Rosenberg began filming Benjamin and her daughter around the city also in correspondence with the original texts. Presently Rosenberg is editing her archive of footage and recording a narrative soundtrack of Walter Benjamin’s great-granddaughter reading his texts aloud. Rosenberg also creates work based on themes of sexuality. One of her current project is a continuation of an older work titled Porn Rock.

“145 Elm Ridge Drive Toronto”
Study Of Politics In Cell Tower Placement by Vid Ingelevics.

Vid Ingelevics is a Canadian artist. Much of his work examines representations of the past. His current long form project titled Freedom Rocks focuses on the history of the Berlin Wall since its removal in 1989. Ingelevics began researching what happened to the wall after it fell and discovered pieces of it across the world including in the United States and Canada. Initially, Ingelevics and his collaborator went to Washington, D.C. to learn about the movement of the remains of the wall. In the years following the removal of the wall there was a strong market for fragments. Pieces of the Berlin Wall now appear in the most unlikely corners of the world. Ingelevics work looks at why fragments of the Berlin Wall move around the world and who pays for this as well as putting the wall in the context of history rather than relegating it solely to the realm of political symbolism.  For the Silo, Brainard Carey.

Brainard  is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.

Featured image- “Touching the Wall”, Berlin, 2014. From the larger project, Freedom Rocks, a collaboration between Vid Ingelevics & Blake Fitzpatrick begun in 2004 that explores the post-1989 history of the Berlin Wall.

Supplemental- Digital Rorschach examples from 2012 / 2013 series by Canadian Artist Jarrod Barker.

Space Race by Jarrod Barker. 2013.
Blue Nude Torso In Plaid Design. Jarrod Barker. 2012.
Monarch. Jarrod Barker. 2013/16.

A Few Words to Keep in your Pocket

History is absolute. Endeavor to know it and to speak its truth.

Interviews are available on iTunes as podcasts, and for Android please click here. All weekly essay pieces in a shareable format are here. The full archive of interviews here.

Books to Read

What are you reading? Add your titles to our reading list here. Heather Hubbs has recently read On Tyranny, Twenty Lessons from the Twentieth Century by Timothy Snyder and user Julia has been revisiting Slaughterhouse Five by Kurt Vonnegut.

Becoming AFI Celebrates 50 Years Of American Film Institute

“This book puts you directly behind the scenes for a story that began with a dream,
overcame constant challenges, and evolved into the institution it is today.”
―Steven Spielberg
 
“Documented here by the people who lived it, this is a remarkable tale of how a major institution,
created out of whole cloth, wove itself into the American fabric.”
—Cokie Roberts, author and political commentator for ABC and NPR
  
 
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For over fifty years, the American Film Institute has flourished as one of America’s great cultural entities. Its graduates, faculty, supporters, and trustees have included such acclaimed individuals as Steven Spielberg, Maya Angelou, Gregory Peck, Sidney Poitier, Meryl Streep, Les Moonves, Patty Jenkins, David Lynch, Jane Fonda, Edward James Olmos, Shonda Rhimes, James L. Brooks, and many other respected leaders in the worlds of film, television, digital media, and philanthropy.
 
In their new book, Becoming AFI: 50 Years Inside the American Film Institute (Santa Monica Press/October 2017), Jean Picker Firstenberg and James Hindman provide a candid look at how this remarkable organization brought together aspiring filmmakers, educators, and artists who helped AFI become the foremost national champion for moving images as a vibrant art form.
Preview page from BECOMING AFI: 50 YEARS INSIDE THE AMERICAN FILM INSTITUTE
From its early years operating out of the Kennedy Center in Washington, DC, and the legendary Greystone mansion in Beverly Hills under the leadership of George Stevens Jr., through its incredible growth into an influential cultural institution at its landmark Hollywood campus under the guidance of Jean Picker Firstenberg, to its continued excellence today under the dynamic leadership of Bob Gazzale, the organization and its history are chronicled in Becoming AFI through in-depth essays written by those who have been involved in its adventures, growth, and success.
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“After being asked so many times what our book would be about, we decided to put together AFI’s history as we experienced it personally,” explain Firstenberg and Hindman. “As we structured the book with the stories we wanted to tell from those years, we realized that some of those stories really belonged to other voices. So, we went to several former colleagues and asked them to join our band. Each chapter tells a stand-alone story about an aspect of AFI, but together, they add up to the full picture.”
 
Becoming AFI provides an insightful, behind-the-scenes look at how AFI, with passionate determination, overcame the hurdles of advancing technology, political shifts, and new audience dynamics to turn its aspirations into a substantial and highly successful organization, becoming a tireless advocate of moving images as one of America’s most popular forms of art, and maturing into one of the world’s most respected educational and cultural institutions. For the Silo, Trina Kaye.
 
 
“No matter how divisive life in this country may become, the movie theater  has always been a place where we can discover what unites us.”
—Vernon Jordan Jr., New York Times
  
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“AFI saved our film history. AFI celebrates filmmakers. AFI trains the next generation. Thanks to Becoming AFI for telling us the fascinating story of its fifty-year history. And a big thank you to Jean Picker Firstenberg and James Hindman for documenting all of it! Here’s to the next fifty!”
―Edward James Olmos, actor and AFI trustee
 
 
About the Authors
 
Jean Picker Firstenberg served as president and CEO of the American Film Institute from 1980 to 2007, overseeing the development of AFI as one of America’s greatest national, cultural, and educational resources. She received an AFI Life Achievement Award for Service to the Institute and was named president emerita and a lifetime trustee. In 2016, Firstenberg was named to the California State University Board of Trustees by Governor Jerry Brown, overseeing the largest four-year public university system in the United States, with twenty-three campuses educating the most diverse student body in the nation. Prior to serving at AFI, Firstenberg spent four years as a program officer at the John and Mary R. Markle Foundation. She also served as director of Princeton University’s Publications Office. Firstenberg is a summa cum laude graduate of Boston University’s College of Communications. She has served on several boards, including that of Boston University (1984–1996), the George Foster Peabody Awards at Georgia University (1985–1997; board chair 1991–1997), and the United States Postal Service Citizens’ Stamp Advisory Committee (2002–2014; committee chair 2008–2014). She has won numerous awards and honorary degrees.
 
James Hindman, PhD, has spent his career in cinema and performing arts, creating and leading professional and public education programs at major institutions. During his twenty-four years at the American Film Institute, where he served as co-director and chief operating officer, he was provost of the AFI Conservatory, which he nurtured through WASC accreditation. He was also the uncredited producer of the award-winning feature documentary Visions of Light and the television series Starring the Actor. He developed the AFI Silver Theatre and Cultural Center in Silver Springs, Maryland, as well as numerous television projects and international film and television festivals. Subsequent to AFI, he developed and led film schools in the U.S. and internationally, including the Red Sea School of Cinematic Arts in Aqaba, Jordan, and New Mexico State University’s Creative Media Institute in Las Cruces. He is currently on the board of the New Mexico School for the Arts in Santa Fe, charged with creating a new cinematic and media arts program and facilities for the school. Prior to AFI, he served as head of graduate studies in the Performing Arts Department at American University in Washington, DC, having previously taught at the University of North Carolina. Hindman holds a PhD in drama from the University of Georgia and has served on the boards of the AIDS Service Center and LAMP in Los Angeles. He currently splits his time between Santa Monica, California, and Taos, New Mexico.
 
