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Book Spotlight- Women Of Architecture

Women of Architecture: a collective of unique voices

Throughout history, architecture has spoken — shaping society, holding memory, imagining the future. Yet too often, the female voice behind that speech has been softened, its echoes diminished. Women of Architecture: a collective of unique voices, a special edition of the New View series, seeks not to shout, but to speak — clearly, boldly, and with grace. This landmark volume honors twenty-five leading women architects whose work is as deeply intelligent as it is beautifully human. Their projects reveal not only where we live, but how we live — and why it matters.

Designed with museum-quality elegance and presented with curatorial care, the book invites readers into a gallery of real spaces that are not about grandeur or pretense, but purpose and poetry. With 12-page dedicated spreads, each architect’s story is captured in imagery and narrative that reflect the integrity of her vision.

This is not a collection of extravagance — it is a tribute to homes that breathe, spaces that embrace, and ideas that endure.

Beth Buckley is the Founder and Creative Director of benton buckley books ― an independent publishing house born from a lifelong love affair with beauty, culture, artistry, and the belief that extraordinary creative voices deserve to be seen widely, not selectively confined by inherited systems of exclusivity and cultural hierarchy.

With a career steeped in publishing, visual storytelling, curation, and cultural dialogue, Beth has become known for her rare instinct for authenticity, romantic sense of purpose, and ability to recognize meaningful creative work in a world increasingly shaped by repetition, algorithms, and manufactured relevance. Her work is guided less by trend than by instinct ― an instinct toward originality, emotional resonance, daring perspectives, and the artists whose work lingers long after the moment has passed.

Part publisher, part curator, part cultural provocateur, Beth founded benton buckley books in quiet rebellion against an industry that too often mistakes control for stewardship. She believes beautiful work should move through the world freely ― discussed, discovered, shared generously, and allowed to become part of a larger cultural conversation. The role of thoughtful publishing should not be to narrow the room. It should be to widen it.

Her philosophy is simple: the public deserves exposure not only to the familiar names endlessly repeated into relevance, but also to the extraordinary creatives still waiting to be discovered.

Over the years, Beth has collaborated with celebrated and emerging voices alike across architecture, interior design, travel, culinary arts, fashion, and visual culture ― always with the same conviction: the art comes first.

Like a curator assembling a living gallery of dreams, Beth approaches publishing not merely as production, but as preservation ― creating museum-quality books that invite beauty to linger well beyond the fleeting pace of modern media. She believes books are among the last truly permanent cultural objects we leave behind; vessels of imagination, dialogue, humanity, and memory.

And perhaps that is precisely why she continues making them.  Smiling at the thought and enchanted by the notion that beauty (and a book) can outlive the moment. 

In these pages, you will meet Lauren Adams, Amy Alper, Julia Arria, Maura Fernández Abernethy, Laura Juarez Baggett, Kristen Becker, Katherine Chia, Lise de Vito, Bibiana Dykema, Gale Goff, Laura Huylebroeck, Sussan Lari, Rebecca Lazenby, Annie Lo, Antonina Markoff, Marica McKeel, Kelly Murdock Solon, Joyce Owens, Anik Pearson, Julia Sanford, Mary Ann Gabriele Schicketanz, Ashley Sullivan, Andrea Swan, Michele Thackrah, and Nancy S. Weinman — women who, with every line and light-filled space, reveal a new vernacular of beauty. Women of Architecture shares the influences of the women featured in it — and the unique perspectives of women in architecture.

For the Silo, Jarrod Barker.

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Whatever it is, the way you tell your story online can make all the difference.

Title: Women of Architecture: a collective of unique voices

Publication Date: ‎
Language: ‎ English
Hardcover: ‎ 376 pages
ISBN-13: ‎ 979-8-9873391-4-5
Dimensions: ‎ 9.625 x 13 inches

The Best Theater Sound System In Finland

— Kino Piispanristi integrates Genelec’s famous “The Ones” loudspeaker range along with the latest Dolby Surround technology to deliver premium audio quality — the best to be found (and heard) in Finland.

