Monthly Archives: August 2012

Vintage

Another Million Dollar Movie Poster Auction

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The stunning three sheet movie poster for the lost 1926 Paramount big budget silent film The American Venus realized $35,850 to lead the day in Heritage Auctions’ July 25-26 Vintage Movie Posters Signature Auction in Beverly Hills. The auction realized, in total, more than $1.45 million. All prices include 19.5% Buyer’s Premium.

Controversy surrounds this 1932 Disney cartoon- in one scene, Mickey Mouse is seen using a cigarette lighter that has a painted swastika on it. In 1932, the world did not fully understand the significance of the swastika as it would relate to the rise of Naziism. image: Heritage Auctions

“Demand was steady and prices were, overall, quite good across the more than 1,300 lots we featured in this auction,” said Grey Smith, Director of Movie Posters at Heritage. “We saw a trifecta of focuses in this auction as collectors went after early Hollywood, Disney animation and Universal Horror. At the end of the day, we were all quite pleased with the solid results.”

The American Venus (Paramount, 1926) three sheet is a film that is now lost to history, minus a few trailers. What is known about it, however, is that the poster spectacularly features Louise Brooks, though this was only her second film appearance. She was relatively unknown at the time and her role in the film was very minor. The producers, however, obviously realized her star potential as they featured her exclusively on the poster. Brooks would go on to become one of the most iconic female stars of the late silent era.

“Brooks crafted a personal style that left an indelible mark on 1920s popular culture that’s still imitated today,” said Smith. “She achieved a cult status rarely garnered by entertainers of that time and is clearly a star that still resonates with collectors at the top of the hobby.”

Vintage posters were emotional, engaging and uniquely hand-crafted before hitting the printing press. image: Heritage Auctions

Rare and early Disney posters always create a stir when they appear at auction and the presence of a 1932 United Artists one sheet for Disney’s The Wayward Canary, depicting Mickey and Minnie Mouse, set collectors buzzing on its way to a $26,920 final price realized. Released in November 1932, the same year that the Academy awarded Disney a special Oscar for his creation of a nationwide phenomenon, Mickey Mouse, this is a key addition to any top Disney collection.

Universal Horror posters are still the gold standard in movie posters and this auction boasted several prime pieces from the top films of the genre, including a beautiful pre-war 1935 Belgian one sheet for Bride of Frankenstein, James Whale’s sequel to his 1931 masterpiece Frankenstein that quickly became a classic in its own right, realizing $20,315 from a determined collector, while a 1943 one sheet for Frankenstein Meets the Wolf Man — often cited as one of the best posters in the Universal horror cannon — was the subject of intense collector interest before finding a new home at $15,535.

Culture

Watch LIVE and archived streams of Mars Rover Curiosity

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We’re back on Mars!

If you’re a space geek, science fan or techno nerd then you may already know a bit about the latest planetary lander called Curiosity. Today (August 6th, 2012) this engineering marvel (not to mention the challenge of sending and landing) sits near Gale Crater (this crater is so big there’s a mountain called Mount Sharp inside it CP) and prepares to investigate some of the most geologically interesting areas on the Red Planet.

What’s the big deal? This is an investigation that could unravel the greatest mystery of all…..”is/was there life out there?” So without further ado, here is the LIVE stream with real time chat. Update Aug6 10:03PM EDT the first LIVE stream has ended but has been archived and will play in the window below. Other LIVE streams will play in real-time as the mission developments continue. CP Update Aug22  1:03PM EDT we will be streaming the LIVE NASA press conference with updates on the mission and rover status. Video feed begins at 2:30 PM EDT CP

 

Live broadcasting by Ustream

  Stop-motion landing sequence video

 

August 22nd 2012 post NASA stream-

Testing out the optics on board the rover. These are an array of basalt rocks likely similiar to “Coronation”

 
The MARS/NASA/JPL team showed media the first scientifically laser-beamed and analyzed Mars rock during today’s press conference. This Basaltic rock (called Coronation by the team) displayed interesting hydrogen variations and preliminary results showed more hydrogen measured on its surface with exponentially decreasing amounts as the laser probed deeper.

