Drinking with friends until late at night is fun, which is why lots of people do it especially on weekends. You get to talk with friends about your romantic problems and work issues, or you may enjoy watching live games in sports bar with other fervent fans. But what can you do after the bars close? Many take things easy and wind down with one of the excellent erotic massages in Montreal. That seems like the perfect way to end a fun night.
However, there are other ways to continue having fun even when the bars all seem closed late at night. Discuss matters with your friends, and see if any of these suggestions suit their fancy:
Drink Coffee
Haven’t you noticed how many of these specialty coffee shops are open 24 hours? That’s because they know that when people are done drinking but they don’t want to go home yet, they get coffee to continue their story-swapping activities.
Coffee is perfect for those who have been drinking, since it can keep people from just sleeping. Your friends will hate you if they have to drag your sleeping body home. So drink some coffee, and afterwards hire a cab back to your place. Just don’t drive! You may be awake, but you’re still drunk!
Eat Something
Lots of people experience the “munchies” when they’ve been drinking. So once the drinking is done, it may be time to continue the night with some fast food treat like a nice juicy burger or some hot pizza. You may also want to try shawarma.
Scientific studies have confirmed that alcohol can really make you feel hungry. It’s been found that alcohol fires up a type of brain cell that’s also active when you’re starving. So when you drink, your brain thinks you haven’t eaten for a long while.
Play Video Games
In some cities like Montreal, you may find arcade places where you can play various video games even at 3:00 AM. You can play Tekken and other fighting games if you’re one of those inclined to violence after a bit of drinking—at least this time, no one gets really hurt!
You can also try any of the racing games, and you may find out why it’s a bad idea to drink and drive. Of course, even if you do well in these games it doesn’t mean you’re ready to drive home for real.
Sing Some Karaoke
You may be a shy wallflower type when you’re sober, but you may be a performer yearning to break free once you’ve imbibed enough alcohol. You’re not alone, so why not join other would-be singers and have some fun belting out your favorite tunes?
The nice thing about being drunk is that it makes you brave enough to try this, and you’re also drunk enough to think you’ve done justice to that Bon Jovi song you’ve always liked. Most people in these places are non-judgmental, so even if you’re off-key they won’t mind. Not that you’d know you were off-key…
Go Bowling
Bowling is another activity that somehow seems a lot more fun when you’ve been drinking. It also shows you exactly how drunk you are—if your bowling ball can’t hit any of the pins every time, then it may be time to call it a night. Bowling is something you can do if the bar you went to closed early at 1AM or so, as some bowling places may close at 3AM.
Try Your Luck at a Casino
You better believe that if you’re a well-behaved drunk, the casino will love you. You get to enjoy yourself playing blackjack, while the casino plies you with drinks as they happily take your money! For the Silo, Dimitry Karloff.
Emerging soon- the Cecropia caterpillar takes two months to develop before forming their cocoon which has to last an entire winter.
The Cecropia Moth is North America’s largest native moth and is a member of the giant silk moth family. It can be found in all Canadian provinces except BC and Newfoundland. The wings are reddish brown, and crossed in the middle with a white band. In the middle of each wing there is a crescent-shaped white spot bordered with red. The moths can have a wingspan up to 160 mm (6 inches!)
Females have a large abdomen for egg production, and males have hugely feathered antennae to detect the pheromones that the female emits. The male is capable of smelling the female from over a kilometer away.
Once mated, the female will lay her eggs near host trees. Typically they choose maple trees for their host, but they can also be found on other trees like Birch, Alder, Apples and Willow. The eggs will hatch in about 2 weeks and the newly born caterpillar will eat its eggshell.
Young Cecropia larva are shedding their ‘skin’. image: courtesy www.wormspit.com
The Cecropia larva (caterpillar) has two rows of blue tubercles along each side, two rows of yellow tubercles down its back, and two pairs of large red tubercles on the thorax. It takes the caterpillar approximately 2 months to reach full size at which time they will find a dark secluded place to attach themselves to a branch or stick and form their cocoon. This cocoon will overwinter and the adults will emerge the following spring.
Adult Cecropia moths do not have mouth parts and thus are unable to eat. As a result, the lifespan for an adult is generally only about 7-10 days. For the Silo,Dixie Greenwood.
“YOUNG WOMAN SCAMS LOVE STRUCK ELDERLY MAN OUT OF $200,000” Headlines like this would be comical if they weren’t so sad – and numerous.
“Just Google and you’ll find all kinds of news stories about men who willingly give up their cash, their luxury cars, even an ex-wife’s diamond ring,” as in the Elk Grove case, says Charles D. Martin, author of “Provocateur,” (www.provocateurbook.com), a novel about smart, beautiful women and the power they wield over men.
Approximate net worth at time of marrying? $500,000,000usd
“As men, we never like to admit that we may be outsmarted by a woman – but the truth is, it is happening all the time!” And it’s getting worse, for men.
“Women are far outpacing men in numbers of college degrees. They now outnumber men, earning almost 60 percent of college degrees,” Martin says. “And while that doesn’t necessarily make them ‘smarter’ than men, it sure does add to their advantage.” In addition women have other (obvious) advantages.
Taking the power back! Author Charles D. Martin
“In the presence of a sexy woman, men lose their ability to think or act rationally,” Martin says. “
That’s an enormous advantage for women! Men do not realize that it is women that are in charge of the mating process.” How can men level the playing field? Martin has some suggestions:
• Recognize the predator –and the prey. If you are an older gentlemen, particularly one with some status or affluence and a young, attractive woman comes on to you be on guard. She probably has nefarious, not amorous, motives. Keep your pants zipped and your wallet stowed until you are totally persuaded that her affection for you is genuine.
• Remember, they don’t have to be young to be dangerous. The woman arrested in the Elk Grove, Calif., case was 30 years old. There are also recent news stories about a 54-year-old woman stealing more than $85,000 from a 93-year-old man, promising him a “big payoff.” In another case, a 45-year-old woman had a 60-year-old man paying for her elective surgeries, limousines, even a $1,000 dog. She was arrested in December. “They may be moms or grandmoms, but they’re still women,” Martin says.
• Even if you are happily married, you are still vulnerable. Beware the “perfect storm,” which occurs as a man ages and tries to hang on to his virility, just as his high school sweetheart is also showing signs of wear. That makes him vulnerable to a younger female with ulterior motives. If a sexy woman comes on to you, get away fast. These “Provocateurs” can get the best of you in a nanosecond.
About Charles D. Martin
Charles Martin runs a hedge fund, Mont Pelerin Capital, LLC, and serves on the investment committees of prominent universities. An established business writer, his first novel focuses on the intrigue that often exists between alpha females that take on – and conquer – dominant males. Martin lives with his wife in a coastal town south of Los Angeles. For the Silo, Ginny Grimsley.
Nice, France textile artist Stéphanie Lobry frantically fashions her art with an unexpected yet satisfyingly fitting leitmotiv: feminism.
A Teacher when she’s not at the loft, where she created and exhibited her works, Stéphanie Lobry is busy hanging a crochet. Entitled 1.8 cubic meter, “parce c’est la taille qu’il fait”, lies in the piece, in the middle of a crowd of scattered bodies which share this small space with balls of yarn and needles.
If we pay attention to all red wires that surround and hang throughout her living room, we realize that they are, in fact, a gun.
“I wanted to divert the everyday objects. And to do so with needles and wool. No, no to knitting scarves for her daughters in some kind of ‘good housewife’ role, but rather to rediscover the woman inside, and then to discover humans in general.”
Why crochet? Rolled cigarette in mouth, she passes a nonchalant hand into blond spiky hair. She thinks… “This practice is also ancestral, but has potential for feminist messages and aesthetics when it is diverted from its original use and put towards the service of art. I’ve always been very creative and a little hyper active yet the only compliment I could expect from that was to be commended for being a good mother…”. I got fed up.” Reduced once too often to the status of “the good historical female”, Stéphanie Lobry “lost it”and held her first exhibition.
Our compulsive crocheter remembers having hesitated….stalled somewhere between a choice of direction. Between science and art: “When I started my studies in molecular biology, my mother asked me if I was sure didn’t want to make fine art instead.” Would an academic focus on science bind her passions? In her artistic process, she discovered that there was in fact a synthesis manifested through the act of the creation, which after all, begins with the cells inside the brain. Fittingly, her art work began with a small croqueted skull which “immediately went to Gallery’. The creative process then dissected and took over other parts of the body.
An Ariane of modern times
Sweeping my gaze around her workshop, it stops suddenly on the croqueted heart, “it was a participatory project I created shortly after Charlie.” Surely a way to re – unite people, to reconnect, “everyone needed it.” The artist put out a call using social media, letting all participants know that their name would be displayed at the bottom of the finished work. In a few weeks, she received 763 balls of wool, from more than 120 donors, scattered to the four corners of the world, from Paris to Noumea, the Chile, the Belgium and the Greece.
A Runaway success requires a lot of hard work.
It takes almost a month to sort the fabrics and create a ball that weighs more than 40 kg. As for the hook… 45 days are necessary for the realization of a typical piece of finished work: “the ball weighed a ton! I couldn’t do more than five knots without being exhausted.” It is a technique so grueling and time-consuming, but I feel like I’m really at the beginning, I still have a lot to say.” She seems to have found her way alright and is brimming with ideas to express her commitment.
Worried perhaps about her peers who see their emancipation sometimes as endangered, this knitter doesn’t fail to hang onto a hint of conviction to her works. I remember especially this sort of determined representation that she had given at the Théâtre National de Nice, last May, dressed in a full suit. Knitted of course. Delivering metaphors spun into all of her creations. For the Silo, Marine de Rocquigny originally for Art and Factswww.artandfacts.fr
*photos by Florian Lévy
Stéphanie Lobry accroche l’œil au crochet avec son cœur. Ledit, intitulé 1,8 mètre cube, « parce c’est la taille qu’il fait », gît dans la pièce, au milieu d’une foule d’organes éparpillés, partageant ce petit espace avec les pelotes de laine et les aiguilles.
Pourquoi le crochet ? Cigarette roulée au bec, elle passe une main nonchalante dans ses blonds cheveux en bataille. Elle songe… « Cette pratique aussi ancestrale soit-elle, prend des allures féministes quand elle est détournée de son utilisation pour se mettre au service de l’art. » Car c’est bien avec une volonté libératrice et féministe qu’elle s’est lancée il y a maintenant sept ans : « J’ai toujours été très créative et un peu hyper active pourtant le seul compliment que je pouvais espérer c’était d’être une bonne mère de famille… J’en ai eu marre. » Réduite une fois de trop au statut de BMF, Stéphanie Lobry « pète les plombs » et organise une première exposition.
Alors que les curieux s’aventurent dans ses appartements, elle les reçoit en nuisette, repassant chemise après chemise, la main collée à son fer. Et si l’on prête attention à l’ensemble de fils rouges qui l’entourent et parcourent son salon, on s’aperçoit qu’ils forment, en fait, un pistolet. « J’ai voulu détourner les objets du quotidien. » Elle se munie dès lors d’aiguilles et de laines. Non, pas pour tricoter des écharpes à ses filles en bonne femme d’intérieur, mais plutôt pour redécouvrir l’intérieur de la femme, puis de l’humain en général.
