Annie Pootoogook’s drawing entitled Man Abusing His Partner was selected as one of the best 100 artworks of the 21st century by ArtNews.
Kinngait (Cape Dorset), Nunavut – A drawing by late Inuit artist Annie Pootoogook, who died under suspicious circumstances in 2016, has been named as one of the best artworks of the 21st century by ArtNews, one of the most trusted sources for news about the global art world and art market.
Known for her drawings that depict contemporary Inuit life, her drawing entitled Man Abusing His Partner was selected as one of greatest artworks of the past 25 years.
Annie Pootoogook works on her art on July 10, 2013, in Ottawa. The investigation into her 2016 death has stalled, sources tell CBC News. (Alexei Kintero)
The work on paper illustrates a haunting personal memory from Annie’s life during the early 1990s, when she was in an abusive relationship with a man in Nunavik.
The artwork depicts a violent and threatening scene, with a male figure holding a piece of wood above his head, directed toward a woman who lies defenseless on a bed. Initially, like many women facing similar situations, Annie remained silent about her experiences, reflecting the broader social stigma and silence surrounding violence against women. However, as she found her voice, it became clear that Annie possessed immense courage. She began sharing her story of survival as an Inuit woman, using her artwork as a powerful medium to communicate struggles with addiction, mental health, and intimate partner abuse.
Sadly, on September 19, 2016, Annie’s body was found in the Rideau River in Ottawa. Police declared it a suspicious death, however no arrests were ever made. Annie’s story, which she often conveyed through her work, became a representation of the broader experiences of Inuit and Indigenous women, highlighting the ongoing impact of colonialism and patriarchy in their lives. Her drowning and the subsequent police investigation drew significant attention because of her status as an internationally renowned artist and Inuit woman.
“This significant recognition of Annie Pootoogook is a testament to her enduring importance as a contemporary creator,” said West Baffin Cooperative President Pauloosie Kowmageak. “As we remember her significant contributions we also have the opportunity to look forward, knowing that her personal resilience and artistic innovation is inspiring new generations.’
Pootoogook was an artist member of the West Baffin Cooperative, Canada’s oldest Inuit owned and led social enterprise.
She was the third youngest in a family of ten children and grew up surrounded by artists, including both of her parents, as well as her grandmother, the renowned artist Pitseolak Ashoona (c.1904–1983), and her uncle, Kananginak Pootoogook (1935–2010).
Influenced by them, Annie based her drawings on her personal experiences, including her struggles with addiction and domestic violence. Her work found fame in the larger art world and was showcased at the National Gallery of Canada, Art Gallery of Ontario, McMichael Canadian Art Collection, The Power Plant, Biennale de Montreal, Art Basel and Documenta 12, among other exhibitions.
Established in 1959, West Baffin Cooperative has enjoyed an international reputation for the exquisite prints, drawings and carvings created by its Inuit artist members. In addition to operation of the Kinngait Studios at the Kenojuak Cultural Centre in Kinngait, the cooperative maintains a Toronto marketing division office, Dorset Fine Arts, which is responsible for interfacing with galleries, museums, cultural professionals, Inuit art enthusiasts and the art market globally. The mandate of West Baffin Cooperative includes public relations, promotion, advocacy, government relations and special projects relating to Kinngait Inuit art. Governed by an all-Inuit Board of Directors, the organization also maintains a local retail grocery/hardware store, a restaurant, rental properties and various utility contracts. As a community owned organization, practically all Kinngait adults are shareholders, profits are distributed back to the community in the form of annual dividends.
Featured image- Annie Pootoogook, Man Abusing His Partner, 2002 Coloured pencil and ink on paper, 51 x 66.5 cm Collection of John and Joyce Price