NATICK, MA, August, 2024 —Kino Piispanristi is a full-service 286-seat independent movie theater close to Turku, Finland. The venue is a long-time passion project of Henry Erkkilä, a movie lover who wanted to create a modern cinema that transcends tradition when it comes to audio-visual technology. Kino Piispanristi cinema strives to continually deliver a superior experience, so its luxury new premium screen features a Genelec sound system comprising the brand’s unmatched smart active studio loudspeakers and subwoofers.

Genelec “The Ones”

Erkkilä discovered his love for the film industry as a young boy. His father had a film projector that he travelled around Sweden with, bringing the latest screen favorites to audiences in his home country. Prior to the screening, Erkkilä would be tasked with dropping off advertisements in the local area, showcasing the movie on offer that evening and encouraging people to attend.

Inspired by his father, he set up his very own touring movie theater concept in 1998, but it wasn’t until 2017 that Erkkilä finally opened his first permanent space. Kino Piispanristi began with two theaters, but now the cinema boasts five screens, as well as additional venues in Turku, Salo and Laitila.

“We strive to offer all the perks of a modern cinema without being a faceless corporation,” begins Erkkilä.

A look at some of the Genelec’s installed in Kino Premium.

“We react to trends quickly and make moves boldly so that our customers can walk in and out feeling happy. Having the greatest theater sound system in Finland is an excellent way to help us light up people’s faces!”

Kino Piispanristi’s newest screen is a premium, more intimate space with exceptional picture quality and a 7.1 audio system based around Genelec’s “The Ones” family of coaxial three-way studio loudspeakers – which deliver extended frequency response, controlled directivity and fatigue-free listening. Three 8361s – the flagship of The Ones range – are deployed for LCR, with six of the more compact 8341s in the surround positions, complemented by two 7380 subwoofers for clean, controlled LF performance.

“For our premium space theater, sound is everything.”

“Theater technology, be it projectors, screens, audio or seats, is constantly evolving and unless you’re among the frontrunners, you might get left behind,” Erkkilä explains. “Genelec is widely known and admired as a wonderful example of Finnish engineering and design. As a local business, we try to emphasize the importance of using locally sourced products, and Genelec’s quality is unmatched. This was a pilot project for us and we’re looking into expanding our other spaces – since it’s been such a hit. We charge a few Euros extra for the premium screen, but the movie experience is so good that our customers still see it as excellent value.”

GLM Space calibration software at work.

Usually found powering the world’s most notable music, broadcast and film studios, Genelec’s studio loudspeakers are now being specified for an increasing number of high-end residential and boutique commercial cinemas around the world – thereby allowing customers to experience the same kind of sonic detail and clarity as the movie creators themselves.

The Ones models provide optimized performance by intelligently adapting to the acoustics of the room, achieved by a combination of GLM space calibration software and internal DSP within each loudspeaker and subwoofer. “GLM calibration allowed us to achieve a better balance with the lower and higher voices on screen,” explains Erkkilä. “Without it, it’s likely that the room would’ve changed the natural feel of the audio. It gave us full control over the system.”

PDF brochure on how Genelec used this cinema for a product case study.

GLM offers precise calibration of each loudspeaker’s in-room frequency response, playback level and distance delay, minimizing unwanted room influences and ensuring the best possible audio quality. In addition to the Genelec system, Kino Piispanristi uses Dolby Cinema processors which bring a natural feel to film soundscapes – immersing the audience in the true excitement of cinema.

“Our expertise in cinema and Genelec’s legacy in sound was the perfect match, and the collaboration was even more meaningful because of the local connection,” concludes Erkkilä. “The Ones loudspeaker series has completely transformed the cinema, and now we can offer audiences everything that the big players can – and more. The cinema is a result of a lot of hard work and dedication, and the Genelec system feels like the icing on the cake. It’s reinvented what we show on the screen.”