Rencontre logique. La crocheteuse compulsive se souvient avoir longtemps hésité entre la science et l’art : « Quand j’ai commencé mes études en biologie moléculaire, ma mère m’a demandé si j’étais sûre de ne pas vouloir plutôt faire les Beaux-Arts. » Alors autant entreprendre une reconversion qui pourrait lier ses passions et ses connaissances. Dans sa démarche artistique, elle revient donc à la genèse de la création, qui commence avec des cellules. Elle commence avec un petit crâne « tout de suite parti en galerie », puis dissèque et reprend toutes les parties du corps. Du neurone au pied. Du sexe aux poumons.
Une Ariane des temps modernes
En balayant du regard son atelier, elle s’arrête sur le cœur, « c’était un projet participatif que j’ai crée peu après Charlie. » Surement une façon de re-fédérer les gens, de renouer les liens, « tout le monde en avait besoin. » L’artiste lance alors un appel sur les réseaux sociaux, tous les participants verront leur nom affiché au bas de l’oeuvre. En quelques semaines, elle reçoit 763 pelotes de laines, provenant de plus de 120 donneurs, dispersés au quatre coins du monde, de Paris à Nouméa, en passant par le Chili, la Belgique ou la Grèce. Succès fulgurant. Travail titanesque en perspective. Il lui faut près d’un mois pour trier les tissus et constituer une pelote de plus de 40 kilos. Quant au crochet… 45 jours nécessaires à la réalisation de l’organe démesuré. « Les aiguilles étaient énormes et la pelote pesait une tonne ! Je ne pouvais pas faire plus de cinq nœuds sans être épuisée.
Une technique épuisante donc et laborieuse que la « quinqua » ne compte pas abandonner de si tôt: « J’ai l’impression que je ne suis vraiment qu’au tout début, j’ai encore beaucoup de choses à dire. » Sorte d’Ariane des temps modernes. Elle semble avoir trouvé sa voie grâce au fil et regorge d’idées pour exprimer son engagement. Inquiète au sujet de ses consœurs qui voient leur émancipation parfois en péril, cette tricoteuse ne manque pas d’accrocher un soupçon de conviction à ses œuvres. On se souvient notamment de cette représentation qu’elle avait donnée au Théâtre National de Nice, en mai dernier, enfermée dans une combinaison intégrale tricotée comme dans sa condition féminine, attendant qu’on tire sur les fils pendants pour la délivrer. Une cause qui lui tient à cœur, une métaphore filée sur l’ensemble de ses créations. Marine de Rocquigny pour Art and Factswww.artandfacts.fr
As people go about their daily lives, there’s a common but hidden scourge: excessive sweating. In fact, a national survey conducted by the International Hyperhidrosis Society (IHhS)—the scholars of sweat—shows multiple millions suffer from extreme, uncomfortable, embarrassing, debilitating, and emotionally-devastating sweating. This type of sweating is a serious medical condition known as hyperhidrosis and nearly 367 million people of all ages struggle with it on their hands, feet, face, underarms, or body.
Hyperhidrosis can be particularly devastating. While many attempt to hide their sweating problems and suffer in silence, the impacts are often hard to cover up. Dramatic sweating in the presence of peers at work, or in extracurricular or social environments, can cause severe embarrassment, stress, anxiety, and other emotional issues. Even when people are alone, away from potential judgements, hyperhidrosis often takes a heavy toll—adversely impacting one’s productivity in a myriad of ways.
Those with hyperhidrosis struggle with disproportionate and random sweating that may drench clothing, ruin papers, damage technology tools, make playing sports and musical instruments impossible, promote hiding and isolation behaviors, degrade self-esteem, and prompt bullying at any age—among kids and adults. The holistic effect on life—workplace, marital, social and otherwise—is thus profound. In fact, research published in Archives of Dermatological Research indicates that the majority of those with excessive sweating confirm the condition has negative impacts on their social life, well-being, and emotional as well as mental health.
Lisa J Pieretti, Executive Director of IHhS, notes, “Excessive sweating is a dermatological disorder that can cause an otherwise healthy person to produce up to five times more sweat than is normal or necessary. The pressures of dealing with a ‘sweating problem’ around peers can be catastrophic to self-esteem and more. Too often, people become anxious about attending work or school, socializing with friends, or being out in public in general. But when those with hyperhidrosis receive support, understanding, and appropriate treatment, their lives can be dramatically changed.”
To that point, IHhS co-founder Dr. David Pariser urges that, while hyperhidrosis is the number one dermatological disease in terms of negatively affecting a person’s quality-of-life, it’s also number one in having the most positive impact when treated. “When hyperhidrosis is caught early, a person’s life can be transformed for the better in a multitude of ways,” he says.
With that in mind, the first step toward providing solutions for those who sweat excessively is to bust some common myths and misconceptions with facts from the experts at the IHhS, including these:
Myth: Sweaty people are out-of-shape, nervous or have hygiene issues.
Truth: The average person has 2 to 4 million sweat glands. Sweat is essential to human survival and serves as the body’s coolant, protecting it from overheating. Many athletes actually sweat more than other people because their bodies have become very efficient at keeping cool. Meanwhile, people with hyperhidrosis (which causes overactive sweat glands) sweat excessively regardless of mood, weather, or activity level—often producing 4 or 5 times more sweat than is considered “normal”.
Myth: Those with hyperhidrosis don’t suffer with workplace-specific activities.
Truth: In a recent 2017 study, 63% of those with hyperhidrosis reported interference in the performance of tasks at work or school due to their condition.
Myth: To have hyperhidrosis, one must be dripping and saturated with sweat.
Truth: Excess sweating can range from severe dripping to moderate moisture. Symptoms of hyperhidrosis can manifest differently and personally. But, what is consistent is the impact on life depending on areas affected. This can include damaged clothing, paperwork and shoes; obvious, embarrassing sweat marks on clothing; unappealing cold wet hands; discomfort due to dripping sweat or constant dampness; and skin slipperiness that gets in the way of sports, music, and day-to-day tasks. Excess sweating of the armpits, hands, feet, face, chest, back, or groin can result in substantial impairment, including limitations at work, in social and physical activities, and during hobbies. Emotional and psychological distress is also common.
Myth: People will grow out of hyperhidrosis.
Truth: Contrary to popular belief, research shows that hyperhidrosis does not go away or decrease with age. In fact, in one recent IHhS study, 88% of respondents said their excessive sweating had gotten worse or stayed the same over time. This was consistent across all the different age groups, from youngsters to older adults.
image: wyldraven-deviantart.com
Myth: Hyperhidrosis is “just” a summer thing, or it’s at least worse during the hot summer months.
Truth: Research from the IHhS also shows that profuse sweating is not simply dictated by the time of year. The majority of patients in one survey indicated that their sweating bothers them equally, no matter the season.
Myth: Kids and young adults are “resilient” and can deal with sweating a lot.
Truth: Medical journal citations substantiate that young people are known to be significantly impacted by emotional sequelae accompanying dermatologic disease and that psychiatric issues inherently accompany dermatologic disease in children and adolescents. Studies further show that most patients with hyperhidrosis—characterized by excessive, spontaneous sweating beyond physiologic, thermal, or stress-reaction body requirements—describe their lives as “bad” or “very bad” due to the disorder.
Myth: Antiperspirants are for underarms only. Truth: Think outside the pits! You can glide, stick, spray, and roll-on nearly anywhere that sweating is a problem (think hands, feet, face, back, chest, and even groin.) Be smart and talk to your dermatologist first before applying an antiperspirant to sensitive areas and test new products on small areas of skin first.
Myth: Like caffeine, antiperspirants are best used in the morning. Truth: Pick a p.m. perk! Skip the bedtime espresso but do use your antiperspirant in the evening as well as in the morning. Sweat production is at its lowest at night, giving the active ingredients in antiperspirants a better chance to get into your pores and block perspiration when the sun comes up and you really get moving.
Myth: Excessive sweating is less debilitating than other skin conditions people have to deal with.
Truth: According to Dr. Pariser, hyperhidrosis has the greatest impact of any dermatological disease. In fact, various investigations show the impact of hyperhidrosis on quality-of-life is equal or greater than that of in-patient psoriasis, severe acne, Darier disease, Hailey-Hailey disease, vitiligo, and chronic pruritus.
The extreme level of sweat production experienced with hyperhidrosis can disrupt all aspects of a person’s life, from academic performance, recreational activities and relationships, to self-image and overall emotional well-being. But it doesn’t have to be this way. There are helpful resources available to help people with hyperhidrosis to not just “know sweat,” but to also achieve a more comfortable and happier life. For the Silo, Merilee Kern.
Branding and consumer product trends pundit Merilee Kern, MBA is a wellness industry veteran, health advocate and influential media voice. Her ground-breaking, award-winning “Kids Making Healthy Choices” Smartphone APP for children, parents/caregivers and educators (iTunes) is based on her award-winning, illustrated fictional children’s book, “Making Healthy Choices – A Story to Inspire Fit, Weight-Wise Kids” (Amazon). She may be reached online at www.TheLuxeList.com. Follow her on Twitter here: http://twitter.com/LuxeListEditor and Facebook here: www.Facebook.com/TheLuxeList.
If you notice anything on your drywall that doesn’t seem right, then it may be time to contact a professional who can help you identify the problem and ensure everything is repaired properly.
Here are signs that you need a drywall repair
Cracks and indentations in walls and ceilings
If you notice cracks and indentations in your home’s walls, ceilings, and floors, it could be a sign of bigger problems. Cracks are often caused by settling or shifting. When this happens over time (and it can happen very quickly), there’s usually nothing you can do but patch up the crack as best as possible before continuing with other repairs on your home.
The same goes for indentations—if they’re too deep or wide-spread to fix easily with paint or filler material like spackle (which is designed to fill holes), then they may indicate that something more serious has happened, like water damage from pipes breaking under pressure inside them; this would require professional help from professionals such as an inspector who inspects homes after major storms pass through an area, so he knows what kind of work needs doing before further progress takes place on any given project!
Sticking doors or windows
Check for loose hinges or screws: If your door is sticking, you might notice that the door has been sticking for a while. This could be because of loose hinges or screws on either side of the door.
Look for cracks in the frame: If there are cracks in your frame, they could cause your doors to stick. Look at them close up with a magnifying glass (if necessary). If they look damaged, consider having them fixed by a wall repair professional so that they don’t cause any more trouble later down the road!
Water stains on ceilings or walls
If you notice water stains on your ceiling or walls, it’s a sign of a leak in your home. Leaks can be caused by many different sources, including plumbing and roofing. If you have leaks on both sides of the wall, two leaks are likely happening at once—and both need to be fixed!
If you find that one side of an area has been affected by rainwater and condensation (from heating or cooling), contact an expert to help determine what needs fixing before further damage occurs.
Paint chips easily off drywall
Chipping paint is a sign of drywall damage. If you notice that your paint chip easily, it’s time to call a professional. You don’t want to spend money on repairs when there are signs that could have been caught before the problem occurred.
If you have chipped walls or ceilings and wonder what caused them (and how long ago), pay attention! If the damage was caused by water seeping through cracks in the foundation or other parts of your house, then this is most likely the cause of your chipping paint problems—especially since ceiling panels tend to crack more than wall surfaces do due to their thicker construction material and weight distribution issues with hanging objects like lights fixtures and fans above them.”
Mold growth
Mold growth is a sign of water damage. Water can seep in through the smallest crack and cause mold to grow. If you notice that your walls are covered in black or white spots, it could indicate that your drywall has been affected by mold.
Mold can spread easily because:
It grows very fast; within 24 hours, it may be two feet thick!
It’s resistant to many cleaning products and chemicals (soaps, detergents) that are designed for other purposes, such as cleaning up spills on kitchen countertops or floors where kids have been playing soccer all day long without any protection whatsoever; these products don’t work well against molds because they leave behind residues which support continued growth once again.
