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Aird Gallery Toronto- ABSTRACTS 2025 Now Live

ABSTRACTS 2025

ABSTRACTS 2025

Juried Online Exhibition and Catalogue

JUROR: LYLA RYE
DESIGNER: ELIZA TRENT RENNICK
FOREWORD BY ARNIE GUHA

Abstraction is not an absence. It is a decision.

To abstract is to strip away the familiar scaffolding of representation and ask a more difficult question: what remains when narrative recedes? What persists when image is released from obligation to describe?

The works gathered in ABSTRACTS, curated and juried by Lyla Rye, demonstrate that abstraction is not a single language but a constellation of methods. Across painting, digital media, photography, drawing, sculpture, and mixed media, the artists in this exhibition approach abstraction not as retreat, but as inquiry. Form becomes structure. Colour becomes an event. Gesture becomes argument.

Some works carve space. Some map pattern. Some lean into material process; others into digital construction. Some are quiet. Others declare themselves boldly. What binds them is not style, but intention, a commitment to exploring what visual language can do when it is freed from depiction.

In a moment saturated with image and immediacy, abstraction asks us to slow down. It resists instant readability. It rewards attention. It invites the viewer into a more active role: not decoding a message but participating in meaning.

Lyla Rye’s curatorial vision has brought together an expansive and diverse group of artists, each working from a distinct vantage point. The result is not a unified aesthetic, but a dynamic field of approaches; evidence that abstraction remains a vital and evolving force within contemporary practice.

This catalogue, designed with clarity and care by Eliza Trent-Rennick, extends the life of the exhibition beyond the gallery walls. It documents not only the works themselves, but the range of conversations that abstraction continues to generate.

The Aird Gallery exists to provide a platform for artists across Ontario to present rigorous, thoughtful work. ABSTRACTS reflect that mandate fully. It demonstrates that abstraction is not a historical chapter closed in the twentieth century, but an ongoing experiment — one that continues to expand, fracture, and renew itself.

On behalf of the Aird Board and our partner societies, I extend sincere thanks to Lyla Rye for her discernment and generosity in shaping this exhibition, and to all participating artists for the strength and depth of their contributions.

Abstraction endures because it asks us not simply to look, but to engage. Thank you for engaging with the Aird and with our shared commitment to the arts in Ontario.

Arnie Guha
Executive Chair

ABSTRACTS 2025 ARTIST LIST

Doug Adams, Maria-Bida Albulet, Sandra Altwerger, Hadeel Alzoubi, Jarrod Barker, Peter Barron, Peggy Bell, Leslie Bertin, Ioana Bertrand, Ilija Blanusa, Monica Burnside, Mike Callaghan, Jeannie Catchpole, Emily Conlon, Anne-Marie Cosgrove, Damon Couto-Hill, Edward Donald, Holy Dunlop, Agata Dworzak-Subocz, Azar Ebrahimi, Jill Finney, Saremifar Firouzeh, Julie Florio, Elissa Gallander, Monica Gewurz, Kathy Granger Tucker, Arnie Guha, Diana Hamer, Katherine Hartel, Katharine Harvey, Janet Hendershot, Leighton Hern, Ted Karkut, Hyunryoung Kim, Rupen Kungus, Em LeightonHern, Maureen Lowry, Dimitrije Martinovic, Lisa Mason, Claudia McKnight, Carole Milon, Leah Oates, Ovidiu Petca, Ann Piche, Fraser Radford, Leena Raudvee, Dale M Reid, Heather Rigby, Liz Ruest, Colleen Schindler, Pearl Sequeira, Sara Shields, Nancy Simmons Smith, Shawn Skeir, Alayne Spafford, Marisa Swangha, Karen Taylor, Sarah Thompson, Lorraine Thorarinson Bretts, Terry Torra, Margaret Wasiuta, Holly Winters, and Anna Yuschuk.

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BIOGRAPHY

Lyla Rye is a Toronto based artist who began her studies in architecture. She works in installation, sculpture, video and photography to explore our experience of architectural space. Rye studied at the University of Waterloo, York University and the San Francisco Art Institute. For over 30 years her work has been exhibited in galleries and screenings across Canada and internationally including New York, San Francisco, Adelaide, Auckland, Paris, and Berlin. She has exhibited at The Power Plant, The Whitney Museum of American Art, Prefix ICA, Southern Alberta Art Gallery, The Textile Museum of Canada and Olga Korper Gallery among others. She represented Canada at the Karachi Biennale, Pakistan in 2019. She has work in the public collections of the Art Gallery of Nova Scotia, York University, Cadillac Fairview Corporation, The Tom Thomson Art Gallery, The Robert McLaughlin Gallery and as part of Ways of Something at The Whitney Museum of American Art, NY.

Featured image- Liminal Space number 4 by Jarrod Barker.

Toronto Streetcars: Historic And Relevant?

The 50’s!

I am sure that many of you will agree that the streetcars that rumbled through Toronto from 1800s until… let’s say 1990’s helped shape many neighborhood. They were the most effective way to connect Toronto’s core with its suburbs and greatly encouraged development of the communities as new grocery stores, restaurants, galleries, shops and banks as amenities have been built near the streetcar lines.

Standing in the middle of road, going nuts being stuck behind a streetcar, it is sometimes difficult to appreciate how important role they have played in the city’s history.