Patty Jenkins made history in 2017 when she directed her second film, Wonder Woman, becoming the first woman to direct a studio superhero movie and earning the biggest domestic opening of all time for a woman director. Jenkins wrote and directed her first film, the crime drama Monster, in 2003, launching Charlize Theron’s career with many awards, including an Oscar for Best Actress. Jenkins graduated from the Cooper Union for the Advancement of Science and Art in 1993 and the AFI Conservatory in 2001.
 
Dana Gioia was appointed Poet Laureate of the State of California in 2015 by Governor Jerry Brown. An award-winning poet who has published five collections of poetry, Gioia served as chair of the National Endowment for the Arts from 2003 to 2009, and was named a USC Judge Widney Professor in Poetry and Public Art in 2011.
 
David Lynch, born in 1946 in Missoula, Montana. Eagle Scout.
 
 
BECOMING AFI: 50 YEARS INSIDE THE AMERICAN FILM INSTITUTE
By Jean Picker Firstenberg and James Hindman
Foreword by Dana Gioia
Preface by Patty Jenkins
Afterword by David Lynch
Santa Monica Press/October 2017
Hardcover/$27.95 usd
ISBN-13: 978-159580-094-7

PANDORA Jewelry Wants Candid Women In Action Photos

Toronto, September, 2017 – This Autumn, PANDORA reveals ‘DO See The Wonderful’, a multifaceted campaign set to inspire women to see the wonderful in their everyday. To bring this concept to life, PANDORA reveals the results of its partnership with three renowned photographers – Sandra Semburg, Liz Sunshine and Meredith Jenks.

Triggered by a global research study that found 80% of women are inspired by photography which celebrate life’s everyday triumphs, these photographers were challenged to capture candid imagery of women from all over the world enjoying everyday moments. The campaign launches in conjunction with the Autumn 2017 collection – a selection of beautiful, hand-finished jewelry designed to mark the wonderful in women’s lives.

Every day we experience approximately 20,000 individual moments lasting a few seconds each, yet we often move from one moment to the next without acknowledging our accomplishments. Through this campaign, PANDORA kicks  off a global conversation about women’s everyday triumphs; from the life changing, such as starting a new job or having a child, right through to daily personal achievements, such as baking a cake or completing a charity bike ride. The ‘DO See The Wonderful’ photography encourages women to see joy in these everyday special moments.

“At PANDORA, we want women to celebrate all the wonderful things they and other women DO each day because these moments represent important fragments of their multifaceted lives. PANDORA jewellery can act as a symbol of these everyday achievements and the things we cherish,” explains Minna Philipson, Senior Vice President and Chief Marketing Officer at PANDORA.

Individually known for their inspiring styles of photography, Sandra Semburg, Liz Sunshine and Meredith Jenks capture women showing the wonder in what they achieve every day in spontaneous and authentic shots. Fashion and portrait photographer Sandra took animated portraits of women in London and Berlin, Australian-based documentary photographer Liz took to the streets of Sydney and Hong Kong to find candid moments of women in action, while Brooklyn-based Meredith, who aims to capture special moments as they unfold, shot photos in New York and Sao Paulo.

Today, PANDORA is calling on all women to get involved in the #DOSeeTheWonderful challenge by capturing precious, every day wonderful moments and sharing them with PANDORA via the hashtag #DOSeeTheWonderful and tagging @theofficialpandora.

The Autumn 2017 collection launch is also supported by a compelling TV campaign, and through a series of official campaign imagery to inspire women to celebrate everyday life triumphs. For the Silo, Daniella Etienne.

ABOUT PANDORA

World-renowned for its hand-finished and contemporary jewelry at affordable prices, PANDORA designs, manufactures and markets jewellery made from high-quality materials. Inspiring women to embrace their individuality and express their personal style, PANDORA’s stylish and feminine jewelry captures the unforgettable moments and personal values in life. PANDORA’s unique and detailed designs combining traditional craftsmanship with modern technology are sold in more than 100 countries across six continents through approximately 8,100 points of sale, including more than 2,100 concept stores. Founded in 1982 and headquartered in Copenhagen, Denmark, PANDORA employs more than 21,500 people worldwide of whom approximately 12,400 are located in Thailand, where the company manufactures its jewelry. PANDORA is publicly listed on the NASDAQ Copenhagen stock exchange in Denmark. In 2016, PANDORA’s total revenue was DKK 20.3 billion (approximately EUR 2.7 billion).

Cet automne, PANDORA lance « À vous d’oser voir le merveilleux », une campagne à plusieurs volets visant à inspirer les femmes à voir le merveilleux dans leur quotidien.

Toronto Inventor Tackles Awkward Toilet Paper Holders

Toilet paper … it’s one of life’s necessities. Then why is the roll so difficult to replace? The problem lies in the awkward spring tube holder that always leaves you fumbling. No one wants to deal with it. We all know of that one person that always fails to change out the toilet paper roll. They’ll leave the empty roll on the holder and put a brand new one on top of the toilet or counter. The ZeNa attachment will solve that bad habit. Thanks to Alex Li, a thinker and inventor out of Toronto, Canada, this bathroom conundrum has finally been solved.

You can now change a roll out in a matter of seconds. It’s faster, easier and cleaner than the traditional spring tube method.

The ZeNa Attachment is an incredibly smart solution that fully modernizes your toilet paper holder. Its peel and stick design securely attaches (in seconds) to your existing TP dispenser, so there’s nothing more to install or buy. ZeNa Attachment’s patent pending swing design lets you swap out toilet paper rolls with one hand and it keeps it all in place with zero fuss.

Design

The patent pending design is an easy attachment to add to your existing toilet paper holder. No need to hire a contractor. The heavy duty double-sided foam tape on the underside of the base is super strong. Simply stick this on to your clean existing holder and you’re good to go. Both sides are the same so there’s no getting this wrong.

The arms always fall back into place from a tension mechanism that forces the arms downward. So it doesn’t matter if your ZeNa Attachment is not level as long as you have installed it properly, it will work.

The ZeNa Attachment is super durable, comes in several colors and is the perfect bathroom assistant for the disabled, kids and seniors too.  Learn more and support this initiative by visiting the ZeNa Kickstarter page. For the Silo, Jarrod Barker.

 

911 Heroes Memorial Run Series Happening Across America And The World

The Travis Manion Foundation (TMF), one the nation’s leading veterans advocacy organizations, is hosting its flagship event – the 10th annual 9/11 Heroes Memorial run in more than 50 communities across the country and around the world this September, including locally in in Annapolis, MD, and Alexandria, VA. The annual race series unites communities across the country to remember the nearly 3,000 lives lost on 911, as well as to honor our veterans, military, and first responders who serve our country. Proceeds from the 9/11 Heroes Run will benefit the Travis Manion Foundation, which empowers veterans and families of fallen heroes to develop character in future generations.

The 9/11 Heroes Run 5K series was inspired by Marine 1st Lt. Travis Manion, who was killed by a sniper in Iraq in April 2007 as he selflessly protected his battalion. Before his final deployment, Travis visited Rescue One in NYC—famous for losing almost all of their men on 9/11—and returned home with deeper passion about why he was fighting in Iraq. At its heart, the 9/11 Heroes Run is a tribute to a personal commitment to never forget the heroes of that day. Now in its tenth year, the 9/11 Heroes Run national race series will be held in more than 50 locations across the country and around the world. As part of the marketing campaign for the race series, TMF released the video found at the start of this article, to inspire runners and walkers of all ages to participate.

Last year, more than 50,000 people participated in race locations around the world or as virtual runners, to support military, veterans, first responders and their families through TMF. National sponsors of the events include Comcast NBC Universal and CBS Radio. Last year’s Annapolis run drew a crowd of over 2,000 participants including Maryland Governor Larry Hogan and midshipmen from the U.S. Naval Academy.