Drywall repairs are more complex than you may be tempted to think, and that’s why you need an experienced repair company to do the work. For the Silo, Anna Kendrick.
My head hits the pillow with little regard for the color of the sheets and the stains on the walls. Outside I can hear the bustling streets of Kolkata come to a standstill and in the far off distance I can make out the explosion of more fireworks, another festival. The mind turns to the weeks passed and again I can feel the slow process of realization and change occurring. Guilt is an awful feeling and more so when you are unable to identify that which you have done wrong.
The voices of those in the streets plague me as much as the faces and bare feet of their owners. “Please sir, no money, just milk for my baby.” I ignored the advances of another pleading mother. Why? Do I fear the scam of it? Not believe the legitimacy of such a plea? Not care that in her arms there lay a starving child screaming out from the pains of hunger? Or is it I am too overwhelmed to believe I am capable of doing anything in a country this size with a people this poor?
I lay for a long while as the moonlight casts its shadows upon my wall, not quite awake not quite asleep.
I see their waste high faces peering up at me, with no formal education, selling to me, begging me, joking with me. Those who I do speak with paint only the beginning of a picture; a life which I cannot ever fully understand, a life of struggle and hardship which exists to me only in the media and one they only know.
I see them playing cricket in the streets and asking me to join, happy to have a street to play in and a foreigner to practice English with. The simplicity in this humbles me. As a child I remember hearing bed time stories of men on their travels. Now I am a man on his travels imagining the stories of these children. For the Silo, Joshua Winter.
“I would like to see the sky machine on every corner instead of the Coke machine. We need more skies than Coke.” – Yoko Ono, 1966.
Growing up the daughter of proud, British baby-boomer parents, the name Yoko Ono was not exactly revered in my household. In fact, she was considered a weird, controlling creature that somehow brainwashed John Lennon and systematically broke up the Beatles—the greatest rock and roll band of all time (according to my father). It wasn’t until art school that I began to learn who Ono really was and why she is considered one of the most iconic and mythological people in contemporary society.
Yoko Ono has been in the public eye for over 50 years, and she has been viewed as a muse, destroyer, widow, mother and artist. Granted, the fact that she is a household name is due largely to her late husband’s fame and legacy. However many are not aware of the her own accomplishments, innovations and her impact on the contemporary art world, beginning before her much publicized marriage and continuing until today.
Yoko Ono was born in Japan in 1933 to wealthy parents. Her family experienced much hardship during the Second World War, surviving the great fire bombings of Tokyo in 1945. They lost everything and were forced to beg and barter for food, which Ono credits as being the inspiration behind her imaginary/instructional art works or, as she refers to them, “paintings for the mind.”
After the war her family settled outside New York City, where Ono studied at the prestigious Sarah Lawrence College. In New York she began visiting galleries and art “happenings” (a form of performance-art involving the participation of both artist and audience), and these experiences inspired her own emerging work. In the early 1960s Ono was closely associated with the Fluxis movement, which was more a state of mind than a style of art. Members valued social goals over aesthetic goals and their main aim was to upset bourgeois (ie: middle-class or materialistic) routines of art and life.
The Fluxus incorporated influences from Dadaist theory, a school that originated in Europe after the First World War when founding artists Marcel Duchamp, Man Ray and Jean Arp felt they could no longer trust reason and the established order of things. The intent of Dada artists was to denounce all previous attitudes and perceptions and to shock the audience. Similar to Dada and often described as anti-art, the Fluxis used mixed-media, mail art, actions and happenings to promote a new culture of performance-based, audience-interactive, and non-commodifiable art.
One of the most iconic pieces of performance art, and the one for which she is most renowned, is Yoko Ono’s “Cut Piece” (c. 1964). Performed on several occasions and in a variety of venues, “Cut Piece” featured Ono alone on a stage, dressed in a black garment. Volunteering audience members were given scissors and invited to cut pieces from her dress. Like most performance-based artists, Ono could not have had a set purpose when she performed this work—or if she did it would be pointless—because it depended on the audience/viewer response and action.
For the most part, people were at first hesitant to come on stage, but as they lost their inhibitions participants began to cut bigger and bigger pieces of cloth until the dress was left in shreds (in one performance a young male actually cut off her undergarments).
Depending on where she performed “Cut Piece,” Ono received a different reaction. In Japan the audience was shy and hesitant. In London they became so violent security had to intervene. But even if no one had come forth to snip the dress, the performance would still have made a statement.
This is the strongest, most encompassing element of Ono’s catalogue as a whole: its participatory aspect. Everything she has done has been dependent on her audience or viewer. Her book Grapefruit is an excellent example of this. It contains instructions on how to perform her various imaginary pieces, such as “Painting to be constructed in your head,” and “Conversation piece.” In one of my personal favourites, “Painting for the wind,” the reader is instructed to “cut a hole in a bag filled with seeds and place the bag wherever there is wind” (1961, summer).
It is impossible to discuss Yoko Ono’s work without mentioning her late-husband and collaborator, John Lennon. After their extremely public romance and marriage, Ono found she was somewhat shunned or distanced by the contemporary arts community. But the couple decided to exploit their massive profile to forward their social agenda for peace. On their honeymoon, the two staged a “Bed-in for Peace” in Montreal, knowing the media would eagerly cover something so curious and provocative. John articulated his understanding of the potential of modern media very well; he knew that whatever he and Yoko did would end up in the papers.
“We decided,” he said, “to use the space we would occupy…with a commercial for peace and also for a theatrical event.” Life as art with social goals: very Fluxis.
After Lennon’s devastating assassination in 1980, Ono continued to manage his estate and advocate for world peace, eventually getting back to conceptual art in large galleries. Most recently she has exhibited and performed commemorative shows in honour of the 40th anniversary of “Cut Piece.”
In the movie “Imagine: John Lennon,” Lennon describes how he met his wife: “Yoko was having an art show at the Indica Gallery…I went down the night before the opening. The first thing that was in the gallery was a white step ladder and a painting on the ceiling and a spy glass hanging down. I walked up this ladder and I picked up the spy glass and in tiny little writing it just said, ‘Yes’…” Lennon also once referred to his wife as the world’s “most famous unknown artist. Everybody knows her name but nobody knows what she does.” For the Silo,Eve Yantha.
For further contemplation:
Imagine: John Lennon- A startling film derived from over 200 hours of John’s own film and video footage, as well as stills & heretofore unpublished music from John and Yoko’s personal collection. (1988)
Grapefruit: A Book of Instruction and Drawing by Yoko Ono (c. 1964; 1970)
Once again I find myself Down in the Southern U.S checking out beautiful un-restored classic cars in their usual (usual here) worn out aged condition. With very little rust. It never ceases to amaze me the sheer quantity of classics down here. I look at such a wide array of any make or model. (people actually think that they have all been picked already!). One short cruise down one back-road down here and I guarantee that you will spot at least an old Chevy truck parked out back behind a house, in a barn, or just barely sticking out of an old garage that is coming down around it.
As an extreme car enthusiast, all I can say is that it is unreal.
This, not planned, but longer than expected trip to Georgia, brought me to see a sweet 1968 el Camino SS, with a 383 stroker engine and nice black interior. I almost got to look at an original, untouched 1963 split window Corvette, parked in a carport for like 20 years. Apparently under a couple inch thick layer of dust. Go figure it was gone before I even got there.
A teaser sneak-peek at the back end and side of the 1968 ElCamino. Complete with black interior and a 383 Stroker engine.
A couple of the more odd-ball cars I looked at were a 1985 Corvette on 20inch 140spoke knock-off rims ( I don’t understand this one!), and a metallic orange 85 Monte Carlo SS jacked up about 14 inches sitting on 24’s, and featuring real bullet holes that it received in a police shootout (the guy who had it, bought it from a police auction). Neat looking car.
I also met a man down here who had to have had about 6 or 7, 58-60 Corvettes in different stages of repair. With one I believe, 1959 Corvette completely restored, in a high-gloss black, with a mint convertible top, and factory 4speed standard (manual to our UK and European friends) transmission. He also had one 1958, close to finished. They were both sweet cars. I must also add that the other 4 or 5 were scattered around his property among scrap, building supplies, and bushes. It was quite a sight.
These very rare cars in abundance on this property.
I walked out behind his shop and he had a 1957 Chevy 210 Station Wagon with no engine, but complete interior down to the factory radio! This car just parked, with bushes and weeds growing around it. (I think I am going to buy this one to build with my son and daughter and keep as the Sunday cruiser). I’m thinking a nice, loud, built small block, flat-black paint, and white wall tires on gloss-red rallys. I love these cars!
You probably noticed the first photo in this post right? Well, on a previous trip down here about two years ago I caught wind of a guy in Tennessee who apparently had 19, (that’s right!!! 19!) 1957 Chevy cars.
I couldn’t believe it when I got there and I don’t think too many people can say that they’ve seen nineteen 1957 Chevys all in one spot. It was incredible.
This guy had acres and acres of farm with cars tucked away everywhere you looked. 1951 Fords, A 59 Chrysler, 38 Chevy coupe, 59 International pickup, a 1929 Chevy Hot-rod, an I think 1930 Nash, all kinds of cars and trucks that you never see. In nearly original condition. My actual favorite here though, was his personal “parts getter” 1929 Chevy Truck Rat-rod, it was clever right down to the piston rad cap that stuck out of the hood. I really liked this one. The cool thing about finding all these cars is meeting their owners and hearing all of their stories. Car people are usually fun to hang out with, especially in the south.
1929 Chevy Truck “Rat Rod”.
I’m coming back with a friend who bought a 1966 Big back window, Chevy custom-10 short-box. Its not a half bad truck. He’s gonna fix it up. Maybe add a small block V-8. We’ll see. I’m heading back to Canada tomorrow. Goodbye t-shirt days in January, goodbye five dollar all-you- can eat buffets, goodbye three dollar smokes and goodbye constant, rare car sightings. Oh well, I always know that there will be future adventures in the deep south. Checking out sweet old cars for people, and telling them where they’re at. It’s always cool to have someone ask if I know of an old car they have been looking for and can’t find, and I can tell them “I can give you the phone number of a guy who’s got one of those”. It’s always very cool to have someone bring you a new project. So many possibilities with every car that rolls in…
Many non-native plants can happily survive in other regions of the world, which has given gardeners more choice than ever before. However, native flowers and plants can summarize the landscape of a nation, while communicating the identity of a country.
For many countries the national flower is second only to the national flag as the most important national symbol, while communicating the identity of a country.
When it comes to parties and get-togethers, one of the hottest new trends is the party bus. Surprisingly, this trend has grown in almost all age ranges. The appeal is understandable as a party bus allows a group of people to celebrate in one place while also traveling to one or more destinations. Why exactly has the party bus trend taken off? Let’s look at some of the primary reasons why they’re so popular today.
Convenience
Unlike having to hire a taxi or other ride service when people want to go out with their friends, a party bus is an inclusive party. After hiring the bus, they can enjoy drinks on the bus while going to and from their desired location. Some party buses may also come with their own entertainment such as a minibar, TV, dance floor, and more.
Cost Effective
If you’re trying to get a group of people together but don’t want to break the bank, a party bus is probably the way to go. Choosing a party bus Toronto based is more affordable than ever. There are usually several packages to choose from, and for an inclusive fee, you can enjoy a wide range of entertainment options. The party bus is usually a more cost-effective option than going to a restaurant or bar with a large group of people. People also have the advantage of knowing what they’re paying for instead of having to worry about extra costs.
