Tag Archives: Venice Biennale

Is Vilnius Lithuania The Next ‘Berlin Art Scene’?

The Lithuanian capital is quickly emerging as a vibrant cultural hub – mixing its Baroque architecture, Michelin-starred cuisine, and a fearless creative scene.

From Venice Biennale–level artists at ArtVilnius’25 to politically-charged performances at Sirenos Theatre Festival, and a massive city-wide celebration of Lithuania’s own artistic genius, M.K. Čiurlionis, Vilnius is redefining the autumn city break for culture seekers.

Vilnius: The New Berlin? Discover the Baltic Cultural Capital

This autumn, Vilnius transforms into a cultural hotspot, with the Baltics’ leading contemporary art fair, bold theatre, and world-class music inviting visitors to discover the city’s vibrant creative scene.

Art Fair ArtVilnius 2024. Photo by Andrej Vasilenko

Vilnius, Lithuania. Vilnius offers all the ingredients for a perfect autumn city break – cobblestone streets, Michelin-starred restaurants, and multiple art events happening this autumn. Intimate yet vibrant, the Lithuanian capital combines old-world elegance with a fresh creative energy that’s turning it into one of Europe’s most intriguing cultural destinations.

ArtVilnius’25 features Venice Biennale artists

Returning for its 16th edition, ArtVilnius’25 remains the largest contemporary art fair in the Baltics. From October 3 to 5, the Lithuanian Exhibition and Congress Centre Litexpo in Vilnius will host 80 galleries and institutions, presenting works by more than 320 artists from 16 countries.

Among the highlights is Tallinn–based Temnikova & Kasela Gallery, recipient of the prestigious FEAGA Award in 2016, which will showcase established Venice Biennale artists and Estonia’s forthcoming Biennale representative. Edith Karlson is one of Estonia’s most acclaimed contemporary voices and in her sculptural practice, animals and people are the main protagonists; Jaan Toomik, a senior figure in Baltic art, is presenting a few paintings never before exhibited, like Old Woman with a Wolf’s Scull, Calling the Fisherman, Self-portrait as a Bonfire with Sons.

“While new fairs have appeared in Latvia and Poland, ArtVilnius is still the only event of this size and quality. Our program goes far beyond gallery presentations. Visitors will discover the internationally curated Projects Zone, the annual “The Path” exhibition, and much more. The art on view will range from new talents fresh out of the academies to world-famous artists such as Marlene Dumas and Anselm Kiefer,” says Sonata Baliuckaitė Arlauskienė, Artistic Director of ArtVilnius.

Vilnius theatre festival turns the stage into a weapon

Until October 13, Vilnius hosts Sirenos, one of Northern Europe’s boldest international theatre festivals. Known for pushing creative and political boundaries, this year’s edition revolves around the theme “Theatre is a Weapon,” exploring how performance can confront modern-day realities. Headliners include Portuguese director Tiago Rodrigues with two acclaimed works: By Heart and Catarina and the Beauty of Killing Fascists. Also on the programme is the powerful film-performance hybrid Orlando, My Political Biography, which reimagines Virginia Woolf’s novel through the voices of 26 trans and non-binary performers.

Čiurlionis – the Baltic Da Vinci – celebrated with 150 events across Vilnius

This autumn, Vilnius celebrates the 150th anniversary of M.K. Čiurlionis, Lithuania’s most revered composer-painter, often called the Baltic Da Vinci for blending music and visual art into an entirely unique language. From October to December, the city will host nearly 150 events in his honour, including immersive exhibitions, orchestral tributes, and even virtual reality experiences that bring his dreamlike worlds to life. Program highlights include the premiere of the opera “Jūratė,” inspired by Baltic mythology, and the international concert “World Piano Stars Greeting Čiurlionis,” showcasing virtuoso performers interpreting his compositions.

European cinema spotlight

From 6 to 16 November, the Scanorama Film Festival brings over 100 thought-provoking European films to Vilnius, alongside talks with filmmakers and rising talent. It’s a key date for cinephiles seeking bold, artistic storytelling off the mainstream circuit.

Getting there

With direct, daily flights from Toronto and major European cities including Berlin, Frankfurt, London, Paris, and Warsaw, getting to the Lithuanian capital is quick and easy. The city’s well-connected airport is just 15 minutes from the Old Town, making it a seamless destination for a weekend getaway or a longer cultural escape.

Inuk Artist, Shuvinai Ashoona Wins Governor General’s Award in the Arts

Inuk artist becomes the second person from the West Baffin Cooperative to receive prestigious award.


Kinngait (Cape Dorset), Nunavut – Inuk artist Shuvinai Ashoona has been named a recipient of the Governor General’s Awards in the Arts for her dedication to the expression and practice of Inuit art and her contribution to Canada’s larger contemporary art community.

ᓱᕕᓇᐃ ᐊᓱᓇ
SHUVINAI ASHOONA


For more than two decades, Ashoona has been changing the face of Inuit art. Working from her home base in Kinngait, Nunavut, Ashoona’s ever-evolving drawing practice has resulted in a still growing body of work that stands as a unique contribution to the artistic expression of her time. Ashoona’s innovative drawings, many of which are ambitiously scaled, freely mix elements drawn from historic Inuit culture with contemporary references to more recent history and popular culture.