Ryan Manion, TMF President and Travis Manion’s sister, provided this statement:

“As I reflect on the 10 year anniversary of the 9/11 Heroes Run, I’m in awe at the number of communities across the country and around the world that have united to honor all those touched by the events of September 11th, 2001. We challenge all Americans to join us this September, to ensure our next generation never forgets the sacrifices of our veterans, active duty military, first responders, and civilians who were affected by the attacks on 9/11 and in the wars since.”

5 Key Races

  • 9/11 Run Alexandria, VA on Saturday September 9, 2017 at 9:00am ET
  • 9/11 Run Philadelphia, PA on Sunday September 9, 2017 at 9:00am ET
  • 9/11 Run Houston, TX on Sunday September 9, 2017 at 8:00am CT
  • 9/11 Run Annapolis, MD on Sunday September 17, 2017 at 2:00pm ET
  • 9/11 Run Doylestown, PA on Sunday September 24, 2017 at 2:00pm ET

See details for over 20 other races in cities across the U.S. linked here.

For the Silo, Tyler Bryant.

TMF empowers veterans and families of fallen heroes to develop character in future generations. In 2007, 1stLt Travis Manion (USMC) was killed in Iraq while saving his wounded teammates. Today, Travis’ legacy lives on in the words he spoke before leaving for his final deployment, “If Not Me, Then Who…” Guided by this mantra, veterans and survivors continue their service, develop strong relationships with their communities, and thrive in their post-military lives. As a result, communities prosper and the character of our nation’s heroes live on in the next generation.

Google Fined Billions By EU For Breaking Competition Law

Ariel Ezrachi, director of the University of Oxford Centre for Competition Law and Policy, says “it objects to Google leveraging its power in search to give itself an unfair advantage in price comparison.” That’s one in the eye for Silicon Valley’s “winner takes all” attitude. Google are well equipped to handle a fine though, even one that sounds so hefty. Alphabet, Google’s parent company, made a profit of almost £2 billion in the first six weeks of 2017 alone.

So, it sounds like that fine is just a drop in their considerably large ocean. But it’s still hard to imagine such a huge amount. Which got us thinking. If the average Joe were to be fined in a relative way, what would that look like? Maybe something like this infographic from credit.angel.co.uk.  Much easier to understand (and far less than I imagined to be honest!) For the Silo, Danielle Mowbray.

 

Affirmation Cards From Canada Moms Intended To Affect Millions

Everyone knows the old saying “to know where you’re going, you have to know where you’ve been” right? This couldn’t be more accurate, and for you to truly relate to Love Powered Co. and where it came from, we feel that you might need to know a little bit about affirmation and about us first.

Our names are Anna Lozano and Lindy Sood and we would like to welcome you to the Love Powered movement.  We are friends and soul sisters who realized that together, we have a powerful message to share with the world. Months ago, we started talking about what is lacking in the marketplace when it comes to personal growth products for families. How our children were most certainly gaining positive subconscious programming from stating their daily affirmations, but what about being consciously aware of the words they were speaking?

We wanted them to understand this beautiful new vocabulary. We wanted them to connect with these positive words and statements. We wanted them to link the affirmations to their own daily experiences, to their own unique feelings and emotions, and to how they interacted with others.

Our mission is to create a self-worth movement, powering the next generation of mindful leaders. A better tomorrow starts with our children, and that means we need to do the work now, healing ourselves in the process.

This is so much bigger than a product, it’s a global movement creating a better tomorrow. Welcome home, to our Love Powered family.

How Are We Different?

1. 22 POWERS

Parents & children think of examples and ‘times when’. Going even deeper, we ask ‘How did this make you feel’? By connecting their own experiences to each POWER, and remembering how they felt, it better helps our children to understand the words and statements they are saying, and connect deeper to the meaning behind them.

These are the qualities of emotionally intelligent trailblazers! The POWERS we all have within us, at times, we just need to be reminded of it.

2. CONNECTION

Instead of 1 affirmation per card, we have grouped together 3 related terms + a statement – helping our little ones to grasp the meaning of the words and how they all relate to each other. We are teaching our children a new, beautiful, positive vocabulary.

3. CONSCIOUS AWARENESS

Instead of 1 affirmation per card, we have grouped together 3 related terms + a statement – helping our little ones to grasp the meaning of the words and how they all relate to each other. BONUS! We are teaching our children a new, beautiful, positive vocabulary!

4. EXAMPLES & FEELINGS

We focus on the power of CONNECTION between parent & child. Leave the screen at the door, this is a time to be present, engaged and wholeheartedly connected.

5. AESTHETIC

These cards are so darn adorable and just oh-so-delicious, we are certain that you and your little ones will find it hard to wait to get your hands on them.

For more information, contact us here.

 

 

 

Mountain Biking In Nepal

 

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 H+I Adventures  returned to biking the Himalayas for the first time since Nepal’s devastating earthquake in late October 2015. Continuing to support and promote Nepal’s local tourism industry was a priority for the award-winning mountain biking specialists. Throughout all of H+I Adventures’ twelve-day mountain biking holiday in Nepal, riders experience some of the world’s most breathtaking climbs, technical descents, fast and flowing singletrack, and the most spectacular views from the roof of the world.

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“There’s never been a more important time to visit Nepal than now,” says Euan Wilson, owner, H+I Adventures. “We are deeply saddened by the devastation caused by the earthquake, but our friends, colleagues and partners in Nepal are resilient. We want to show mountain bikers that Nepal is safe and that the country is ready to welcome them with open arms.”

Led by a local Nepalese guide, H+I travellers will find themselves surrounded by five-mile-high peaks and stay in teahouses run by local villagers stocked with delicious food, cold beer and great conversation. Highlights include criss-crossing the Kali Gandaki Valley, the deepest valley in the world, navigating the legendary Annapurna Circuit and the lower Mustang region, and riding through Shivapuri National Park to the historic town of Bhaktapur. A hot-spring soak in the village of Tatopani provides some well deserved respite and muscular relaxation after what has been a full week of epic highs.

“We are very much back in business, and my team and I can’t wait for the new season to begin and to welcome riders back to our beautiful country,” says Mandil Pradhan, lead guide for H+I Adventures in Nepal.

Known for combining rich cultural experiences with adrenline-pumping trails and breathtaking climbs, H+I Adventures has created enriching opportunities for travellers to engage with local communities during each tour. For example, in Nepal, H+I mountain bikers visit with Himalayan thangka artists and witness how they create the most exquisite masterpieces, which can take years to complete.

Rates start at $3,196 USD per person, based on double occupancy, and includes Global Rescue, a world-class emergency service provider that offers medical and security evacuation assistances and destination reports. Small image

For more information visit: mountainbikeworldwide.com.
About Global Rescue

Global Rescue is a worldwide provider of integrated medical, security, intelligence and crisis response services to corporations, governments and individuals. Founded in partnership with Johns Hopkins Medicine, Global Rescue’s unique operational model provides best-in-class services that identify, monitor and respond to potential threats. Global Rescue has provided medical and security support to clients during every globally significant crisis of the last decade. Memberships start at $119 and entitle members to rescue and transport services to their home hospital of choice.

About H+I Adventures

H+ I Adventures specializes in premium mountain biking holidays. Based out of Inverness, Scotland, the company offers mountain biking trips in Namibia, Mexico, Slovenia, Spain, Yukon, Nepal, Ecuador and Whistler, with four destination trips in Scotland. They are committed to providing sustainable and responsible travel within the communities they visit. H+I Adventures is bonded by the Association of Bonded Travel Organisers Trust Limited (ABTOT)

Prime Minister Trudeau On Barcelona Terrorist Attack

The Prime Minister, Justin Trudeau, issued the following statement on the terrorist attack in Barcelona:

“I am deeply saddened by today’s terrorist attack in Barcelona that has killed and injured so many innocent people.