High Capacity Buses
Although you may not need one of the larger buses, some party buses can accommodate up to a whopping 454 passengers. Not only does this have an economic advantage, people can easily party with a larger group. On the other hand, finding a restaurant or other space that seats this number of people is virtually impossible. However, many people are finding that a bus meets their needs for large or medium sized groups.
New and Exciting
When it comes to partying, everyone has been to a bar or club before. However, a party bus offers something new and interesting. From the fun decor to the added interest of traveling while partying, this popular new trend is an innovation. Chances are, party buses will only continue to become more popular over time.
Multi-Purpose Use
Another thing about party buses is that they’re not designed for one specific event. While you may think about them for bachelorette parties or birthday get-togethers, they’re appropriate for any number of events. From Christmas office parties to anniversaries and even wedding parties, you can find a number of reasons to rent a bus. This is also why people of all ages are choosing party buses.
There is no doubt that party buses are changing the industry and becoming more popular every day. They are perfect for any number of reasons, and who knows, maybe you could consider renting one for your next event. If you’ve been one of the many people who has partied in one of these buses, then you already know what the hype is about.
Featured image- Majestic Limos Toronto Party Bus interior.
Thinking about celebrating Day of the Dead in a unique way? How about Quito, Ecuador.
The capital, also known as the Middle of the World, not only has the largest and best preserved historic center in America, but it also has one of the richest cultures in the continent and Day of the Dead or Dia de los Difuntos is no exception.
Every November 2, cemeteries are decorated with flowers, freshly painted crosses, pictures and cards to celebrate the Day of the Dead in Quito.
Early in the morning, thousands of Ecuadorians remember their family members and friends who’ve passed away with prayers, vigils and songs. This popular holiday merges hundreds of years of traditions in a fusion of Catholic and indigenous rites, where faith and religion come to life in an act of profound significance.
The oldest towns in Ecuador have been celebrating the dead since before the arrival of the Spaniards, but with Christianity, the tradition was adapted to the Catholic calendar. Today, the streets near the cemeteries fill with locals selling flowers and prayer cards and food trucks providing typical cuisine such as colada morada and guaguas de pan, which represent the religious syncretism and culinary fusion of the holiday. At the Calderon Cemetery, about 30 minutes from Quito, indigenous communities visit the graves of their loved ones and share the favorite food of the person who passed away as a way to honor them and communicate with them, with the belief that the deceased live a similar life than the one they lived while alive.
The preparation of these dishes also serve as a reason for the entire family to get together. Colada morada, one of the typical beverages for the Day of the Dead, is a drink of indigenous origin and one of the most traditional delicacies of Quito’s cuisine. Prepared with a base of black corn, blueberries, blackberries, pineapple, orange and other fruits and herbs, colada morada is accompanied by the traditional guagua de pan, sweet breads shaped into baby-like figures made with wheat flour and, in some places, with cornmeal from grains from the Ecuadorian Andes.
The guaguas de pan are reminiscent of the dead, especially children (hence the name guagua, which means child in Quechua). Its origin dates back to the nineteenth century and today are normally filled with guava, figs, chocolate, raisins and custard or tree tomato. For the Silo, Luciana Soula.
The punk rock scene of the 1970s and ’80s in Southern California is widely acknowledged as one of the most vibrant and creative periods in rock and roll.
Over the years, many books have come out exploring this explosive time in music and culture, but none have exclusively focused on the vitality and influence of the women who played such a crucial role in this incredibly dynamic movement.
“Almost a decade ago- IN THE SUMMER OF 2012, I attended an oral history workshop by the social justice organization Voice of Witness. I’m a librarian and professor at Santa Ana College and I participated in the workshop to discover projects I could do with students. I ended up imagining something entirely different: interviewing other women like me, now in our middle or later years, who grew up in the punk rock scene in Southern California. Did punk rock influence the rest of their lives? What attracted them to punk rock and how did they get involved? What was it like being a woman in the scene?
What you can now hold in your hands is the final result of a project that took several years and countless hours to complete.
How did I do it? I created a flyer about the project. I posted the flyer a few places around Orange County and Los Angeles and on Facebook. Women started contacting me to participate. I wrote up a list of questions and bought two digital recorders. I emailed some women directly and asked if they would be willing to participate. Then I started calling women and meeting them, mostly in their homes. A friend called it “punk rock anthropology.” I had no idea what an amazing experience this would be.“
Stacy Russo has created a unique book about the punk rock era, focusing on the women who were such a huge part of it. We Were Going to Change the World: Interviews with Women From the 1970s & 1980s Southern California Punk Rock Scene (Santa Monica Press/2017) captures the stories of women who were active in the punk rock scene in Southern California during this historic time, adding an important voice to the cultural and musical record. Recommended reading. For the Silo, Trina Kaye.
Venice, ITALY – Known as “the most influential artist in Mexico,” Gilda Garza is an internationally recognized painter constantly pushing the boundaries between emotion and art. This award-winning Mexico native prepares to make history with a moving collaborative collection by sculptural artist Mario Furlan in a live exhibition at New Murano, Atelier Muranese.
“I have always put my entire heart and soul into my work,” shares Garza. “I’m extremely grateful to create real world impact through art – the thing I love most. It is a true honor to see my influence and efforts reflected in a once-in-a-lifetime glass rendition by the historic New Murano Gallery in Venice.”
Widely regarded as the master of Murano Sculptural Art, Mario Furlan will transform Garza’s epic pieces into three-dimensional glass structures before a live audience of exhibition attendees. The finished works will then display at the more than 1,500-year old Atelier Muranese studio. Through the presentation of glass masters, fine art, conceptual art, and collectible design, the Venetian gallery supports the creative vision of Murano/Venetian artisan culture. The “Glass Queen” exhibition serves their ongoing mission to expose the creative art process, from interpretation to object, using centuries-old skills of muranese high manufacturing.
In the US, Garza’s work can also be seen in an exclusive jewelry collection at Jason of Beverly Hills, Roberto Cavalli Haute Couture, and the House of Bijan on Rodeo Drive. Garza has been officially recognized for her cultural contributions by the Senate of the Republic constitutionally Chamber of Senators of the Honorable Congress of the Union in Mexico City.
The Gilda Garza Pendant. 18kt Gold with 2.41 Carats of White Diamonds. $14,995 USD/ $20/566 CAD
She is also acclaimed for donating $80,000 USD/ $109,800 CAD from the sale of a Vice President Kamala Harris-inspired painting to the World Woman Foundation, committed to empowering one million woman by 2030. Gilda Garza is famously recognized as the first artist to have an art exhibition on Las Vegas strip. Since then, she has showcased various collections in the iconic Caesars Palace Hotel.
Gilda Garza poses with one of her paintings.
Featured image- Playboy magazine chose Gilda’s art for the cover for the first art special edition.
The set also includes a variety of rare related features and TV episodes, expanding the worlds of several of the included films—some of which haven’t been available in decades! From a 1932 cinematic incarnation of Annie to a nearly five-hour 1979 TV miniseries adaptation of FROM HERE TO ETERNITY—and much more!—these supplemental additions round out this must-own gift set, perfectly timed for holiday gift-giving.
Clark Gable and Claudette Colbert team up for laughs as mismatched lovers in this 1934 screwball comedy classic. Spoiled Ellie Andrews (Colbert) escapes from her millionaire father (Walter Connolly), who wants to stop her from marrying a worthless playboy. En route to New York, Ellie gets involved with an out-of-work newsman, Peter Warne (Gable). When their bus breaks down, the bickering couple set off on a madcap hitchhiking expedition. Complications fly when the runaway heiress and brash reporter fall in love. Directed by Frank Capra, IT HAPPENED ONE NIGHT was the first movie to be honoured with all five major Oscars®: Best Picture, Best Actor, Best Actress, Best Director, and Best Screenplay.
o Audio Commentary featuring Novelist E.R. Braithwaite and Author / Teacher Salome Thomas-El
o NEW: TO SIR, WITH LOVE II – the 1992 TV-movie sequel to the 1967 classic, starring Sidney Poitier and directed by Peter Bogdanovich, presented in HD!
o NEW: To Potter, With Love Featurette
o NEW: Beginnings of an Acting Career Featurette
o Those Schoolboy Days Featurette
o Look and Learn Featurette
o E.R. Braithwaite: In His Own Words Featurette
o Lulu and the B-Side Featurette
o Miniskirts, Blue Jeans and Pop Music! Featurette
o To Sidney, With Love Featurette
o Principal El: He Chose to Stay Featurette
o Theatrical Trailer
TO SIR, WITH LOVE has a run time of approximately 105 minutes and is rated PG.
Released in 1971 to critical acclaim and public controversy, THE LAST PICTURE SHOW garnered eight Academy Award® nominations, including Best Picture, and was hailed as the most important work by a young American director since Citizen Kane. A surprisingly frank, bittersweet drama of social and sexual mores in small-town Texas, the film features a talent-laden cast led by Jeff Bridges, Cybill Shepherd and Timothy Bottoms. Cloris Leachman and Ben Johnson each won Oscars® for their work in supporting roles. Featuring both director Peter Bogdanovich’s preferred 1999 Definitive Director’s Cut and the 1971 Theatrical version on 4K Ultra HD.
THE LAST PICTURE SHOW Disc Breakdown
· Director’s Cut 4K Ultra HD Includes:
· Director’s Cut presented in 4K resolution with Dolby Vision, restored from the original camera negative
· Original Mono DTS-HD Master Audio
· Theatrical Version 4K Ultra HD Includes:
· 1971 Theatrical version presented in 4K resolution with Dolby Vision, restored from the original camera negative
· Original Mono DTS-HD Master Audio
· Feature Blu-ray Includes:
· Director’s Cut presented in high definition, sourced from the 4K master
· Mono DTS-HD Master Audio
Special Features:
o Audio Commentary featuring Director Peter Bogdanovich
o NEW: A Tribute to Peter Bogdanovich
o The Last Picture Show: A Look Back Documentary
o A Discussion with Filmmaker Peter Bogdanovich
o Location Footage
o Promotional Featurette
o Theatrical Trailers
THE LAST PICTURE SHOW has a run time of approximately 118 minutes and is rated 18A. THE LAST PICTURE SHOW: DIRECTOR’S CUT has a run time of approximately 126 minutes and is rated 18A for sexuality, nudity and language.
Celebrating its 40th anniversary, ANNIE is the story of everyone’s favourite plucky, red-haired orphan! One day Annie (Aileen Quinn) is chosen to stay for a week with the famous billionaire “Daddy” Warbucks (Albert Finney). One week turns into many, and the only person standing in the way of Annie’s fun is Miss Hannigan, the tyrannical ruler of the orphanage (played to hilarious perfection by Carol Burnett). Will Miss Hannigan’s zany attempts to kidnap the irrepressible Annie succeed? Sing along with the unforgettable songs and experience this beloved musical!
Jack Nicholson, Helen Hunt, Greg Kinnear and Cuba Gooding, Jr., star in James L. Brooks’ hit comedy, AS GOOD AS IT GETS, now celebrating its 25th anniversary. Nicholson gives a show-stopping Academy Award®-winning performance as Melvin Udall, an obsessive-compulsive novelist with Manhattan’s meanest mouth. But when his neighbor Simon is hospitalized, Melvin is forced to babysit Simon’s dog. And that unexpected act of kindness, along with waitress Carol Connelly (Helen Hunt, in an Academy Award®-winning performance), helps put Melvin back in the human race. Nominated for seven Academy Awards®, including Best Picture (1997).