Planetary Scientist Joy Crisp answering media questions during today’s Live feed.

The plan now before searching for water, is a ramping up of technical and rover checkouts, a more thorough planning order of activities and lengths, driving the rover to new sites for rock drilling and investigating what scientists are calling ‘scours’- ground indentations made by the Sky Crane thrusters during the descent of the Mars rover.
Scientists caution the fact that there are no definitive time tables for upcoming tests. This is due to such unpredictable conditions as weather forecasting and rover checkouts and performance. As these tests are conducted and checkouts are completed, the Mars team hope to learn how to ‘fine tune’ future tests after properly calibrating the rovers testing instruments. For example, the wavelength instrument is affected by the slight temperature shifts from the time of the Mars day and from the rover’s movements.

Spectrum results from Mars Rock “Coronation”. Note the Hydrogen peak after laser ‘zap’ #1. image:NASA/TheSilo

Reporter questions focused on the geological aspects of today’s conference and the team responded enthusiastically about plans to drive the rover to areas that have bedrock and opportunities for testing varied rock types. A short video in honor of deceased science fiction author and Mars fan Ray Bradbury rounded things out. As one scientist put it “ We are only 16 days into a two year mission.” Stay tuned. CP


 

 

Art

Picasso Exhibit At AGO Was Invigorating

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Time flies. Seven years ago, The Silo visited the AGO’s Picasso exhibition. We were not disappointed. Approximately ¼ of the entire second floor was dedicated for displaying works from Picasso’s private collection. That’s right- these are the pieces that Pablo himself deemed specially significant for archiving and for his personal reflection. We were not disappointed.

Blowup and detail from Portait de Dora Maar (Portrait of Dora Maar), 1937. Oil on canvas, 92x65cm

Organized by the Art Gallery of Ontario (AGO) and the Musee National Picasso , Paris- the exhibition is chronologically organized with each period having its own dedicated gallery space and covers the following phases of Picasso’s VASTLY productive lifetime: From Spain to Paris 1900-1905 Ancient, African and Oceanic Inspirations 1906-1909 Cubism, Collage and Constructions 1909-1915 Classicism, Marriage and Family 1914-1924 Surreal Anxiety and Desire 1924-1934 War Paintings 1936-1951 and lastly The Joy of Life and Last Years 1950-1972


According to the Picasso’s Picassos (Picasso’s Early Life and Art) on pg 2 of the AGO’s exhibition catalog, Pablo Picasso was recognized as “an artistic prodigy and began…formal artistic training when he was only seven years old” with his father, who was a painter and an art teacher. For the next 85 (!) years Picasso would go on to not only change the art world, but would leave behind a vast legacy that is as fresh and relevant today as it ever was. Strolling around this fine exhibition and noticing how the other visitors were dressed is proof enough for this writer that Picasso’s influence on society is far from over. For the Silo, Jarrod Barker. 

Picasso at 73years of age in 1954. “When I paint I feel that all artists of the past are behind me.”
Culture

Protest at Marineland, Niagara Falls Gains Momentum

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On Saturday August 18th- hundreds of protesters gathered in front of the main entrance gates of Marineland in Niagara Falls, Ontario. At stake was the ethical treatment of animals used for performances and entertainment. Over the past three years there have been increased reports by the media regarding the attacking of trainers by killer whales and other performing animals.

Messages on protest signs were simple, bold and clear. photos:The Silo/Mith Media

Many researchers believe that this sort of behavior is inevitable because killer whales are adversely affected by forcible confinement and pavlovian conditioning and that in turn has many questioning whether theme parks such as Marineland and Seaworld are capitalizing on animal cruelty. It’s not a new topic- zoo’s and circuses are not strangers to demonstration and protest and the relationship between humans and animals is a theme often employed by conscientious artists.