“Sophie and I join all Canadians in offering our sincere condolences to the families and friends who have lost loved ones, and our best wishes for a fast and full recovery to those injured [yesterday].

“While we cannot ignore the outrage we feel, together we must renew our commitment to protect the freedom found in societies that promote unity, openness and inclusion.

“Spain, we grieve with you and denounce hate and violence in all of its forms. Canada will continue working with the international community to fight terrorism and build a world where we can all feel safe and secure.”

IDA Challenges Airlines To Cut Environmental Baggage And Save Animals

Air India announced that it has made one simple change that will save the airline $1.5 USD million (Rs 10 crore) and spare hundreds of thousands of animals from short, brutal lives and untimely deaths – it stopped serving non-vegetarian meals.

Air travel is one of the most notorious carbon polluters, which harms wild animals by changing natural habitats and acidifying oceans. Offering a plant-based meal not only saves animals directly by not serving them, but saves more animals by reducing greenhouse gasses and carbon emissions from farming that harm wild animals and the planet. There is a large body of evidence linking meat-based diets with unsustainable levels of greenhouse gas emissions and carbon dioxide production. A study published in the American Journal of Clinical Nutrition shows that meat-based diets use more energy, land, and water than a plant-based diets.

As an environmentally conscious company with a strong track record of promoting environmental sustainability, Virgin Airlines is ideally placed to lead the industry in a transition to plant-based meals. The time has never been better to call on Virgin to go meat-free!

Please join us in asking Virgin Atlantic, Virgin America (Alaska Airlines) and Virgin Australia to take the next step in reducing their carbon footprints. Make plant-based meals the default option on all flights!

1. If you live in the U.S., please call 877 359 8474 (customer service representatives are available 24/7).

After the prompt, press “0” and respond to the auto-prompt by stating “something else” to be connected through to a customer service representative.

Once connected, you can say something like, “Hi, I’m calling to express my support for Virgin Airlines to make plant-based meals the default selection on all flights. This simple switch will cuts costs, dramatically reduce greenhouse gas and carbons emissions, easily address an array of dietary requirements, and reduce waste. Will you please pass my message on to management?”

2. After your call, please send our letter:

Dear Executive Team,

Increasing numbers of consumers are choosing plant-based diets to support the environment and decrease their carbon footprint. Yet, meat-based meals continue to be the default meal option for your airlines. It doesn’t have to be this way.

Just recently, Air India stopped serving non-vegetarian meals, showing this progressive move is one that can be implemented without hardship.

There is a large body of evidence linking meat-based diets with unsustainable levels of greenhouse gas emissions and carbon dioxide production. A study published in the American Journal of Clinical Nutrition shows that a meat-based diet uses more energy, land, and water than a plant-based diet and was less viable for the future. By simply switching from a meat-based meal to a plant-based meal as the default option, Virgin Airlines could go a long way toward decreasing the environmental impact of airline travel.

There are thousands of tasty and nutritious plant-based recipes available that exclude meat, dairy, and egg. These meals could easily address an array of dietary requirements and reduce the number of special meal options that Virgin Airlines currently offers. In addition, plant-based meals cost less and are healthier. In a 2012 study in the Journal of Hunger & Environmental Nutrition, investigators found that meat-based diets cost individual consumers $746USD more per year, and were less nutritious. There is no need to compromise your award-winning service – we are asking you to simply switch the default meal option so that passengers can still select a meat-based meal if they wish.

Offering a plant-based meal as the default option will save you money, increase profit margins, cut tons off your carbon footprint and cement Virgin’s reputation as the premier modern airline.

Not only will this simple switch cuts costs, it also reduces greenhouse gasses and carbon emissions. As an environmentally conscious organization with a strong track record of promoting environmental sustainability, Virgin Airlines is ideally placed to lead the industry in a transition to plant-based meals.

We applaud Virgin Airlines’ commitment to ecological air travel solutions, including the use of biofuel and carbon offsets. We ask that Virgin Airlines again show leadership in the field of environmental sustainability by making plant-based meals the default selection on all flights.

 

Natural World Immediacy A Rare Concept

Immediacy? “Nothing important comes into being overnight; even grapes or figs need time to ripen. If you say that you want a fig now, I will tell you to be patient. First, you must allow the tree to flower, then put forth fruit; then you have to wait until the fruit is ripe. So if the fruit of a fig tree is not brought to maturity instantly or in an hour, how do you expect the human mind to come to fruition, so quickly and easily?” -Epictetus

The Worm (2008) and Watershort (2008) are time-contemplative short films by Canadian sound and visual artist Jarrod Barker.

In the natural world, immediacy is rarely a concept. While it is true the Mayfly lives only for a day, it is also true that each fly is one infinitesimal link in the long succession of the species. As humans have increasingly stepped beyond the boundaries of nature, we have begun to forget the importance of waiting and patience. We live surrounded by cheap treasures gotten easily and quickly. But like the Mayfly, these spoils of instant gratification perish quickly leaving us desiring more. No longer do we answer to the rhythm of nature, preferring instead to force the world to step up to our breakneck pace. All the while we are saturated with reminders that “good things come to those who wait” but too often choose to ignore this time tested wisdom.

Stefan Klein works in Berlin. Presently he is examining the concept of waiting. To this end, he has conducted quite a lot of field research. Waiting, he says, “is something that’s so routinely existing in our daily lives but at the same time has this very existential dimension to it so that almost everybody can relate to it but at the same time it’s a very abstract topic.” Another project, titled Introduction to Microeconomics is a book documenting Klein’s repeated ordering and return of a book by the same name. In this way, he examined documentation as a vital element of a whole work. Much of Klein’s work investigates complex systems through performative means. In September, Klein will begin a series of waiting sessions with people from various disciplines. He will meet with guests at a bus stop (a place of waiting) for a conversation. His audience will be comprised of both those who came to see the performance and those who happened to be waiting for the bus. In this way, Klein will access waiting from many perspectives.

untitled watercolor Emilie Clark 2015

Emilie Clark is a New York City based artist who spends part of the year in New Hampshire. Much of her work is based on the work of nineteenth-century natural historians and scientists, most of them women. She also explores the literal interpretation of the word ecology (earth’s household) incorporating historical texts and working in the landscape. In New Hampshire, Clark works in a floating research station surrounded by the natural world. In New York City her experience is quite different though she has noticed similarities in plant species between the two locations. From her research station, Clark collects specimens, makes sound recordings, draws, paints, preserves, and fully immerses herself in nature. This process is rooted not only in creating but in learning.

Brainard Carey

A Few Words to Keep in your Pocket

A work of art, a career, a relationship, anything worth investing our hearts and minds in, must be given time. We must relearn to wait, to fall back in step with the world around us. For the Silo, Brainard Carey.

Brainard  is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.

Luxurious Aquila Reaches Power Catamaran Milestone

CLEARWATER, Fla.  – Aquila is pleased to announce that they have built their 100th catamaran boat, an Aquila 44.

Frank Xiong SinoEagle CEO

The Aquila 44 boasts Aquila’s signature fresh evolution of classic boating traditions where efficiency in design and performance compliment her luxurious living and was named “Best New Multihull 40′-49′” in the 2014 AIM Media Editor’s Choice Awards.