AS GOOD AS IT GETS Disc Breakdown
· 4K Ultra HD Includes:
· Feature presented in 4K resolution with Dolby Vision, restored from the original camera negative
· Dolby Atmos English audio
· Original 5.0 DTS-HD Master Audio
· Feature Blu-ray Includes:
· Feature presented in high definition, sourced from the 4K master
· Original 5.0 DTS-HD Master Audio
· Special Features:
o Audio Commentary featuring Director James L. Brooks, Stars Jack Nicholson, Helen Hunt and Greg Kinnear, Editor Richard Marks, Producer Laurence Mark and Composer Hans Zimmer
o NEW: Deleted Scenes
Melvin Stalls Victor with Intro from James L. Brooks
“Kiss Her, Man!” Original Ending
o NEW: Behind the Scenes Footage
o NEW: The Making of As Good As It Gets Featurette
o NEW: Archival Theatrical EPK Soundbites
o Theatrical Trailer
AS GOOD AS IT GETS has a run time of approximately 139 minutes and is rated PG for strong language, thematic elements, nudity and a beating.
EXCLUSIVE BONUS DISC INCLUDES:
· FROM HERE TO ETERNITY – the nearly 5-hour 1979 TV miniseries starring Natalie Wood, William Devane and Peter Boyle, presented in high definition*
* Select instances of music have been removed for this presentation.
Academy Award® and Oscar® are the registered trademarks and service marks of the Academy of Motion Picture Arts and Sciences.
1986 film- Aliens radar motion tracker. Now this tech is ready for Queen’s Park.
Eight years ago at Queen’s Park, the Cross-Border Institute (CBI), part of the University of Windsor, hosted an event to demonstrate advances in security, surveillance and fingerprinting technology. That technology had immediate application for border crossing screening, supply chain security and cybersecurity.
The CBI hosted the event as part of its mandate to support ongoing, practical research aimed at addressing numerous cross-border issues with the United States. The CBI works in collaboration with a number of University of Windsor departments, private sector partners and organizations and all levels of government, looking at making land border crossings work better. The technologies demonstrated represented a number of research projects and initiatives currently being conducted at the University of Windsor as part of its strategic focus related to understanding borders. These projects and activities were also supported by the Department of Research and Innovation at the University of Windsor.
Queen’s Park staff and members had a first-hand opportunity to see the work of Dr. Roman Maev’s high-speed biometrics ultrasonic system for 3-D fingerprint imaging. This system allows reconstruction of fingerprint patterns from deeper layers of skin while embedding the internal parameters of these deeper layers as key features of the fingerprints. Also on display was Dr. Sazzadur Chowdhury’s 77GHz short range radar. At the time- the smallest and thinnest in the world and economical enough to be carried by an individual for mobile motion detection or used in multiples in such large surveillance application as airports. Cue the Aliens movie soundtrack. Both Drs. Maev and Chowdhury are members of the University of Windsor Faculty.
The University of Windsor has developed an area of expertise in technologies that can detect threats and violations, provide positive identification and secure the transfer of data. The projects all have practical security applications and are at or approaching the commercialization stage. All of these projects have received support from the Federal Development Corporation for Southern Ontario (FedDev Ontario) Prosperity Initiative Project 802390, which is administered by the Cross-Border Institute at the University of Windsor.
Quick Facts: The Cross-Border Institute at the University of Windsor was founded in 2008 under the direction of Dr. Bill Anderson. The Centre approaches the study of border issues from a multi-disciplinary perspective that includes economic development, geography, engineering, management science and political science. The CBI has focused on initiatives, events and research that address ongoing challenges at land crossings between Canada and the United States. The CBI, as part of the University of Windsor, looks at the impact of trends in cross-border transportation and the impact of policy decisions by governments on both sides of the border. Currently, the CBI is working to launch Canada’s first university level certificate program in border management, Managing Borders and International Trade.
Technology Quick Facts: Short Range Radar for Surveillance Applications – UWindsor engineering professor Dr.Chowdhury has developed the world’s smallest and thinnest short-range radar unit. Because it is inexpensive to build and completely weatherproof it can be used effectively in a variety of applications for motion detection, ranging from individual units attached to a soldiers uniform to arrays of units for border and perimeter surveillance.
High Speed Biometrics Ultrasonic System for 3D Fingerprint Imaging – World-renowned UWindsor physicist Dr. Maev has taken a new approach to fingerprinting using acoustic microscopy technology. This device generates far more detailed information from fingerprint images below the skin level, making it more accurate than conventional technologies, yet it is fast and practical.
Real Time Location System for Security and Indoor Location – Based on the novel indoor positioning method developed by Dr. Majid Ahmadi and Dr. Rashid Rashidzadeh at the University of Windsor, this system will identify, locate and track people in indoor environments. Its positioning algorithm takes advantage of various sensors on smartphones to improve positioning accuracy.
Automated Vehicle Identification – Cameras that can read license plate information are increasingly common. University of Windsor computer scientists Dr. Imran Ahmad and Dr. Boubakeur Boufama have taken this technology several steps farther, allowing the shape and colour of a car to be extracted from video feeds and stored in a database. This technology will be tested in the University of Windsor’s new parking structure in the Spring of 2015.
Data Encryption Using Graphical Processing Units (GPUs) – Data encryption is an increasingly important function that normally requires the use of expensive add-on cards known as crypto-accelerators. UWindsor researcher, Dr. Roberto Muscedere has developed algorithms that make it possible to achieve the same kind of encryption using much cheaper GPU units typically found in laptop computers and game consoles.
Secure vehicle-to-vehicle (v2v) communications – Advanced vehicular communications technology has enabled such life-saving features as collision warning, collision avoidance and emergency vehicle signaling. However these systems may be vulnerable to cyber-attacks that threaten the privacy and safety of drivers and passengers. University of Windsor faculty researchers Dr. Mitra Mirhassani, Dr. Kemel Tepe and Dr. Wu and their students are working to fill security gaps in V2V systems.
Control, Monitoring and Surveillance in Wireless Systems – Large scale power and communications systems, manufacturing and process control plants, networked building energy systems and others are increasingly controlled by autonomous, sensor-rich, wireless systems. Given the consequence of failure in these systems and the danger of cyber-attacks upon them, UWindsor researchers Dr. Mehrdad Saif, Dr. Rashid Rashidzadeh, Dr. Alavi and Dr. Razavi-Far are developing methods to detect intruders and faults early.
Sensor fusion for concealed weapons detection – Conventional images are good for revealing a person’s identity, while infrared images can spot concealed weapons. But what if you want to both identify a person and know if they are concealing a weapon? A University of Windsor engineer, Dr. Jonathan Wu, has found a way to fuse information from different sensors to produce a clear image not only of a suspect’s appearance but also of any concealed weapon they are carrying. For the Silo, Jarrod Barker. Learn More: www.uwindsor.ca/crossborder
A sample of Syd’s arcade and home platform collection. Note the original Sega Genesis retail display ‘arcade machine’
Most of us have hobbies.
When I was growing up stamp collecting seemed like it was on the verge of dying out but I started a collection anyway. I had a lot of fun with it and although I no longer have that collection (I really wish I did) it provided many hours of entertainment and gave my brain a chance to think.
Today, I collect video games.
It’s a hobby that is becoming more and more popular as more and more generations are born with gaming as a normal part of everyday life. One of the best things about game collecting as a hobby is that you can diversify your collecting in various ways.
For example, you can be an “everything” collector like I am. You collect all video game systems and games from the mid-1970’s to today. This is the most challenging (and dare I say it, expensive) of the choices but it doesn’t have to be. You could concentrate on the oldies, starting out with a system like the Atari 2600 or you could try to focus on the “16-bit era” and focus on systems like the Super Nintendo which came out in 1991 and produced a great library of titles.
Another great aspect of game collecting is that it can fit any budget. Frugal gamers can find the best of deals at garage sales and far, out of the way retailers or you can loosen your wallet a bit and find easier pickings at the bigger retailers.
With collecting, it’s all about the hunt.
It doesn’t matter where you live. You can take the family for a drive on the weekend while you look for buried treasures. For Canadians, there is even a website dedicated to classic game collectors where you can connect with like-minded individuals. Just head over to Canada’s Classic Game Collectors Website.
I think it’s important to define the parameters of what you are collecting (for example, are you collecting boxed items or “loose”) and so on. It gives you guidance when going shopping. I know some collectors who only buy sealed games (very expensive) and others who only collect certain game series (for example all of the Zelda games or all of the Pokemon titles). The possibilities are quite endless. Regardless of what approach you take, collecting can be almost as much fun as playing. For the Silo, Syd Bolton. Featured image- Commodore Vic-20 computer and modem used by the author to conduct the world’s first tweet from a Vic-20.
Michael Kittredge started making candles as a teenager and selling them to friends and family. One of his first products was a Christmas candle he made for his mother on the family stove out of his melted crayons and a wick from a shoelace. Within a few years, he had opened his first Yankee Candle Shop in his hometown of South Hadley, Massachusetts. The business expanded to become the wildly successful Yankee Candle Company whos candles are sold all over America.
In a 1986 interview with New England Business, Mr. Kittredge recalled that a visiting machinery salesman from Germany had declared him crazy for not investing in automation at his plant in Deerfield. “Then,” Mr. Kittredge said, “I went out to my Porsche and got my tennis racket to go out and play on my tennis courts, and I said, ’Yeah, I’m crazy. What are you driving?’” The Wall Street Journal A long time guitarist, Michael Kittredge switched to the drums after having a stroke. He died in 2019 at the age of 67.
Kittredge cashed out in 1998, selling 90% of his company for $500 million USD/ $683 million CAD. He used the money to jet around the world, collect luxury sports cars, drink $20,000 USD/ $27,000 CAD bottles of wine, and construct a fantastic compound on over 60 acres of parkland in idyllic Western Massachusetts. With the entrepreneur’s passing in 2019, the estate his son described as “like having Disneyland in the backyard” has been listed for $23 million USD/ $31.4 million CAD .
Generous with friends, family, and employees, Kittredge designed his compound to entertain his guests in the utmost luxury. Sparing no expense, the eight Colonial-style structures on the property were constructed with the finest materials from all over the world. The main house includes five bedrooms, six full bathrooms and five half baths, and over 25,0000 square feet of living space.
The home features 11 fireplaces spread across multiple levels, a solarium, an oval office with glass walls, a pine-paneled living room with built-ins, and a stunning two-story great room with a balcony and an atrium-like ceiling. Two commercial-grade kitchens, one with five islands, and a wine grotto allow for large-scale entertaining.
The 9 hole golf course is just beyond….
Meandering paths on the property wander past ponds, fountains, waterfalls, and gardens to connect the main home with the estate’s many amenities. Several guest homes and staff quarters bring the bedroom total up to sixteen.
Three tennis courts, a T-shaped pool with expansive deck and fully equipped cabana, and a nine-hole golf course offer hours of athletic fun. For relaxation, the compound includes an epic 55,000-square-foot spa complex complete with multiple gyms and massage areas, saunas, a steam room, and an indoor tennis court with stadium seating.
The state-of-the-art, 4,000-square-foot outdoor stage has hosted such bands as Hall & Oates, The Doobie Brothers, KC and The Sunshine Band, and Eric Burdon & The Animals. A two-story arcade features pinball, slots, arcade games, and a three-lane bowling alley.
Two huge garages offer plenty of space for high-end toys while a full-sized auditorium offers another venue for concerts and shows. A truly spectacular indoor water park, modeled after the Bellagio in Las Vegas, with palm trees, water slides, and pools, completes the one-of-a-kind entertainment pavilion.