First Streetcars in Toronto

Inspired by the success of horse-drawn streetcars in the U.S., Alexander Easton’s Toronto Street Railway company started operating in 1861. New rail lines played a vital important role in connecting the city centre with its sleepy suburbs. What started as an enterprise with 6 miles of track and 11 cars, turned slowly into 68 miles of track with 361 street cars. The company expired in 1891 and the management was turned over to the Toronto Transit Commission (TTC).

From 3 cents to $3.25: a brief history of TTC fare hikes - Toronto |  Globalnews.ca

The next company to take control over the system was the Toronto Railway Company, under which first electric streetcars were introduced. All services were later taken over by the Toronto Transportation Commission, which was later renamed to the Toronto Transit Commission (TTC).

Building street car tracks on Bay St. Toronto circa 1918

However, even streetcars had their bad times. In the 1960s they were almost abandoned when people thought of it as an outdated mode of transportation. Thirty years later it fell upon hard times once again because of budget cuts, the recession and its inability to service the rapidly-growing parts of the city.

TTC lost $61M to fare evasion in 2018 - Trainsfare

It took months for the TTC to pull itself out of its bad times, but streetcars somehow managed to return back to their previous fame. Since then, the company’s services have been improving every year, but there are still some issues. Let’s take a look at the current state of the streetcar rail services in Toronto, its advantages and the most annoying faults.

The Ashbridges Bay street car line 1917.

Present

Although the number of streetcars crossing the city declined in the latter half of the 20th century, they never disappeared completely. In fact, streetcars have become a vital part of Toronto’s history and nearly every citizen’s life. Nowadays, the city owns 247 streetcars, of which 52 are higher-capacity articulated streetcars. These operate over 11 routes, serving a total of 617 stops over a system length of 75 kilometers. These numbers make it by far the largest surface rail system in North America.

Toronto Public Transportation map
Public transportation in Toronto relies heavily on streetcars in the downtown core which is the thin red lines you see on the TTC map above. Technically, they’re light rail trains, but locals refer to them as streetcars. Each line usually follows a street e.g. 501 Queen St., so it shouldn’t be too hard to get on the right vehicle.

Done right, streetcars can really encourage the overall development of the city, they are able to define whole neighborhoods, reduce traffic congestion, reinforce retail, bring life to streets and fit easily into the surroundings without disruption to existing businesses, residents or traffic.

Pros

One of the main advantages of streetcars is its high passenger capacity. Streetcars carry between 75 and 100 people per vehicle.

Regarding energy efficiency, streetcars are believed to do a little bit more for the environment that other public transport systems. Because every streetcar user means one less car on the road, words such as clean air quality, for environmental sustainability, for climate protection are often associated with streetcars. In fact, nothing drops greenhouse gas emissions faster than effective rapid transit, so if we truly want green for Toronto, streetcars might be the answer.

Another argument made in favor of streetcars is their long lifespan. The vehicles are designed to be very durable and can keep running for over 30 years. In contrast, buses wear out after just 8 – 12 years.

One of the “last” Toronto street cars. image: blogto.com

Since they are longer-lasting than other means of transport, the cost of repair and replacement is typically also much lower.

One ride costs $3.25, making it a very cheap transit option across the city. At the same time they are relatively fast to build, without impacting the city for a long period of time and resulting in minimal disruption to the neighborhood.

Streetcars can be so charming. Well, this is a subjective opinion, but have you seen vintage trolleys in San Francisco or New Orleans? They’re so awesome.

Cons

There are two sides to every coin so we have to mention disadvantages of streetcars, too. Once again, let’s talk about their passenger capacity. Even though they carry a relatively high number of passengers, the difference between a streetcar, LRT and subway is noticeable. Just for comparison, a subway train can hold up to 1500 passengers and an LRV can hold up to 255 people in a single vehicle (depending on speeds, frequency and actual vehicle length and capacity).

Next, streetcars require “loops” to turn around, which slows them down. This is not the case with cars, LRVs or subways.

Streetcars are noticeably slower than cars as they are travelling at speed of about 17km/h. LRVs run at an average of 27km/h and subways at 32km/h.

Streetcars are said to contribute to traffic congestion greatly. Imagine a situation when a streetcar stops to let passengers load on or get off. In such situation, both lanes at of traffic are blocked. This causes delays and angst among riders. If you’ve ever driven behind a streetcar, you know how much of a problem this is. You have nowhere to go, unless you stand far back enough to turn your car around.

At certain times they may pose danger to both passengers and pedestrians. For example, when cars try to pass them before they stop.

When it comes to costs, it is important to distinguish between the cost of laying down streetcar tracks, maintaining the streetcars themselves and maintaining roads. Streetcars require a whole lot of special mechanics and thus the cost of maintenance is much higher.

And let’s not forget about pollution. You might disagree with a statement that streetcars are a reason behind increased pollution in our city, but if you think about it for a second, you will realize there is some truth in it. Since it creates traffic congestions, it also adds to pollution.

Future of Streetcars

Even though many people are getting more and more angry at streetcars, they are not going anywhere. When (then Mayor) Rob Ford tried to cancel the Transit City light-rail-plan and build tunnels underground in some parts of the city, city council decided to keep new transit lines above ground. The main reason behind this decision was the cost of tunneling and powering subways.

And for those unhappy citizens who are queuing up behind streetcars every morning, the least Toronto could do is indicate that they are keeping an open mind about new subway lines. And let’s not forget that the city intends to build and operate new light rail transit lines, which means that people will be able to travel in new dedicated lines, separated from motor vehicle traffic. For the Silo, Jamie Sarner.