“This is an exciting and momentous occasion for us. From the very beginning, we have felt the Aquila Power Catamarans were the best in the world, and we have been excited to be a part of the team designing and building them. We look forward to surpassing this milestone and continuing to celebrate many more,” stated Frank Xiong, Sino Eagle Group CEO.

Construction of Aquila Power Catamarans began in 2012 when Sino Eagle Group began building the Aquila 38 specifically for MarineMax, the world’s largest power boat dealer, for its new charter business in the British Virgin Islands (BVI).

In 2012, experts from multiple development, design, and manufacturing firms, namely, Sino Eagle Group, J&J Design Group, Seaway, and MarineMax, all collaborated to expand the Aquila range by developing a new, purebred power catamaran.

This international team consisted of MarineMax’s Lex Raas, a highly-experienced boat developer and charter industry veteran, and J&J Design group and their development arm, Seaway, who have worked on designs for Azimut, Bavaria, Beneteau, Dufour, Jeanneau and Monte Carlo. This highly regarded, award-winning group began the process of designing the first true Aquila Power Catamaran, the Aquila 48.

“Bringing this group of companies together made for a very knowledgeable and powerful team. We’ve been able to combine our experience and expertise to design and build boats that are innovative and truly setting new standards for the industry,” stated Lex Raas of MarineMax.

To position itself to become a prominent boat builder, Sino Eagle Group, recognized globally in high-tech composite manufacturing, built a new factory which provided the Aquila brand with full in-house manufacturing capabilities paired with in-depth knowledge and experience in advanced yacht building practices.

With the combined knowledge and advanced experience of the most talented group in the yachting industry, Aquila is establishing a new standard of power catamaran innovation and becoming the game changer in the marketplace.


Aquila represents the newest and most exciting evolution on the market today, offering practicality and comfort with trend setting innovation, quality, and design. Both inside and out, Aquila Catamarans are designed to provide the perfect cruising vessel whether crossing oceans or traveling the Great Loop, living aboard, or exploring worldwide destinations, or simply entertaining friends and family at the dock. The expanding Aquila range currently consists of the Aquila 36,  Aquila 44, Aquila 48, and will soon be including the Aquila 60 (2019 debut).  MarineMax is the exclusive dealer for the Aquila brand boats throughout the world other than mainland China.

Bill McGill, MarineMax CEO

“Congratulations to the Sino Eagle Group, J&J Design, and MarineMax teams for their hard work on designing and building industry leading catamarans. Passionate teams pulling together has created winning products for our customers,” exclaimed Bill McGill, MarineMax CEO.

Aquila is excited to have reached this milestone in their continued growth to new markets with new model offerings.

ABOUT AQUILA

Recognized globally for its high-quality, advanced composite manufacturing capabilities, Sino Eagle Yachts builds Aquila Power Catamarans in a state-of-the-art facility to exacting standards. With one of the most talented teams in the industry providing the combined knowledge and extensive experience, Aquila has established a game changing new standard of power catamaran innovation. Leading the way in the market segment, Aquila continues to pave the way with strong international sales of the award-winning Aquila brand. Uncompromising design coupled with unmatched industry experience, engineering, and manufacturing by world class builders, make up the Aquila line of true pure-bred power catamarans. For more information visit aquilaboats.com.  For the Silo, Sara Yasi & MarineMax.

 

The Long Road To Self Publishing

Bookends worth having- courtesy of hiconsumption.com
Bookends worth having- courtesy of hiconsumption.com

It is amazing to me how many of us aspire to write and publish a book. If you don’t believe me, try this experiment. Mention to five people “I’m thinking of writing a book…” and then wait for the response. Among the (hopefully) positive comments you get back, I bet that three or four people will say “I’ve always wanted to write a book myself.” Even in today’s age of digital distribution it seems like writing a book – a real, in-the-hands book, is a dream of many.

I know for myself I’ve had that dream, too. I am quite sure I can trace it back to several years ago when I actually did author a book. It’s around 30 pages long, and I bound it with denim fabric wrapped around cardboard. It has illustrations and is written in a “choose your own adventure” style with choices that present themselves at the bottom of each page. It was typed with an old manual typewriter and the copyright page clearly indicates that copying or electronic transmission, of any form, is prohibited without the express written consent of the author. I think I was 10 years old at the time.

In my twenties I dreamed about writing a book on the history of the Amiga computer. I contacted several involved individuals for interviews, some of which I actually conducted and others which I just got a general “yeah, sure I’ll do that” response. The project sat on the back burner, only to be moved around to the side when my next project – a book about the history of two of my family members – reared its head. Research started, more family got involved. Yet, it has sat there. I’m still convinced I’m going to write that project (heck, it could even become a movie) but it sits there on the back burner with the other book. I envision the scenario is similar with all of those other people who say “yep, I’m going to write a book too”. Back burners around the world must be filled with these book projects. It’s a good thing that we are moving more towards a digital age because if all of these books actually got written it would likely overflow our libraries.

In my thirties I was approached by someone who had already written a successful book and had been interviewed by some very major radio and television stations. His previous publisher had ripped him off, illegal translations of the book were out there with no profits coming to him, and now that publisher was in the throes of bankruptcy. He had made some improvements, gotten new illustrations and was ready to release the latest version of the book. He just needed a new publisher. He was even going to provide camera-ready files, a term that doesn’t even apply anymore in the industry. He just needed someone to produce a cover and bankroll the whole operation. It wasn’t my own book, but it was a step into the world of publishing that I had dreamed of being a part of since I hammered out the keys on that old Underwood.

 

Food for thought: even JK Rowling and her first Harry Potter book were rejected....more than once.
Food for thought: even JK Rowling and her first Harry Potter book were rejected….more than once.

 

To say it didn’t work out as planned would be an understatement. The book did make it into Chapters, but the monies that were paid to the distributor seemed to evaporate as they also filed for bankruptcy. I did manage to get some of the books back. They currently serve as great insulation in my garage, and I’ve considered burning them for heat this winter. The problem lies with how the old model works. The publisher orders and pays for a large number of books, and then hopes the distributor gets them placed at retailers. The retailers may or may not sell them, and to pay for the ones they have sold, they actually return unsold ones – delaying paying anything until the interest in the book has passed. It’s a nasty, dirty business and one that I have no interest in dealing in again.

Yet the call of writing a book – of crafting something from scratch that comes from deep inside the brain – will not go away. It’s no surprise that many of us would love to take a manuscript and submit it to one of the big publishing houses and have them send us a big advance cheque, but if J. K. Rowling can write a hit like Harry Potter and still get rejection letters, what hope does the average citizen have?

Just like that old bouncing Amiga Ball, (seen here on Syd's shoulder) writing is about 'bouncing back' and 'rolling along' when inspiration wanes.
Just like that old bouncing Amiga Ball, (seen here on Syd’s shoulder) writing is about ‘bouncing back’ and ‘rolling along’ when inspiration wanes.

 

When I discovered the self-publishing site www.lulu.com, I thought it was definitely a dream come true. This site allows you to submit press-ready files and have a book produced for a very reasonable cost. In the past, the only way to get a reasonable unit cost (if at all) on a book was to order a minimum of 1,000 units. Now, the average size book can be purchased for 10 to 20 dollars, and it will be professionally produced and bound. How is this possible? Advanced technology has created what the industry calls print-on-demand and it has changed the game on how all of this works.

I wrote about lulu.com and the process itself several years ago and had a reader write back to me and asked about helping her get the files of her book ready. She had a very unique personal story and had, over the years, written the guts of a book about her experiences. She just had a Word file, however, and had no idea on how to produce the final layout document with a table of contents and so on. I told her I could help her out and provided a cost for her to do so and we took it from there.

