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Star Wars The Arcade Game For The 1980s Coleco Vision Was Rad

Star Wars:The Arcade Game (ColecoVision, 1984) Game Cartridge – Early Concept & Film Screening Logo

Star Wars was an important movie for many reasons beyond the success it achieved as a motion picture. The Star Wars phenom had been born.

Not only did we see the almost immediate impact it would have on motion picture technology, or computer camera controlled stop motion animation, but it wrote the playbook on movie merchandising. Merchandising that included arcade games and home video games. Converting a state of the art Vector graphic arcade game into a home system was a challenge for all systems except for when it came to the ahead-of-its-time Coleco Vision. More on this later….

Had to pay for movie adaptation comic to be created

It’s hard to believe that a movie we have ‘only ever known to enjoy’ the runaway success it has now didn’t have that success so assured early on. That it really came down to one man, first LFL marketer Charles Lippincott – who barely managed to get a toy deal done with Kenner (after MEGO turned him down), and who had to pay (via Fox/Alan Lad Jr.) for the first 5 issues in order for Marvel to agree to draw and write the comic book series, and have the first issue ready before the movie would hit theaters in 1977.

By the time this video game was made by Parker Bros. for the Coleco Vision game console, Star Wars had become a movie merchandising juggernaut, and it was now time to not only refashion the same thrill late 70’s kids experienced through toys, comics and trading cards, but to open up their imagination by reinterpreting iconic ships like the X-Wing and TIE Fighters in pitched battle in a video game format to be played on on their own TV screens at home.

In 1984, Coleco Vision released this Star Wars arcade game.

And to anyone remembering the vibe and nostalgia of growing-up in those early days of video games and the arcade experience, it’s an image that’s been burned into your brain. However, what you might not realize is that this arcade conversion cartridge utilized a very early logo that was used on the first movie poster. It was part of early concepts logos that Ralph McQuarrie had come up with for use in the very early screenings of the movie. The cone-top of this original early Star Wars logo evokes the iconic opening crawl of the film, which was completely unknown to audiences in 1977. Don Perri, the person who came up with the conceptual design, was influenced by the 1939 film Union Pacific’s opening credits.

Label Variant

There are collectors of early arcade games, there are collectors of early Star Wars cartridges and video games, and then there are collectors who just buy any of the early logos used on merchandise. Because of the label, this cart has great cross-collector appeal, and while I haven’t tested it for some time (used to play it with my oldest, who is now off to college), here is a screenshot I took when we played it on our home projector. I have decided to pass this beauty on and so it is for sale and I am happy to tell you more about this totally awesome cartridge.

For the Silo, Bounty Quicker.

Warhol, Lichtenstein Art Auction look back

Is it us or is there something 'photoshop' and 'meme'-like to Warhol's work? CP

Almost one decade ago: Andy Warhol’s “Endangered Species and Ads” prints bring a combined $677,000 USD alone at this notable Modern and Contemporary Art event.

Two complete portfolios by Andy Warhol, Endangered Species, 1983 and Ads, 1985, sold for $338,500 USD each to far exceed their estimates among a field of fresh-to-market iconic works during Heritage Auctions’ $2.9 million USD Modern and Contemporary Art Signature® Auction, May 22 in Dallas.

The auction sold 90% by value and 78% by lot.

Close up of one of the ten screenprints up for auction by ANDY WARHOL (American, 1928-1987) Ads, 1985 Portfolio of ten screenprints on Lenox Museum Board 38 x 38 inches (96.5 x 96.5 cm) Ed. 50/190 Each signed and numbered in pencil Printed by Rupert Jasen Smith, New York Published by Ronald Feldman Fine Arts, Inc., New York PROVENANCE: Private collection, Texas LITERATURE: Feldman & Schellmann, II.350-359 Warhol, Andy:. American painter, photographer, filmaker and publisher, 1928-1987
Close up of one of the ten screenprints up for auction by ANDY WARHOL (American, 1928-1987)
Ads, 1985
Portfolio of ten screenprints on Lenox Museum Board
38 x 38 inches (96.5 x 96.5 cm)
Ed. 50/190
Each signed and numbered in pencil
Printed by Rupert Jasen Smith, New York
Published by Ronald Feldman Fine Arts, Inc., New York
PROVENANCE:
Private collection, Texas
LITERATURE:
Feldman & Schellmann, II.350-359
Warhol, Andy:. American painter, photographer, filmaker and publisher, 1928-1987

Here's a look at some of the other Warhol auctions. Endangered Species earned over 1/3 of a million dollars. CP

ANDY WARHOL (American, 1928-1987)

Ads, 1985

Portfolio of ten screenprints on Lenox Museum Board

38 x 38 inches (96.5 x 96.5 cm)