A sleepy town with less than 2,000 residents founded in 1750, Leverett, Massachusetts is best known for the Buddhist monument New England Peace Pagoda, historic churches, and a scenic chasm called Rattlesnake Gutter. It is close to the five-college area of Amherst, Hampshire, Smith, Mt. Holyoke, and the University of Massachusetts.
The listing is held by Johnny Hatem Jr. of The Sarkis Team at Douglas Elliman. For the Silo by Terry Walsh /TopTenRealEstateDeals.com
Since 1793, when the Town of York, the second capital of Upper Canada, was founded, Toronto has been an important economic and political hub.
The first governor of the Town of York, John Graves Simcoe, believed that this town would become a powerful industrial metropolis, and when Toronto became one of the top financial centres in the world, his dreams came true. Toronto, as the fifth most populous city in North America, is evaluated by experts and economists from the Economist Intelligence Unit as one of the world’s most livable cities.
Iconic Prince Edward Viaduct by E. Burke
The provincial capital of Ontario is dominates many sectors, including business services, finance, telecommunications, media, arts, film, music, television, software production, tourism, medical research, and engineering. There’s no doubt that Toronto is one of the fastest developing and growing cities in North America. We should remember and appreciate the most significant people in our city’s history who contributed to this prosperity.
Toronto is a perfect example of how the life and spirit of every city in the world is defined and influenced by its architecture.
Each part of Toronto has its own unique atmosphere that reflects its cosmopolitanism. The architecture of Toronto preserves various styles from different eras and centuries. Nevertheless, there were several architects whose work and designs significantly shaped the look of Toronto as we know it today. Let’s take a closer look at the work of the most significant Torontonian architects.
Edmund Burke (1850-1919) Early Years Burke was born in Toronto on October 31st, 1850 as the eldest child of lumber merchant and builder William Burke and his wife, Sarah Langley. Edmund Burke finished his studies at Upper Canada College and started to work as an architectural apprentice under the guidance of his uncle, Henry Langley, who was very distinguished among the first generation of architects who were taught in Canada. Back then, Burke was a twenty-year-old man with considerable skill and an open mind who was eager to learn as much as possible from his uncle. A great deal of knowledge about traditional styles was passed from Langley on to his young nephew. Langley’s influence can be recognized in the conservative undertones of Burke’s works. In 1872, he entered a partnership with his uncle. This year marked the formal beginning of his rich and successful career. His own business was set up in 1892, and in first years on his own, he worked on two important architectural projects: the Jarvis Street Baptist Church and McMaster Hall (now the Royal Conservatory of Music) on Bloor Street.
Members of the Toronto Architectural Guild meeting at Edmund Burke’s summer home in 1888. Burke is circled in red. Photo: archives.gov.on.ca
This was the first time that he was truly independent and could express himself without any limitations, making this a period of crucial importance for understanding Burke’s work. Gilbert Scott, one of the most notable figures in British architecture, was his biggest influence in his early works. However, Burke was able to brilliantly combine his progressive and innovative sensibilities with traditional architectural styles. Angela Carr, Assistant Professor of Art History at Carleton University, wrote in her study, Toronto Architect Edmund Burke: Redefining Canadian Architecture, that “Burke’s work developed consistently through a variety of building types in all periods, accommodating technological advances almost as rapidly as these appeared and expressing the new aesthetic of a changing society.“
Burke, Horwood, and White Burke, after two years as a sole practitioner, established a partnership together with J.C.B. Horwood, and they were later joined by Murray White. All three of them were former students of Henry Langley. Their firm, which designed a vast number of churches across Canada, many luxurious mansions for wealthy citizens of Ontario, and many commercial buildings, was one of the most successful architectural companies in the country. The firm combined different historical styles with new techniques and new materials such as glazed terra cotta, early iron, reinforced concrete frames, and forms of fire protection.
Edmund Burke was eager to seek a new innovative solution that would encourage the modernization of technology. He shared his knowledge with his colleagues by giving lectures and issuing publications. His biographer noted that Burke “presided over the transformation of the architect from the craftsman to consulting professional.“ Burke is responsible for bringing to the practice of architecture in Canada the new vocabularies and technologies used in that era in the United States. He worked with American models, a type of plan than became standard across the country in the last two decades of the 19th century, when he was working on the Jarvis Baptist Church from 1874 to 1875. Moreover, he was responsible for introducing the “curtain-wall“ construction to Canada when designing the Robert Simpson store in 1894, which, in the following decades, inspired many architects of retail department stores across the country.
St. Luke’s United Church Toronto
It is worth noting that Burke was also active in urban planning activities for the City of Toronto and that he also was a part of several committees established by the Ontario Association of Architects and Toronto’s Guild of Civic Art. He is the author of the Prince Edward Viaduct, also known as the Bloor Viaduct, which he designed together with the city engineer’s office. Moreover, he participated and worked on projects improving the city’s traffic flow.
Burke’s Work in Professional Architectural Societies Edmund Burke was one of the leading figures responsible for the recognition of the architectural profession and for having a substantial influence on Torontonian architecture in the 19th century. Burke played a major role in codifying standards of practice and education in the field of architecture, which ensured basic rules and and proper working conditions for architects as well as protection from unqualified practitioners.
The ever-growing competition from the United States was the main reason for the establishment of innovative learning programs, the introducing of modern technologies, and the formation of professional architectural organizations. Burke was responsible for the establishment of the Ontario Association of Architects in 1889, which he later led as its president in 1984 and 1905 to 1907. Furthermore, he was one of the three founding members of the Royal Architecture Institute of Canada. His support of quality education was an important aspect of his contribution to Canadian architecture. He noted that “if we train our students thoroughly and see that no one but first class men are permitted to enter the profession, I think the rest will take care of itself.“
Edmund Burke devoted his life to architecture and introduced a new way of combining the newest trends with traditional styles. The last years of his life were dedicated to public and professional service. The face of Toronto continued to be shaped by his works and ideas through the works of his colleagues and students for many years.
“Few men of the present generation of architects have so widely held the respect and esteem of their confrères, or been more closely identified with the building progress of the country. Practicing continuously for a period of over forty years, during the time when Canada was passing from its more backwards state to the present great strides of nationhood, his efforts stand out prominently in the modern character of Canadian architectural work.“ Obituary of E.Burke, Construction (January 1919)
Notable Buildings Designed by Edmund Burke Jarvis Street Baptist Church (1878) – Jarvis Street Prince Edward Viaduct, also known as the Bloor Viaduct (1881) Trinity-St. Paul’s United Church (1887–1889) – Bloor Street, west of Spadina Avenue Owens Art Gallery (1893) – Mount Allison University, New Brunswick St. Luke’s United Church (1874) – Sherbourne Street and Carlton Street Beverley Street Baptist Church (1886) – 72 Beverley Street Robert Simpson’s Department Store Building (1908) – 176 Yonge Street [*perhaps the building Burke is most famous for CP] St. Andrew’s Evangelical Lutheran Church (1878) – 383 Jarvis Street McMaster Hall, now The Royal Conservatory of Music (1881) – 273 Bloor Street West
Burke worked on several buildings and projects outside of Ontario including the design and construction of Owens Art Gallery in New Brunswick
[This article was first published by The Silo on April 22, 2014] On June 10, 2009, the Honourable Justice Murray Sinclair, Marie Wilson and Chief Wilton Littlechild were appointed as Commissioners to the Truth and Reconciliation Commission of Canada (TRC), a component of the Indian Residential Schools Settlement Agreement.
Canada’s Truth and Reconciliation Commission is unique from other commissions around the world in that its scope is primarily focused on the experiences of children and its research spans more than 150 years (one of the longest durations ever examined). It is also the first court-ordered truth commission to be established and most notable, the survivors themselves set aside 60 million dollars of the compensation they were awarded to help establish the TRC.
Over the course of its 5 year mandate, one of the main tasks of the Commission is to create an accurate and public historical record of the past regarding the policies and operations of the former residential schools, what happened to the children who attended them, and what former employees recall from their experiences.
It is difficult for Canadians to accept that the policy behind the government funded, church run schools attempted to “kill the Indian in the child”. The violent underpinnings of the policy challenge the way we think about Canada, and call into question our national character and values. We have been taught to believe that we are a peaceful nation, glorious and free.
The residential school legacy shines a light in our darkest corners, where we feel most vulnerable.
Over 130 Residential Schools were located across Canada, with the last one closing in 1996. More than 150,000 First Nations, Métis and Inuit children as young as five years old were forcibly removed from their families and placed in institutions that shamed their languages, customs, families, communities, traditions, cultures and history. In essence, they were not allowed be themselves and denied the love and belonging owed to all children.
While some former students had positive experiences at residential schools, many suffered emotional, physical and sexual abuse, and others died while attending these schools. Other lessons in trauma included assimilating children to gender roles, non-skilled labour and religion to prepare them for future integration. For the parents left behind, the worst lessons in shame, grief, loss and disconnection. Whole societies were undone.
In addition to creating the public historical record of the past, the survivors also tasked the Commission to reveal to Canadians the full and complete story.
What were they thinking? Why should it matter to ordinary Canadians?
Here’s why: When we tell our stories we change the world. When we don’t tell our stories we miss the opportunity to experience empathy and to cultivate authenticity, joy and belonging. (Brené Brown, 44) Through story-telling, the survivors are compelling Canadians to listen and respond with deep compassion and to re-set relationships in a big way in this country. This is our greatest opportunity to recognize shared history and our shared humanity. These stories are a gift and will help us to shape our shared future.
Thomas Moore before and after his entrance into the Regina Indian Residential School in Sasketchewan in 1874. image: Library and Archives Canada/NL-022474
Through statement gathering at national or regional events and at TRC Community Hearings, former students, their descendants and anyone who has been affected by the Residential Schools legacy, had an opportunity to share their individual experiences in a safe and culturally supportive environment. The TRC concluded its last community hearing in March 2014 and has collected more than 6, 200 statements.
Almost all of them were video-and-audio-recorded and range from a few minutes to a few hours. The statements will be stored at the National Research Centre on Indian Residential Schools at the University of Manitoba. Students, researchers and members of the public will be able to access the statements to learn about residential schools and the legacy they leave behind.
As the TRC begins to reveal to Canadians the full and complete story of residential schools and inspire a process of reconciliation across this country, ordinary Canadians seem ill-equipped to make the journey from shame to empathy. “We know the voices singing, screaming, wanting to be heard- but we don’t hear them because fear and blame muffle the sounds” (Brené Brown, 42) We need to prepare ourselves to go to the dark corners of our history, so we can stand in the light together as equals.
In my next article, I will share with you more about empathy, how to practice empathy and why its essential to building meaningful and trustworthy relationships.) For the Silo, Leslie Cochran.
(Brené Brown, 42 and Brené Brown, 44) are taken from her first book “I thought it was just me.”
Meet Jerry Dandrige. He’s sweet, sexy, and he likes to sleep in late. You might think he’s the perfect neighbour. But before inviting Jerry in for a nightcap, there’s just one thing you should know. Jerry prefers his drinks warm, red, and straight from the jugular! It’s FRIGHT NIGHT, a horrific howl starring Chris Sarandon as the seductive vampire and William Ragsdale as the frantic teenager struggling to keep Jerry’s deadly fangs out of his neck.
Only 17-year-old Charley Brewster (Ragsdale) knows Jerry’s bloodcurdling secret. When Charley can’t get anybody to believe him, he turns to TV horror host Peter Vincent (Roddy McDowall), who used to be the “Great Vampire Killer” of the movies. Can these mortals save Charley and his sweetheart Amy (Amanda Bearse) from the wrathful bloodsucker’s toothy embrace?
