ABSTRACTS 2025

ABSTRACTS 2025

Juried Online Exhibition and Catalogue

JUROR: LYLA RYE
DESIGNER: ELIZA TRENT RENNICK
FOREWORD BY ARNIE GUHA

Abstraction is not an absence. It is a decision.

To abstract is to strip away the familiar scaffolding of representation and ask a more difficult question: what remains when narrative recedes? What persists when image is released from obligation to describe?

The works gathered in ABSTRACTS, curated and juried by Lyla Rye, demonstrate that abstraction is not a single language but a constellation of methods. Across painting, digital media, photography, drawing, sculpture, and mixed media, the artists in this exhibition approach abstraction not as retreat, but as inquiry. Form becomes structure. Colour becomes an event. Gesture becomes argument.

Some works carve space. Some map pattern. Some lean into material process; others into digital construction. Some are quiet. Others declare themselves boldly. What binds them is not style, but intention, a commitment to exploring what visual language can do when it is freed from depiction.

In a moment saturated with image and immediacy, abstraction asks us to slow down. It resists instant readability. It rewards attention. It invites the viewer into a more active role: not decoding a message but participating in meaning.

Lyla Rye’s curatorial vision has brought together an expansive and diverse group of artists, each working from a distinct vantage point. The result is not a unified aesthetic, but a dynamic field of approaches; evidence that abstraction remains a vital and evolving force within contemporary practice.

This catalogue, designed with clarity and care by Eliza Trent-Rennick, extends the life of the exhibition beyond the gallery walls. It documents not only the works themselves, but the range of conversations that abstraction continues to generate.

The Aird Gallery exists to provide a platform for artists across Ontario to present rigorous, thoughtful work. ABSTRACTS reflect that mandate fully. It demonstrates that abstraction is not a historical chapter closed in the twentieth century, but an ongoing experiment — one that continues to expand, fracture, and renew itself.

On behalf of the Aird Board and our partner societies, I extend sincere thanks to Lyla Rye for her discernment and generosity in shaping this exhibition, and to all participating artists for the strength and depth of their contributions.

Abstraction endures because it asks us not simply to look, but to engage. Thank you for engaging with the Aird and with our shared commitment to the arts in Ontario.

Arnie Guha
Executive Chair

ABSTRACTS 2025 ARTIST LIST

Doug Adams, Maria-Bida Albulet, Sandra Altwerger, Hadeel Alzoubi, Jarrod Barker, Peter Barron, Peggy Bell, Leslie Bertin, Ioana Bertrand, Ilija Blanusa, Monica Burnside, Mike Callaghan, Jeannie Catchpole, Emily Conlon, Anne-Marie Cosgrove, Damon Couto-Hill, Edward Donald, Holy Dunlop, Agata Dworzak-Subocz, Azar Ebrahimi, Jill Finney, Saremifar Firouzeh, Julie Florio, Elissa Gallander, Monica Gewurz, Kathy Granger Tucker, Arnie Guha, Diana Hamer, Katherine Hartel, Katharine Harvey, Janet Hendershot, Leighton Hern, Ted Karkut, Hyunryoung Kim, Rupen Kungus, Em LeightonHern, Maureen Lowry, Dimitrije Martinovic, Lisa Mason, Claudia McKnight, Carole Milon, Leah Oates, Ovidiu Petca, Ann Piche, Fraser Radford, Leena Raudvee, Dale M Reid, Heather Rigby, Liz Ruest, Colleen Schindler, Pearl Sequeira, Sara Shields, Nancy Simmons Smith, Shawn Skeir, Alayne Spafford, Marisa Swangha, Karen Taylor, Sarah Thompson, Lorraine Thorarinson Bretts, Terry Torra, Margaret Wasiuta, Holly Winters, and Anna Yuschuk.

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BIOGRAPHY

Lyla Rye is a Toronto based artist who began her studies in architecture. She works in installation, sculpture, video and photography to explore our experience of architectural space. Rye studied at the University of Waterloo, York University and the San Francisco Art Institute. For over 30 years her work has been exhibited in galleries and screenings across Canada and internationally including New York, San Francisco, Adelaide, Auckland, Paris, and Berlin. She has exhibited at The Power Plant, The Whitney Museum of American Art, Prefix ICA, Southern Alberta Art Gallery, The Textile Museum of Canada and Olga Korper Gallery among others. She represented Canada at the Karachi Biennale, Pakistan in 2019. She has work in the public collections of the Art Gallery of Nova Scotia, York University, Cadillac Fairview Corporation, The Tom Thomson Art Gallery, The Robert McLaughlin Gallery and as part of Ways of Something at The Whitney Museum of American Art, NY.

Featured image- Liminal Space number 4 by Jarrod Barker.

LANDSCAPES 2025 is an impressive online survey exhibition adjudicated by the notable public art gallery programmer Krista Young and the celebrated artist Clint Griffin. The John B. Aird Gallery is proud to present its first large group project organized around the Landscape Genre, a genre of art practiced for centuries around the world.

Broadly defined, a landscape practice is a migratory representation of an artist’s creativity within the fluid realms of two- or three-dimensional art, whether representational or non-representational.

This intentionally broad definition allows for a diverse range of artworks, reflecting the variety of contemporary art techniques and practices today.

LANDSCAPES features new work by fifty-five artists inclusive of John Abrams, Rhonda Abrams, Sue Archibald, Joe Atikian, Phill Atwood, Jarrod Barker, Ioana Bertrand, Matthew Brown, J. Lynn Campbell, Alyson Champ, Ava P Christl, Frances Cordero de Bolaños, Glen Cumming, Grace Dam, Fanny Desroches, Jennifer Dobinson, Edward M. Donald, Janice Evans, Tanya Fenkell, Marie Finkelstein, Julie Florio, Robert Fogel, Anna & Richelle Gaby-Trotz & Forsey, Elena Gaevskaya, Arnie Guha, Stev’nn Hall, Michael Hannan, Emily Honderich, Carol Hughes, Connie Ivany, Marlene Klassen, Lisa Litowitz, Ramona Marquez-Ramraj, Claudia McKnight, Susan Munderich, Mahnez Nezarati, Allan O’Marra, Sherry Park, Karen Perlmutter, Piera Pugliese, Jackie Rancourt, Katie Rodgers, Lynne Ryall, Kaija Savinainen, Lee Schnaiberg, Wendy Skog, Carolynn Smallwood, Margaret Stawicki, Kate Taylor, Robert Teteruck, Steph Thompson, Joanna Turlej, Dejana Veljko, Victoria Wallace and Don Woodiwiss.

The landscape work of these artists spans various themes, from expansive vistas and sophisticated gardens to untamed wilderness.

These pieces engage with the dialogue between traditional art history and contemporary interpretations. Some explore the connections between mythologies and landscapes, investigating the relationship between spirituality and nature, which may lead to more abstract representations. Conversely, other works critically examine the impacts of the railroad, displacement, and extraction industries, illustrating the lasting scars these forces leave on the land.

JURORS BIOGRAPHY

Clint Griffin lives and works in Toronto. His work has been widely shown in Canada and the United States. Celebrated in both the contemporary and folk art worlds, Griffin’s work can be found in many private and public collections including the Art Gallery of Ontario, Bank of Montreal and Canada Council Art Bank. Clint currently owns and operates a fine art services business providing service to galleries, artists, collectors and institutions throughout Ontario.

Krista Young has held roles in both administrative and programming capacities at public art galleries in Northern and Northeastern Ontario. Krista has assisted in the development of programming, publications and touring exhibitions. Now based in Toronto, Krista is a small business owner and mother of three.