Ed. 50/190

Each signed and numbered in pencil

Printed by Rupert Jasen Smith, New York

Published by Ronald Feldman Fine Arts, Inc., New York

PROVENANCE:

Private collection, Texas

LITERATURE:

Feldman & Schellmann, II.350-359

Warhol, Andy: American painter, photographer, filmaker and publisher, 1928-1987

Condition Report*:

With original Ronald Feldman Fine Arts, Inc. cardboard portfolio box and index print. All screenprints unframed and in good condition with specifics listed below. Mobil: Minor rubbing 3/8″ in due to former frame. A few incidental surface scratches and rubs. One 5/8″ abrasion, resulting in very minor loss. Paramount: Minor rubbing 3/8′ to 1/2″ due to former frame. Very minor bumping to bottom right corner. Chanel: 1/2″ to 1″ light rubbing due to former frame. Slate purple backgrund has hazy toning, beginning about 1/4″ in. Apple: Very minor incidental rubbing to edge. Rebel Without A Cause (James Dean); Van Heusen (Ronald Reagan); Blackglama (Judy Garland): All have only very minor edgewear. Volkswagen; Life Savers: Very minor surface rubbing and edgewear. Donald Duck: Very minor edgewear. Top corners have minor wear. Light handling creases. Some wrinkling and an indentation at end of signature. Left side center shows some moderate wrinkling and creases with some minor loss, beginning at 11″ from the bottom up to 24″, and affecting 3″ into the work. The face and body of Donald Duck is affected somewhat, as well as the background near edge. Light wear in top left corner and a small abrasion on middle right side. Unframed

Two works by Ed Ruscha responded well among buyers as his gunpowder on paper titled Rustic Pines, 1967, realized $290,500 USD and a color screenprint, Double Standard, 1969, sold for $182,500 USD , setting a record for the work. Mel Ramos’ Georgia Peach, 1964, fresh from a Texas collection, sold for $158,500 USD.

“The market for good contemporary art doesn’t seem to have hit any ceiling,” said Frank Hettig, Director of Modern and Contemporary Art at Heritage. “Our focus is presenting fantastic, fresh-to-market discoveries and bidders certainly responded in kind. It gives us high expectations for our November 2 Modern and Contemporary auction in Dallas.”

Among the modern masterpieces in the auction, the magnificent, 7-foot Cobalt Chandelier, 2003, by Dale Chihuly reached $158,500 USD. It is the largest Chihuly chandelier to appear on the secondary market and was offered through a federal court-appointed receivership overseeing the sale of assets previously owned by R. Allen Stanford of Stanford Financial Group.

Forms in Space by Lichtenstein earned $53,125.
Forms in Space by Lichtenstein earned $53,125.

Roy Lichtenstein’s Forms in Space, 1985, a screenprint published by the artist for the Institute of Contemporary Art’s Rally round the Flag benefit, achieved $53,125 USD and Georges Rouault’s Chemineau, 1937, realized $40,625 USD.

Here's a look at what some Lichtenstein's other pieces sold for.
Here’s a look at what some Lichtenstein’s other pieces sold for.

Sculptural art performed well as Étienne Hajdu’s La Mer, 1964, sold for $35,000 USD and Pablo Picasso’s Vase deux anses hautes, 1953, sold for $30,000 USD while Robert Graham’s Frieze Figure I-G, 1989/1990, brought $21,250 USD.

So what is that Volkswagen Warhol worth today in 2021? It’s hard to pen the value but in Spring 2019 one single print ad brought 30,000 UK Pounds ( 52,000 $ CAD) in a Christie’s auction.

 

 

ROY LICHTENSTEIN (American, 1923-1997)

 Forms in Space, 1985

 Screenprint in colors on Rives BFK paper

 31 x 47-1/2 inches (78.7 x 120.7 cm)

 Ed. 35/125

 Signed, dated and numbered in pencil

 

LITERATURE:

 Corlett, 217

NOTE:

 Published by the artist for the Institute of Contemporary Art, University of Pennsylvania, Philadelphia.

 Forms in Space has been created especially in honor of ICA’s benefit, Rally round the Flag (label on frame verso) .

Lichtenstein, Roy:. American painter, printmaker; born 1923 in New York City, died 1997 in New York City

 

Condition Report*:

 Sheet: 35.75 x 51.5 A crease in upper center at extreme sheet edge; small pressure mark at lower right corner; lower right corner lightly bumped; paper lightly undulates; framed. Framed Dimensions 36.25 X 52.5 Inches

 

Supplemental- Apple logo designer dishes on history http://www.macworld.com/article/1142322/logo_design.html