AVAILABLE AS A LIMITED EDITION STEELBOOKOCTOBER 4TH
If you love being scared, FRIGHT NIGHT will give you the nightmare of your life.
DISC DETAILS & BONUS MATERIALS
4K ULTRA HD DISC
Feature scanned from the original camera negative and presented in 4K resolution with Dolby Vision
All-new Dolby Atmos audio + 5.1 + original Dolby Stereo
BLU-RAY™ FEATURE DISC
Feature presented in High Definition, sourced from the 4K master
5.1 + original Dolby Stereo
Special Features:
NEW: Deleted Scene Storyboards – Tom Holland guides us through the film’s only deleted scene, using his personal pre-production storyboards
NEW: Holland/Beyda Spec Trailer with an introduction by Tom Holland – the never-before-seen alternate trailer cut by Fright Night editor Kent Beyda with the guidance—and narration—of Tom Holland
Audio Commentary with Writer/Director Tom Holland, Actors Chris Sarandon & Jonathan Stark, Moderated by Filmmaker Tim Sullivan
Audio Commentary with Writer/Director Tom Holland, Actors William Ragsdale & Stephen Geoffreys, FX Artist Randall Cook, Moderated by Journalist Jeremy Smith and Filmmaker Tim Sullivan
You’re So Cool, Brewster! The Story of Fright Night
What is Fright Night
Tom Holland: Writing Horror
Theatrical Trailers
BLU-RAY™ SPECIAL FEATURES DISC
Special Features:
NEW: Fright Night 35th Anniversary Script Read – an anniversary cast reunion and script reading featuring writer/director Tom Holland and special guests including Rosario Dawson, Jason Patric, and many more!
NEW: The Queer Lens: Bryan Fuller in Conversation with Amanda Bearse – a candid discussion between Fright Night aficionado Bryan Fuller (Hannibal, Queer for Fear: The History of Queer Horror) and Fright Night star Amanda Bearse about the Gothic’s queer roots, the film’s queer subtext, and its metaphorical power
NEW: A Novel Approach: The Splatterpunk Story of the Fright Night Novelization – Tom Holland, Fright Night novelization authors John Skipp and Craig Spector, and publisher Mark Alan Miller discuss how the progenitors of the splatterpunk genre came to work on the book, their writing process, and the novel’s enduring legacy
NEW: SFX Storyboard Comparisons – a selection of original storyboards from key effects sequences, compared with their final filmed versions
Roddy McDowall: From Apes to Bats
Tom Holland and Amanda Bearse Talk Fright Night
Round Table with Tom, Stephen and William
Shock Till You Drop Presents Choice Cuts with Tom Holland and Ryan Turek
First Ever Fright Night Reunion Panel – Fear Fest 2 (2008)
Weekend of Hell Panel with Amanda and Stephen
Vintage EPK with Behind-the-Scenes Raw Footage
CAST AND CREW
Written and Directed By: Tom Holland
Produced by: Herb Jaffe
Cast: Chris Sarandon, William Ragsdale, Amanda Bearse, Stephen Geoffreys and Roddy McDowall
SPECS
Run Time: Approx. 106 minutes
Rating: 18A
4K UHD Feature Picture: 2160p Ultra High Definition, 2.39:1
4K UHD Feature Audio: English Dolby Atmos (Dolby TrueHD 7.1 Compatible) | English 5.1 DTS-HD MA | 2-Channel Surround DTS-HD MA
Sometimes, not knowing the truth about something of immediate importance can create some of the most intense stress, says former chronic pain sufferer Janet Komanchuk.
“The families of victims who’ve been missing for years or decades – identifying the body of their loved one, for example, can bring closure. For me, being diagnosed with fibromyalgia was also a relief – it meant that I had a name for my chronic pain,” says Komanchuk, whose pain was so intense over a period of several years that she had to retire as a schoolteacher.
Studies of Monkey’s may help solve causes of stress in humans- http://wabe.org/post/study-monkeys-may-help-solve-stress-humans
“My diagnosis meant I wasn’t crazy, that the pain wasn’t ‘all in my head,’ as some had suggested. It meant that my flu-like symptoms,
accompanied by intense waves of pain, finally had form and dimension. I understood I was just one of many suffering with chronic pain that at last had a name.”
Fibromyalgia syndrome is a complex, chronic condition of widespread muscular pain and fatigue. It often includes sleep disturbances, impaired memory and concentration, depression and other debilitating symptoms. The syndrome is one of the most common chronic pain disorders, affecting nearly one in every 60 North Americans.
When medical leave, morphine patches, codeine and myriad pharmaceuticals brought no relief, I tried a different approach in combination
says Komanchuk, (www.jkomanchuk.com), who has since enjoyed more than 13 years of pain-free and prescription-free living after finding an alternative healing therapy that works for her. She now works as an educational writer and public relations assistant with Joy of Healing, the alternative healing modality that she says brought about her remission.
Is Yoga a ‘healing therapy’? Forbes thinks it is and more- see Supplemental below CP
“Through the years, I’ve learned a thing or two about dealing with the psychological trauma of illness.” Komanchuk shares tips to keep in mind for those suffering from an indeterminate condition.
• Trust in yourself. “At times, the pain was so intense that I was certain my flesh was tearing away from my bones,” says Komanchuk, who was just like the more than 100 million Americans who suffer from chronic pain, which costs nearly $600 billion annually in medical treatments and lost productivity, according to the Institute of Medicine. Despite her unmistakable pain, the critical doubt from others as to what she was experiencing was disheartening, at times causing her to doubt herself.
“Trust in yourself, for you know what you’re feeling,” she says. “Don’t fall victim to the judgment and criticism of others who doubt your illness and the limitations it places on you or your activities.”
• Don’t quit! Despite the immense scope of chronic pain, very little is spent on research to find better ways to manage pain. Komanchuk was faced with the prospect of spending the rest of her life in a nursing home.
“Yes, the pain was excruciating, debilitating and fatiguing, yet I still felt as though my life had the potential for vitality,” she says. “The idea of going to a nursing home – reasonable for some – felt like a kind of death to me.”
Convinced that there was hope for her in overcoming fibromyalgia, she persisted in her search for wellness answers.
• Seriously consider alternatives. She was able to achieve what she thought was impossible – not just temporary relief, but permanent, lasting mind-body-spirit wellness. She had been to orthopedic surgeons, neurologists, rheumatologists, psychologists, underwent MRIs and took all manner of medications for her unbearable pain. In a narrow sense, it would seem as though she exhausted her options – until she looked beyond traditional Western medicine. Alternative treatment guided her to recognize the layers of stress throughout her life that she believes were a primary driver of her chronic pain.
“Every day, I am filled with gratitude for the fact that I am free of the torment from fibromyalgia that had plagued me throughout my
life,” she says. “I just wish I could give others a piece of the relief that I’ve found. All I can say is keep your eyes open, keep the hope alive and don’t give up!” For the Silo, Ginny Grimsley
New Amsterdam Records releases are special and Surface Image, the album-length composition for solo piano with 40-channel 1-bit electronics, composed by Tristan Perich and performed by pianist Vicky Chow is no exception.
“Surface Image is a stunning marriage of Perich’s inspired electronic aesthetic and Chow’s nuanced yet fiercely virtuosic playing. The line between electric and organic is artistically blurred, as the simple hand-wired electronics fuse with the individual notes of the piano on the same, expansive plane. Recorded at EMPAC’s sound studio by producer Argeo Ascani and mix engineer Jeffrey Svatek.”
A look at the performance set-up in “Surface” by Tristan Perich for a piano performance by Vicky Chow
Curated by Alexis Lowry Murray, “Audible Spaces” presents three sound installations that encourage participants to explore the subtleties of listening. Tristan Perich, Zarouhie Abdalian, and [The User] have each created immersive environments using seemingly uniform sounds that dissolve into tonal, tactile, and temporal variations as participants engage with them. Perich’s Microtonal Wall (2011), on view in the Cohen Gallery at the Granoff Center, demonstrates the extraordinary complexity that can be generated using only the most basic electronic tools. Drone-like from a distance, this 25 ft long sound field of 1-bit noise dissolves into 1500 unique frequencies.
In Bullet Train, Brad Pitt stars as Ladybug, an unlucky assassin determined to do his job peacefully after one too many gigs gone off the rails. Fate, however, may have other plans, as Ladybug’s latest mission puts him on a collision course with lethal adversaries from around the globe—all with connected, yet conflicting, objectives—on the world’s fastest train.
The end of the line is just the beginning in this non-stop thrill-ride through modern-day Japan from David Leitch, the director of Deadpool 2. Available on Digital 09/27 and on 4k Ultra HD, Blu-Ray, and DVD 10/18.
The “heart-pounding wild ride” comes home
– Kristy Puchko, MASHABLE
4K ULTRA HD™, BLU-RAY™ AND DIGITAL
Outtakes & Bloopers
Catch What You Missed: Easter Eggs
All Aboard the Pain Train: Stunts
Mission Accomplished: Making of Bullet Train
Trained Professionals: The Cast
Select Stunt Previs
Audio Commentary with David Leitch, Kelly McCormick & Zak Olkewicz
DVD
Mission Accomplished: Making of Bullet Train
Trained Professionals: The Cast
CAST AND CREW
Directed By: David Leitch
Produced By: Kelly McCormick, David Leitch, Antoine Fuqua
Executive Producers: Brent O’Connor, Ryosuke Saegusa, Yuma Terada, Kat Samick
Cast: Brad Pitt, Joey King, Aaron Taylor-Johnson, Brian Tyree Henry, Andrew Koji, Hiroyuki Sanada, Michael Shannon, Benito A Martínez Ocasio, and Sandra Bullock
Based on the Book By: Kotaro Isaka
Screenplay By: Zak Olkewicz
SPECS
Run Time: Approx. 126 Mins.
Rating: R: Strong and bloody violence, pervasive language, and brief sexuality
4K UHD: 2160p Ultra High Definition / 2.39:1 • Audio: English Dolby Atmos (Dolby TrueHD 7.1 compatible), French (Doublé au Québec), Spanish 5.1 DTS-HD MA, English – Audio Description Track 5.1 Dolby Digital • Subtitles: English, English SDH, French, Spanish • Color
Blu-ray™: 1080p High Definition / 2.39:1 • Audio: English, French (Doublé au Québec) 5.1 DTS-HD MA, Spanish, English – Audio Description Track 5.1 Dolby Digital • Subtitles: English, English SDH, French, Spanish • Mastered in High Definition • Color
DVD: 2.39:1 Anamorphic Widescreen • Audio: English, French (Doublé au Québec), Spanish 5.1 Dolby Digital, English – Audio Description Track Dolby Surround • Subtitles: English, English SDH, French, Spanish • Color
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God-like powers? The United States Federal Reserve essentially drives the entire world economy.
Money runs the world’s economy. It determines who rules nations, and it rules lives.
These are the three most significant properties attributed to the power of money, in addition to its basic function as a medium of exchange. But we can attribute several less significant properties, although similarly important, to the power of money. They include:
1. Money separates people of the same nation into classes, divisions and groups.
2. The pursuit of money and wealth can turn man against man, son against father, family against family and nation against nation.
3. Money’s devaluation of natural values makes Nature the object of buying and selling.
4. The ability of man to perform labor by placing a price on his head allows one man, or group of men, to enslave another individual or group of individuals.