[Warning- the following video contains disturbing images. Viewer discretion is advised CP]

Segment from Umwelt (2010) exhibition catalogue- Jarrod Barker’s installation at the Norfolk Arts Centre explored the connectedness or non-connectedness (ie: the umwelt) of humans and animals. image:courtesy of the artist

Marineland denied our request (along with the Toronto Star’s request) for an interview and requested that the media respect “private [their] property”. That sort of reaction makes it difficult to investigate a story of this magnitude- and many questions remain unanswered. For example, earlier this year an infant beluga whale was attacked repeatedly by two adult belugas until it was killed. Media leaks reveal that the baby whale may have been ill and that the other animals acted out of fear since they may have detected signs of a contagious disease.

image: The Silo

Although no date has been set, The Ontario Society for the Prevention of Cruelty to Animals is planning on bringing independent Sea Mammal experts and Marine Biologists into Marineland for an inspection according to an online report at www.thestar.com CP

image: The Silo
Culture

Green Party- merging public & separate school systems would save Ontario $1,300,000,000 pr year

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Delegates at yesterdays Elementary Teachers Federation of Ontario general meeting in Toronto- voted in favour of funding secular (non-religious) schools image:ETFO/The Silo

KITCHENER-WATERLOO – Green Party of Ontario candidate Dr. Stacey Danckert was joined by Leader Mike Schreiner in Kitchener to outline the Green Party’s plan to strengthen Ontario’s school system by ending wasteful duplication in the public and Catholic boards.
“With the issue of school cuts dominating these by-elections, the choice for voters is clear,” says Schreiner. “Prioritize high-quality education for all children or protect the interests that want special funding for one religion at the exclusion of all others. Only the Green Party will fight to improve our children’s education with a fair and equitable school system.”
At the Elementary Teachers Federation of Ontario (ETFO) general meeting in Toronto yesterday members voted in favour of a motion that would see public funding of public education in Ontario be limited to secular [ non-religious-based CP ] schools. Only the GPO is calling for a public commission to study merging the Catholic and public systems.
Ontario is the only province that provides full public funding for a single faith while providing no funding for other faith-based schools. As a result the UN Human Rights Committee has censured Canada in 1999 and 2005 for the discrimination in Ontario’s school system. “McGuinty has repeatedly slammed the door on talking about this issue. Instead he continues to ram the Liberals’ political agenda down the throats of parents and teachers,” continued Schreiner. “Ourchildren deserve a fair and equitable system regardless of their faith or sexual orientation.”
Recently Catholic Schools have come under fire for discouraging Gay Straight Alliances, student-run clubs that promote tolerance for diversity. “The McGuinty Liberals are quick to place the burden on teachers and have failed to recognize how wasteful our system is,” added Danckert.
A study prepared by William J. Phillips, Past-President of The Federation of Urban Neighbourhoods of Ontario Inc. estimates savings from merging the school boards of $1.3 billion to $1.6 billion per year. “It’s time to demand a better solution for our children and this province’s future,” added Dancket. “As your first Green MPP in Queen’s Park I will not let the other parties evade this issue any longer.” For the Silo by Green Party of Ontario PO Box 1132 Toronto, ON M4Y 2T8

Art

Ontario Beach Zoomorph Profiled In Mexico City University Of Art Publication

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Artist Jarrod Barker, was recently invited to take part in MUCA-Roma’s Ala Afuera project. Based in the Roma district of Mexico City, MUCA is a University Museum of science and art. What made this project doubly exciting was the opportunity to show case a part of Barker’s home internationally.

The curators asked for a submission of 3 images and accompanying explanatory write-ups that “from your perspective, show a form of relationship between humans and the rest of nature.” This topic aka- Umwelt is not foreign to Barker who installed an exhibition of that name in 2010 at the Norfolk (nee Lynnwood) Arts Center in Simcoe,Ontario.

 

Long Point Seal Tamer Concept- J. Barker
Location: Long Point, Norfolk County, Ontario, Canada
Long Point is a world biosphere. I know this because the United Nations has told me so. But for several months of the year Long Point is transformed. Under certain winter conditions, Long Point looks less like a marshy, swampy bird watchers paradise and more like an arctic shore. At least on the South West side. When I visit Long Point during these times, I react to the environmental changes. I see things differently. I feel things differently. A sun bleached tree stump becomes a seal. A marsh reed becomes a baton. A flint pebble becomes a ball. Natural transformation through the changes of the seasons is a holistic experience.