The experience was a positive one overall. In the end, we had a few kinks to work out (and she always seemed to find something to change) but we produced a companion website and she ordered several copies of the book for her friends and family. It was a positive experience in the end because she now has her book in a real book format, and although she really didn’t sell that many copies, she did it because she always wanted to record her story on paper. She accomplished that.

It fired me up for working on my own projects. I couldn’t decide which one I wanted to tackle first, and then a more brilliant idea hit me out of nowhere. I started working on it. I didn’t have a gameplan other than knowing I was going to work on it until it was done. I was shocked to realize I had spent almost two years doing research alone, but I wanted to produce a quality product. Along my journey I talked to other friends who had also gone the self-publishing route, but had opted for a service called www.CreateSpace.com rather than LuLu. When I looked into the costs of manufacturing, I could see why. CreateSpace.com was much more affordable and for me this was especially important as I was doing a project that was full colour and has a limited audience.

So I switched, mid-book, to a new provider. I noted that CreateSpace.com is actually owned by Amazon, the world’s largest online book retailer. This has to be a good thing, but I’m glad I dug a little deeper into what challenges I might face as a Canadian. It turns out that you are going to need an IRS tax number in order to receive your royalties. That’s understandable. What is not, is the process. I tried calling and was on hold for what seemed like a lifetime, and I finally gave up. I tried faxing. The thing about faxing is you never really know what happens on the other end or where the piece of paper ends up. It’s also so 1999. I waited a few weeks and heard nothing. I tried calling back again and finally got through to someone who told me I actually had the wrong department and would be transferred. After a total of three hours on hold, I finally spoke to another person who asked me a couple of questions and I was a bit confused at the them (since they were not questions on the form). When I showed some hesitation, she went for the kill and referred me to faxing in the application to a different fax number than I had ever heard of. Eventually I just sent the fax to every IRS number I could find. Four weeks later, my number arrived.

I share my pain with you because I am glad that I started the process early on. I would have been devastated to have my project complete only to have it held up from selling due to a paperwork problem. If you are thinking about selling through a major channel like Amazon.com, you are wise to take care of this detail early on.

 

 

During the development of my book I took breaks. It can be difficult focusing so much on a single topic and it’s easy to lose your concentration and end up with a scattered project. A colleague approached me about putting together some simple-to-follow steps for a social media presentation I was working on, and I took the opportunity to turn that into a book. It is a small book, called “Mastering Social Media” but it was enough to get my feet wet about working with CreateSpace.com and the process. It turned out to be invaluable experience before my main book was ready.

This past July it finally happened. My book, “Collecting for Dragon’s Lair and Space Ace” was finally released and has been given all five-star ratings on Amazon. I am very proud of the book and all that it took to put together, but I know that the road to get there was not easy. It might seem like it, looking at the final product, but it took all of my experience with the previous books to get there. There are still hurdles… promotion is always a tough thing and reaching everyone you can with such a niche book will be a long slow road.

The best advice I have for those wanting to publish their own book is to just get out there and do it. There are so many options that exist now that the excuses for putting your work out there are now gone. It’s a different world out there – go live in it. For the Silo, Syd Bolton.

This article originally published in the print edn. of the Silo, Summer 2013.

Supplemental- 100 million images available for self-publishers.

 

 

 

 

This Quiz Helps You Discover Your Perfect Gap Year

Hello There! Everyone dreams of taking some time off to travel. However, before settling on the location or how long you intend to stay abroad, as an intrepid explorer you should be thinking about exactly what type of gap year is right for you.

Perhaps you’re looking to explore off the beaten track? Add to your CV? Maybe you want to earn your own way as you travel?

Our friends at gapmedics.com have put together this quiz to help you make this tricky decision. For the Silo,  Isabel Swift.


 

Mexico City Bill Outlaws Whale And Dolphin Performances

Mexico City, Mexico – In Defense of Animals has welcomed a landmark bill that prohibits the use of dolphins for entertainment. The Legislative Assembly of Mexico City passed a bill on Tuesday August 1, 2017, that outlaws cetacean performances and training, as well as whale and dolphin use in research or therapy.

“This landmark ban will spare generations of animals from cruelty and sends a clear message that the public increasingly rejects dolphin captivity,” said Dr. Toni Frohoff, Cetacean Scientist for In Defense of Animals. “We thank Mexico City officials for recognizing our Ten Worst Tanks list and acting swiftly to end the abuse. We urge Six Flags to retire the dolphins at a seaside sanctuary where they may recover.”

Mexico City Six Flags photo: Martin Lewison

Dolphin advocate Yolanda Alaniz, of Comarino Mexico, held a press conference with Environment Commission President, Xavier López Adame. “All parties, from rights to strong lefts voted just as one,” said Alaniz. “Deputies recognized dolphins as sentient beings who suffer living in concrete tanks. Politics spoke with ethics, and marked a new way to follow for our country, and we will follow this path.”

Two bottlenose dolphins and two sea lions will be directly affected by the new law. The dolphins are confined to a barren tank set in the middle of the Six Flags Mexico amusement park, the only facility in Mexico City that currently holds cetaceans captive. Previously known as Reino Aventura, the park is infamous for holding Keiko, the now-deceased orca used in the film “Free Willy”. The park ranked second worst in Mexico and sixth place overall on In Defense of Animals Ten Worst Tanks list.

photo: Martin Lewison
Dr. Toni Frohoff

For years, the dolphins have been regularly forced to perform circus acts as loud music blares. The dolphins have also been used for swim-with programs, where they are trained to perform contrived behaviors that simulate affection and sociability toward the paying public. The animals are coerced to give rides where people grab and hang onto their dorsal and pectoral fins and to give “kisses,” “hugs” and “handshakes.”

Six Flags Mexico is owned by Dolphin Discovery, a Mexican company that runs at least 24 captive dolphin facilities internationally.  For the Silo, Toni Frohoff, Ph.D.

For more information, please see www.idausa.org/10worsttanks

Featured image- Martin Lewison.

In Defense of Animals is an international animal protection organization with over 250,000 supporters and a 30-year history of fighting for animals, people and the environment through education, campaigns and hands-on rescue facilities in India, Africa, and rural Mississippi.

IN DEFENSE OF ANIMALS • 3010 KERNER BLVD. • SAN RAFAEL, CA 94901 • 415-448-0048 Please mention the Silo when contacting.

 

Travel Friendly Solutions That Will Enhance Your Experience

As one who is exposed to new product innovations as a regular course of business, I’ve seen my fair share cool gear and smart solutions that’ll make the rigors of travel, well, that much less rigorous. From leading-edge technology to killer fashion and keepsakes to helpful health and wellness resources to things that just make jaunting more fun, here’s an awesome assortment of things I’m absolutely loving right now.

V-MODA Remix – Premium Bluetooth Speaker (www.V-Moda.com) – $300.00USD
Nothing beats a picnic or beach outing, or a killer backyard soiree, like your favorite tunes playing in the background. Now that’s super easy with the Remix Premium Bluetooth Speaker from V-MODA—the company’s first Bluetooth portable speaker boasting a built-in amplifier and hi-fi sound quality. As the world’s first 3D-printed custom speaker, all six sides of REMIX can be personalized (patent-pending). Using V-MODA’s renowned jewelry-grade 3D-printing expertise, owners can add new sides, change the front grill or even replace the main “C-shell” housing for the ultimate in bespoke appearance. Built on the foundation of V-MODA’s multi-award-winning audio technology, Remix projects precise and vibrant sound at all listening levels. Available in two finishes–minimal CNC aluminum and luxurious vegan leather–this premium speaker exemplifies the work of V-MODA’s Milano-based design studio. It’s classically styled, beautifully proportioned and completely customizable on all six sides to reflect the personality of its owner. Led by Chief Visionary Officer and professional musician Val Kolton, V-MODA blends analog renaissance age inspiration, Italian design and precise Japanese engineering. V-MODA products have reportedly won 40-plus editors’ choice awards and have become essential gear for the world’s top professional DJs.