5. The ability of money to corrupt tends to change man’s personality from social being to self-oriented individual.
6. The power of money drives people to produce services in order to pursue everyday life. This inflicts stress upon people, leading to a spiritual breakdown manifested in acts of crime and mental illnesses.
Bitcoin- electronic currency invented in the 21st century- poised to revolutionize what money is and can be? It’s value in US dollars in 2013 tripled in one year. CP
Amazingly enough, not many people in modern society are aware of the source of the power or money, including businessmen such as bankers, money market brokers and financiers, who consider themselves money experts.
Perhaps one of the reasons the origin of money’s power is one of the least discussed subjects among academics is the non-existence of prehistoric written records. The second reason is historians’ failure to unveil when and how currency converted from an ordinary medium of exchange into the dominant value of society by expanding its usage to include rendered labor compensation. Also, when and what societal changes elevated the abstract value of currency into an absolute ruling power over humans, including all natural values and treasuries of the Earth.
The blank page left by the theory of early civilization about the invention and rise of money invited independent thinkers to develop their own theories.
The records indicate that this enigma is hidden in the formation of the first state and government. Reforms enacted almost 4,000 years ago led to the breakup of the original communion society, creating conditions that enabled different classes of people to pursue independent ways of life.
From above… 2. The pursuit of money and wealth can turn man against man, son against father, family against family and nation against nation.
Regulating all natural values and treasuries, including human labor, through money, one individual was able to declare himself the king, and establish absolute ruling power over society by entrapping people within guarded wall.
This historic event advanced the abstract value of money from the ordinary medium of exchange to an absolute ruling power unparalleled in the real world. Some ancient spiritual leaders expressed a serious concern about the prudence of the proposed reforms. They warned that the enactment of these reforms would void the God-given dominant role of natural values within society at the expense of the abstract value of money. This would subsequently interrupt the relationship between man and nature, and change the original role of man upon the Earth from the guardian of nature to the biggest annihilator of nature.
But the followers of the philosophical doctrine of man’s uniqueness compared to other species dismissed such warnings. Promoting man’s spiritual virtue of freedom to make his own norms and laws instead of following the law of nature, they were delighted by the proposed reforms.
Ever since, the corruption, exploitation of one man over another and class warfare became the norms of the New World Order leadership.
The comparatively recent freedom movements that led to the French and Bolshevik revolutions failed to liberate people from the chains of money’s absolute power. Despite that, the idea of freedom lives on in people’s minds, inspiring liberators to wonder why the formation of a communist state failed to succeed.
The liberators failed to realize that the institution of state and government is the foundation that, by providing the conditions for money currency to function, imposes absolute ruling power over society. This means that the institution of state and government is not a suitable foundation for the establishment of a free, classless society.
Is the only way to liberate society from the absolute power of money a return to the system of farming communities and declaring abolition of money currency, which would ultimately lead to dismantling the institutions of state and government?
However, taking into account that man is biologically a mortal relative entity incapable of resisting temptation offered by the absolute power of money, the prospect for the abolition of money is not practically realistic. For the Silo, Michael Vladimirovich Trisho.
Featured image: imagesci.com
Michael Vladimirovich Trisho is the author of “How Did Humanity Become Enslaved to Money?” Born in Panchevo, currently part of Serbia, Trisho’s tendency to inquire about the mysteries of the world using reason and logic were evident at an early age. All his life, he wondered how humankind became entrapped by money and why people believe a money-based society is best. After immigrating to the United States, he continued to examine early history in search of answers about the monetary system and its relation to the institution of state. Examining archeological fossils and excavations focused only on a narrow part of early human experience and did not reveal important events that played a critical role in society’s development. Michael created his own reconstruction of events, the product of which is his debut novel.
Meal planning is such a time saver. Not only do those who care about their nutrition get to save time while planning meals, but they continue eating healthy, even on the busiest days. Are you already on a plant-based diet or just thinking about it? Whether you are just trying to implement vegan or vegetarian meal prep into your lifestyle, or you are looking for some new tips – this article will provide what you need. Here is how to get your plant-based diet on track via meal planning.
Think About Pro Guidance
Making changes to your diet isn’t easy, but it is always worth it because there is always a goal behind it. Do you want to build muscles? Lose weight? Have a more balanced diet? Experience a vegan pregnancy diet plan? Or just explore more intuitive eating?
Even if your reason is not listed here, you should know that the best way to get the result that you want is a plant-based nutritionist ; a person of this sort of expertise can help enhance toddler/child/adolescent nutrition, help you achieve your sports goals, and help you deal with many digestive problems. Not only that, but plant-based nutrition can help you organize your meal in such a way that you will have enough time to cook, eat peacefully, and easily achieve all of your other plans.
Sketch Out A Week Of Meals
This step may sound confusing and like a lot to chew on. But in reality, it’s very easy. All you have to do is choose a dinner for every day of the week. If possible, think about leftovers and use them for an extra meal. Once you plan your meals, you are ready for the next step – grocery planning. Make a specific grocery list of things that you will need. Not sure what you might need for a feel of a plant-based diet? Check the next step.
Chop Vegetables
One of the best things about a plant-based diet is that you get to eat a lot of vegetables. This is not only healthy but easy to prepare. Chopping vegetables is easy, plus vegetables are super easy to store and use whenever you want. Chop your vegetables in advance: fill your cups with onion, sliced mushrooms, and sliced cabbage… This will make everything much easier and faster to prepare.
Fast Tips On Meal Prep
● Stock your kitchen counter with beans, lentils, and whole grains ● Have olive oil ● Use oatmeal for breakfast ● Cook for two days ● Keep track of your recipes ● Drink water ● Start small ● Get organized ● Invest in high-quality containers ● Keep a variety of spices ● Always use your meal prep recipes to make a grocery list ● Use glass containers ● Freeze your food
Make new lifestyles more fun and delicious with new recipes. Start small, take it slow, and go step by step. Stay hydrated, hire a professional to help you navigate your new changes, and be persistent. Remember that it takes three weeks for something to become a habit, and three months for something to become a lifestyle. For the Silo, Bill Gordon.
“Libraries are our friends” said famed writer Neil Gaiman. Katharine Hepburn once asked “what in the world would we do without our libraries?” When last polled about a decade ago in 2011, Toronto was home to ninety-eight public libraries and two book mobiles; with approximately thirty thousand programs hours and more than 19 million in person visits.
Ghostbusters (1984) Dr. Egon Spengler: “print is dead”
Despite the seeming popularity of the time honored library, there have been very legitimate concerns about the decline of the library in our digitized world. The cynical pronouncement from the Annoyed Librarian blogger is that no one will even notice as libraries vanish because people will be “too busy renting ebooks from Amazon”.
What no Dewey!?? Something is being lost…cardboard catalogue placards…pile carpeting…the esoteric ‘quest’ of locating a physical book…the sensation of walking between the rows and aisles of paper books….
Is there a future for Libraries?
Books are being replaced with ebooks and the other popular resource, DVDs, are also rapidly being replaced by online movie providers. Publishing companies are not easily persuaded to turn over ebooks (as Libraries offer their use for free, and it’s easier to control the distribution of e-resources than print media which can be obtained anywhere), so although Libraries attempt to acquire as many ebooks as possible, this isn’t always easy.
A pile (!) of books. Heavy but hard to ignore. Physical media have a permanence and that permanence affords respect and care. Digital media not so much.
Other sources argue that if people believe the internet is making libraries obsolete, it’s because they haven’t been in a library recently.
The reality is that libraries, like so many public institutions, have adapted to new digitized world.
Book circulation may have declined, but the Library now offers a wider diversity of services. Libraries offer free wi-fi, public computers for personal use, an assortment of programs for all age groups, Library accounts accessible online, and even offer services such as income tax filing assistance and computer classes for seniors. For the Silo, Charity Blaine.
As the world mourns the passing of Queen Elizabeth II, we undoubtedly acknowledge the scope of her public service for over 70 years. She is one of the most recognized and famous people on the face of the earth.
My parents travelled to England when I was young and could (hope to) catch glimpses of the Royal Family, including the Queen, outside Buckingham Palace. My family, one could say, became Royal Watchers. Years later, I’d be hired by former MPP Toby Barrett UE who I quickly learned harbored profound respect for Queen Elizabeth II.
Shortly after officially becoming our longest reigning Monarch, Toby penned a newspaper column that began with: “Queen Elizabeth II is the only British Monarch in history properly trained to change a spark plug!” As Toby said at the time, the statement exemplified the character of our Queen.
Elizabeth learned to change a spark plug at 18 (during the Second World War) after joining the British Army Women’s Auxiliary Territorial Service. She served as an army truck mechanic and as an ambulance and army truck driver.
Elizabeth carried an incredible responsibility throughout her life, beginning at a young age. Upon taking the throne in 1952, she witnessed enormous social change. At 25, Elizabeth became Queen, and was officially crowned at her coronation two years later.
During her reign, Queen Elizabeth visited Canada more than any other country – 22 times. She must have had a special place in her heart for our country and its people, as she was known to refer to Canada as home. From the outpouring of sentiments, the feeling was indeed mutual.
On September 8th, the Queen’s children travelled to Balmoral, near Aberdeen, after physicians placed her under medical supervision. Later in the day Thursday, news spread that the Queen had passed away peacefully in the afternoon. A sad, solemn day.
Queen Elizabeth II officially made Liz Truss Britain’s prime minister two days before her passing. Truss would become the 15th prime minister to meet with the Queen. The meeting was at Balmoral Castle, in the Scottish countryside, where Boris Johnson first arrived to begin the power transfer. The first prime minister the Queen met with during her reign was Winston Churchill – a leader I often quote.
Last Thursday, Prime Minister Truss described Queen Elizabeth II as the rock on which modern Britain was built and continued by saying that she had “provided us with the stability and strength that we needed.” In times of adversity, the Queen has steadied nations with her strength and stoicism – the embodiment of a true leader.
Succession plans have long been in place, and the Queen’s son, Charles III, will become King. As an aside, I met Prince Charles and Camilla a few years back at a function in Toronto. It was a cheeky meeting and one I will never forget.
While we all come to grips with the passing of a lady who impacted our lives in ways, we did not realize, Britain is preparing to usher in a new era in the nation’s fascinating history. Britain, Canada and the Commonwealth will undoubtedly embrace the King and offer him loyalty and devotion, exactly as Her Majesty would have wished.
For the Silo, by Bobbi Ann Brady MPP Haldimand-Norfolk
Why crochet? Rolled cigarette in mouth, she passes a nonchalant hand into blond spiky hair. She thinks… “This practice is also ancestral, but has potential for feminist messages and aesthetics when it is diverted from its original use and put towards the service of art. I’ve always been very creative and a little hyper active yet the only compliment I could expect from that was to be commended for being a good mother…”. I got fed up.” Reduced once too often to the status of “the good historical female”, Stéphanie Lobry “lost it”and held her first exhibition.
Myth: Excessive sweating is less debilitating than other skin conditions people have to deal with.
Every November 2, cemeteries are decorated with flowers, freshly painted crosses, pictures and cards to celebrate the Day of the Dead in Quito.
The preparation of these dishes also serve as a reason for the entire family to get together. Colada morada, one of the typical beverages for the Day of the Dead, is a drink of indigenous origin and one of the most traditional delicacies of Quito’s cuisine. Prepared with a base of black corn, blueberries, blackberries, pineapple, orange and other fruits and herbs, colada morada is accompanied by the traditional guagua de pan, sweet breads shaped into baby-like figures made with wheat flour and, in some places, with cornmeal from grains from the Ecuadorian Andes.