Untitled. 2010.

Her subjects include fantastical and otherworldly beings
as well as self-reflexive images that comment directly on the process and practice of representation. Never content to follow rules and expectations, Ashoona’s unconventional artistic vision has successfully challenged and revolutionized how the public perceives Inuit art and contemporary Indigenous art more generally, helping
to create a new space for expression and artistic freedom.

A longtime artist member of West Baffin Cooperative, Ashoona works frequently at the organization’s Kinngait Studios and has become a mentor to many next generation Inuit creators.
“I don’t even think about getting awards for making my art,” said Shuvinai Ashoona. ‘I’m just happy when people can see my drawings in galleries and museums and books. I think this award means that many, many people are getting to see my artworks.”


Throughout her career, Ashoona has maintained a busy practice supported by an expansive program of exhibitions.

Her work has been featured in several important exhibitions at the National Gallery of Canada, including Sakahàn: International Indigenous Art, that institution’s landmark 2013 showcase of contemporary Indigenous expression from around the world.
“Shuvinai Ashoona is one of Canada’s most influential visual artists and has fast become an internationally important creator,” said West Baffin Cooperative President Pauloosie Kowmageak. “Ashoona has achieved remarkable success and recognition for her art practice and for the community of Kinngait; I can’t imagine a more deserving recipient of this prestigious award.”

Handstand. 2010. Stonecut and stencil.


Ashoona has been active within the commercial gallery sphere as well. Her work has been featured in several solo and group commercial exhibitions, many of which have been presented by Vancouver’s Marion Scott Gallery, which nominated her for this award, and Toronto’s Feheley Fine Arts. Ashoona’s drawings have also been collected by many of Canada’s major art institutions, including the Art Gallery of Ontario, the National Gallery of Canada, the Winnipeg Art Gallery, Musée des beaux arts de Montréal and the Vancouver Art Gallery.

Ashoona has also collaborated with artists from beyond her Baffin Island community, including Shary Boyle (2015) and John Noesthedan (2008).

“Shuvinai Ashoona’s startling expression makes connections and bridges cultures,” said Robert Kardosh, third generation owner of Vancouver’s Marion Scott Gallery. “Her images tell us something important about ourselves and the world we all share. This award acknowledges and celebrates that deep resonance. It’s also a testament to her tenacious dedication to her vision and community.”


In 2022, she produced her first immersive installation, entitled Help Us. Commissioned by the Marion Scott Gallery, Ashoona’s floating constellation of drawn geometric forms was featured that same year at Art Toronto, where it earned critical and popular acclaim.


The last five years have been especially important ones for the artist, not just for her continuing creative growth but also in terms of her growing national and, increasingly, international profile. In 2019, The Power Plant Contemporary Art Gallery in Toronto presented Shuvinai Ashoona: Mapping Worlds, an exhibition that brought together a decade’s worth of Ashoona’s most ambitious works. Curated by Nancy Campbell, the high-profile exhibition toured to several venues across Canada, exposing the general public to Ashoona’s singular vision while confirming her status as one of Canada’s most exciting and talked about contemporary artists.

The exhibition’s catalogue is itself a monument to Ashoona’s practice and place in contemporary Canadian art. At the beginning of 2019, just as the Power Plant’s exhibition was being launched, it was announced that Ashoona had won the 2018 Gershon Iskowitz Prize at the AGO, making her the first Inuk in history to win this prestigious award. In 2021, as part of the terms of the prize, the artist’s work was profiled at the Art Gallery of Ontario in a major exhibition that was entitled Shuvinai Ashoona: Beyond the Visible, making her work even more visible to a wider audience.

Alongside these major breakthroughs within Canada’s borders has been a recent series of announcements, exhibitions and awards that reflect Ashoona’s steadily growing reputation abroad. In 2021, Ashoona’s work was featured in a solo exhibition at the Institute of Contemporary Art Miami, entitled Shuvinai Ashoona: Drawings. The exhibition in Miami wasn’t only Ashoona’s first show in a US museum, but it also marked the first time that a US contemporary art institution has presented a solo exhibition by a Canadian Inuk artist.

In 2022, Ashoona’s work was included in The Milk of Dreams, the 59th International Art Exhibition, also known as the Venice Biennale.

Ashoona’s inclusion in this major international showcase brought her distinctive expression to the attention of a global audience for the first time. The official jury’s decision to award Ashoona one of two special mentions brought even more attention to her installation, further attesting to her work’s unique power and appeal. Those same drawings are currently being featured at London’s The Perimeter, in a presentation entitled Shuvinai Ashoona: When I Draw, the artist’s second solo exhibition in the UK. For more biographical information about Shuvinai Ashoona click here. For the Silo, Paul Clarke.

Featured image: SHUVINAI+ASHOONA-2009 untitled graphite coloured pencil and pentel pen.