Image: V-MODA

 

Cotton Junkies (www.CottonJunkies.com) – Starting at $31USD

Image: Cotton Junkies

Whether touring with family and friends or knocking around town, a great way to keep cool and comfortable, while still being fashionable, is with Cotton Junkies. This company’s super comfy tees are great year-round! They offer a nice range of tees and tank tops for both him and her in the softest of cotton–and the standout designs are super cool. Centered around an ethos of natural style, sex appeal and comfort, this brand new label combines cotton, the most comfortable of materials, with modern designs in eye-catching colors from charcoal greys and electric blues, to volcano reds and sage greens. From V-necks to crew necks, their secret is in the way the cotton is treated. All of their merchandise is handpicked, and uses a blend of organic cottons with other natural materials that are U.S. made and pre-washed for a true-to-you fit and style. This means they don’t shrink in the wash! What’s more the brand has a unisex feel, so a lot of the tees for him can be worn by her!

 

Grayton Automatic Watches ‘Radiance’ Collection (www.Grayton-Watches.com) – Starting at $200USD
For any travel itinerary, keeping time is of the essence. And, the ‘Radiance’ Collection from Grayton Automatic Watches is a way to do this in fab form. They feature a classy design and advanced quality reflecting the company’s exceptional experience of crafting automatic watches—and offering them at a reasonable price. Like the prayer flags that sway eternally in the breeze, the colors of the Radiance collection watch dials are said to be inspired by the unique color palette of Shangri-La: green alpine pastures, white-silver mountain snows or brown wooden Tibetan chalets in the old city itself. The elegance of the Radiance collection makes it the perfect combination between traditional and modern. Grayton choose top-quality materials for watch cases, straps and bracelets, and integrates a Japanese movement by Seiko—a respected standard in the watch industry and a token of quality. One of its finest features is its transparent backside design that allows you to see the detailed mechanical movements operating within the watch. Its super luminous colored hands will also tell you the time no matter how dark it is. Whether for style, quality or utility, This and other Grayton Automatic Watch designs can be handed down from one generation to another as valued family treasures.

Image: Grayton Automatic Watches

Grafo Maps (www.GrafoMap.com) – $49USD – $168USD
Here’s something great-looking and fashionable for your walls! Remind yourself of the place you grew up, went to college, your honeymoon location, or that unforgettable vacation spot with a beautifully designed custom map poster from Grafo Maps. These posters are an artful decor piece designed by you. The company’s easy-to-use online poster editing tool lets you design anyplace you love—you can even search by address. Once you have found the perfect spot you want to map, simply choose a color scheme that will add even more personality to your piece. Within days you will receive your unique one of a kind poster printed on acid-free 180g matte paper made to not only to look great, but also last a lifetime. You can order it framed or unframed. Place it in a special location as a reminder of that place you love or a special event. It’s sure to spark conversations with family and friends.

Image: Grafo Maps

tech21’s Impact Clear Urban Edition Case (www.Tech21.com) – $44.95USD

Image: Tech21

It’s imperative to keep that iPhone safe while out and about. Clear protection meets urban design with the Impact Clear Urban Edition Case from tech21. Inspired by minimalistic streetwear, The Urban Edition offers a unique geometric pattern with sleek and clean lines, fit for the fashion-conscious smartphone user looking to coordinate their case with their outfit in a subtle manner. tech21 products feature a highly advanced impact protection material called FlexShock, which is an ultra-thin and lightweight material that absorbs and dissipates force and can withstand drops up to 6.6 feet. With enhanced UV yellowing resistance and a durable, scratch resistant finish, your phone, and your case, will look better for a longer period of time. It’s available in two different styles and two colors (Brushed Black or Clear White) for the iPhone 7 and 7 Plus. Combining urban design with clear materials and advanced drop protection, the Urban Edition can keep your phone as beautiful as the day you took it out of the box.

Kardia Mobile (www.AliveCor.com) – $99USD
Here’s a way to stay heart healthy all year through and no matter where you are (however near or far from your doctor): the Kardia Mobile personal EKG. Sadly, more people die from heart disease and stroke each year than any other disease- but did you know that 80% of strokes are preventable? Kardia Mobile is a consumer EKG monitoring device that allows you to quickly access, track and analyze your heart health. Taking a clinical-grade heart rhythm reading in just 30 seconds, results are delivered right to your smartphone! Now you can know anytime, anywhere if your heart rhythm is normal, or if atrial fibrillation is detected—helpful data that can reduce your risk of stroke. Smaller than a credit card, it provides a way for people to easily take their health into their own hands. Kardia Mobile gives you peace of mind right from your pocket.

Image: AliveCor

International Hyperhidrosis Society ‘Fan Faves’ Products (www.SweatHelp.org) – Prices vary
Excessive sweating, or hyperhidrosis, is a serious medical condition that affects approximately 5% of the population. This means that nearly 367 million people worldwide—including throngs of travelers—struggle with extreme, uncontrollable sweating…be it on their hands, feet, face, underarms, torso, lower extremities, or any combination of these—which greatly impacts their quality of life. From stress and embarrassment to depression and isolation, hyperhidrosis takes its toll; but there’s help! Since 2003, The International Hyperhidrosis Society has been providing information, resources, expert perspective, and support to those struggling with this condition. It’s is the only global non-profit organization dedicated entirely to improving the lives of those affected by hyperhidrosis while also supporting healthcare providers and researchers to improve hyperhidrosis treatments and understanding. From the International Hyperhidrosis Society’s website, SweatHelp.org, you’ll find up-to-date information on treatment options, U.S. insurance codes, clinical trials, a physician finder, an award-winning, useful blog, and much more. IHhS also maintains a useful product guide called “Fan Faves” where you can receive special discounts and discover ingenious, cutting-edge products to help handle even the sweatiest situations.

Image: The International Hyperhidrosis Society

WeCool Kits for Kids (www.BuyBobbleBitz.com) – $7.99USD – $29.99USD
For some crafty portable fun for kids I love the Compound Kings Makin’ Station from WeCool! This activity set lets kids make their own slimy mixture in just two quick-and-easy steps – and get it perfect every time. There’s no mess or long list of ingredients that need precise measuring. All they have to do is add water to the special powder mix in the activity center and the stretchy compound is ready within minutes! It yields more than one pound. Compound Kings offers a range of slimy mixes from single packs to activity sets, including glittery, fluffy, and crunchy slimes in addition to make-your-own varieties. Also awesome is WeCool’s Bobble Bitz Creation Station, an activity set featuring an irresistibly squishy, squeezy and crunchy medium that doubles as a molding compound. It’s a textured product kids have called “oddly satisfying” – like playing with bubble wrap. The set includes molds, tools and accessories so kids can make their own unique designs that air-harden overnight for cool 3D creations they can wear, share and display.

For the Silo, By Merilee Kern, ‘The Luxe List’ Executive Editor.

As the Executive Editor and Producer of “The Luxe List,” Merilee Kern is an internationally-regarded consumer product trends expert and hospitality industry voice of authority–a travel, dining, leisure and lifestyle expert who spotlights noteworthy marketplace innovations, change makers, movers and shakers. She identifies and reports on exemplary travel destinations and experiences, extraordinary events and newsworthy products and services across all categories. Reach her online, on Twitter  , on Facebook and on Instagram.