 

After the selection process, if successful- one of the artist submitted images and write-ups was selected for transformation into a postcard and incorporated with the other artist submissions. The goal was for the Ala Afuera team to mail out the postcards to other international Museums of art and science and Contemporary Art institutions as a connective gesture to highlight MUCA and the work of the artists involved in this project and to bring awareness to our human/nature relationships.

 

“The objective of the project Allá Afuera (Out There) is to gather a mosaic of images that represent
ways of understanding the relationship we humans have with the rest of nature. From bucolic or
passionate points of view to other more threatening myths and taboos, amazement, fear, the absurd,
and maybe even indifference. We do not intend to cover all possibilities, but through images as a direct
reading form, show that there are multiple ways of looking at this Bond.

Three times a year we will present a collection of postcards, with 18 images each, gathered in a
biombo format. After two years we will complete the edition of six collections, with a total of 108 ways
of understanding, 108 points of view, and 108 forms of defining our relationship with what is out there. “

Ala Afuera which translated mean’s “Out there” began mailing out the works a few weeks ago.  For the Silo, Stephanie Bordega. 

For more information and to request postcards please contact-
Allá Afuera (Out there) project Gonzalo Ortega and Jeronimo Hagerman
MUCA ROMA MUSEUM (University museum of science and art, Roma district, Mexico City)
allaafueramucaroma@gmail.com

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Comics

WW2 Smartphone Graphic Novel Katusha

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KATUSHA VOLUME ONE: EDGE OF DARKNESS, the first of a three volume graphic novel series by historical graphic novelist Wayne Vansant, is now available exclusively in digital format from digital publishing imprint Grand Design Communications.

The painting Kateryna by the Ukrainian poet and painter Taras Shevchenko (1814-1861)influenced Katusha. Kateryna tells the story of a Ukrainian country girl who is seduced and abandoned by a Russian cavalry officer.

KATUSHA is a coming-of-age story set in the Eastern Front of World War II, following the life of a Ukrainian farm girl Ekaterina Tymoshenko, nicknamed Katusha, starting with the invasion of the Soviet Union by Nazi Germany in 1941. The three-volume graphic novel, which when finished will total 540 pages, follows her journey from farm girl to partisan fighter to tank commander in the Red Army, along the way participating in the Battles of Stalingrad and Berlin, among others.

During the second world war, hundreds of thousands of Soviet women served in the Red Army as pilots, snipers, tank drivers and other essential roles. Although KATUSHA is a work of fiction, Vansant based his story on interviews he conducted with living veterans in Ukraine and extensive research. He will return for another trip this fall, to conduct more interviews and do research on locations.

Lviv, Ukraine, 26 October 2010 – Canadian Prime Minister Stephen Harper is joined by Ukrainian officials as he pays tribute to Ukrainian poet, artist, and humanist Taras Shevchenko.

KATUSHA VOLUME ONE: EDGE OF DARKNESS, the first of three volumes, is out now exclusively in digital format for iPhone, iPad, Android, and in-browser reading. It is available in two formats – as six separate chapters priced at $.99usd each and as a single one hundred eighty page edition priced at $4.99usd, and can be purchased through iVerse’s ComicsPlus app and from Grand Design’s electronic storefront on iVerse’s website.

A native of Marbleton, Georgia, writer/artist Wayne Vansant has created many historical graphic novels – both fiction and non-fiction – in a career spanning more than twenty five years. His non-fiction graphic novel about the Allied invasion of Europe in World War II, NORMANDY, were be published in September by Zenith Press.

His recent collaboration with writer Dwight Jon Zimmerman, THE HAMMER AND THE ANVIL (2012), a graphic novel about Abraham Lincoln, Frederick Douglass, and the end of slavery in America was published by Hill and Wang, and Vansant was the primary artist for Marvel’s The ‘Nam for more than five years.

His other non-fiction graphic novels on military history include DAYS OF DARKNESS, ANTIETAM: THE FIERY TRIAL (with the United States National Park Service), BLOCKADE: THE CIVIL WAR AT SEA, and THE VIETNAM WAR: A GRAPHIC HISTORY.