***Some or all of the accommodations(s), experience(s), item(s) and/or service(s) detailed above may have been provided or sponsored at no cost to accommodate this review, but all opinions expressed are entirely those of Merilee Kern and have not been influenced in any way.***

Lake Erie Fisheries At Risk Or Set For Bolstering From Invading Fish


No perch or pickerel in Lake Erie’s fisheries future? The tasty fish our Great Lakes are known for, and all other sport fish, could be decimated if the insidious Asian carp migrate from the Mississippi watershed.

Combined, the four Asian carp species could decimate the Great Lakes fishery by out competing our native fish.

Plankton, which is the base of the Great Lakes food chain, is consumed by silver and bighead carp. Grass carp prefer plants while black carp eat mollusks. Asian carp can consume up to 20 per cent of their weight every day.

Since escaping impounds near the mouth of the Mississippi River, the carp have spread north and are very near the Great Lakes in the Chicago Sanitary and Ship Canal. So far, everything from electric barriers to water-propulsion jets to noise cannons have been considered to keep them at bay.

BING image search results for “Ontario Invasive Fish Species”.

But, the systems aren’t perfect. A silver carp was caught on June 22, just nine miles from Lake Michigan. Two weeks of intensive monitoring did not find any other carp. The captured fish has been sent for laboratory analysis to search for more clues on how it got there.

While some fear this is the beginning of the end, it should be noted that a bighead carp was also found in the area in 2010. The protocol for stepped-up monitoring wasn’t in place then, but no Asian carp have been found in the area in the ensuing seven years.

 

Most of the media attention rightfully is focused on the Chicago Sanitary and Ship Canal (zoom and scroll on the map above)  as a route for the invasion, but it is not the only possible route. Silver carp have been found in the Ohio River and that state’s Little and Great Miami Rivers – all pathways to Lake Erie. Barriers have improved in Indiana’s Eagle Marsh, where, during flooding, there is a possibility carp could move from the Mississippi watershed to Lake Erie.

Although science and technology continue the search for solutions to the Asian carp threat, politics can get in the way. The Great Lakes states, with the exception of Illinois and Indiana, were in favor of blocking the Chicago Sanitary and Ship Canal. Perhaps the last president hailing from Chicago was a factor in this not happening.

While on holidays in Louisiana, I testified at Army Corps of Engineers hearings for their Great Lakes and Mississippi River Interbasin Study. I support chemical, electrical, vibration and other methods used to deter invasives moving up the Chicago canal.

The U.S. administration has stalled the release of their report, although two weeks ago, the U.S. Senate Appropriations Committee approved a bill that would force its release.  The bill had support from both sides of the House.

Similarly, there has been bi-partisan support to block a move in the presidential budget that would slash the Great Lakes Restoration Initiative funding from $300 million to zero. A portion of that funding goes to Asian carp programs.

On the home front, I have pushed for legislation that Asian carp brought into Ontario for food must first be eviscerated.

Ontario has passed the Invasive Species Act, becoming the first province with legislation dedicated to addressing the threat. Asian carp are included in this law.

Much of the attention and expenditure on Asian carp has been south of the border. In my view, more could be done in Ontario. For the Silo, MPP Toby Barrett.

Featured image- Electrofishing for the invasive Asian carp (Photo By U.S. Fish and Wildlife Service [Public domain]

Supplemental- Is Asian Carp ‘invasion’ actually a secret ‘stocking initiative’ for bolstering commercial fishing?  Published on 13 Aug 2013 Asian Carp Processing Plant- Kentucky -Two Rivers Fisheries in Wickliffe, KY is taking a run at the Asian Carp market. With an abundance of Bighead and Silver carp in nearby waterways, the fish market is set to process and sell these fish for consumption. Commercial fishermen have often said if you pay us for the invasive carp we will catch them and that is exactly what is happening in Western Kentucky.

Ancient Zen Story About Re-framing Failure Applies To Grant Applications

When thinking about grant writing, it helps to first consider this story that tells about luck. In it, a farmer’s horse runs away and all his neighbors come by to say what bad luck this is. The farmer replies “maybe.” His horse returns and with it brings wild horses. The neighbors all say what good luck this is to which the farmer says, “maybe.” The farmer’s son, attempting to tame one of the wild horses, is thrown and breaks a leg. Bad luck, say the neighbors, “maybe” says the farmer. At last the army comes to town gathering up all the able bodied young men to go off to war. Seeing the farmer’s son with his broken leg they pass on by.

The story ends here, but it shows that things are often connected in ways we can’t possibly predict. A Lebanese saying reaches toward the very same point, “Don’t curse your bad luck because it may turn out to be your good luck.” Again the message here is that you can’t possibly know whether a single event is truly good or bad.

Failure can and should be viewed through the lens of stories and phrases like these. When we stumble, it is easy to fall into the trap of thinking of this one moment as some sort of endgame. On the contrary, every so-called failure is nothing more than the next step in your journey.

Failure feels personal. When you have worked hard on something, poured your very soul into it, only to have things not come to fruition, it can feel like the universe is pointing a finger directly at your forehead. Putting things into some context is one way to start seeing the bigger picture.

Shakey Graves- Roll the Bones. Bandcamp.

Grant applications are quite probably one of the best examples of this. There is so much riding on any given application, whether it is for a specific project or an artist’s general practice. Grants are one of the ways in which working artists stay afloat and they are not only time-consuming, they can feel extremely personal.

Not receiving a grant can set off a cycle of emotions. Everything from wondering what is wrong with your work or your application, to convincing yourself that this is the last chance and there’s no point trying again. Let’s unpack these very common reactions and shed some light on the reality of the situation.

For any given grant you may apply to, there are countless others also spending long hours writing up their own applications. Grants range all over the place in size and popularity, so to speak. Even smaller scale grants (say, those offered by lesser known organizations or tightly specified to certain disciplines) will often attract many applicants.

While there are certain strategies when it comes to writing a good grant application, there is no single, objective way to ensure that yours will be the one chosen. When it comes down to final decision time, there is a level of subjectivity built into the process. Art for example, is not a quantitative subject and nor are grants being awarded via algorithm. Rather, they are being decided by panels of human beings with a range of subjective emotions about a field that is as unscientific as it gets.

For the reasons above, when you do not receive a grant, think of it in terms of the many, many other applications rather than simply in terms of what you personally did wrong. Do not ignore this as a learning experience and do reach out the grant organization for feedback whenever possible, but do not let “no” from one or even a string of grant organizations stop you in your tracks.

Instead, recall the story and expression above. Think of every grant, in fact, every action, as nothing more than a single ripple on the surface of the vast river that is your journey. When you do not get into a gallery, carry on and find others. Down the line when you look back, you will have the clarity to see the progression of events. When you are passed over for a residency, apply to three more. If a project doesn’t work out the way you thought it would, evaluate what happened, learn from the experience, and move on down the road.

Brainard Carey. image: elmcityexpress.blogspot

No one is claiming that this is easy. This isn’t about somehow detaching from your feelings and letting rejection slide like water off a duck’s back. Of course not. Rejection hurts. No matter how impersonal it might actually be when we are told no it isn’t a good feeling.

But remembering that every moment is just that, a single blip on the screen rather than a career breaking catastrophe can help you heal and recharge sooner after you’ve had a misstep. Carry the simple answer of the farmer with you at all times, “maybe.”

For the Silo, Brainard Carey.

Brainard  is currently giving free webinars on how to write a better Artist bio and statement and how to get a show in a gallery – you can register for that live webinar and ask questions live by clicking here.

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